DOCSLIB.ORG

Transit News

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Transit News TRANSIT NEWS OCTOBER, 1965 PRESENTING THE "Wise Owl" certificate to Mr. Blaney is E. E. Olmstead, assistant superintendent, surface system, flanked by, from left, John Burke, coordi nator, Fi re and Safety; J. J. Reppl inger, superintendent of surface sys- temshops; Joseph Hecht, general foreman, and John Boyce, coordinator, Fi re and Safety. J. J. BLANEY of South Shops demonstrotes use of Averts Serious Eye Injury a pneumatic screwdriver which nearly caused a serious eye injury. The shattered lens of the 'safety gl asses he was wearing (inset) indicates the force with which the piece of the screwdriver plate struck the lens. By Wearing Safety Glasses THE VALUE of safety equipment in protecting em- As a fortunate result of avoiding what might have ployes from serious injuries by "on the job" acci- been a serious injury, Mr. Blaney received a mem- dents was demonstrated recently when a CTAwork- bership award in the Wise Owl Club sponsored by er saved the sight of one eye because he believed the National Society for the Prevention of Blind- in wearing safety glasses while working. ness. This included a small lapel pin replica of an owl which is presented to those whose sight has J. J. Blaney, employed in the body shop at been saved by the use of safety glasses. South Shops, while working on a bus with a pneu- matic screwdriver, was hit in the left lens of his In contrast is a similar occurence which also safety glasses when a piece of the screwdriver happened at the South Shops early last year. An plate broke off and struck the lens. employe was injured while engaged in the repair of a bus rear door engine when a chip from a ball The impact was of such force that it shattered pean hammer penetrated the left eyeball. the lens, but the eye was uninjured. Had Mr. Blaney not worn his safety glasses, he would have Had this employe followed the advocated safe undoubtedly been severly injured with perhaps a practices set forth by CTA's industrial safety pro- permanent loss of sight. grams and used the safety glasse s that had been issued to him, he would have saved the sight of his This near injury dramatizes the value of per- eye. sonal protective equipment made available to all employes. It further illustrates the value of work- The two almost identical incidents related above safe practices advocated in .the CTA industrial emphasize a well-defined point: Safety equipment safety program. doesn't protect you unless you use it. Volume XVIII CT A TRANSIT NEWS Number 10 Publi shed monthly by and for employes of the Chi caga OUR COVER: Building Six at South Shops become a concert Transit Authority, under the supervision of the Director of hall on the evening of September 30 when the visiting Stock- Public Information. holm Passenger Transport Bond presented a two-hour program David E. Evans, Editor for CTA employes. The unusual event was a highlight of 0 Robert D. Heinlein, Assistont Editor stopover in Chicago on 0 tour of eastern and midwest cities. Annual subscription price: $2.00. Distributed free' of charge While here, the group also inspected CTA properties and to all active and retired CTA employes. Address communi- facilities to get first-hand information and compare the opera- cations to CTA TRANSIT NEWS, Room 742, Merchandise Mart Plaza, Chicago, Illinois, 60654. tional practices of transit companies in the United States and Sweden. Their tour ended in Washington, D.C. 2 eTA TRANSIT NEWS eTA: Its Organization and Operations - THIRD IN A SERIES THE PERSONNEL functions of employment, train- ing, supervisory development, and accident pre- vention were consolidated under the direction of John Baker, superintendent of employment and training, in October, 1964. These functions are closely related and have a common purpose - to provide eTA with competent, well trained, and highly motivated personnel. This issue describes the duties and functions of the Employment Department. The next issue will cover the Training and Accident Prevention De- partment. The Employment Department has the responsi- bility for hiring applicants and for up-grading and reassigning present employes. Functions of the department include recruiting, interviewing, and te sting. Re cruitment acti vitie s are concentrated pri- mari1y on attracting bus operator applicants be- cause of the continuing demand for replacement to fill vacancie s caused by separations, transfe r s, and retirements. Recruitment is conducted through APPOINTED OCTOBER 14, 1964, as superintendent of em- many sources such as employe referrals, the Illi- ployment and trai ning and reporti ng di recti y to the general nois State Employment Service, community organ- manager, John Baker directs the activities of the Employment and Training and Accident Prevention Departments. (continued on next page) AN APPLICANT is being greeted in the recept ion office of the Em- ployment Depart- ment by Ei Ieen Sheehan, recep- tioni st, who ar- ranges for hi s prel iminary