Between Nature and Machine Map of Course Destinations
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Yokohama Reinventing the Future of a City Competitive Cities Knowledge Base Tokyo Development Learning Center
COMPETITIVE CITIES FOR JOBS AND GROWTH CASE STUDY Public Disclosure Authorized YOKOHAMA REINVENTING THE FUTURE OF A CITY COMPETITIVE CITIES KNOWLEDGE BASE TOKYO DEVELOPMENT LEARNING CENTER October 2017 Public Disclosure Authorized Public Disclosure Authorized Public Disclosure Authorized © 2017 The World Bank Group 1818 H Street NW Washington, DC 20433 Telephone: 202-473-1000 Internet: www.worldbank.org All rights reserved. This volume is a product of the staff of the World Bank Group. The World Bank Group refers to the member institutions of the World Bank Group: The World Bank (International Bank for Reconstruction and Development); International Finance Corporation (IFC); and Multilater- al Investment Guarantee Agency (MIGA), which are separate and distinct legal entities each organized under its respective Articles of Agreement. We encourage use for educational and non-commercial purposes. The findings, interpretations, and conclusions expressed in this volume do not necessarily reflect the views of the Directors or Executive Directors of the respective institutions of the World Bank Group or the governments they represent. The World Bank Group does not guaran- tee the accuracy of the data included in this work. Rights and Permissions This work is a product of the staff of the World bank with external contributions. The findings, interpretations, and conclusions expressed in this work do not necessarily reflect the views of the World Bank, its Board of Executive Directors, or the governments they represent. Nothing herein shall constitute or be considered to be a limitation upon or waive of the privileges and immunities of the World Bank, all of which are specifically reserved. Contact: World Bank Group Social, Urban, Rural and Resilience Global Practice Tokyo Development Learning Center (TDLC) Program Fukoku Seimei Bldg. -
Pathogenic Mutations Identified by a Multimodality Approach in 117 Japanese Fanconi Anemia Patients
ERRATA CORRIGE Bone Marrow Failure Pathogenic mutations identified by a multimodality approach in 117 Japanese Fanconi anemia patients Minako Mori, 1,2 Asuka Hira, 1 Kenichi Yoshida, 3 Hideki Muramatsu, 4 Yusuke Okuno, 4 Yuichi Shiraishi, 5 Michiko Anmae, 6 Jun Yasuda, 7Shu Tadaka, 7 Kengo Kinoshita, 7,8,9 Tomoo Osumi, 10 Yasushi Noguchi, 11 Souichi Adachi, 12 Ryoji Kobayashi, 13 Hiroshi Kawabata, 14 Kohsuke Imai, 15 Tomohiro Morio, 16 Kazuo Tamura, 6 Akifumi Takaori-Kondo, 2 Masayuki Yamamoto, 7,17 Satoru Miyano, 5 Seiji Kojima, 4 Etsuro Ito, 18 Seishi Ogawa, 3,19 Keitaro Matsuo, 20 Hiromasa Yabe, 21 Miharu Yabe 21 and Minoru Takata 1 1Laboratory of DNA Damage Signaling, Department of Late Effects Studies, Radiation Biology Center, Graduate School of Biostudies, Kyoto University, Kyoto, Japan; 2Department of Hematology and Oncology, Graduate School of Medicine, Kyoto University, Kyoto, Japan; 3Department of Pathology and Tumor Biology, Graduate School of Medicine, Kyoto University, Kyoto, Japan; 4Department of Pediatrics, Nagoya University Graduate School of Medicine, Nagoya, Japan; 5Laboratory of DNA Information Analysis, Human Genome Center, The Institute of Medical Science, University of Tokyo, Tokyo Japan; 6Medical Genetics Laboratory, Graduate School of Science and Engineering, Kindai University, Osaka, Japan; 7Tohoku Medical Megabank Organization, Tohoku University, Sendai, Japan; 8Department of Applied Information Sciences, Graduate School of Information Sciences, Tohoku University, Sendai, Japan; 9Institute of Development, Aging, -
KAKEHASHI Project (USA) Inbound Program for Young Japanese Americans Program Report
