Spartan 11)111INY
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Spinning Wheel (1969) Blood, Sweat & Tears
MUSC-21600: The Art of Rock Music Prof. Freeze Spinning Wheel (1969) Blood, Sweat & Tears LISTEN FOR • Fusion of musical styles • Prominent horn section (like in big band) • Sophisticated jazz harmonies, improvisation • Syncopated R&B bass riffs • Heavy rock backbeat CREATION Songwriters David Clayton-Thomas Album Blood, Sweat & Tears Label Columbia 44871 Musicians David Clayton-Thoma (vocals), Steve Katz (guitar), Bobby Colomby (drums), Jim Fielder (Bass), Fred Lipsius (alto saxophone), Lew Soloff (trumpet), Alan Rubin (trumpet), Jerry Hyman (trombone), Dick Halligan (piano) Producer James William Guercio Engineer Roy Halee, Fred Catero Recording October 1968; stereo Charts Pop 2, Easy 1, R&B 45 MUSIC Genre Jazz rock Form Simple verse with contrasting middle section, improvised solos, complex outro Key G major Meter 4/4 (alternates with 3/8 in Coda) MUSC-21600 Listening Guide Freeze “Spinning Wheel” (Blood, Sweat & Tears, 1969) LISTENING GUIDE Time Form Lyric Cue Listen For 0:00 Intro • Short intro for horns, with crescendo on sustained note and then riff punctuated by snare. 0:07 A1 “What goes up” • Vocals enter, accompanying texture gradually accumulates, starting with R&B bass/piano riff, then cowbell, drums, tambourine, horns. 0:21 • Refrain begins with stop time. 0:26 A2 “You got no money” • As before, with big-band-inspired horn section punctuating the texture, sometimes with jazzy, swung filler. 0:41 • Refrain. 0:46 B “Did you find” • Extensive contrasting section. • More four-square rhythmic structure with slower harmonic rhythm. • Ends with digital distortion of last vocal note. 1:16 Intro • Overlaps with previous section. 1:30 A3 “Someone is waiting” • As in A2, but with stop time for new stop time for trombone glissando (slide). -
Headache # 1972 -2 (TT
THE CONCORDIAN NUMBER 12 VOLUME LIXIII CONCORDIA COLLEGE, MOORHEAD, MINNESOTA, NOVEMBER 19, 1971 Registration: -2 (TT) Headache # 1972 -2 (TT, -3 (TT **}*£ 1U-6 (Wf) Badudnton i.; ) uva ^ i^!L£ I -jCoqtespo Political Ida 1 7:00-10 : !351~"X*>"' Sc 259 (Th,) So 222 Educatio 261-1 Lab 261-2 lab(Th) Sc 261 >} Or Psycholog CTT) So 259 (354 lab) Arr. ! Titraonaiity £s36S3=K)nt; Consent of I _ L 404 Page 2 November 19, 1971 Cover design and photo by Reed Carlson. Communiversity offers courses Plans are now being finalized represented 40 different Roman Haney of Concordia; and "Fam- for the eighth series of adult Catholic and Protestant congre- ily Relations: Creating Person education courses offered by the gations from 12 different denom- Through Communication" by F/M Communiversity during the inations. Sister Paula Ringuette of North month of February. Some 600 Communiversity faculty are Dakota State University are the The Concordian participants were involved in drawn from a variety of sources three personal and family class- Published weekly during the school year except during va- the series last year. including local churches, social es offered. cation holiday and examination periods by the students of A total of 13 courses will be Concordia College, Moorhead. agencies, and colleges. The Uni- The civic and social topics are Opinions expressed do not necessarily reflect those of the included in the 1972 Communi- versity of North Dakota and "The Ideal City" by Professor college or student body. versity series in the areas of the- North Dakota State University Alwin Monson of Concordia; SUBSCRIPTION RATE: $6.50 per School Year ology, liberal arts and sciences, also are represented. -