inter- view. THE FUNCTIONS of the Employment Department are under the direction of Arthur F. Stahl (seated), superintendent of employment, and Raymond J. Ruzich, assistant to the superin- tendent. OCTOBER, 1965 3 CTA: Its Organization and Operations (cont'd from page 3) i zati ons , and advertising. Of these sources, em- ploye referral is the most productive because ap- plicants referred by employes are most apt to meet our standards and have a better understanding of the employment opportunities and work conditions at eTA. A brief interview is conducted with an applicant to determine whether the applicant should be con- sidered for furthe r proce s sing. If further proce s- sing is indicated, the applicant is given a general aptitude te st and a medical examination. Also the applicant's pastwork experience, military service, and education are reviewed. This information together with a second, more thorough, interview provides information neces- sary to match the applicant with the requirements for beginning jobs in the Authority. After suc - ce s sfully completing the preemployment pr oce s- re sults, and significant information obtained in sing, the applicant is fingerprinted, photographed, pe r sonal inte rviews. Similar detailed interviewing and investigated. The employment processing, es- and processing procedures are followed in the re- pecially for operating personnel, is especially assignment and reinstatement of displaced, un- thorough because of the responsibility involved in assigned, and disabled employes. providing safe, courteous se rvice to our ride r s. The Employment Department also has the re- sponsibili ty of proce s sing employe s who apply for AN APPLICANT reports to Genevieve Bagger, test adminis- up-grading or transfer through job vacancy bulle- trator, to take a written test for bus operator. Tests also are tins. Eligible employe s are proce s sed in seniority admini stered to appl icants and employes for other positions. order and recommendation for acceptance is made after review of the employe I s work record, te st INTERVIEWING APPLICANTS is a specialized field requiring tact, thoroughness, and the abi Iity to make competent iudg- ments. The employment interviewers, left to right, are: Donald E. Rei ss, John J. O'Connor and Stanley R. Tadevic. THESE GIRLS handle the employment clerical duties and final hiring procedures. Left side: Anita Curtis, Karen Dudek, THE GREAT number of applicants each year requires extra Linda O'Brien. Right side: Kay Thompson, Elaine Sherman, interviewers from time to time. Standing, left, Bruno Karp, Dorothy Coughlin, supervisor; Kathy Dunne, Joyce Abernathy. Transportation Department instructor, and seated, Gust Christofidis, graduate trainee; standing, right, Elliott McMohel, employment cI erk, who fi ngerprints and photographs appl i cants. Two------------Recei ve Outstanding----------------------------------- Apprenticeship Certificates TWO CTA shop workers were recently awarded outstanding apprenticeship certificates by the National Transportation Apprentice ship Confer- ence , composed of management and labor repre - sentatives in the field of transportation. The awards were presented to John S. McGrath, carpenter apprentice, and Riley A. January Jr., machinist apprentice, both of South Shops, who were the first CTA employes to be so honored. In making the awards, consideration was given PROFICIENCY IN their on-the-job performance records as trainees won awards for two South Shops employe's who re- to the apprentices on the basic points of perform- ceived outstanding apprenticeship certificates from the Nation- ance, attendance, attitude, progress during the on- al Transportation Apprentice Conference recentl y.Standing the-job training, and related classroom instruc- between General Manager T. B. O'Connor and J. J. Repplinger, tion, andall-aroundprogress in acquiring the skills superintendent of surface system shops are (second from left) of hi s trade. Riley 'A. January Jr., machinist apprentice, and JohnS. McGrath, carpenter apprentice. Apprentices selected for the awards must have the recommendation of their immediate supervi- sors and be approved by the National Transporta- the certificates to the CTA winners took place in tion Apprenticeship Conference, which represent the offi ce of T. B. 0 I Connor, gene ral manage r. all segments of the transportation industry, includ- Both of the award winners are former Trans- ing airline s , railroads, maritime and motor trans- portation Department employe s. McGrath started port industries. To qualify for the awards, those as a trainman on the rapid transit system on July selected must have had at least two and one-half 25, 1960, and began his apprenticeship on Septem- year s of apprentice training. ber 9, 1962. January was hired as a bus operator Announcement of the award winners was made and assigned to North Avenue station on October 2, at a session of the apprenticeship conference held 1958, and started his apprentice training on No- in Chicago on September 13-15.
