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Member Directory
D DIRECTORY Member Directory ABOUT THE MOBILE MARKETING ASSOCIATION (MMA) Mobile Marketing Association Member Directory, Spring 2008 The Mobile Marketing Association (MMA) is the premier global non- profit association established to lead the development of mobile Mobile Marketing Association marketing and its associated technologies. The MMA is an action- 1670 Broadway, Suite 850 Denver, CO 80202 oriented organization designed to clear obstacles to market USA development, establish guidelines and best practices for sustainable growth, and evangelize the mobile channel for use by brands and Telephone: +1.303.415.2550 content providers. With more than 600 member companies, Fax: +1.303.499.0952 representing over forty-two countries, our members include agencies, [email protected] advertisers, handheld device manufacturers, carriers and operators, retailers, software providers and service providers, as well as any company focused on the potential of marketing via mobile devices. *Updated as of 31 May, 2008 The MMA is a global organization with regional branches in Asia Pacific (APAC); Europe, Middle East & Africa (EMEA); Latin America (LATAM); and North America (NA). About the MMA Member Directory The MMA Member Directory is the mobile marketing industry’s foremost resource for information on leading companies in the mobile space. It includes MMA members at the global, regional, and national levels. An online version of the Directory is available at http://www.mmaglobal.com/memberdirectory.pdf. The Directory is published twice each year. The materials found in this document are owned, held, or licensed by the Mobile Marketing Association and are available for personal, non-commercial, and educational use, provided that ownership of the materials is properly cited. -
View Full Issue
A Publication of The Science and Information Organization A Publication of The Science and Information Organization (IJACSA) International Journal of Advanced Computer Science and Applications, Vol. 2, No. 5, 2011 IJACSA Editorial From the Desk of Managing Editor… It is a pleasure to present our readers with the May 2011 Issue of International Journal of Advanced Computer Science and Applications (IJACSA). With monthly feature peer-reviewed articles and technical contributions, the Journal's content is dynamic, innovative, thought- provoking and directly beneficial to the readers in their work. The number of submissions have increased dramatically over the last issues. Our ability to accommodate this growth is due in large part to the terrific work of our Editorial Board. Some of the papers have an introductory character, some of them access highly desired extensions for a particular method, and some of them even introduce completely new approaches to computer science research in a very efficient manner. This diversity was strongly desired and should contribute to evoke a picture of this field at large. As a consequence only 29% of the received articles have been finally accepted for publication. With respect to all the contributions, we are happy to have assembled researchers whose names are linked to the particular manuscript they are discussing. Therefore, this issue may not just be used by the reader to get an introduction to the methods but also to the people behind that have been pivotal in the promotion of the respective research. By having in mind such future issues, we hope to establish a regular outlet for contributions and new findings in the field of Computer science and applications. -
Changers People, Products, and Policies That Empower 21St Century Kids
presents Gamechangers People, Products, and Policies That Empower 21st Century Kids April 28 and 29, 2011 Massachusetts Institute of Technology Cambridge, MA Sandbox Summit® is a series of conferences designed to address how technology affects the ways kids play, learn, and connect. As technology is woven into every aspect of our children’s lives, Sandbox Summit raises the bar on questions surrounding the use and development of their new toys and tools. Through high-energy panels, innovative demonstrations, original research, and thought-provoking discussions with industry and media leaders, analysts, journalists, educators and parents, each Summit strategically intermingles disciplines and viewpoints so that we never talk to a room full of nodding heads. The goal of every Sandbox Summit is to stimulate the means that encourage kids to become creative, critical thinkers in the 21st century. Our Mission: Play is how kids learn. By creating a forum for conversation around play and technology, Sandbox Summit strives to ensure that the next generation of players becomes active innovators, rather than passive users, of technology. ® 2 Sandbox Summit Game Changers Welcome. As we open our seventh Sandbox Summit®, and our second annual event at MIT, we can’t help but reflect on how the conversation has changed in the past three and a half years. We began talking about traditional toys and tech, wondering about the value of adding a chip or going online; now, both the vocabulary and the toys have evolved. Today, toys include tools, and the technology extends to multiple platforms, 24/7 connections, touch screens, and body language. -