391 À 437 .Cwk
Aux Etats-Unis, Blood, Sweat and Tears est sans conteste le groupe de rock de la fin des sixties qui intègre le plus de jazz à sa démarche musicale : passages swing intégrés aux compositions binaires, présence active d’une phalange de souffleurs (trompette, trombone, sax) qui ne se limite pas à un travail de section (comme dans le R’n B ou dans un groupe comme Chicago) mais est faite de vrais solistes - parmi ces solistes, un trompettiste qui fera ensuite une belle carrière dans le jazz, Lew Soloff, le tromboniste Jerry Hyman et un saxophoniste dont on ne sait trop ce qu’il est devenu depuis, Fred Lipsius. Tous trois sont mis à contribution dans la superbe version du God bless the child de Billie Holiday qui figure dans le disque BST 2 (sans doute le meilleur) : 439. Blood, Sweat and Tears: God Bless the child David Clayton-Thomas (voc) Lew Soloff, Chuck Winfield (tp, flgh) Jerry Hyman (tb) Fred Lipsius (as, pn) Dick Halligan (org, pn) Steve Katz (gt, hca) Jim Fielder (b) Bobby Colomby (dms); rec 1968 (CBS) A côté de ces groupes rock (et de plusieurs autres) qui lorgnent vers le jazz, il nous faut maintenant repasser de l’autre côté, et évoquer le phénomène inverse : l’impact qu’a le rock sur de nombreux jazzmen, à commencer par Miles Davis ! Electric Miles - Le Jazz-Rock en gestation Et revoilà Miles Davis ! Décidément omniprésent dans l’histoire du jazz moderne. Un petit rappel, peut-être ? 1945 : débuts dans le be-bop aux côtés de Charlie Parker : d’emblée, le son et le phrasé de Miles se situent aux antipodes de ceux de Dizzy et des autres trompettistes be-bop. -
Black Sabbath the Complete Guide
Black Sabbath The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 17 May 2010 12:17:46 UTC Contents Articles Overview 1 Black Sabbath 1 The members 23 List of Black Sabbath band members 23 Vinny Appice 29 Don Arden 32 Bev Bevan 37 Mike Bordin 39 Jo Burt 43 Geezer Butler 44 Terry Chimes 47 Gordon Copley 49 Bob Daisley 50 Ronnie James Dio 54 Jeff Fenholt 59 Ian Gillan 62 Ray Gillen 70 Glenn Hughes 72 Tony Iommi 78 Tony Martin 87 Neil Murray 90 Geoff Nicholls 97 Ozzy Osbourne 99 Cozy Powell 111 Bobby Rondinelli 118 Eric Singer 120 Dave Spitz 124 Adam Wakeman 125 Dave Walker 127 Bill Ward 132 Related bands 135 Heaven & Hell 135 Mythology 140 Discography 141 Black Sabbath discography 141 Studio albums 149 Black Sabbath 149 Paranoid 153 Master of Reality 157 Black Sabbath Vol. 4 162 Sabbath Bloody Sabbath 167 Sabotage 171 Technical Ecstasy 175 Never Say Die! 178 Heaven and Hell 181 Mob Rules 186 Born Again 190 Seventh Star 194 The Eternal Idol 197 Headless Cross 200 Tyr 203 Dehumanizer 206 Cross Purposes 210 Forbidden 212 Live Albums 214 Live Evil 214 Cross Purposes Live 218 Reunion 220 Past Lives 223 Live at Hammersmith Odeon 225 Compilations and re-releases 227 We Sold Our Soul for Rock 'n' Roll 227 The Sabbath Stones 230 Symptom of the Universe: The Original Black Sabbath 1970–1978 232 Black Box: The Complete Original Black Sabbath 235 Greatest Hits 1970–1978 237 Black Sabbath: The Dio Years 239 The Rules of Hell 243 Other related albums 245 Live at Last 245 The Sabbath Collection 247 The Ozzy Osbourne Years 249 Nativity in Black 251 Under Wheels of Confusion 254 In These Black Days 256 The Best of Black Sabbath 258 Club Sonderauflage 262 Songs 263 Black Sabbath 263 Changes 265 Children of the Grave 267 Die Young 270 Dirty Women 272 Disturbing the Priest 273 Electric Funeral 274 Evil Woman 275 Fairies Wear Boots 276 Hand of Doom 277 Heaven and Hell 278 Into the Void 280 Iron Man 282 The Mob Rules 284 N. -