Load more

Recommended publications
  • Spinning Wheel (1969) Blood, Sweat & Tears
    MUSC-21600: The Art of Rock Music Prof. Freeze Spinning Wheel (1969) Blood, Sweat & Tears LISTEN FOR • Fusion of musical styles • Prominent horn section (like in big band) • Sophisticated jazz harmonies, improvisation • Syncopated R&B bass riffs • Heavy rock backbeat CREATION Songwriters David Clayton-Thomas Album Blood, Sweat & Tears Label Columbia 44871 Musicians David Clayton-Thoma (vocals), Steve Katz (guitar), Bobby Colomby (drums), Jim Fielder (Bass), Fred Lipsius (alto saxophone), Lew Soloff (trumpet), Alan Rubin (trumpet), Jerry Hyman (trombone), Dick Halligan (piano) Producer James William Guercio Engineer Roy Halee, Fred Catero Recording October 1968; stereo Charts Pop 2, Easy 1, R&B 45 MUSIC Genre Jazz rock Form Simple verse with contrasting middle section, improvised solos, complex outro Key G major Meter 4/4 (alternates with 3/8 in Coda) MUSC-21600 Listening Guide Freeze “Spinning Wheel” (Blood, Sweat & Tears, 1969) LISTENING GUIDE Time Form Lyric Cue Listen For 0:00 Intro • Short intro for horns, with crescendo on sustained note and then riff punctuated by snare. 0:07 A1 “What goes up” • Vocals enter, accompanying texture gradually accumulates, starting with R&B bass/piano riff, then cowbell, drums, tambourine, horns. 0:21 • Refrain begins with stop time. 0:26 A2 “You got no money” • As before, with big-band-inspired horn section punctuating the texture, sometimes with jazzy, swung filler. 0:41 • Refrain. 0:46 B “Did you find” • Extensive contrasting section. • More four-square rhythmic structure with slower harmonic rhythm. • Ends with digital distortion of last vocal note. 1:16 Intro • Overlaps with previous section. 1:30 A3 “Someone is waiting” • As in A2, but with stop time for new stop time for trombone glissando (slide).
    [Show full text]
  • 391 À 437 .Cwk
    Aux Etats-Unis, Blood, Sweat and Tears est sans conteste le groupe de rock de la fin des sixties qui intègre le plus de jazz à sa démarche musicale : passages swing intégrés aux compositions binaires, présence active d’une phalange de souffleurs (trompette, trombone, sax) qui ne se limite pas à un travail de section (comme dans le R’n B ou dans un groupe comme Chicago) mais est faite de vrais solistes - parmi ces solistes, un trompettiste qui fera ensuite une belle carrière dans le jazz, Lew Soloff, le tromboniste Jerry Hyman et un saxophoniste dont on ne sait trop ce qu’il est devenu depuis, Fred Lipsius. Tous trois sont mis à contribution dans la superbe version du God bless the child de Billie Holiday qui figure dans le disque BST 2 (sans doute le meilleur) : 439. Blood, Sweat and Tears: God Bless the child David Clayton-Thomas (voc) Lew Soloff, Chuck Winfield (tp, flgh) Jerry Hyman (tb) Fred Lipsius (as, pn) Dick Halligan (org, pn) Steve Katz (gt, hca) Jim Fielder (b) Bobby Colomby (dms); rec 1968 (CBS) A côté de ces groupes rock (et de plusieurs autres) qui lorgnent vers le jazz, il nous faut maintenant repasser de l’autre côté, et évoquer le phénomène inverse : l’impact qu’a le rock sur de nombreux jazzmen, à commencer par Miles Davis ! Electric Miles - Le Jazz-Rock en gestation Et revoilà Miles Davis ! Décidément omniprésent dans l’histoire du jazz moderne. Un petit rappel, peut-être ? 1945 : débuts dans le be-bop aux côtés de Charlie Parker : d’emblée, le son et le phrasé de Miles se situent aux antipodes de ceux de Dizzy et des autres trompettistes be-bop.
