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Adam4adam Asianfriend Dearly Beloved Bitch Behind Bars The
#1035 nightspots February 2, 2011 Adam4Adam AsianFriend Dearly Beloved Bitch Behind Bars 2 The Tongue Upright Citizen Chica Grande Jeepers Piepers 5sum Bent Boriqua Mr. Perfect Stranglers 5 1 Minerva Wrecks Circuit Daddy The Continental Shameless Boi-lesque ASS Da Gay Mayor Adam5Adam 1 Happy The richness Valentines, of Amanda Nightspots-style. Lepore. page 13 page 11 That Guy by Kirk Williamson In lieu of my column this week... [email protected] JOSEPH J. MAGGIO Joseph J. Maggio, age 58, passed away suddenly at his home on January 17. Best Friend and life partner of Jimmy Keup, Joe was the love of his life. Devoted son to the late Tina Riotto and the late Bartolo Maggio; brother of Maria (David) Guzik; and uncle to Mathew. Joe was a graduate of St. Partrick High School, received his Bachelor’s degree from Loyola University and his Master’s degree from Northeastern University. He began his long career as a teacher at Notre Dame High School for Girls in 1977. For the last 20 years, Joe taught math at St. Ignatius College Prep, and was honored to serve as coach of their Math Team. Among his other passions in life were real estate development, The Jackhammer Bar and The Ashland Arms Guest House. A Celebration of Life will take place Sat., February 12, 2011, from 2-4 p.m. at Unity in Chicago, 1925 W. Thome Avenue, Chicago, IL 60660. The celebration will then move to Jackhammer, 6406 N. Clark St. Donations to Alzheimer’s Association would be appreciated. PUBLISHER Tracy Baim ASSISTANT PUBLISHER Terri Klinsky nightspots MANAGING EDITOR -
A King Named Nicki: Strategic Queerness and the Black Femmecee
Women & Performance: a journal of feminist theory ISSN: 0740-770X (Print) 1748-5819 (Online) Journal homepage: http://www.tandfonline.com/loi/rwap20 A king named Nicki: strategic queerness and the black femmecee Savannah Shange To cite this article: Savannah Shange (2014) A king named Nicki: strategic queerness and the black femmecee, Women & Performance: a journal of feminist theory, 24:1, 29-45, DOI: 10.1080/0740770X.2014.901602 To link to this article: https://doi.org/10.1080/0740770X.2014.901602 Published online: 14 May 2014. Submit your article to this journal Article views: 2181 View Crossmark data Citing articles: 2 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rwap20 Women & Performance: a journal of feminist theory, 2014 Vol. 24, No. 1, 29–45, http://dx.doi.org/10.1080/0740770X.2014.901602 A king named Nicki: strategic queerness and the black femmecee Savannah Shange* Department of Africana Studies and the Graduate School of Education, University of Pennsylvania, Philadelphia, PA, United States This article explores the deployment of race, queer sexuality, and femme gender performance in the work of rapper and pop musical artist Nicki Minaj. The author argues that Minaj’s complex assemblage of public personae functions as a sort of “bait and switch” on the laws of normativity, where she appears to perform as “straight” or “queer,” while upon closer examination, she refuses to be legible as either. Rather than perpetuate notions of Minaj as yet another pop diva, the author proposes that Minaj signals the emergence of the femmecee, or a rapper whose critical, strategic performance of queer femininity is inextricably linked to the production and reception of their rhymes. -
Why Stonewall Still Matters…