Selwyn Birchwood Band
OBBS E-NEWSLETTER March / April 2014 Preserve Promote and Present the Blues Selwyn Birchwood Band Inside this issue: Central Florida Blues Challenge The 2-3 Selwyn Birchwood Band Letter from the President 4 Spott Light 5 _______________ Zshows & WPRK 6 ___________ Around Town By 7 Lonnie Griesemer Local Bands & Jams 8- Winter Garden Blues 11 & BBQ OBBS Events Blues in School / 12 Ladies of the Blues Band Listings 13 About OBBS Our BOD 14- Membership 15 Karen Stott –Editor 1 Preserve Promote and Present the Blues Central Florida Blues Challenge Winners : The Selwyn Birchwood Band (2009) In this series you will be introduced to the past and present Central Florida Blues Challenge winners. Selwyn Birchwood Band received top honors at the 2013 International Blues Challenge coming in 1st place out of over 230 bands from around the world! Selwyn also received the "Albert King Award" for best guitarist!! IBC- K Stott Your band had won the International Blues Challenge 2013. How many times did you compete in the IBC and what blues societies sent you? Selwyn: I competed 3 times. 2009 Orange Blossom Blues Society, 2012 Suncoast Blues Society, 2013 Suncoast Blues Society How did you prepare for the competitions? What do you think the judges look for at the IBC? Selwyn: I didn’t really do too much out of the ordinary from our usual shows. You have to make sure that you’re ob- viously well-rehearsed. The only thing that we had to consciously work out was the time requirement. So, we made sure to rehearse the actual songs that we were going to perform at IBC against a timer to ensure we were within the limits. -
Great Instrumental
I grew up during the heyday of pop instrumental music in the 1950s and the 1960s (there were 30 instrumental hits in the Top 40 in 1961), and I would listen to the radio faithfully for the 30 seconds before the hourly news when they would play instrumentals (however the first 45’s I bought were vocals: Bimbo by Jim Reeves in 1954, The Ballad of Davy Crockett with the flip side Farewell by Fess Parker in 1955, and Sixteen Tons by Tennessee Ernie Ford in 1956). I also listened to my Dad’s 78s, and my favorite song of those was Raymond Scott’s Powerhouse from 1937 (which was often heard in Warner Bros. cartoons). and to records that my friends had, and that their parents had - artists such as: (This is not meant to be a complete or definitive list of the music of these artists, or a definitive list of instrumental artists – rather it is just a list of many of the instrumental songs I heard and loved when I was growing up - therefore this list just goes up to the early 1970s): Floyd Cramer (Last Date and On the Rebound and Let’s Go and Hot Pepper and Flip Flop & Bob and The First Hurt and Fancy Pants and Shrum and All Keyed Up and San Antonio Rose and [These Are] The Young Years and What’d I Say and Java and How High the Moon), The Ventures (Walk Don't Run and Walk Don’t Run ‘64 and Perfidia and Ram-Bunk-Shush and Diamond Head and The Cruel Sea and Hawaii Five-O and Oh Pretty Woman and Go and Pedal Pusher and Tall Cool One and Slaughter on Tenth Avenue), Booker T. -
Name Artist Album Track Number Track Count Year Wasted Words