    [Show full text]
  • Great Instrumental
    I grew up during the heyday of pop instrumental music in the 1950s and the 1960s (there were 30 instrumental hits in the Top 40 in 1961), and I would listen to the radio faithfully for the 30 seconds before the hourly news when they would play instrumentals (however the first 45’s I bought were vocals: Bimbo by Jim Reeves in 1954, The Ballad of Davy Crockett with the flip side Farewell by Fess Parker in 1955, and Sixteen Tons by Tennessee Ernie Ford in 1956). I also listened to my Dad’s 78s, and my favorite song of those was Raymond Scott’s Powerhouse from 1937 (which was often heard in Warner Bros. cartoons). and to records that my friends had, and that their parents had - artists such as: (This is not meant to be a complete or definitive list of the music of these artists, or a definitive list of instrumental artists – rather it is just a list of many of the instrumental songs I heard and loved when I was growing up - therefore this list just goes up to the early 1970s): Floyd Cramer (Last Date and On the Rebound and Let’s Go and Hot Pepper and Flip Flop & Bob and The First Hurt and Fancy Pants and Shrum and All Keyed Up and San Antonio Rose and [These Are] The Young Years and What’d I Say and Java and How High the Moon), The Ventures (Walk Don't Run and Walk Don’t Run ‘64 and Perfidia and Ram-Bunk-Shush and Diamond Head and The Cruel Sea and Hawaii Five-O and Oh Pretty Woman and Go and Pedal Pusher and Tall Cool One and Slaughter on Tenth Avenue), Booker T.
    [Show full text]
  • Pi 7Z E Te Ei~ Hvi : at :I~Aenebpu~1~811 Brandes Talks Break Down As Blacks Emaand Amnesty
    Brandes talks break down Lao~~eJg as Blacks emaand amnesty By Mike Fedsow and Chrlie Mann Chances for an agreement between officials of Brandeis University and the Black students occupying Ford Hall were apparently set back Saturday with the suspension of the students by Brandeis President Abrams. The suspension and threat of expulsion brought no apparent reaction from ! -4 m~~~~~5~i the Black students who, as of press time, remained intent on occupying the buil- ding until their demands are met. The suspensions came at a time when many felt that an agreement between the faculty and Black students was near. The suspension and threat of expulsion brought no apparent reaction from pi 7z e Te eI~hVI : 1 at :I~AenEBpu~1~811the Black students who, as of press time, remained intent on occupying the bui- voum88 Nws6 BigMsahsts Tedy aua , 9FE ding until their demands are met. The susp The Brandeis administration has essentially agreed to nine of the ten de- mands and has turned to tihe faculty for approval the tenth - an African studies A__~~~~~~~~~~~~~~ department. The faculty has taken a stand of refusing to approve anything as long as the building is occupied while the Black students maintain the opposite. Negotiaion Proposals and counter-proposals were offered Sunrday as both sides appeared to be in a stalemate. Randy Bailey, one of the Black students, proposed a negoti- ating team composed of a black representative, two members of the faculty and two members of the administration. The plan was not accepted by the admini- stration. Abrams countered with a plan for the formation of three committees with members from each side to conside/'the African stadies department, the rest of the proposals, and the timing and vacating of Ford Hall.