PrideLife Magazine 2019 / pridelifemagazine 2019 @pridelife YOUR ESSENTIAL th 2020 ELECTION 50 PRIMER stonewall P.68 anniversaryspecial issue STEP INSIDE THE NIGHT OF WHY THE RIOTS STONEWALL P.50 STILL MATTERS… THE FIERCE WITH EXCLUSIVE AND TRIBUTES FROM FABULOUS Asia Kate Dillon Jesse Tyler Ferguson Madonna Christian Siriano Kamala Harris Indigo Girls Gus Kenworthy Bethany Meyers George Takei BILLY Margaret Cho Rufus Wainwright Carson Kressley Adore Delano Daya And more... PORTERP.46 PLUS! INTRODUCING THE INTERPRIDELIFE SEAL OF APPROVAL P.14 B:17.375” T:15.75” S:14.75” Important Facts About DOVATO Tell your healthcare provider about all of your medical conditions, This is only a brief summary of important information about including if you: (cont’d) This is only a brief summary of important information about DOVATO and does not replace talking to your healthcare provider • are breastfeeding or plan to breastfeed. Do not breastfeed if you SO MUCH GOES about your condition and treatment. take DOVATO. You should not breastfeed if you have HIV-1 because of the risk of passing What is the Most Important Information I Should ° You should not breastfeed if you have HIV-1 because of the risk of passing What is the Most Important Information I Should HIV-1 to your baby. Know about DOVATO? INTO WHO I AM If you have both human immunodeficiency virus-1 (HIV-1) and ° One of the medicines in DOVATO (lamivudine) passes into your breastmilk. hepatitis B virus (HBV) infection, DOVATO can cause serious side ° Talk with your healthcare provider about the best way to feed your baby. -
ANGEL DEANGELIS Hair Stylist IATSE 798
ANGEL DEANGELIS Hair Stylist IATSE 798 FILM HUSTLERS Department Head Director: Lorene Scafaria Cast: Constance Wu, Lili Reinhart, Julia Stiles, Trace Lysette PRIVATE LIFE Department Head Director: Tamara Jenkins SHOW DOGS Department Head – Las Vegas Shoot Director: Raja Gosnell Natasha Lyonne, Will Arnett COLLATERAL BEAUTY Department Head Director: David Frankel Cast: Helen Mirren, Ed Norton, Keira Knightley THE AMAZING SPIDER-MAN 2 Department Head Director: Marc Webb Cast: Dane DeHaan THE HEAT Department Head Director: Paul Feig Cast: Melissa McCarthy MUHAMMAD ALI’S GREATEST FIGHT Department Head Director: Stephen Frears Cast: Christopher Plummer, Benjamin Walker, Frank Langella JACK REACHER Department Head Director: Christopher McQuarrie Cast: Rosamund Pike, Robert Duvall, Richard Jenkins, Werner Herzog, Jai Courtney, Joseph Sikora, GODS BEHAVING BADLY Department Head Director: Marc Turtletaub Cast: Alicia Silverstone, Edie Falco, Ebon Moss-Bachrach, Oliver Platt, Christopher Walken, Rosie Perez, Phylicia Rashad THE AMAZING SPIDER-MAN Department Head Director: Marc Webb Cast: Embeth Davidtz THE MILTON AGENCY 6715 Hollyw ood Blvd #206, Los Angeles, CA 90028 Angel DeAngelis Telephone: 323.466.4441 Facsim ile: 323.460.4442 Hair inquiries@m iltonagency.com www.miltonagency.com Page 1 of 5 NEW YEAR’S EVE Department Head Director: Garry Marshall Cast: Jessica Biel, Zac Efron, Cary Elwes, Alyssa Milano, Carla Gugino, Jon Bon Jovi, Sofia Vergara, Lea Michele, James Belushi, Abigail Breslin, Josh Duhamel, Cherry Jones THE SITTER Department Head -
ORANGE IS the NEW BLACK Season 1 Cast List SERIES
