Nominalization and Pinyin in Chinese-To-English Translation∗
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SWOT Analysis on International Exchange and Cooperation Of
SWOT Analysis on International Exchange and Cooperation of Higher Education with ASEAN Countries of Universities in Guizhou Province Zhou Qian, Pradit Silabut*, Surasak Srikrachang**, Swat Photiwat** Doctor of Education in Educational Administration, Sisaket Rajabhat University ABSTRACT This study aimed to find out the state, problems, suggestions of international exchange and cooperation of higher education with ASEAN countries at Guizhou province, and to propose suggestion for development of international exchange and cooperation of higher education with ASEAN countries at Guizhou province. The population of this study consisted of 8,184 faculties from 6 universities in Guizhou province. Using stratified random sampling, the samples of this research were total 367 subjects. The instruments of this research were questionnaire and SWOT cross PEST analysis model. It was found that the current situation of the international exchange and cooperation of higher education with ASEAN countries at Guizhou province including 2 factors which performance was at high levels, and 5 aspects which perspective on were as follows: 1) the total performance on students of exchange and cooperation of higher education with ASEAN in Guizhou province was at a moderate level; 2) the total performance on teachers and scholars of exchange and cooperation of higher education with ASEAN in Guizhou province was at a moderate level; 3) the total performance on joint research of exchange and cooperation of higher education with ASEAN in Guizhou province was at a low level; 4) the total performance on conferences and seminars cooperation of exchange and cooperation of higher education with ASEAN in Guizhou province was at a low level; 5) the total performance on curriculums cooperation of exchange and cooperation of higher education with ASEAN in Guizhou province was at a moderate level. -
Univerzita Karlova Filozofická Fakulta Katedra Sinologie
Univerzita Karlova Filozofická fakulta Katedra sinologie Studijní program filologie Jan Križan Xiangsheng v ČLR: od nástroje budování nové Číny k satirickému komentáři současné společnosti Bakalářská práce Xiangsheng in PRC: From a Tool of the New China Ideology to Social Satire Bachelor thesis 2021 Vedoucí práce: prof. PhDr. Olga Lomová, CSc. PODĚKOVÁNÍ Tímto bych chtěl poděkovat především paní profesorce Lomové za výběr skvělého tématu, svižnou komunikaci, a také za veškeré její připomínky, návrhy a komentáře. Dále děkuji svým rodičům a jejich všestranné podpoře, díky které jsem měl ideální podmínky k napsání této práce. ČESTNÉ PROHLÁŠENÍ Prohlašuji, že jsem bakalářskou práci na téma „Xiangsheng v ČLR: od nástroje budování nové Číny k satirickému komentáři současné společnosti“ vypracoval pod vedením vedoucího bakalářské práce samostatně za řádné citace v práci uvedených pramenů a literatury. Dále prohlašuji, že tato bakalářská práce nebyla využita k získání jiného nebo stejného titulu. V Ústí nad Labem, dne 1. 5. 2021 ………………………………. Podpis ABSTRAKT Xiangsheng je humorný vypravěčský žánr založený na satiře a komentáři společnosti, který je dnes považován za nejvýznamnějšího zástupce tradičních populárních umění quyi 曲艺. Bakalářská práce se zaměřuje na takzvaný dialogický xiangsheng (duikou xiangsheng 对口相 声), který je představením dvou vypravěčů. Hlavními body zájmu jsou 50. léta 20. století, kdy byl xiangsheng využit pro potřeby propagandy nového státního zřízení, a období od roku 2005, kdy do veřejného povědomí vstupuje nejvýznamnější vypravěč současnosti Guo Degang 郭德纲 (1973–), který skrze návrat k tradici navrátil xiangsheng zpět na vrchol popularity. Cílem práce je komparativní studie xiangshengů z těchto dvou sociokulturně velmi odlišných období, a to zejména skrze formální a obsahovou analýzu xiangshengu „Noční jízda“ (Yexing ji 夜行记), který existuje ve verzi z 50. -
Language Management in the People's Republic of China
LANGUAGE AND PUBLIC POLICY Language management in the People’s Republic of China Bernard Spolsky Bar-Ilan University Since the establishment of the People’s Republic of China in 1949, language management has been a central activity of the party and government, interrupted during the years of the Cultural Revolution. It has focused on the spread of Putonghua as a national language, the simplification of the script, and the auxiliary use of Pinyin. Associated has been a policy of modernization and ter - minological development. There have been studies of bilingualism and topolects (regional vari - eties like Cantonese and Hokkien) and some recognition and varied implementation of the needs of non -Han minority languages and dialects, including script development and modernization. As - serting the status of Chinese in a globalizing world, a major campaign of language diffusion has led to the establishment of Confucius Institutes all over the world. Within China, there have been significant efforts in foreign language education, at first stressing Russian but now covering a wide range of languages, though with a growing emphasis on English. Despite the size of the country, the complexity of its language situations, and the tension between competing goals, there has been progress with these language -management tasks. At the same time, nonlinguistic forces have shown even more substantial results. Computers are adding to the challenge of maintaining even the simplified character writing system. As even more striking evidence of the effect of poli - tics and demography on language policy, the enormous internal rural -to -urban rate of migration promises to have more influence on weakening regional and minority varieties than campaigns to spread Putonghua. -