Board Targets Rowdy Crowds
Project1:Layout 1 6/10/2014 1:13 PM Page 1 NHL: Lightning top Hurricanes, move on in playoffs /B1 WEDNESDAY TODAY C I T R U S C O U N T Y & next morning HIGH 90 Partly cloudy with LOW a thunderstorm possible. 70 PAGE A4 www.chronicleonline.com JUNE 9, 2021 Florida’s Best Community Newspaper Serving Florida’s Best Community $1 VOL. 126 ISSUE 245 NEWS BRIEFS Board targets rowdy crowds Burn ban, COVID emergency Officials want tools to help control behavior of weekend revelers at springs order ended MIKE WRIGHT And with that, Residents say put in $30,000 in overtime their patrol boats. Several solid days of Staff writer Citrus County loud, offensive working with state and “You would not have heavy rain led county commissioners on music and inap- federal agencies during been able to talk to me in commissioners on Tues- How bad is it on the Ho- Tuesday directed propriate behav- the Memorial Day week- a normal tone of voice,” day to lift the burn ban. mosassa River head County Attorney ior by boaters end patrolling the Homo- he said of the noise. “They Also Tuesday, commis- springs during rowdy Denise Dymond packed into the sassa and Crystal Rivers, couldn’t hear me on the sioners ended the weekends? Lyn to develop a main spring and issuing 619 warnings and radio.” COVID-19 state of emer- Sheriff Mike Prender- noise ordinance adjoining canals 146 citations. Commissioner Ron gast had this to say: designed to re- has made it im- Prendergast said he was gency after Gov. -
2012 Guide 56Pp+Cover
cc THE UK’S PREMIER MEETING PLACE FOR THE CHILDREN’S 4,5 &6 JULY 2012SHEFFIELD UK CONTENT INDUSTRIES CONFER- ENCE GUIDE 4_ 5_ & 6 JULY 2012 GUIDE SPONSOR Welcome Welcome to CMC and to Sheffield in the We are delighted to welcome you year of the Olympics both sporting and to Sheffield again for the ninth annual cultural. conference on children’s content. ‘By the industry, for the industry’ is our motto, Our theme this year is getting ‘ahead of which is amply demonstrated by the the game’ something which is essential number of people who join together in our ever faster moving industry. to make the conference happen. As always kids’ content makers are First of all we must thank each and every leading the way in utilising new one of our sponsors; we depend upon technology and seizing opportunities. them, year on year, to help us create an Things are moving so fast that we need, event which continues to benefit the kids’ more than ever, to share knowledge and content community. Without their support experiences – which is what CMC is all the conference would not exist. about – and all of this will be delivered in a record number of very wide-ranging Working with Anna, our Chair, and our sessions. Advisory Committee is a volunteer army of nearly 40 session producers. We are CMC aims to cover all aspects of the sure that over the next few days you will children's media world and this is appreciate as much as we do the work reflected in our broad range of speakers they put into creating the content from Lane Merrifield, the Founder of Club sessions to stretch your imagination Penguin and Patrick Ness winner of the and enhance your understanding. -
Launch! Advertising and Promotion in Real Time
Launch! Advertising and Promotion in Real Time Saylor.org This text was adapted by The Saylor Foundation under a Creative Commons Attribution-NonCommercial-Share-Alike 3.0 License without attribution as requested by the work’s original creator or licensee. Saylor URL: http://www.saylor.org/books Saylor.org 1 Chapter 1 Meet SS+K: A Real Agency Pitches a Real Client Figure 1.1 Fourteen Months to Launch! Saylor URL: http://www.saylor.org/books Saylor.org 2 1.1 Why Launch!? LEARNING OBJECTIVE After studying this section, students should be able to do the following: 1. Recognize the bold new approach for delivering information to today’s college students (aka digital natives). Knowledge Is a Flat World The textbook publishing industry is undergoing staggering change as many traditional business models and practices quickly lose relevance. Peer-to-peer textbook trading networks, online used-book sellers, and a gray market that allows low-priced international editions to displace expensive U.S. texts push publishers to reconsider outmoded ways of delivering content. Likewise, the digital natives who make up our university student bodies (that’s you!) inspire educators to think about the transfer of knowledge in exciting new ways. How do we best communicate the most current thinking in our disciplines to students who expect up-to- the-minute information at a keystroke and who view educational materials as community—indeed, world—resources that can and should be freely shared and interactively constructed? We’ve created a new kind of text—one premised on the idea that college course material can wield wider influence and be of greatest public benefit as it becomes easily and inexpensively available to anyone with a desire to learn. -
Alternative Sources of Funding for Public Broadcasting Stations