ORANGE IS THE NEW BLACK Season 1 Cast List SERIES REGULARS PIPER – TAYLOR SCHILLING LARRY BLOOM – JASON BIGGS MISS CLAUDETTE PELAGE – MICHELLE HURST GALINA “RED” REZNIKOV – KATE MULGREW ALEX VAUSE – LAURA PREPON SAM HEALY – MICHAEL HARNEY RECURRING CAST NICKY NICHOLS – NATASHA LYONNE (Episodes 1 – 13) PORNSTACHE MENDEZ – PABLO SCHREIBER (Episodes 1 – 13) DAYANARA DIAZ – DASCHA POLANCO (Episodes 1 – 13) JOHN BENNETT – MATT MCGORRY (Episodes 1, 2, 3, 4, 5, 6, 7, 9, 10, 11, 12, 13) LORNA MORELLO – YAEL MORELLO (Episodes 1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13) BIG BOO – LEA DELARIA (Episodes 1, 2, 3, 4, 5, 6, 7, 9, 10, 11, 12, 13) TASHA “TAYSTEE” JEFFERSON – DANIELLE BROOKS (Episodes 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 12, 13) JOSEPH “JOE” CAPUTO – NICK SANDOW (Episodes 1, 2, 4, 6, 7, 8, 9, 10, 11, 12, 13) YOGA JONES – CONSTANCE SHULMAN (Episodes 1, 2, 4, 5, 6, 7, 9, 10, 11, 12, 13) GLORIA MENDOZA – SELENIS LEYVA (Episodes 1, 2, 4, 5, 6, 7, 8, 9, 11, 12, 13) S. O’NEILL – JOEL MARSH GARLAND (Episodes 1, 2, 3, 4, 5, 6, 7, 9, 10, 12, 13) CRAZY EYES – UZO ADUBA (Episodes 2, 3, 4, 5, 6, 8, 9, 10, 11, 12, 13) POUSSEY – SAMIRA WILEY (Episodes 2, 3, 4, 5, 6, 7, 8, 9, 10, 12, 13) POLLY HARPER – MARIA DIZZIA (Episodes 1, 2, 3, 5, 6, 7, 8, 9, 10, 12) JANAE WATSON – VICKY JEUDY (Episodes 1, 2, 3, 4, 7, 9, 10, 11, 12, 13) WANDA BELL – CATHERINE CURTIN (Episodes 1, 2, 3, 5, 6, 7, 9, 10, 11, 13) LEANNE TAYLOR – EMMA MYLES (Episodes 2, 3, 5, 6, 7, 9, 10, 11, 12, 13) NORMA – ANNIE GOLDEN (Episodes 2, 3, 5, 6, 7, 8, 9, 11, 12, 13) ALEIDA DIAZ – ELIZABETH RODRIGUEZ -
The Collegian Special Collections and Archives
University of Texas Rio Grande Valley ScholarWorks @ UTRGV The Collegian Special Collections and Archives Spring 3-5-2012 The Collegian (2012-03-05) Rene Cardona Jr. Follow this and additional works at: https://scholarworks.utrgv.edu/collegian Recommended Citation The Collegian (BLIBR-0075). UTRGV Digital Library, The University of Texas – Rio Grande Valley This Book is brought to you for free and open access by the Special Collections and Archives at ScholarWorks @ UTRGV. It has been accepted for inclusion in The Collegian by an authorized administrator of ScholarWorks @ UTRGV. For more information, please contact [email protected], [email protected]. THE ANNOUNCEMENTS Page 2 | POLITICS Page 5 | NOTICIAS EN ESPAÑOL Página 13 HER- COLLEGIAN UTBCOLLEGIAN.COM STORY Vol. 64, Issue 23 Monday, March 5, 2012 > WOMEN'S HISTORY MONTH >>The struggle, the culmination to this point in time: What women do and have done. >>Wonder Women PAGE 7 VOTE >> One in five Valley residents votes. If you don't know the candidates, that's no excuse. Congressional candidates presented their views on campus last week. PAGE 5 OPINION “2012 is a pivotal year for America and its people. Democracy or plutocracy? It’s time to south padre island convention and visitors bureau choose.” >>CARTOON: Feet to the fire! PAGE 4 Accreditation reiteration Status intact until 2015, iPAD 4 U TSC transition team tells board of trustees >> Well, if you go to MISD. The McAllen Independent School By Joe Molina District has begun its distribution of the tablets to its 25,000 students. THE COLLEGIAN PAGE 12 Talk of the inevitable UTB/TSC partnership ChRISTOPhER PEÑA/collegian ON THE WEB split hasn’t failed to create UT-Brownsville President Juliet V. -
THE BIG BIO | BILL COLEMAN & PEACE BISQUIT with The