Preliminary Pages
UNIVERSITY OF CALIFORNIA Los Angeles Ascending the Hall of Great Elegance: the Emergence of Drama Research in Modern China A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Hsiao-Chun Wu 2016 © Copyright by Hsiao-Chun Wu 2016 ABSTRACT OF THE DISSERTATION Ascending the Hall of Great Elegance: the Emergence of Drama Research in Modern China by Hsiao-Chun Wu Doctor of Philosophy in History University of California, Los Angeles, 2016, Professor Andrea Sue Goldman, Chair This dissertation captures a critical moment in China’s history when the interest in opera transformed from literati divertissement into an emerging field of scholarly inquiry. Centering around the activities and writings of Qi Rushan (1870-1962), who played a key role both in reshaping the modes of elite involvement in opera and in systematic knowledge production about opera, this dissertation explores this transformation from a transitional generation of theatrical connoisseurs and researchers in early twentieth-century China. It examines the many conditions and contexts in the making of opera—and especially Peking opera—as a discipline of modern humanistic research in China: the transnational emergence of Sinology, the vibrant urban entertainment market, the literary and material resources from the past, and the bodies and !ii identities of performers. This dissertation presents a critical chronology of the early history of drama study in modern China, beginning from the emerging terminology of genre to the theorization and the making of a formal academic discipline. Chapter One examines the genre-making of Peking Opera in three overlapping but not identical categories: temporal, geographical-political, and aesthetic. -
A Complete Collection of Chinese Institutes and Universities For
Study in China——All China Universities All China Universities 2019.12 Please download WeChat app and follow our official account (scan QR code below or add WeChat ID: A15810086985), to start your application journey. Study in China——All China Universities Anhui 安徽 【www.studyinanhui.com】 1. Anhui University 安徽大学 http://ahu.admissions.cn 2. University of Science and Technology of China 中国科学技术大学 http://ustc.admissions.cn 3. Hefei University of Technology 合肥工业大学 http://hfut.admissions.cn 4. Anhui University of Technology 安徽工业大学 http://ahut.admissions.cn 5. Anhui University of Science and Technology 安徽理工大学 http://aust.admissions.cn 6. Anhui Engineering University 安徽工程大学 http://ahpu.admissions.cn 7. Anhui Agricultural University 安徽农业大学 http://ahau.admissions.cn 8. Anhui Medical University 安徽医科大学 http://ahmu.admissions.cn 9. Bengbu Medical College 蚌埠医学院 http://bbmc.admissions.cn 10. Wannan Medical College 皖南医学院 http://wnmc.admissions.cn 11. Anhui University of Chinese Medicine 安徽中医药大学 http://ahtcm.admissions.cn 12. Anhui Normal University 安徽师范大学 http://ahnu.admissions.cn 13. Fuyang Normal University 阜阳师范大学 http://fynu.admissions.cn 14. Anqing Teachers College 安庆师范大学 http://aqtc.admissions.cn 15. Huaibei Normal University 淮北师范大学 http://chnu.admissions.cn Please download WeChat app and follow our official account (scan QR code below or add WeChat ID: A15810086985), to start your application journey. Study in China——All China Universities 16. Huangshan University 黄山学院 http://hsu.admissions.cn 17. Western Anhui University 皖西学院 http://wxc.admissions.cn 18. Chuzhou University 滁州学院 http://chzu.admissions.cn 19. Anhui University of Finance & Economics 安徽财经大学 http://aufe.admissions.cn 20. Suzhou University 宿州学院 http://ahszu.admissions.cn 21. -
Porcelain Color Guide and Application Principles
Porcelain Color Guide and Application Principles By Wanqi Chai Bachelor of Arts in Art Design Tongji University Shanghai, China 2009 Submitted to Mike Zender of the College of Design, Art, Architecture and Planning of the University of Cincinnati in partial fulfillment of the requirements for the Degree of Mater of Design May, 2012 ABSTRACT We know there is many color guides and color schemes for designers use, just like the swatch libraries in Adobe Illustrator. It has thousands of color combinations for designers easily to choose a color to achieve their design purpose. My thesis is focusing on making a special Chinese color guide and a series of Chinese color combinations, which are close to Chinese people’s aesthetic. My color guide could help designers easily decide which color they would like use while they are designing for Asian audience. My