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Walt Disney Launches Disney Channel & Toon Disney Channels for The
Disney Channel and Toon Disney Launch in India on 17 December 2004 Mumbai, India, 15 December 2004: For the first time ever kids and families in India will now be able to watch a unique blend of Disney branded and locally produced entertainment that offers something for all members of the family. The launches mark the first dual channel debut by an international broadcaster in the history of Indian television. Disney Channel and Toon Disney will be fully languaged services at launch with almost 3000 hours of multi-genre content already dubbed into multiple languages. Toon Disney will be India’s first and only 24-hour Tamil and Telugu language kids’ channel. Disney Channel will be a 24-hour Hindi service. Both channels will also provide an optional English language feed in appropriate markets. Disney Channel’s programming schedule will include almost 400 episodes of local production, representing the single largest localisation commitment by any international broadcaster. The Channel also sets new standards in providing entertainment that the whole family can enjoy by scheduling approximately 60 movies each month including some of the most celebrated Disney animated and live action features. “The unique strength and appeal of Disney Channel and Toon Disney, combined with the distribution commitment of Star India, give us a great opportunity to capture the hearts of millions of viewers across the country,” said Rajat Jain, Managing Director, WDTVI-I. “As the world leader in kids and family entertainment, we have a huge responsibility to India’s vast and diverse TV viewing population. We have identified several crucial gaps in entertainment currently catering to kids and their families. -
Strategic Management and Global Competition Individual Paper
STRATEGIC MANAGEMENT AND GLOBAL COMPETITION INDIVIDUAL PAPER THE WALT DISNEY COMPANY AND ITS ACQUISITION STRATEGY: PIXAR, MARVEL & LUCASFILM Li Chi Ching Jane Strategic Management and Global Competition, Fall 2016 December 1, 2016 Abstract In this paper, I will analyze the rationale behind Disney’s acquisitions of Pixar, Marvel and Lucasfilm and the subsequent impacts they have on Disney as a whole. Disney has always been relying on its strategic model “The Ripple Effect” for sustainable growth—through creation of a film asset, value can be infused into an array of its related entertainment assets. And a popular film acts like a wave maker in creating ripples that go down to all of Disney’s businesses—success of films are central to Disney’s overall performance. Yet, the absence of successful films from Disney starting from the late 1990s stopped the Disney model from working, resulting in a decline in profits in various business segments within Disney. In light of this problem, Disney chose the path of acquisitions— Pixar was acquired in 2006, while Marvel and Lucasfilm were acquired in 2009 and 2012 respectively. All three acquisitions have one central goal—to find Disney’s way back to the wave makers, and hence make the Disney model work again. The announcement by Disney that it would buy its partner Pixar at $7.4 billion in 2006 once shook the world—many were either having doubts on how such an acquisition would turn out or considering the valuation as too high. Most acquisitions, particularly in media, are value-destroying as opposed to value-creating. -
A Totally Awesome Study of Animated Disney Films and the Development of American Values
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses 2012 Almost there : a totally awesome study of animated Disney films and the development of American values Allyson Scott California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes Recommended Citation Scott, Allyson, "Almost there : a totally awesome study of animated Disney films and the development of American values" (2012). Capstone Projects and Master's Theses. 391. https://digitalcommons.csumb.edu/caps_thes/391 This Capstone Project is brought to you for free and open access by Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. Unless otherwise indicated, this project was conducted as practicum not subject to IRB review but conducted in keeping with applicable regulatory guidance for training purposes. For more information, please contact [email protected]. Social and Behavioral Sciences Department Senior Capstone California State University, Monterey Bay Almost There: A Totally Awesome Study of Animated Disney Films and the Development of American Values Dr. Rebecca Bales, Capstone Advisor Dr. Gerald Shenk, Capstone Instructor Allyson Scott Spring 2012 Acknowledgments This senior capstone has been a year of research, writing, and rewriting. I would first like to thank Dr. Gerald Shenk for agreeing that my topic could be more than an excuse to watch movies for homework. Dr. Rebecca Bales has been a source of guidance and reassurance since I declared myself an SBS major. Both have been instrumental to the completion of this project, and I truly appreciate their humor, support, and advice. -