THE BIG BIO | BILL COLEMAN & PEACE BISQUIT With the landscape of labels, radio, magazines, websites and blogs constantly changing, it is virtually impossible for music mavens to have a dependable outlet that they can consistently rely on for the best new music. New York-based music guru Bill Coleman has established himself as an important resource for quality innovative music. Throughout his impressive 21-year career in the music industry, the dynamic and multi-faceted DJ, producer, remixer, music supervisor, performer and recording artist has become renowned for his eclectic taste, acute ear and diverse musical expertise. In the worlds of music and film, Coleman is an influential tastemaker at the forefront of emerging trends and talent in the pop, r&b, rock, alternative, dance and electronic music landscape, as well as, in cutting edge independent film and documentaries. The tireless “renaissance man” has enjoyed success as a revered music journalist having cut his teeth as the Dance and Singles Review Editor for Billboard Magazine [from 1987 to 1990]. He has written a music column for NYC style rag PAPER (”Wasn’t Tomorrow Wonderful?”), sat on the initial editorial board for the launch of OUT Magazine and freelanced for Musician, B.E.T. and the BBC, alongside completing numerous album liner notes (Thompson Twins, Exposé). As the owner of Peace Bisquit, Coleman along with ANGELO “PEPE” SKORDOS, JAMES CAVERA and JAMIE BRUNDAGE represent an array of genre-defying artists including: Baltimore-based R&B/dance diva ULTRA NATÈ’ (”Automatic”, “Free”); amazing singer/songwriter CHRIS WILLIS (”Love Is Gone”, “Love Don’t Let Me Go”); charismatic electro funk rapper CAZWELL (”I Seen Beyonce at Burger King”); stylish downtown denizens THE ONES (”Flawless”), legendary Singer / Songwriter JILL JONES, sexy pin-up crooner COLTON FORD (”That’s Me”), Williamsburg dance punk THE SPECIMEN, acid jazz pioneers BROOKLYN FUNK ESSENTIALS, UK disco punk /pop upstarts I LIKE IT ELECTRIC along with new producers/songwriters that include CRAIG C., LOST DAZE, REDTOP and MORGAN PAGE. -
The P-Word by Brendan Dunbar and Had Its Own Piece Posted Online Within 12 Festival
The P-Word by Brendan Dunbar and had its own piece posted online within 12 festival. “We welcome everyone. We narrow interpretation of a certain hours of the event. always have… We’ve never kyboshed word, combined with a misunder- In an exclusive interview with Wayves Sav- a float. We’ve never told anybody they A standing and outright bad report- age said the Metro reporter misunderstood him. couldn’t do something in particular.” ing, has led to the recent flap surrounding “I’m sure he took what I said a little bit wrong… The media ruckus has raised a perti- the Halifax Pride festival’s media launch. What was said basically is that our festival is nent question: What does the GLBTQ On June 2 Pride’s co-chair Ed Savage was known for being less promiscuous” than the community define as promiscuous? quoted in Metro news as saying, “That’s what Toronto and Montreal Prides. “This whole battle has come down we strive for, to make it less promiscuous than Xtra ran with the story — without contact- to one word: Promiscuous,” Savage said. other Prides across the country…. Our way of ing members of the Halifax Pride committee “‘Promiscuous’ means a lot of different life in the Maritimes is different. And we also for additional comments — electing to focus on things to a lot of different people.” feel that our allies and our family aspect of the word ‘promiscuous’ and “make something To those people who were active in Pride is just as important.” of it,” Savage said. -
Id Title Year Format Cert 20802 Tenet 2020 DVD 12 20796 Bit 2019 DVD