    [Show full text]
  • 1 the Absent Presence of Progressive Rock in the British Music Press, 1968
    The absent presence of progressive rock in the British music press, 1968-1974 Chris Anderton and Chris Atton Abstract The upsurge of academic interest in the genre known as progressive rock has taken much for granted. In particular, little account has been taken of how discourses surrounding progressive rock were deployed in popular culture in the past, especially within the music press. To recover the historical place of the music and its critical reception, we present an analysis of three British weekly music papers of the 1960s and 1970s: Melody Maker, New Musical Express and Sounds. We find that there appears to be relatively little consensus in the papers studied regarding the use and meaning of the term ‘progressive’, pointing to either multiple interpretations or an instability of value judgments and critical claims. Its most common use is to signify musical quality – to connect readers with the breadth of new music being produced at that time, and to indicate a move away from the ‘underground’ scene of the late 1960s. 1 Introduction Beginning in the 1990s there has been an upsurge of academic interest in the genre known as progressive rock, with the appearance of book-length studies by Edward Macan (“Rocking”) and Bill Martin (“Music of Yes”, “Listening”), to which we might add, though not strictly academic, Paul Stump. The 2000s have seen further studies of similar length, amongst them Paul Hegarty & Martin Halliwell, Kevin Holm-Hudson (“Progressive”, “Genesis”) and Edward Macan (“Endless”), in addition to scholarly articles by Jarl A. Ahlkvist, Chris Anderton (“Many-headed”), Chris Atton (“Living”), Kevin Holm-Hudson “Apocalyptic”), and Jay Keister & Jeremy L.
    [Show full text]
  • Kenyon Collegian College Archives
    Digital Kenyon: Research, Scholarship, and Creative Exchange The Kenyon Collegian College Archives 11-14-1968 Kenyon Collegian - November 14, 1968 Follow this and additional works at: https://digital.kenyon.edu/collegian Recommended Citation "Kenyon Collegian - November 14, 1968" (1968). The Kenyon Collegian. 2284. https://digital.kenyon.edu/collegian/2284 This News Article is brought to you for free and open access by the College Archives at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in The Kenyon Collegian by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. I LIBRARY A NOV 1 8 19G8 Vo ARCHIVES d wit tfrftir Co 0 Vol XCV Kenyon College GamJbier Ohio November 14 1968 Na 9 Senate Studies Columbia o 9 Security Role Students Hits End Womens Hours Protestors The Undergraduate Dormitory Council at Columbia College has elimi- In a relatively quiet nated on i session restrictions womens visiting hours marked by the eating According to a of marsh- New York Times report of November 8 the student mallows and french organization fries Campus exercised authority delegated to it by the Dean last Wednes- Senate passes day Dean some new legislation Carl Hovde delegated to the council responsibility for setting and discussed and enforcing student participation dorm regulations He maintained a veto power because V in policy- making of the legal liabilities of the university According a Several senators
    [Show full text]