hypothesis is the colors found in Chinese porcelain art suggest color palettes that will appeal to Asian's visual aesthetic. Porcelain culture has existed for thousands of year in Asia. Those colors not only represent the technical conditions of their time, they also deeply reveals the social and culture background, aesthetic psychology of the times. Until today, porcelain colors deeply affected East Asian aesthetic trends. On the other hand, sociological and cultural chromatics is becoming more and more important today. The mental imagery of color reveals the perception, emotion, idea, and motivation of human beings. The purpose of my thesis is to refine key colors from porcelains; find out and build up its own application principles for designer’s use, and prove my hypothesis that porcelain color could satisfy Asian people’s taste. -
A Sample of Folk Poetry of the Sui: the Volume of Ancestor Worship
Kamil Burkiewicz* A SampleVolume of of Folk Ancestor Poetry Worship of the Sui: The Volume of Ancestor Worship DOI: http://dx.doi.org/10.12775/LC.2021.020 145 2(38) 2021 henever bizarre or seemingly supernatural events occur, whenever a family faces Whenever Wbizarre or seemingly supernatural events occur, whenever a serious problems, calamities, or quite the opposite, plans a wedding, welcomes a new child, prepares to undertake a specific activity such as building a house, its members, if only to remain loyal to traditional customs, try to seek guidance and support from their ancestors. * PhD, an assistant professor at the Institute of Oriental Studies, Adam Mickiewicz University in Poznań. His research interests concern languages and cultures of ethnic minorities in China, especially the Sui people, as well as broadly understood sinological linguistics. E-mail: [email protected] | ORCID: 0000-0002-7839-1051. LITTERARIA COPERNICANA ISSNp 1899-315X 145–150 ss. The proper execution of a relevant ritual is, however, far beyond the knowledge accessible to ordinary people and requires the use of services provided by shamans known as [pju¹ ȶaːi³]. The most capable are also referred to as ʔ[ ai³ haːŋ⁶ le¹], i.e. those who have mastered [le¹ sui³] – the original writing system and the divination books written using it. When invited to perform a ritual of ancestor worship, a shaman starts his preparations by setting up sacrificial goods and the necessary utensils. Right in front of the [ɕi³ qoŋ⁵ pu4] – a special place in every family’s home dedicated to male forebears – a long table is placed with one bench on both sides. -
Appropriating the West in Late Qing and Early Republican China / Theodore Huters
Tseng 2005.1.17 07:55 7215 Huters / BRINGING THE WORLD HOME / sheet 1 of 384 Bringing the World Home Tseng 2005.1.17 07:55 7215 Huters / BRINGING THE WORLD HOME / sheet 2 of 384 3 of 384 BringingÕ the World HomeÕ Appropriating the West in Late Qing 7215 Huters / BRINGING THE WORLD HOME / sheet and Early Republican China Theodore Huters University of Hawai‘i Press Honolulu Tseng 2005.1.17 07:55 © 2005 University of Hawai‘i Press All rights reserved Printed in the United States of Amer i ca Library of Congress Cataloging- in- Publication Data Huters, Theodore. Bringing the world home : appropriating the West in late Qing and early Republican China / Theodore Huters. p. cm. Includes bibliographical references and index. ISBN 0-8248-2838-0 (hardcover : alk. paper) 1. Chinese literature—20th century—History and criticism. 2. Chinese literature—20th century—Western influences. I. Title. PL2302.H88 2005 895.1’09005—dc22 2004023334 University of Hawai‘i Press books are printed on acid- free paper and meet the guidelines for permanence and durability of the Council on Library Resources. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books open access for the public good. The open-access ISBN for this book is 978-0-8248-7401-8. More information about the initiative and links to the open-access version can be found at www.knowledgeunlatched.org. The open-access version of this book is licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY- NC-ND 4.0), which means that the work may be freely downloaded and shared for non-commercial purposes, provided credit is given to the author. -
Composing, Revising, and Performing Suzhou Ballads: a Study of Political Control and Artistic Freedom in Tanci, 1949-1964
Composing, Revising, and Performing Suzhou Ballads: a Study of Political Control and Artistic Freedom in Tanci, 1949-1964 by Stephanie J. Webster-Cheng B.M., Lawrence University, 1996 M.A., University of Pittsburgh, 2003 Submitted to the Graduate Faculty of Music Department in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2008 UNIVERSITY OF PITTSBURGH MUSIC DEPARTMENT This dissertation was presented by Stephanie Webster-Cheng It was defended on [author‟s name] October 31, 2008 and approved by Mark Bender, Associate Professor, East Asian Languages and Literature, Ohio State University Xinmin Liu, Assistant Professor, East Asian Languages and Literature Wenfang Tang, Associate Professor, Political Science Andrew Weintraub, Associate Professor, Music Akin Euba, Andrew W. Mellon Professor