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 JOSEPH H. HUNT Assistant Attorney General Civil Divis
Case 2:18-cv-02660-JAM-DB Document 2 Filed 09/30/18 Page 1 of 3 JOSEPH H. HUNT 1 Assistant Attorney General 2 Civil Division MCGREGOR SCOTT 3 United States Attorney BRINTON LUCAS 4 Counsel to the Assistant Attorney General 5 JAMES J. GILLIGAN Acting Director, Federal Programs Branch 6 JACQUELINE COLEMAN SNEAD 7 Assistant Branch Director, Federal Programs Branch DAVID SHELLEDY 8 Civil Chief, Assistant United States Attorney JOSEPH BORSON (Va. Bar No. 85519) 9 KEVIN SNELL (NY Bar) 10 Trial Attorneys U.S. Department of Justice 11 Civil Division, Federal Programs Branch 1100 L St. NW 12 Washington, DC 20530 13 Telephone: (202) 305-0924 Fax: (202) 616-8460 14 E-mail: [email protected] 15 Attorneys for the United States 16 UNITED STATES DISTRICT COURT 17 EASTERN DISTRICT OF CALIFORNIA 18 THE UNITED STATES OF AMERICA, 19 Plaintiff, Case No. 20 v. NOTICE OF MOTION AND MOTION 21 FOR PRELIMINARY INJUNCTION THE STATE OF CALIFORNIA; 22 EDMUND GERALD BROWN JR., 23 Governor of California, in his Official Capacity, and XAVIER BECERRA, 24 Attorney General of California, in his 25 Official Capacity, 26 Defendants. 27 28 Notice of motion and motion Case 2:18-cv-02660-JAM-DB Document 2 Filed 09/30/18 Page 2 of 3 NOTICE 1 Notice is hereby given that the United States of America makes the following motion, 2 which it proposes to notice for a hearing on a date 28 days from the date of service or as soon 3 4 thereafter as the matter can be heard at a yet to be determined courtroom. -
Upholding the Disney Utopia Through American Tragedy: a Study of the Walt Disney Company’S Responses to Pearl Harbor and 9/11
Upholding the Disney Utopia Through American Tragedy: A Study of The Walt Disney Company's Responses to Pearl Harbor and 9/11 Lindsay Goddard Senior Thesis presented to the faculty of the American Studies Department at the University of California, Davis March 2021 Abstract Since its founding in October 1923, The Walt Disney Company has en- dured as an influential preserver of fantasy, traditional American values, and folklore. As a company created to entertain the masses, its films often provide a sense of escapism as well as feelings of nostalgia. The company preserves these sentiments by \Disneyfying" danger in its media to shield viewers from harsh realities. Disneyfication is also utilized in the company's responses to cultural shocks and tragedies as it must carefully navigate maintaining its family-friendly reputation, utopian ideals, and financial interests. This paper addresses The Walt Disney Company's responses to two attacks on US soil: the bombing of Pearl Harbor in 1941 and the attacks on September 11, 200l and examines the similarities and differences between the two. By utilizing interviews from Disney employees, animated film shorts, historical accounts, insignia, government documents, and newspaper articles, this paper analyzes the continuity of Disney's methods of dealing with tragedy by controlling the narrative through Disneyfication, employing patriotic rhetoric, and reiterat- ing the original values that form Disney's utopian image. Disney's respon- siveness to changing social and political climates and use of varying mediums in its reactions to harsh realities contributes to the company's enduring rep- utation and presence in American culture. 1 Introduction A young Walt Disney craftily grabbed some shoe polish and cardboard, donned his father's coat, applied black crepe hair to his chin, and went about his day to his fifth-grade class. -
Consuming-Kids-Transcript.Pdf
1 MEDIA EDUCATION F O U N D A T I O N 60 Masonic St. Northampton, MA 01060 | TEL 800.897.0089 | [email protected] | www.mediaed.org Consuming Kids The Commercialization of Childhood Transcript INTRODUCTION The consumer embryo begins to develop during the first year of existence. Children begin their consumer journey in infancy. And they certainly deserve consideration as consumers at that time. – James U. McNeal | Pioneering Youth Marketer [TITLE SCREEN] Consuming Kids: The Commercialization of Childhood NARRATOR: Not since the end of World War II, at the height of the baby boom, have there been so many kids in our midst. There are now more than 52 million kids under 12 in all in the United States – the biggest burst in the U.S. youth population in half a century. And for American business, these kids have come to represent the ultimate prize: an unprecedented, powerful and elusive new demographic to be cut up and captured at all costs. There