  • Case 1:06-Cv-03252-GBD-KNF Document 112 Filed 03/26/14 Page
    Case 1:06-cv-03252-GBD-KNF Document 112 Filed 03/26/14 Page 1 of 3 Case 1:06-cv-03252-GBD-KNF Document 112 Filed 03/26/14 Page 2 of 3 Case 1:06-cv-03252-GBD-KNF Document 112 Filed 03/26/14 Page 3 of 3 EXHIBIT C Sony Proposed Accounting of Payments and Credits to Authorized Past Claimants With 28,500 or More Qualifying Downloads Pursuant to Stipulation in Shropshire v. Sony Music Entertainment , 06 Civ. 3252 (GBD) (KNF) Percent of Total Wholesale Value SONY Past Revenue Total Amount of Authorized Past Attributable to Settlement Attributable to all SONY Past Claimant Claimant's Class Allocation to Claimants’ Class Settlement Relief Contracts Claimant Contracts Andre Kostelanetz $20,287 0.11% $3,251,250 $3,705.50 Art Garfunkel $93,815 0.53% $3,251,250 $17,135.68 Boston Symphony Orchestra, Inc. $185,265 1.04% $3,251,250 $33,839.38 Branford Marsalis $55,837 0.31% $3,251,250 $10,198.85 Cheryl Lynn $258,994 1.46% $3,251,250 $47,306.27 Chicago Symphony Orchestra $14,217 0.08% $3,251,250 $2,596.79 Crescent Moon Records, Inc. $49,937 0.28% $3,251,250 $9,121.19 Cypress Hill $1,461,834 8.21% $3,251,250 $267,009.71 Diana King $30,558 0.17% $3,251,250 $5,581.54 Elmo & Patsy $140,952 0.79% $3,251,250 $25,745.44 Exile $66,186 0.37% $3,251,250 $12,089.13 Firehouse $262,763 1.48% $3,251,250 $47,994.69 Gloria Estefan $731,697 4.11% $3,251,250 $133,647.33 Gregg Allman $114,156 0.64% $3,251,250 $20,851.04 Gregory Abbott $55,486 0.31% $3,251,250 $10,134.74 Hiroshima $58,906 0.33% $3,251,250 $10,759.41 Joe Satriani $491,345 2.76% $3,251,250 $89,746.09 John Williams
    [Show full text]
  • Blood Sweat and 3 Years Album Zip Download Blood Sweat and 3 Years Album Zip Download
    blood sweat and 3 years album zip download Blood sweat and 3 years album zip download. Artist: Cash Cash Album: Blood, Sweat and 3 Years Released: 2016 Style: Powerpop. Format: MP3 320Kbps. Tracklist: 01 – How To Love 02 – Broken Drum 03 – Millionaire 04 – Hero 05 – Devil 06 – Aftershock 07 – The Gun 08 – Turn 09 – Escarole 10 – Lightning 11 – Arrows In The Dark 12 – We Will Live 13 – Bada Boom 14 – Take Me Home 15 – Sweat 16 – Surrender. DOWNLOAD LINKS: RAPIDGATOR: DOWNLOAD HITFILE: DOWNLOAD. Blood, Sweat & Tears 3. Blood, Sweat & Tears had a hard act to follow in recording their third album. Nevertheless, BS&T constructed a convincing, if not quite as impressive, companion to their previous hit. David Clayton-Thomas remained an enthusiastic blues shouter, and the band still managed to put together lively arrangements, especially on the Top 40 hits "Hi-De-Ho" and "Lucretia Mac Evil." Elsewhere, they re-created the previous album's jazzing up of Laura Nyro ("He's a Runner") and Traffic ("40,000 Headmen"), although their pretentiousness, on the extended "Symphony/Sympathy for the Devil," and their tendency to borrow other artists' better-known material (James Taylor's "Fire and Rain") rather than generating more of their own, were warning signs for the future. In the meantime, BS&T 3 was another chart-topping gold hit. BLOOD, SWEAT & TEARS. BLOOD SWEAT & TEARS Blood, Sweat & Tears ratings distribution. BLOOD SWEAT & TEARS Blood, Sweat & Tears reviews. Collaborators/Experts Reviews. History has not been as kind as it might, and arguably should, have been to Blood Sweat and Tears.