Alternative Sources of Funding for Public Broadcasting Stations This report is provided by the Corporation for Public Broadcasting (CPB) in response to the Conference Report accompanying the Military Construction and Veterans Affairs and Related Agencies Appropriations Act, 2012 (H.R. 2055). June 20, 2012 Table of Contents I. Introduction ................................................................................................................... 1 II. Executive Summary ....................................................................................................... 1 III. The Role of Public Broadcasting in the United States ...................................................5 Mission.................................................................................................................... 6 The Role of CPB ...................................................................................................... 8 Education ................................................................................................................ 8 Local Service and Engagement .............................................................................. 11 Serving the Underserved ....................................................................................... 12 News and Public Affairs ......................................................................................... 13 History, Science and Cultural Content .................................................................. 15 IV. The Organizational Structure of Public -
The Routledge Companion to Remix Studies
THE ROUTLEDGE COMPANION TO REMIX STUDIES The Routledge Companion to Remix Studies comprises contemporary texts by key authors and artists who are active in the emerging field of remix studies. As an organic interna- tional movement, remix culture originated in the popular music culture of the 1970s, and has since grown into a rich cultural activity encompassing numerous forms of media. The act of recombining pre-existing material brings up pressing questions of authen- ticity, reception, authorship, copyright, and the techno-politics of media activism. This book approaches remix studies from various angles, including sections on history, aes- thetics, ethics, politics, and practice, and presents theoretical chapters alongside case studies of remix projects. The Routledge Companion to Remix Studies is a valuable resource for both researchers and remix practitioners, as well as a teaching tool for instructors using remix practices in the classroom. Eduardo Navas is the author of Remix Theory: The Aesthetics of Sampling (Springer, 2012). He researches and teaches principles of cultural analytics and digital humanities in the School of Visual Arts at The Pennsylvania State University, PA. Navas is a 2010–12 Post- Doctoral Fellow in the Department of Information Science and Media Studies at the University of Bergen, Norway, and received his PhD from the Program of Art and Media History, Theory, and Criticism at the University of California in San Diego. Owen Gallagher received his PhD in Visual Culture from the National College of Art and Design (NCAD) in Dublin. He is the founder of TotalRecut.com, an online com- munity archive of remix videos, and a co-founder of the Remix Theory & Praxis seminar group. -
Long Beach Museum of Art, Long Beach, CA
R E B E C C A A L L E N [email protected] www.rebeccaallen.com _______________________________________________________________________ Academic Appointments _______________________________________________________________________ 1996-present University of California Los Angeles Los Angeles, CA Department of Design | Media Arts Professor 2003-2005 Massachusetts Institute of Technology Dublin, Ireland Media Lab Europe Senior Research Scientist (On-leave from UCLA) Director, Liminal Devices Research Group 1996-1999 Founding Chair, UCLA Department of Design | Media Arts 1996-1997 UCLA Center for the Digital Arts (CDA) School of Arts and Architecture Founding Co-Director 1986-1993 UCLA Department of Design Lecturer / Visiting Associate Professor 2000 Massachusetts Institute of Technology Cambridge, MA Visiting Artist / Professor 1990-1991 Hochschule fur Angewandte Kunst Vienna, Austria (School of Applied Arts) Director of Visual Media Department / Guest Professor Education _______________________________________________________________________ 1980 Massachusetts Institute of Technology Cambridge, MA Architecture Machine Group (predecessor to MIT Media Lab) Master of Science. (Computer Graphics / Interactive Media / Interface Design) 1975 Rhode Island School of Design Providence, RI Bachelor of Fine Arts. (Film / Animation / Graphic Design) _______________________________________________________________________ COMMISSIONS REBECCA ALLEN _______________________________________________________________________ Commissions are awarded for artistic -
Luisacatucci Gallery