of Music, Music Dissertation Advisor: Bell Yung, Professor of Music, Music ii Copyright © by Stephanie J. Webster-Cheng 2008 iii Composing, Revising, and Performing Suzhou Ballads: a Study of Political Control and Artistic Freedom in Tanci, 1949-1964 Stephanie J. Webster-Cheng, PhD University of Pittsburgh, 2008 This dissertation explores the dynamics of political control of the arts and artistic freedom in the musical storytelling art of Suzhou tanci between 1949 and 1964, years marked by extensive revision of traditional performance repertoire, widespread creation of new, contemporary-themed stories, and composition of boldly innovative ballad music. I examine four stories and ballads either composed or revised during this time, looking broadly at the role of the State in the creative process. I consider the role of high-ranking officials whose personal comments to artists shaped their creative processes, and the role of societal political pressure placed on artists through political movements and shifting trends in the dramatic arts. -
Talents Training Model of MICE Major in Guizhou Universities Based on the Post Demand of Enterprises Jie CHEN
2019 International Symposium on Education and Humanities Sciences (ISEHS 2019) ISBN: 978-1-60595-642-8 Talents Training Model of MICE Major in Guizhou Universities Based on the Post Demand of Enterprises Jie CHEN Guizhou Minzu University, Guiyang, Guizhou, China [email protected] Keywords: MICE Major, Guizhou Province, Talent Training Model Abstract. Convention and Exhibition industry enjoys rapid development in our country, and the international influence is unprecedented. Under this background, the Convention and Exhibition Economy & Management education will also deepen from the stage of quantity growth to the stage of quality improvement. In Guizhou province, in order to maintain high-quality development of Convention and Exhibition industry and realize branding and internationalization, it is necessary to explore and analyze the education of talents. This paper analyses the present situation of Guizhou Convention and Exhibition industry, and puts forward the idea of curriculum reform of the major based on the post requirements. It is hoped that talents suitable for the needs of the industry will be trained to provide intellectual support for the development of Guizhou Convention and Exhibition industry. Introduction With the development of the economy, the connotation of convention and exhibition is constantly enriched, that is defined as MICE (Meeting, Incentive tour, Convention, Exhibition and events). The MICE industry has become an important tool to improve regional economic growth, and plays an increasingly significant role in enhancing the city's visibility and competitiveness. Data show that from 2011 to 2018, the total number of exhibitions in China increased by 48.55% from 7330 to 108.89, and the exhibition area increased from 81.6 million square meters to 14.55 million square meters, with a growth rate of 78.38% [1]. -
University of Leeds Chinese Accepted Institution List 2021
University of Leeds Chinese accepted Institution List 2021 This list applies to courses in: All Engineering and Computing courses School of Mathematics School of Education School of Politics and International Studies School of Sociology and Social Policy GPA Requirements 2:1 = 75-85% 2:2 = 70-80% Please visit https://courses.leeds.ac.uk to find out which courses require a 2:1 and a 2:2. Please note: This document is to be used as a guide only. Final decisions will be made by the University of Leeds admissions teams. -
Ancient Locations Protected
2 | Thursday, July 16, 2020 HONG KONG EDITION | CHINA DAILY PAGE TWO Capital: Ancient locations protected From page 1 Mainly referring to areas south of Chang’an Avenue, including Fengtai district and the former Xuanwu and Chongwen districts, nan cheng is home to many native Beijingers and is usually associated with their tra- ditional way of life. In 2010, the authorities in Beijing merged Xuanwu into Xicheng dis- trict and Chongwen into Dong- cheng district, with the aim of promoting development. As a result, unlike the older generation, younger people are unfamiliar with the saying “poor Xuanwu and dilapidated Chongwen”. Beijing native Hu Guozhen, 66, said: “The capital has drastically changed and is now well-developed — totally different from when I was a child. However, I still enjoy living here, which has given me a sense of belonging.” In 1998, Hu, who was born and raised in a populous courtyard tucked away in a hutong area of Caishikou in Xuanwu, moved to a 19-story residential building in the Majiapu area of Fengtai — about a 15-minute drive away. Both her parents were Beijing natives and she grew up in the south of the city, where her husband, Wang Dezhi, 68, comes from. Hu still owns her parents’ 15-square- meter house in Caishikou. “We didn’t rent out the house, because our grandson will go to a kindergarten near Caishikou this year and we will move back there during the week. It’s a cozy house, but small,” said Hu, adding that she prefers living in the courtyard to a residential building.