    [Show full text]
  • Record-Mirror-1971-0
    IS 2 RECORD MIRROR, August 7, 1971 Write to VAL, Record Mirror, 7 Carnaby St., tilirrormai London WIV IPG Anew Blind Faith album?Boys, Moody Blues or Led Fund,Bangladesh, I AM launching a by campaign for the Zeppelin failed to achieve. puttingonconcertsfor ThefactthatBlind variousresorts.First we release of all the Faith disbanded and this learn that only a few places unissuedBlindFaith material remained un- accepted his offer, and then tracks cut for Polydor released was one of the some backedout.That as a follow up to their mostapallingstatesof seemstypicalofthe BLIND FAITH: ONLYA HALF OF THEIR DOUBLE ALBUMISSUED? firstalbum. We were affairsinthe historyof attitude of the high-ups to music. - J. E. Rothwell, peoplewhoreallycare I REALLYmust protest atnot remain in catalogue for Whilst on the subject of heremembersthe given to understand 138 Banks Barn, Firtree, about something and are the way Kama Sutra many years to come, as soulquizes;surelythe crosswordquizclue. there was enough Skelmersdale. tryingtodosomething handled the re-release ofanother revival mini boom climate is ripe for another Apparentlyitsaid materialfora double I FELT I must write to RM constructive. It makes me `Leader Of The Pack'. It is acould occur like the of these competitions. As in something like, the Record album - but the afterreadingaboutthe feel so mad just to think very poor reproduction ofpresentone.-JESSE '66, B&B appears to be on CompanythatLovelace pbwersthatbe were arrest of Edgar Broughton. about it. JAMES, Jesse's Disco, 34A the upswing again. I am sure the original (on the Red Watkins recorded for in the He is one of the few people Then just to top Bird label), but the worstFleetStreet,Aylesbury, with the very hip R 'n' B somehow led to believe fifties.The answer being that the tracks should today who does anything everything, when the group part is that some lines of Bucks.
    [Show full text]
  • Songlist Tkr-320
    ListVer.1.1 SONGLIST TKR-320 MTV Song Title No. Popularized By Composer/Lyricist AKIN KA NA LANG 19039 ITCHYWORMS J. Nicolas ALAB NG PUSO 19001 RIVERMAYA Rico Blanco Moy Ortiz/Edith BAKA IKAW 19002 THE COMPANY Gallardo BAKIT NGAYON KALANG 19003 FREESTYLE Ogie Alcasid BASTA’T KASAMA KITA 19031 DINGDONG & JESSA Greg Caro BITIW 19036 SPONGECOLA Rey Dilay & Yuzon Doug Frank/ BREAK IT TO ME GENTLY 19004 MARK BAUTISTA Doug James Marvin Etzion/ CAN’T CRY HARD ENOUGH 19019 RACHELLE ANN GO David Williams CAPTAIN BARBELL 19005 OGIE ALCASID Ogie Alcasid DI KO NA KAYANG MASAKTAN PA 19006 OGIE ALCASID/ REGINE VELASQUEZ Ogie Alcasid Peter Allen/ DON’T CRY OUT LOUD 19007 RACHELLE ANN GO Carole Bayer Sager DOOBIDOO 19042 KAMIKAZEE Danny Javier FALLIN’ 19008 REGINE VELASQUEZ Marvin Hamslich Vehnee Saturno/ FOREVER’S NOT ENOUGH 19009 SARAH GERONIMO Doris Saturno Melquiades Marcus GITARA 19043 PAROKYA NI EDGAR Valdes II Linda Creed/ HALF CRAZY 19010 FREESTYLE Lonnie Jordan Clem Castro & HEAVEN KNOWS 19044 ORANGE & LEMONS Mcoy Fundales Harry Hess/Pete HONESTLY 19020 RACHELLE ANN GO Lesperance/Darren Smith HOW COULD YOU SAY YOU LOVE ME 19011 SARAH GERONIMO Vehnee Saturno Ty Lacy/ I NEED YOU 19012 MARK BAUTISTA Dennis Matkosky Burt Bacharach/ I SAY A LITTLE PRAYER 19013 POPS FERNANDEZ/ JANNO GIBBS Hal David IKAW 19033 SARAH GERONIMO Medwin Marfil IKAW ANG #1 19027 WILLIE REVILLAME Vehnee A. Saturno KIKAY 19014 HOTBABES Christian Martinez LIFE IS WOW 19069 CHARICE PEMPENGCO MAHIRAP MAGMAHAL NG SYOTA NG IBA 19047 HILERA Jim Paredes Chito Miranda Jr. & MANG JOSE 19041 PAROKYA NI EDGAR Darius Semana MUSIKERO 19015 AFTER IMAGE Wency Cornejo NAKAPAGTATAKA 19045 SPONGECOLA Jim Paredes NGAYON, BUKAS, KAHAPON 19016 WENCY CORNEJO/ RACHEL ALEJANDRO Wency Cornejo NGITI 19032 RONNIE LIANG Vince Katindoy Peter Harrison/ ON THE WINGS OF LOVE 19017 REGINE VELASQUEZ Jefrey Osborne Moy Ortiz/ PAGDATING NG PANAHON 19018 SHARON CUNETA Edith Gallardo PARA SA’YO 19046 PAROKYA NI EDGAR Chito Miranda Jr.