LUISACATUCCI GALLERY Giuseppe La Spada Luisa Catucci Gallery / Allerstr. 38 / 12049 Berlin / [email protected] / +49 (0)176.20404636 LUISACATUCCI GALLERY I have made a lifetime commitment, devo- ting my life to Water. Giuseppe La Spada Giuseppe La Spada was born in Palermo in 1974, but he grew up in Milazzo. In 2002, he graduated with honours in Digital Design at Istituto Europeo di Design in Rome, where he remained as a professor until 2004. In 2006 Istituto Europeo di Design Rome conferred him the prize for best carrier in Visual Arts. In 2007, he won the prestigious Webby Awards, thanks to an ecological web project: the website “Mono No Aware” in support of the project “Stop Rokkasho” founded by Oscar winner Ryuichi Sakamoto. That same evening also David Bowie, Beastie Boys and YouTube founders received an award. In 2008, he worked with Sakamoto and Fennesz during the tournée “Cendre”, which ended with the unforgettable show at Ground Zero in New York. In 2010 he gave life, to “Afleur”, a live show which he also illustrated in a very particular and ecological object-book. In 2009 create ‘Afleur’, an art project that in 2011 was part of Digitalife2digital art exhibition, between the works of Marina Abramovic, Christian Marclay, Carsten Nicolai, Ryoichi Kurokawa and many other eminent contemporary artist. The representative picture of the event, itself, was his creation. In 2011, with the participation of more than 600 people, he staged an impressive tree in Piazza Duomo (Milan) in order to raise public awareness of the problem of pollution. In 2012, he curated the Ca’ Del Bosco event ‘With All Your Senses’, where he created an interactive multi- sensorial artwork well appreciated by critics and press. -
20200106191644318 Booking.Com J.A..Pdf
No. 19-46 In the Supreme Court of the United States UNITED STATES PATENT AND TRADEMARK OFFICE, ET AL., PETITIONERS v. BOOKING.COM B.V. ON WRIT OF CERTIORARI TO THE UNITED STATES COURT OF APPEALS FOR THE FOURTH CIRCUIT JOINT APPENDIX NOEL J. FRANCISCO LISA SCHIAVO BLATT Solicitor General Williams & Connolly LLP Department of Justice 725 12th Street, N.W. Washington, D.C. 20530-0001 Washington, D.C. 20005 [email protected] [email protected] (202) 514-2217 (202) 434-5050 Counsel of Record Counsel of Record for Petitioners for Respondent PETITION FOR A WRIT OF CERTIORARI FILED: JULY 5, 2019 CERTIORARI GRANTED: NOV. 8, 2019 TABLE OF CONTENTS Page Court of appeals docket entries (17-2458) ................................................................................. 1 District court docket entries (1:16-cv-00425-LMB-IDD) ................................................... 8 Declaration of Rutger Prakke (Nov. 7, 2012) ..................... 16 Declaration of Jaap van den Broek (Nov. 7, 2012) ............. 23 Expert report of Hal Poret (Sept. 6, 2016) ......................... 35 Excerpts from expert report of Sarah-Jane Leslie (Sept. 12, 2016) .................................................................. 135 List of international registered trademarks..................... 140 Declaration of Todd Dunlap (Sept. 12, 2016) .................... 143 Excerpts from telephonic deposition of Edward Blair, Ph.D. (Nov. 16, 2016) .............................. 150 Declaration of Sarah-Jane Leslie (Jan. 10, 2017) ............. 157 Response to expert report of Edward A. Blair, Ph.D. (Oct. 28, 2016) .................................................................... 159 Excerpts from response to office action............................ 190 Excerpts from plaintiff ’s response to defendants’ first set of interrogatories (Nov. 8, 2016) ....................... 195 Declaration of Edward A. Blair (Oct. 14, 2016) ................ 255 Expert report of Edward A. Blair, Ph.D. (Dec. 9, 2016) .................................................................... -
Celebrating 10 Years of 100% Pure New Zealand 0 Pure As Pure As Contents Xxxxxxxx Ourism N Ew Zealand Ourism N Ew Zealand T T 100% Pure New Zealand 1999–2009
Celebrating 10 years of 100% Pure new Zealand 0 Pure as Pure as contents xxxxxxxx ew Zealand ew Zealand n n ourism ourism t t 100% pure new zealand 1999–2009 Y our words........................................................................................... 5 keeping it real ......................................................................... 36 what key tourism and branding experts have the 100% Pure new Zealand campaign made a to say about the 100% Pure campaign promise, and new Zealand needed to keep it. Award-Winning camPaign ...................................................... 37 Pure genius ...................................................................................... 8 awards for 100% Pure new Zealand, and a global campaign? why? new Zealand as a destination. The big idea ................................................................................. 12 the 100% Pure new Zealand brand, what it hard-fought funding ..................................................... 40 means and where it came from. new Zealand is a small player in the world of tourism, so are we backing the brand enough? Brand savvy .................................................................................. 20 what is a brand and why does new Zealand Brand evolution ..................................................................... 44 need one? the last ten years have been more than pretty pictures. STick to the knitting ................................................................... 21 business journalist rod oram has his Weaving