is no doubt that marketers have their sights on kids because of their increasing buying power – the amount of money they now spend on everything from clothes to music to electronics, totaling some 40 billion dollars every year. But perhaps the bigger reason for marketers’ interest in kids may be the amount of adult spending that American kids under 12 now directly influence – an astronomical 700 billion dollars a year, roughly the equivalent of the combined economies of the world’s 115 poorest countries. DAVID WALSH: One economic impact of children is the money that they themselves spend – the money that they get from their parents or grandparents, the money that they get as allowance; when they get older, the money that they earn themselves. -
Cable Network Unit Values Sources: National Cable & Telecommunications Association, SNL Kagan, the Nielsen Company & Various Sources 2013
Cable Network Unit Values Sources: National Cable & Telecommunications Association, SNL Kagan, The Nielsen Company & Various Sources 2013 Ct. Cable Network 2013 Subscribers 2013 Units 1 3net 1,100,000 3 2 A&E Network 99,000,000 283 3 ABC Family 97,232,000 278 --- Adult Swim (see Cartoon Network) --- --- 4 Africa Channel, The 11,100,000 31 5 AMC 97,000,000 277 --- AmericanLife (see YouToo TV ) --- --- 6 Animal Planet 97,051,000 277 7 Anime Network 84,000,000 240 8 Antena 3 400,000 1 9 Arabic Channel, The 1,014,000 3 10 ART (Arab Radio & Television) 500,000 1 11 ASPIRE 9,900,000 28 12 AXS TV (fka HDNet) 36,900,000 105 13 Bandamax 2,200,000 6 14 Bay News 9 1,000,000 2 15 BBC America 80,687,000 231 16 BBC World News 12,000,000 34 17 BET 98,000,000 280 18 BET Gospel 11,100,000 32 19 BET Hip Hop 700,000 2 --- BET Jazz (see CENTRIC) --- --- 20 Big Ten Network 75,000,000 214 21 Biography Channel 69,316,000 198 22 Blackbelt TV 9,600,000 27 23 Bloomberg Television 73,300,000 209 24 BlueHighways TV 10,100,000 29 25 Boomerang 55,300,000 158 26 Bravo 94,969,000 271 27 Bravo! Canada 5,800,000 16 28 Bridges TV 3,700,000 11 29 California Channel 5,800,000 16 30 Canal 24 Horas 8,000,000 22 31 Canal Sur 2,800,000 8 --- Capital News 9 (see YNN Capital Region ) --- --- 32 Caracol TV 2,000,000 6 33 Cartoon Network / Adult Swim 99,000,000 283 34 Casa Club TV 500,000 1 35 CBS Sports Network (fka CBS College Sports Network) 47,900,000 137 page 1 of 8 2013 Cable Unit Values Exhibit (4-9-13) Ct. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
THE POWER of PARTNERSHIP BELD Annual Report 2004 from the General Manager
BRAINTREE ELECTRIC LIGHT DEPARTMENT THE POWER OF PARTNERSHIP BELD annual report 2004 FROM the general manager... 2004 was an exciting and challenging year for Braintree Electric Light Department. The Electric Division was able to hold rates steady even when energy prices—driven by the cost of natural gas—fluctuated significantly. A number of major projects were completed as well, including improvements to our underground 115 kV transmission system loop, the electrical tie under Route 128 between Wood Road and Brooks Drive, and the installation of decorative streetlights in the Washington Street area. Major projects planned for 2005 include rebuilding and lowering the profile of our Plain Street substation and the installation of a new Supervisory Control and Data Acquisition (SCADA) system. Both of these projects will increase the reliability of our electrical distribution network. William G. Bottiggi The Broadband Division also continued to perform well in the competitive market of General Manager cable TV and high-speed Internet. High-definition television (HDTV) was introduced, and the Cable Modem Termination System (CMTS) was replaced with new higher-capacity equipment. As a result, Internet download speeds were increased from 3 Mbps to 5 Mbps, keeping us ahead of the competition. Even with the expense of these upgrades and other improvements, the Broadband BRAINTREE MUNICIPAL LIGHT BOARD “As they say on my own Division was able to maintain price points significantly below the competition. We are Braintree Electric Light Department (BELD) is a public power looking forward to enhancing our customers’ broadband experience during 2005 with the utility—one of over 2,000 in the country. -
The 35Th Annual Daytime Entertainment Emmy Award
THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES 35th ANNUAL DAYTIME ENTERTAINMENT EMMY ® AWARD NOMINATIONS Daytime Emmy Awards To Be Telecast June 20, 2008 On ABC at 8:00 p.m. (ET) Live from Hollywood’s’ Kodak Theatre Regis Philbin to Receive Lifetime Achievement Award New York – April 30, 2008 – The National Academy of Television Arts & Sciences today announced the nominees for the 35th Annual Daytime Entertainment Emmy ® Awards. The announcement was made live on ABC’s “The View”, hosted by Whoopi Goldberg, Joy Behar, Elisabeth Hasselbeck, and Sherri Shepherd. The nominations were presented by “All My Children” stars Rebecca Budig (Greenlee Smythe) and Cameron Mathison (Ryan Lavery), Farah Fath (Gigi Morasco) and John-Paul Lavoisier (Rex Balsam) of “One Life to Live,” Marcy Rylan (Lizzie Spaulding) from “Guiding Light” and Van Hansis (Luke Snyder) of “As the World Turns” and Bryan Dattilo (Lucas Horton) and Alison Sweeney (Sami DiMera) from “Days of our Lives.” Nominations were announced in the following categories: Outstanding Drama Series; Outstanding Lead Actor/Actress in a Drama Series; Outstanding Supporting Actor/Actress in a Drama Series; Outstanding Younger Actor/Actress in a Drama Series; Outstanding Talk Show – Informative; Outstanding Talk Show - Entertainment; and Outstanding Talk Show Host. As previously announced, this year’s Lifetime Achievement Award will be presented to Regis Philbin, host of “Live with Regis and Kelly.” Since Philbin first stepped in front of the camera more than 40 years ago, he has ambitiously tackled talk shows, game shows and almost anything else television could offer. Early on, Philbin took “A.M. Los Angeles” from the bottom of the ratings to number one through his 7 year tenure and was nationally known as Joey Bishop’s sidekick on “The Joey Bishop Show.” In 1983, he created “The Morning Show” for WABC in his native Manhattan. -
Peter Rice Chairman, Walt Disney Television, and Co-Chair, Disney Media Networks the Walt Disney Company Peter Rice Is Chairman
Peter Rice Chairman, Walt Disney Television, and Co-Chair, Disney Media Networks The Walt Disney Company Peter Rice is chairman of Walt Disney Television and co-chair of Disney Media Networks. He oversees The Walt Disney Company’s entertainment and news television properties. This includes ABC, Disney Channels, Freeform, FX and National Geographic networks; ABC Signature, 20th Television and Touchstone Television; and the ABC Owned Television Stations. Rice also oversees The Walt Disney Company’s equity interest in A+E Networks. He reports to Bob Chapek, chairman and CEO, The Walt Disney Company. Prior to his current role, Rice served as president of 21st Century Fox, and chairman and CEO of Fox Networks Group (FNG), where he was instrumental in driving the growth of FNG’s television business across linear and digital platforms. During his tenure, FNG’s revenue doubled as its portfolio was reorganized and aligned around four key brands reaching more than 2 billion subscribers worldwide. At FNG, Rice oversaw long-term sports rights deals with the NFL, MLB, the UFC, FIFA, WWE and dozens of professional sports leagues and teams. He was a driving force in the formation of National Geographic Partners and the launch of FS1 and FS2. He was responsible for realigning its international channels business in Europe, Asia and Latin America, and integrating the company’s advertising divisions into a single, data-driven enterprise. He oversaw the launch of its Digital Consumer Group; its participation in Hulu, where he serves on the board; and the establishment of FoxNext Games. Under Rice’s leadership, FNG was home to shows including “The Simpsons,” “American Idol,” “Glee,” “The Americans,” “Genius,” “Modern Family,” “Homeland,” “This Is Us” and “Empire,” the World Series, the World Cup and the Super Bowl. -
Children's DVD Titles (Including Parent Collection)
Children’s DVD Titles (including Parent Collection) - as of July 2017 NRA ABC monsters, volume 1: Meet the ABC monsters NRA Abraham Lincoln PG Ace Ventura Jr. pet detective (SDH) PG A.C.O.R.N.S: Operation crack down (CC) NRA Action words, volume 1 NRA Action words, volume 2 NRA Action words, volume 3 NRA Activity TV: Magic, vol. 1 PG Adventure planet (CC) TV-PG Adventure time: The complete first season (2v) (SDH) TV-PG Adventure time: Fionna and Cake (SDH) TV-G Adventures in babysitting (SDH) G Adventures in Zambezia (SDH) NRA Adventures of Bailey: Christmas hero (SDH) NRA Adventures of Bailey: The lost puppy NRA Adventures of Bailey: A night in Cowtown (SDH) G The adventures of Brer Rabbit (SDH) NRA The adventures of Carlos Caterpillar: Litterbug TV-Y The adventures of Chuck & friends: Bumpers up! TV-Y The adventures of Chuck & friends: Friends to the finish TV-Y The adventures of Chuck & friends: Top gear trucks TV-Y The adventures of Chuck & friends: Trucks versus wild TV-Y The adventures of Chuck & friends: When trucks fly G The adventures of Ichabod and Mr. Toad (CC) G The adventures of Ichabod and Mr. Toad (2014) (SDH) G The adventures of Milo and Otis (CC) PG The adventures of Panda Warrior (CC) G Adventures of Pinocchio (CC) PG The adventures of Renny the fox (CC) NRA The adventures of Scooter the penguin (SDH) PG The adventures of Sharkboy and Lavagirl in 3-D (SDH) NRA The adventures of Teddy P. Brains: Journey into the rain forest NRA Adventures of the Gummi Bears (3v) (SDH) PG The adventures of TinTin (CC) NRA Adventures with