    [Show full text]
  • Spartan 11)111INY
    Friday, November 3,1972 Bunzel to rap 1 Pres. lohn H. Bunzel will hold an open house Monday. November EL from 3 to 5 p.m. for students who would like to dis- cuss the campanin and exchange ideas on the eve of the election. The open house will be held in the President's office, located at Tower Hall 11)111INY In 206. Spartan Serving California State University at San Jose Since 1934 Watts says quote untrue; A.S. Council assails reporter iii I idols 11011a story. sessions, respecting councils's wishes to discuss A.S Lount II Interrupted its regular session personnel and salaries in private. Wednesday night to go into executive session. Watts was unavialable lor comment, and ostensibly to question A.S. Business Manager reportedly out of town for two days. In this case. Miss Spar believes council has George Watts. concerning a comment attributed The Daily has traditionally refrained from misused its privilege of executive session, and to him in a Spartan Daily article Wednesday. that the public should be informed of council's The session quickly turned into a period ol publicizing matters brought out in executive actions. condemnation of the Daily and George Bede. who wrote the article in question. when Watts denied the quote. Watts was quoted in Wednesday's Daily as saving, "What I'm afraid is happening is that the Two more councilmen spending power of the Associated Students is going to be usurped by the students'own lack of common sense." Under questioning of the council, Watts resign positions A.S.
    [Show full text]
  • Blood, Sweat & Tears the Complete Columbia Singles
    (2-CD Set) BLOOD, SWEAT & TEARS THE COMPLETE COLUMBIA SINGLES They were a pioneering jazz-rock outfit and a hit singles band (which shows how progressive pop music got in the late ‘60s/early ‘70s) that wowed fans and critics alike. They were Blood, Sweat & Tears—and this two-CD, 32-track set offers not only the most Al KoKooper Steve KaKatz Bobby Colomby Jim FFielder Frered Lippsius eckRandykeer re Jerrryy WeWeis Br comprehensive collection ever compiled of their work,Dick Halligan but Bobby also Doyle the Lewew Soloffmost ChuckChuck appropriate W Winfield Jerry Hyman lens Dave Bargerrgroo Jerrryy Fisher Jerry Fisher Lou Marinirini Larr y Wryillis Georg Larr WWadenius ToTom MaloneMa Randy Brecker Chuck Winfie through which to view their long and often chaoticJerr career.ryy LaCrrooix Bill Very Tillman Ronfew McClur bandsree Luther experienced KeKent Jerry LaCroix Joe Giorrggiannii Mik kee Stern the kind of turnover that Blood, Sweat & Tears Don Alias Danny Tririfan Tr FoForreest Buchtell Al Kooper Steve Katz Jim FFielder Bobby Colomby Frered Dick Halligan David Clayton--TClayton-Thomas Lew Soloff Chuck WWinfieldfield Jerrryy Hyman Da avegerroo rg Bar did and lived to tell the tale—the group began Jerry Fisher Louou Marini Bobby Doyle Larrryry Willi T To om Malone ToTony Klatka Jerry Fisher Chuck Randy Brreeckkeerr Bill Tillman Ron McClurree J rr y LaCrrooix Lutherher KeKent Joe Giorgianni Mikkee Ster with the Blues Project’s Steve Katz and Al Don Alias Danny Trifanrifan Forreest Buch ll JJerry eiss Lou Marini David Clayton--TThoThomas
    [Show full text]