Broadway Bound 2016 Broadway Bound 2016 Production Staff Musical Numbers
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July 8-18, 2021
July 8-18, 2021 Val Underwood Artistic Director ExecutiveFrom Directorthe Dear Friends: to offer a world-class training and performance program, to improve Throughout education, and to elevate the spirit of history, global all who participate. pandemics have shaped society, We are delighted to begin our season culture, and with Stars of Tomorrow, featuring institutions. As many successful young alumni of our we find ourselves Young Singer Program—including exiting the Becca Barrett, Stacee Firestone, and COVID-19 crisis, one pandemic and many others. Under the direction subsequent recovery that comes to of both Beth Dunnington and Val mind is the bubonic plague—or Black Underwood, this performance will Death—which devastated Europe and celebrate the art of storytelling in its Asia in the 14th century. There was a most simple and elegant state. The silver lining, however, as it’s believed season also includes performances that the socio-economic impacts of by many of our very own, long- the Plague on European society— time Festival favorites, and two of particularly in Italy—helped create Broadway’s finest, including HPAF the conditions necessary for what is Alumna and 1st Place Winner of arguably the greatest post-pandemic the 2020 HPAF Musical Theatre recovery of all time—the Renaissance. Competition, Nyla Watson (Wicked, The Color Purple). Though our 2021 Summer Festival is not what was initially envisioned, As we enter the recovery phase and we are thrilled to return to in-person many of us eagerly await a return to programming for the first time in 24 “normal,” let’s remember one thing: we months. -
RICHARD ISRAEL Phone: (323) 493-5532 -- Email: [email protected] Richardisraeldirector.Com
RICHARD ISRAEL phone: (323) 493-5532 -- email: [email protected] richardisraeldirector.com • Los Angeles Drama Critics Circle Milton Katselas Award for Career or Special Achievement In Direction • LA Stage Alliance Ovation Award Winner for Best Direction of A Musical, VIOLET • LA Stage Alliance Ovation Award Winner for Best Direction of A Musical, FLOYD COLLINS • LA Stage Alliance Ovation Award Winner for Outstanding Musical in a Large Venue, FLOYD COLLINS • LA Stage Alliance Ovation Award Winner for Outstanding Musical in a Small Venue, 110 IN THE SHADE Upcoming: She Loves Me San Diego Musical Theatre 2020 Rocket Science (In Development) CCM Incubator 2020 Mamma Mia 5-Star Theatricals 2020 A Man Of No Importance The Actor’s Co-op 2020 Film Experience Into Light Musical Short Film 2019 • Honorable Mention – Independent Shorts Awards – Best First Time Director Big Little Lies (Theatrical Coordinator) HBO FILMS/Jean Marc Vallee 2016 NY Theatre Jewel In The Desert (Kevin McCollum-Prod.) In Development 2019 A Very Brady Musical (Broadway & Beyond) In Development 2019 Home Street Home (Kevin McCollum-Prod.) New York Workshop 2018 From Foster Care To Fabulous NY Fringe Festival 2016 Regional and L.A.: Evita In Concert Palos Verdes Performing Arts 2019 The Mollyhouse The Montalban Theatre 2019 The World Goes Round Reprise 2.0 2018 Calvin Berger The Hudson Backstage 2018 Violet The Actor’s Co-Op 2018 • Winner, LA Stage Alliance Ovation Award for Direction of a Musical • Nominated, LA Stage Alliance Ovation Award for Best Production of -
Dstprogram-Ticktickboom
SCOTTSDALE DESERT STAGES THEATRE PRESENTS May 7 – 16, 2021 DESERT STAGES THEATRE SCOTTSDALE, ARIZONA PRESENTS TICK, TICK...BOOM! Book, Music and Lyrics by Jonathan Larson David Auburn, Script Consultant Vocal Arrangements and Orchestrations by Stephen Oremus TICK, TICK...BOOM! was originally produced off-Broadway in June, 2001 by Victoria Leacock, Robyn Goodman, Dede Harris, Lorie Cowen Levy, Beth Smith Co-Directed by Mark and Lynzee 4man TICK TICK BOOM! is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com WELCOME TO DST Welcome to Desert Stages Theatre, and thank you for joining us at this performance of Jonathan Larson’s TICK, TICK...BOOM! The talented casts that will perform in this show over the next two weekends include some DST “regulars” - familiar faces that you have seen here before - as well as actors who are brand new to the DST stage. Thank you to co- directors Mark and Lynzee 4man who were the natural choices to co- direct (and music direct and choreograph) a rock musical that represents our first teen/young adult production in more than a year. They have worked tirelessly with an extremely skilled team of actors, designers, and crew members to bring you this beautiful show, and everyone involved has enjoyed the process very much. We continue our COVID-19 safety protocols and enhanced cleaning measures to keep you and our actors safe. In return, we ask that you kindly wear your mask the entire time you are in the theatre, and stay in your assigned seat. -
Jonathan Larson
Famous New Yorker Jonathan Larson As a playwright, Jonathan Larson could not have written a more dramatic climax than the real, tragic climax of his own story, one of the greatest success stories in modern American theater history. Larson was born in White Plains, Westchester County, on February 4, 1960. He sang in his school choir, played tuba in the band, and was a lead actor in his high school theater company. With a scholarship to Adelphi University, he learned musical composition. After earning a Fine Arts degree, Larson had to wait tables, like many a struggling artist, to pay his share of the rent in a poor New York City apartment while honing his craft. In the 1980s and 1990s, Larson worked in nearly every entertainment medium possible. He won early recognition for co-writing the award-winning cabaret show Saved!, but his rock opera Superbia, inspired by The original Broadway Rent poster George Orwell’s novel 1984, was never fully staged in Larson’s lifetime. Scaling down his ambitions, he performed a one-man show called tick, tick … BOOM! in small “Off -Broadway” theaters. In between major projects, Larson composed music for children’s TV shows, videotapes and storybook cassette tapes. In 1989, playwright Billy Aronson invited Larson to compose the music for a rock opera inspired by La Bohème, a classical opera about hard-living struggling artists in 19th century Paris. Aronson wanted to tell a similar story in modern New York City. His idea literally struck Larson close to home. Drawing on his experiences as a struggling musician, as well as many friends’ struggles with the AIDS virus, Larson wanted to do all the writing himself. -
“Kiss Today Goodbye, and Point Me Toward Tomorrow”
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape. -
South West Regional Event List
South West Regional Festival Event Section Room Event Type School Name Event Title Senior Virtual Solo E Senior SW Solo A Senior Virtual Solo E Musical - Solo Musical HILLSBOROUGH HIGH SCHOOL Here I Am - Dirty Rotten Scoundrels Senior SW Solo A Senior Virtual Solo E Musical - Solo Musical Academy of the Holy Names What Only Love Can See-Caplin Senior SW Solo A Senior Virtual Solo E Musical - Solo Musical Academy of the Holy Names Watch What Happens-Newsies Senior SW Solo A Senior Virtual Solo E Musical - Solo Musical Academy of the Holy Names Dear Friend-She Loves Me Senior SW Solo A Senior Virtual Solo E Musical - Solo Musical Academy of the Holy Names The Writing on the Wall-Mystery of Edwin Drood Senior SW Solo A Senior Virtual Solo E Musical - Solo Musical Academy of the Holy Names Nothing-A Chorus Line Senior SW Solo A Senior Virtual Solo E Musical - Solo Musical SUNLAKE HIGH SCHOOL In Short- Edges Senior SW Solo A Senior Virtual Solo E Musical - Solo Musical SUNLAKE HIGH SCHOOL Screw Loose- Cry Baby Senior SW Solo A Senior Virtual Solo E Musical - Solo Musical NEWSOME HIGH SCHOOL 096623 The Beauty Is from The Light in the Piazza by Adam Guettel and Craig Lucas Senior SW Solo A Senior Virtual Solo E Musical - Solo Musical DAYSPRING ACADEMY Someone To Watch Over Me - Crazy For You Senior SW Solo A Senior Virtual Solo E Musical - Solo Musical NEWSOME HIGH SCHOOL 096623 Getting There from In Transit by Kristen Anderson-Lopez, James-Allen Ford, Russ Kaplan and Sara Wordsworth Senior SW Solo A Senior Virtual Solo E Musical - Solo Musical SUNLAKE HIGH SCHOOL Orphan at 33- Twisted- THE UNTOLD STORY OF A ROYAL VIZIER Senior SW Solo A Senior Virtual Solo E Musical - Solo Musical ST. -