Id Title Year Format Cert 20802 Tenet 2020 DVD 12 20796 Bit 2019 DVD 15 20795 Those Who Wish Me Dead 2021 DVD 15 20794 The Father 2020 DVD 12 20793 A Quiet Place Part 2 2020 DVD 15 20792 Cruella 2021 DVD 12 20791 Luca 2021 DVD U 20790 Five Feet Apart 2019 DVD 12 20789 Sound of Metal 2019 BR 15 20788 Promising Young Woman 2020 DVD 15 20787 The Mountain Between Us 2017 DVD 12 20786 The Bleeder 2016 DVD 15 20785 The United States Vs Billie Holiday 2021 DVD 15 20784 Nomadland 2020 DVD 12 20783 Minari 2020 DVD 12 20782 Judas and the Black Messiah 2021 DVD 15 20781 Ammonite 2020 DVD 15 20780 Godzilla Vs Kong 2021 DVD 12 20779 Imperium 2016 DVD 15 20778 To Olivia 2021 DVD 12 20777 Zack Snyder's Justice League 2021 DVD 15 20776 Raya and the Last Dragon 2021 DVD PG 20775 Barb and Star Go to Vista Del Mar 2021 DVD 15 20774 Chaos Walking 2021 DVD 12 20773 Treacle Jr 2010 DVD 15 20772 The Swordsman 2020 DVD 15 20771 The New Mutants 2020 DVD 15 20770 Come Away 2020 DVD PG 20769 Willy's Wonderland 2021 DVD 15 20768 Stray 2020 DVD 18 20767 County Lines 2019 BR 15 20767 County Lines 2019 DVD 15 20766 Wonder Woman 1984 2020 DVD 12 20765 Blackwood 2014 DVD 15 20764 Synchronic 2019 DVD 15 20763 Soul 2020 DVD PG 20762 Pixie 2020 DVD 15 20761 Zeroville 2019 DVD 15 20760 Bill and Ted Face the Music 2020 DVD PG 20759 Possessor 2020 DVD 18 20758 The Wolf of Snow Hollow 2020 DVD 15 20757 Relic 2020 DVD 15 20756 Collective 2019 DVD 15 20755 Saint Maud 2019 DVD 15 20754 Hitman Redemption 2018 DVD 15 20753 The Aftermath 2019 DVD 15 20752 Rolling Thunder Revue 2019 -
PH Love Simon Final.Pdf
1 FOX 2000 PICTURES präsentiert EINE TEMPLE HILL Produktion NICK ROBINSON JOSH DUHAMEL und JENNIFER GARNER Executive Music Producer JACK ANTONOFF Music Supervisor SEASON KENT Musik ROB SIMONSEN Kostümdesign ERIC DAMAN Co-Produzent CHRIS McEWEN Schnitt HARRY JIERJIAN Bühnenbild AARON OSBORNE Director of Photography JOHN GULESERIAN Executive Producer TIMOTHY M. BOURNE 2 Produzenten WYCK GODFREY MARTY BOWEN POUYA SHAHBAZIAN ISAAC KLAUSNER Basierend auf dem Roman “Simon vs. the Homo Sapiens Agenda” von BECKY ALBERTALLI Drehbuch ELIZABETH BERGER & ISAAC APTAKER Regie GREG BERLANTI Filmlänge: 110 Minuten Kinostart: 28. Juni 2018 3 SYNOPSIS Jeder verdient eine großartige Liebesgeschichte. Für den siebzehnjährigen Simon Spier ist es allerdings etwas komplizierter: er muss seiner Familie und seinen Freunden erst noch erklären, dass er schwul ist. Und er muss auch noch herausfinden, wer der anonyme Mitschüler ist, in den er sich online verliebt hat. Die Lösung beider Probleme nimmt einen urkomischen aber auch beunruhigenden Verlauf und verändert Simons Leben vollkommen. Regisseur Greg Berlanti (Ausführender Produzent u.a. bei „Everwood”, „The Flash” und „Riverdale”) inszenierte LOVE, SIMON nach einem Drehbuch von Elizabeth Berger und Isaac Aptaker. Es basiert auf Becky Albertallis vielgelobten Roman und erzählt eine ebenso komische wie aufrichtige Geschichte übers Erwachsenwerden und von der aufregenden Erfahrung zu sich selbst zu finden und sich zu verlieben. DAS BUCH LOVE, SIMON ist eine Adaption von Becky Albertallis Jugendbuch „Nur drei Worte – Love, Simon”. Nach seinem Erscheinen im Januar 2012 gewann das Buch den William C. Morris Award für das Beste Jugendbuch-Debüt des Jahres und wurde in die Long-List für den National Book Award aufgenommen. Albertalli hätte sich nie träumen lassen, dass ihr Buch veröffentlicht wird, geschweige denn, dass es sich zu einem preisgekrönten Bestseller entwickelt und nun von einem der großen Filmstudios verfilmt wird: „Ich arbeitete als Psychologin, als ich das Buch schrieb”, erzählt sie. -