Name Artist Album Track Number Track Count Year Wasted Words Allman Brothers Band Brothers and Sisters 1 7 1973 Ramblin' Man Allman Brothers Band Brothers and Sisters 2 7 1973 Come and Go Blues Allman Brothers Band Brothers and Sisters 3 7 1973 Jelly Jelly Allman Brothers Band Brothers and Sisters 4 7 1973 Southbound Allman Brothers Band Brothers and Sisters 5 7 1973 Jessica Allman Brothers Band Brothers and Sisters 6 7 1973 Pony Boy Allman Brothers Band Brothers and Sisters 7 7 1973 Trouble No More Allman Brothers Band Eat A Peach 1 6 1972 Stand Back Allman Brothers Band Eat A Peach 2 6 1972 One Way Out Allman Brothers Band Eat A Peach 3 6 1972 Melissa Allman Brothers Band Eat A Peach 4 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Ain't Wastin' Time No More Allman Brothers Band Eat A Peach 6 6 1972 Oklahoma Hills Arlo Guthrie Running Down the Road 1 6 1969 Every Hand in the Land Arlo Guthrie Running Down the Road 2 6 1969 Coming in to Los Angeles Arlo Guthrie Running Down the Road 3 6 1969 Stealin' Arlo Guthrie Running Down the Road 4 6 1969 My Front Pages Arlo Guthrie Running Down the Road 5 6 1969 Running Down the Road Arlo Guthrie Running Down the Road 6 6 1969 I Believe When I Fall in Love Art Garfunkel Breakaway 1 8 1975 My Little Town Art Garfunkel Breakaway 1 8 1975 Ragdoll Art Garfunkel Breakaway 2 8 1975 Breakaway Art Garfunkel Breakaway 3 8 1975 Disney Girls Art Garfunkel Breakaway 4 8 1975 Waters of March Art Garfunkel Breakaway 5 8 1975 I Only Have Eyes for You Art Garfunkel Breakaway 7 8 1975 Lookin' for the Right One Art Garfunkel Breakaway 8 8 1975 My Maria B. -
Jenie Thai Plays the Women's Blues Revue Nov 18 at Massey Hall
July 2017 www.torontobluessociety.com Published by the TORONTO BLUES SOCIETY since 1985 [email protected] Vol 33, No 7 PHOTO BY RANDALL COOK RANDALL BY PHOTO Jenie Thai plays the Women's Blues Revue Nov 18 at Massey Hall CANADIAN PUBLICATIONS MAIL AGREEMENT #40011871 Talent Search Winner Loose Blues News John’s Blues Picks Event Listings Jennie Thai Top Blues AUGUST 24-27 THURSDAY AUGUST 24 Confederation Park - 8pm Blackburn FRIDAY AUGUST 25 Princess Street Stage - 7pm Adam Karch Dawn Tyler Watson with special guest Angelique Francis SATURDAY AUGUST 26 Springer Market Square - 7pm Spencer MacKenzie & Carlos del Junco Nick Moss 4 days & nights $15 = ALL OUTDOOR CONCERTS Plus ENTRANCE of the Blues TO ALL PARTICIPATING VENUES ALL 4 DAYS Receive a FREE $10 Blues Buck with every Blues Bracelet $15 purchase redeemable at participating merchants Photo by: Michael Kurgansky 2 MapleBlues July 2017 www.torontobluessociety.com TORONTO BLUES SOCIETY 910 Queen St. W. Ste. B04 Toronto, Canada M6J 1G6 Tel. (416) 538-3885 Toll-free 1-866-871-9457 Email: [email protected] Website: www.torontobluessociety.com MapleBlues is published monthly by the Toronto Blues Society ISSN 0827-0597 2017 BOARD OF DIRECTORS Derek Andrews (President), Jon Arnold, Lucie Dufault (Vice-President), Carol Flett (Secretary), Sarah French, Jamie MacDonald (Vice-President), Lori Murray, Ed Parsons, Paul Sanderson, Mike Smith, Earl Tucker, John Valenteyn (Executive), David Walker (Treasurer) Musicians Advisory Council: Brian Blain, Gary Kendall, Samantha Martin, -
Band/Surname First Name Title Label No