Theatre UAB 2015-2016 Season College of Arts and Sciences Department of Theatre DANCING at LUGHNASA Frank and Joan Dawson, Michael J
The University of Alabama at Birmingham Theatre UAB 2015-2016 Season College of Arts and Sciences Department of Theatre DANCING AT LUGHNASA Frank and Joan Dawson, Michael J. and Mary Anne Freeman by Brian Friel and Directed by Jack Cannon W.B. Philips, Jr. The Sirote Theatre present October 14 - 17 at 7:30pm & October 18 at 2:00pm l STUPID F*CKING BIRD by Aaron Posner Directed by Dennis McLemon The Odess Theatre November 11 - 14 & 18- 20 at 7:30pm & November 21 at 2:00pm THE HUMAN RIGHTS PROJECT by Robert Earl Price Directed by Karla Koskinen The Sirote Theatre February 17- 20 at 7:30pm & February 21 at 2:00pm THEATRE UAB THIRTEENTH ANNUAL FESTIVAL OF TEN MINUTE PLAYS Produced by Lee Shackleford The Odess Theatre March13 at 2:00pm & March 14-17 at 7:30pm SPRING AWAKENING Music by Duncan Sheik. Book & Lyrics by Steven Sater Directed by Valerie Accetta Musical Direction by Carolyn Violi The Sirote Theatre April 6 - 9 at 7:30pm & April 10 at 2:00pm ] ASC Box Office: 975-ARTS. Show information at http://www.uab.edu/cas/theatre/productions in the Alys Robinson Stephens Performing Arts Center OVATIONUAB Theatre UAB Faculty and Administrative StatI (Sponsored by Theatre Advisory Committee) Kelly Dean Allison, Professor .................................................... .. , ......... Chair Opening nights at Theatre UAB are OVATION nights. OVATION UAB features Valerie Accetta, Assistant Professor ..... ....... ... Head of Musical Theatre Performance refreshments and conversation with the director and designers before the show , as well Jack Cannon, Assistant Professor ........................................ Acting/Intro to Theatre as a post-performance party with the cast and crew. -
T H E P Ro G
Friday, February 1, 2019 at 8:30 pm m a r Jose Llana g Kimberly Grigsby , Music Director and Piano o Aaron Heick , Reeds r Pete Donovan , Bass P Jon Epcar , Drums e Sean Driscoll , Guitar h Randy Andos , Trombone T Matt Owens , Trumpet Entcho Todorov and Hiroko Taguchi , Violin Chris Cardona , Viola Clarice Jensen , Cello Jaygee Macapugay , Jeigh Madjus , Billy Bustamante , Renée Albulario , Vocals John Clancy , Orchestrator Michael Starobin , Orchestrator Matt Stine, Music Track Editor This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Lead support provided by PGIM, the global investment management businesses of Prudential Financial, Inc. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Rita J. and Stanley H. Kaplan Family Foundation, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Great Performers Circle, Lincoln Center Spotlight, Chairman’s Council, and Friends of Lincoln Center Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Saturday, February 2 at 8:30 pm Rachael & Vilray Wednesday, February 13 at 8:30 pm Nancy And Beth Thursday, February 14 at 8:30 pm St. -
Sarah EC Maines Marqui Maresca Michael Maresca Dianne Marks
THEATRE AND DANCE FACULTY Cassie Abate Sarah EC Maines Deb Alley Marqui Maresca Ana Carrillo Baer Michael Maresca Natalie Blackman Dianne Marks Greg Bolin Ana Martinez Linda Nenno-Breining Johnny McAllister Kaysie Seitz Brown Amanda McCorkle Elizabeth Buckley Anne McMeeking Trad Burns Brandon R. McWilliams Susan Busa Toby Minor Claire Canavan Jordan Morille Michael Costello Nadine Mozon Michelle Dahlenburg Michelle Nance Tom Delbello Charles Ney Cheri Prough DeVol Michelle Ney Tammy Fife Christa Oliver John Fleming Phillip Owen Misti Galvan William R. Peeler Kevin Gates Bryan Poyser Babs George Aimee Radics Kate Glasheen-Dentino Shannon Richey Brandon Gonzalez Melissa Rodriguez Shelby Hadden Jerry Ruiz Shay Hartung Ishii Sideny Rushing Cathy Hawes Colin Shay Yesenia Herrington Vlasta Silhavy Kaitlin Hopkins LeAnne Smith Randy Huke Shane K. Smith Marcie Jewell Alexander Sterns Erin Kehr Colin D. Swanson Lynzy Lab Caitlin Turnage Laura Lane Neil Patrick Stewart Nick Lawson Scott Vandenberg Eugene Lee Nicole Wesley Clay Liford Yong Suk Yoo STAFF Carl Booker Kim Dunbar Jessica Graham Tina Hyatt Dwight Markus Monica Pasut Jennifer Richards Lori Smith FRONT OF HOUSE STAFF Robert Styers Virtual Theatre Spring 2021 CAST MELCHIOR...............................................................Jeremiah Porter WENDLA.............................................................Kyra Belle Johnson MORITZ............................................................................Riley Clark Department of Theatre and Dance presents ILSE...........................................................................Micaela -