The Dysphoric Style in Contemporary American Independent Cinema David C
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 The Dysphoric Style in Contemporary American Independent Cinema David C. Simmons Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE DYSPHORIC STYLE IN CONTEMPORARY AMERICAN INDEPENDENT CINEMA By DAVID C. SIMMONS A Dissertation submitted to the Program in the Humanities in partial fulfillment of the requirements for the degree of Doctorate of Philosophy Degree Awarded: Spring Semester, 2005 Copyright (c) 2005 David C. Simmons All Rights Reserved The members of the Committee approve the dissertation of David C. Simmons defended on April 11, 2005. ____________________________________ Karen L. Laughlin Professor Co-Directing Dissertation ____________________________________ Mark Garrett Cooper Professor Co-Directing Dissertation ____________________________________ Valliere Richard Auzenne Outside Committee Member ____________________________________ William J. Cloonan Committee Member Approved: ___________________________________ David F. Johnson Director, Program in the Humanities The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGMENTS This dissertation would not have been possible without the assistance of Sandefur Schmidt and my mother, Rita Simmons. I gratefully acknowledge both of them for the immense kindness and help they’ve provided me. iii TABLE OF CONTENTS Abstract ................................................................... v INTRODUCTION: THE DYSPHORIC STYLE IN CONTEMPORARY AMERICAN INDEPENDENT CINEMA ................. 1 1. TRYING TO HOLD ONTO A PIECE OF PI: THE DYSPHORIC STYLE’S STRUCTURING OF CAUSAL RELATIONS ......... 7 2. FACT OR PULP FICTION: THE DYSPHORIC STYLE AND TEMPORAL RELATIONS .................... 26 3. “THE COOKIE STAND IS NOT PART OF THE FOOD COURT”: THE DYSPHORIC STYLE AND SPATIAL RELATIONS ...................... -
The Hippo Set to Close and Comprehensive Car Care, a Long-Time Christmas, an Annu- B Y Steve Charing Staple on Eager Street
AN INDEPENDENT VOICE FOR THE LESBIAN, GAY, BISEXUAL, AND TRANSGENDER COMMUNITIES OUT May 15, 2015 | Volume XIII, Issue 1 The Hippo Set to Close and Comprehensive Car Care, a long-time Christmas, an annu- B Y STEVE CHARING staple on Eager Street. al affair that benefits After 43 years, the Club Hippo, one of Bal- The Hippo, which opened on July 7, local non-profit orga- timore’s oldest and most iconic LGBT insti- 1972, possesses one of the largest dance nizations. The Hippo tutions, is poised to close its doors. floors of any club in the state. During dis- had also served as As confirmed at a meeting co’s heyday, the Hippo flourished with the venue for Gay with employees on May 9, Hippo huge crowds dancing to the beats of Bingo – a weekly owner Chuck Bowers has negoti- End of vintage and newer disco hits on its event whereby non- ated to convert the building at the an Era spacious rectangular floor bathed in profit organizations southwest corner of Charles and glimmering, colorful lights. As musical shared in the pro- Eager streets into a CVS store. tastes changed in succeeding years, so ceeds. To broaden The negotiations between CVS and did the music. The Hippo kept up. its appeal, the Hippo Bowers began early in 2014. Under the The club also features a popular video has held weekly Hip- arrangement Bowers will retain ownership bar where karaoke and weekly show tunes Hop nights the past The Hippo of the building and lease it to CVS. There video presentations occur and a saloon few years.