BAND/SURNAME FIRST NAME TITLE LABEL NO DVD 13 Featuring Lester Butler Hightone 115 2000 Lbs Of Blues Soul Of A Sinner Own Label 162 4 Jacks Deal With It Eller Soul 177 44s Americana Rip Cat 173 67 Purple Fishes 67 Purple Fishes Doghowl 173 Abel Bill One-Man Band Own Label 156 Abrahams Mick Live In Madrid Indigo 118 Abshire Nathan Pine Grove Blues Swallow 033 Abshire Nathan Pine Grove Blues Ace 084 Abshire Nathan Pine Grove Blues/The Good Times Killin' Me Ace 096 Abshire Nathan The Good Times Killin' Me Sonet 044 Ace Black I Am The Boss Card In Your Hand Arhoolie 100 Ace Johnny Memorial Album Ace 063 Aces Aces And Their Guests Storyville 037 Aces Kings Of The Chicago Blues Vol. 1 Vogue 022 Aces Kings Of The Chicago Blues Vol. 1 Vogue 033 Aces No One Rides For Free El Toro 163 Aces The Crawl Own Label 177 Acey Johnny My Home Li-Jan 173 Adams Arthur Stomp The Floor Delta Groove 163 Adams Faye I'm Goin' To Leave You Mr R & B 090 Adams Johnny After All The Good Is Gone Ariola 068 Adams Johnny After Dark Rounder 079/080 Adams Johnny Christmas In New Orleans Hep Me 068 Adams Johnny From The Heart Rounder 068 Adams Johnny Heart & Soul Vampi 145 Adams Johnny Heart And Soul SSS 068 Adams Johnny I Won't Cry Rounder 098 Adams Johnny Room With A View Of The Blues Demon 082 Adams Johnny Sings Doc Pomus: The Real Me Rounder 097 Adams Johnny Stand By Me Chelsea 068 Adams Johnny The Many Sides Of Johnny Adams Hep Me 068 Adams Johnny The Sweet Country Voice Of Johnny Adams Hep Me 068 Adams Johnny The Tan Nighinggale Charly 068 Adams Johnny Walking On A Tightrope Rounder 089 Adamz & Hayes Doug & Dan Blues Duo Blue Skunk Music 166 Adderly & Watts Nat & Noble Noble And Nat Kingsnake 093 Adegbalola Gaye Bitter Sweet Blues Alligator 124 Adler Jimmy Midnight Rooster Bonedog 170 Adler Jimmy Swing It Around Bonedog 158 Agee Ray Black Night is Gone Mr. -
LEGENDARY BLUES BAND KIM SIMMONDS and SAVOY BROWN CELEBRATES 50Th ANNIVERSARY with NEW ALBUM and WORLD TOUR
For Release on August 19, 2015 LEGENDARY BLUES BAND KIM SIMMONDS AND SAVOY BROWN CELEBRATES 50th ANNIVERSARY WITH NEW ALBUM AND WORLD TOUR "The Devil To Pay" Set for Release on September 18 from Ruf Records CD Launch Concert at B.B. King Blues Club in New York City on September 15 "Kim Simmonds /Savoy Brown are the epitome of what rock and roll was... and should always be. Deep-rooted, pure, artistic, manifesto, virtuoso, everlasting... these are the components that should land Kim Simmonds in the Rock and Roll Hall of Fame. Savoy Brown is genuine rock and roll heritage." --Examiner.com Acclaimed blues rock band Savoy Brown, led by its seminal guitarist Kim Simmonds, celebrates its 50th anniversary year with the release of a new album of original material called THE DEVIL TO PAY and a worldwide concert tour to support it. The album arrives on September 18 from Ruf Records while the tour, launching this month, will continue throughout the year and include shows in the U.S., Canada and Europe. The band will celebrate the release of THE DEVIL TO PAY with a special CD release appearance at B.B. King Blues Club in New York City on September 15. "When I started the band back in 1965, the concept was to be a British version of a Chicago blues band," Simmonds says. "And the exciting thing now is that vision is still alive." With THE DEVIL TO PAY, featuring Simmonds on guitar, harmonica and vocals, Pat DeSalvo on bass and Garnet Grimm on drums (who also comprise the touring band), Savoy Brown continues to showcase Simmonds' love of the blues, his deep commitment to the sound and his quest to challenge himself in both his songwriting and playing. -
Savoy Brown Band