Marvin Hamlisch
tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST -
LIZZIE MOORE Personal Details Age Range 27-37 Height 173Cm | 5’8” Hair Brown | Shoulder Length Eyes Blue-Green Vocal Range F#3 – C6 (Belt to Eb5)
Better Management Entertainment Group LIZZIE MOORE Personal Details Age Range 27-37 Height 173cm | 5’8” Hair Brown | Shoulder length Eyes Blue-green Vocal Range F#3 – C6 (Belt to Eb5) Theatre Experience (partial list) 2019 Sweet Charity Nickie/Ursula Understudy Productions: Dir. Maureen Bowra/Kris Stewart 2018 Coal Miner’s Daughter Patsy Cline Mario Maiolo Productions: Dir. Amber Joy Poulton 2017 The Last Five Years Cathy Hiatt Wax Lyrical Productions Dir. Zoe Tuffin 2017 Kiss Me, Kate Hattie Opera Queensland: M.Dir. Guy Noble 2016 Other Women headlining vocalist Wonderland Festival Dir: Zoe Tuffin 2016 State of Origin Margaret Strut & Fret: Dir. David Bell 2016 Gaybies actor / vocalist Melt Festival/Brisbane Powerhouse 2015 Cool Britannia self Brisbane Powerhouse/Queensland Cabaret Festival 2014 Jesus Christ Superstar Mary Magdalene Arts Centre Gold Coast: Dir. Kris Stewart 2014 On A Night Like This Erin Minogue Adelaide and Queensland Cabaret Festival/ BL_NK, London 2013 Ordinary Days Deb Tasmanian Theatre Company: Dir. Kris Stewart 2013 Live! At The Riviera female lead Ten Days on the Island Festival 2012 Cabaret Sally Bowles The Playhouse Theatre: Dir. Allan Jeffries 2011 Trocadero Dance Palace Elizabeth Sydney Festival: Dir. Kris Stewart 2010 [title of show] Heidi Squabbalogic/The Seymour Centre: Dir. Jay James-Moody 2009 Closer solo cabaret season The Duplex, New York City: Dir. Jessica McLeod 2008 La Femme Est Morte Two PS 122, New York City (Off-Broadway): Dir. Shoni Currier 2007 You People Teena/rock soloist The Shalimar, New York City: Dir. Joey Williams 2007 Guerrilla Musicals Project Emily New York Musical Theatre Festival: Dir. -
Michaela Murphy July 7, 2011 773-398-4522 Photos Available at [email protected]
FOR IMMEDIATE RELEASE CONTACT: Michaela Murphy July 7, 2011 773-398-4522 Photos Available at [email protected] www.playwrightsfoundation.org TOP BAY AREA ACTORS, DIRECTORS AND DRAMATURGS TAPPED FOR 2011 BAY AREA PLAYWRIGHTS FESTIVAL TheatreWorks’ Meredith McDonough, Marin Theatre Company’s Ryan Rilette & Bay Area Actors, Naomi Newman, Nicol Foster and Dan Hiatt Among the Artists Supporting our Playwrights in Annual New Play Festival SAN FRANCISCO – The 34th annual Bay Area Playwrights Festival (BAPF) has completed assembly of its artistic teams and is sure to continue its tradition of producing exciting, innovative theatrical experiences. The Festival lineup includes seven new plays in the making – allowing audiences to witness the creative process as it unfolds – and partake in a rich diversity of voices and topics, ranging from the challenges of welcoming home an Iraqi war veteran to Australian racial identity to life and death on the streets of Oakland. With exceptional directors orchestrating a cast of top Bay Area actors who bring their keen artistic sensibilities to each piece and talented dramaturgs helping the writers further shape their work (a dramaturg’s function is similar to that of a book editor), each play has been carefully staffed to provide playwrights and audiences with an amazing experience in new play development. As in years past, the Festival has attracted some of the most exciting up-and-coming directing talent who are eager to tackle the exciting new work brought by the emerging playwrights. Dan Dietz’s Home Below Zero will be directed by Meredith McDonough, who, despite being a relative newcomer to Bay Area theater, has made a significant mark since her arrival in 2009.