Biografia from UK Band in collaborazione con Blue Sky Promotion Legendary…a blues/rock institution…true innovators…così viene definita Savoy Brown dalla critica e dai fans in ben 40 anni di car- riera. Guidata dal chitarrista Kim Simmonds, che ne è il fondatore, è una delle pri- me British Blues Band che partecipano al movimento rock blues inglese del 1967 che porta la vera musica blues americana sulle scene inglesi e, del mo- vimento rock and roll degli anni ‘70 la cui influenza si estende fino al moderno rock come lo conosciamo ora. Il tutto archiviando un grande successo sia in Inghilterra che in America. Il loro primo singolo risale al 1966 per l’etichetta Mike Vernon’s Purdah, seguito dal famoso album Shakedown e, con l’arrivo del cantante Chris Youlden, nel 1968, numerose hit radiofoniche come “I’m Tired” e “Louisiana Blues”. Savoy Brown Savoy Brown Blues-rock e boogie sono da sempre il biglietto da visita della Savoy Brown Band che cattura lo spirito di questa musica in brani come “A Step Further”, ben 20 minuti di puro boogie e, “The Savoy Brown Boogie” dedicato ai fans di Detroit. Slang Music Via S.Francesco, 3 - 25075 Nave (BS) Tel. 0302531536 - Fax 0302536348 - Cell. 3356715992 www.slangmusic.com - [email protected] Nel 1971 la band si divide: Youlden decide di intraprendere la carriera da soli- che sembra essere una prova che il “blues train” della band non presenta segni di rallentamento. sta mentre i restanti Dave Peverett, Roger Earle, e Tony Stevens decidono di Ben 9 tracce originali scritte da Simmonds di cui dice “Penso che siano le migliori canzoni che formare un proprio gruppo chiamato Foghat; ma Kim Simmonds non si perde abbia scritto dagli anni ’70. -
Pi 7Z E Te Ei~ Hvi : at :I~Aenebpu~1~811 Brandes Talks Break Down As Blacks Emaand Amnesty
Brandes talks break down Lao~~eJg as Blacks emaand amnesty By Mike Fedsow and Chrlie Mann Chances for an agreement between officials of Brandeis University and the Black students occupying Ford Hall were apparently set back Saturday with the suspension of the students by Brandeis President Abrams. The suspension and threat of expulsion brought no apparent reaction from ! -4 m~~~~~5~i the Black students who, as of press time, remained intent on occupying the buil- ding until their demands are met. The suspensions came at a time when many felt that an agreement between the faculty and Black students was near. The suspension and threat of expulsion brought no apparent reaction from pi 7z e Te eI~hVI : 1 at :I~AenEBpu~1~811the Black students who, as of press time, remained intent on occupying the bui- voum88 Nws6 BigMsahsts Tedy aua , 9FE ding until their demands are met. The susp The Brandeis administration has essentially agreed to nine of the ten de- mands and has turned to tihe faculty for approval the tenth - an African studies A__~~~~~~~~~~~~~~ department. The faculty has taken a stand of refusing to approve anything as long as the building is occupied while the Black students maintain the opposite. Negotiaion Proposals and counter-proposals were offered Sunrday as both sides appeared to be in a stalemate. Randy Bailey, one of the Black students, proposed a negoti- ating team composed of a black representative, two members of the faculty and two members of the administration. The plan was not accepted by the admini- stration. Abrams countered with a plan for the formation of three committees with members from each side to conside/'the African stadies department, the rest of the proposals, and the timing and vacating of Ford Hall.