KAKEHASHI Project (USA) Inbound Program for Young Japanese Americans Program Report 1. Program Overview Under “Japan’s Friendship Ties Program”, 83 Young Japanese Americans who are interested in Japanese culture visited Japan. During the 8 days program from December 15 to December 22, 2015, the participants studied the Japanese government, society, history, culture, foreign policy, and much more. The participants aim to promote Japan through mediums such as SNS. 2. Participating Countries and Number of Participants U.S.A (83 Participants) 3. Prefectures Visited Tokyo, Shiga, Kyoto, Fukuoka 4. Program Schedule December 15 (Tue) Arrival at Narita International Airport December 16 (Wed) Orientation 【Lecture】“Japan’s Foreign Policy” by the North American Affairs Bureau, Ministry of Foreign Affairs 【Observation】Japanese Overseas Migration Museum December 17(Thu)~December 20(Sun) Local Program *Kyoto and Shiga 【History and Culture】Kinkaku-ji Temple, Kiyomizu-dera Temple, Fushimi Inari Taisha Shrine 【School Exchange】The University of Shiga Prefecture 【Homestay】Meeting Hostfamilies, Farewell Party 【Workshop】 *Fukuoka 【Courtesy Call】Fukuoka City 【School Exchange】Fukuoka University 【History and Culture】The Ohori Park Noh Theater, Kushida Shrine 【Homestay】Meeting Hostfamilies, Farewell Party 【Workshop】 December 21(Mon)Move to Tokyo 【Reporting Session】 【Observation】IBM Japan Ltd. 1 December 22(Wed)Departure from Narita International Airport 5.USA / Young Japanese Americans Program Photos 12/16【Observation】Japanese Overseas 12/2【Observation】IBM Japan -
Renzo Piano Designs a Reverent Addition to Louis Kahn's Kimbell
SEEMING INEVITABILITY: renzo piano designs a reverent addition to louis kahn’s kimbell 6 spring INEVITABILITY: Lef: Aerial view from northwest. Above: Piano Pavilion from east, 2014. Photos: Michel Denancé. by ronnie self Louis Kahn’s and Renzo Piano’s buildings for the Kimbell Art Museum in Fort Worth are mature projects realized by septuagenarian architects. They show a certain wis- dom that may come with age. As a practitioner, Louis Kahn is generally considered a late bloomer. His most respected works came relative- ly late in his career, and the Kimbell, which opened a year and a half before his death, is among his very best. Many of Kahn’s insights came through reflection in parallel to practice, and his pursuits to reconcile modern architec- ture with traditions of the past were realized within his own, individual designs. spring 7 Piano (along with Richard Rogers and Gianfranco Franchini) won the competition for the Centre Pompidou in Paris as a young architect piano’s main task was to respond appropriately only in his mid-30s. Piano sees himself as a “builder” and his insights come largely through experience. Aside from the more famboyant Cen- to kahn’s building, which he achieved through tre in the French capital, Piano was entrusted relatively early in his career with highly sensitive projects in such places as Malta, Rhodes, alignments in plan and elevation ... and Pompeii. He made studies for interventions to Palladio’s basilica in Vicenza. More recently he has been called upon to design additions to modern architectural monuments such as Marcel Breuer’s Whitney Mu- seum of American Art in New York and Le Corbusier’s chapel of Notre Dame du Haut in Ronchamp. -
Map(Access by Train/Bus)
Nissan Education Center Access by Bus or on Foot 910, Ichisawa-cho, Asahi-ku, Yokohama-shi, Kanagawa 241-0014 Phone 045-371-5523 (Area General Affairs Office) 045-371-5334 (Front desk) Vicinity of Higashi-totsuka Vicinity of Wadamachi Vicinity of Futamatagawa ForFor Shin-yokohamaShin-yokohama N Station Station Station Drugstore 2 1 North Exit 2 1 Ticket gate South Exit Book store BookstoreBookstore Super market Stand-and-eat soba noodle bar LAWSONLAWSON West 2 upstairs Exit Ticket gate 1 Take the bus for "Sakonyama Dai-go", or "Sakonyama Dai-roku", 50m East Exit (For Aurora City) ForFor TicketTicket ForFor or "Tsurugamine Eki", or "Higashi- YokohamaYokohama gategate EbinaEbina totsuka Eki Nishi-guchi" at the Take the bus for "Sakonyama keiyu Futamatagawa Station South Exit bus stop No.1. Futamatagawa Eki","Ichisawa * Leaves every 10 min. Shogakkou", or "Sakonyama Take the bus for "Shin-sakuragaoka Dai-ichi" at the Higashi-Totsuka Danchi" at the Wadamachi Station Station West Exit bus stop No.2. Depending on the time, traffic can be bus stop No.1. heavily congested. Please allow enough * Leaves every 20 to 30 min. * Leaves every 20 min. time. Ichisawa Danchi Iriguchi IIchisawachisawa DDanchianchi HHigashi-gawaigashi-gawa 17 AApartmentpartment HHACAC BBldgldg . DDrugrug Kan-ni EastEast Ichisawa- EastEast gategate Bldg.Bldg. kamicho NorthNorth FamilyMartFamilyMart Bldg.Bldg. CentralCentral (Inbound)(Inbound) Bldg.Bldg. TrainingTraining Kan-niKan-ni WestWest Bldg.Bldg. SakonyamaSakonyama Ichisawa-Ichisawa- Bldg.Bldg. No.3No.3 Dai-rokuDai-roku kamichokamicho TrainingTraining Dai-ichiDai-ichi Bldg.Bldg. ParkPark MainMain gategate TTrainingraining No.2No.2 NissanNissan Bldg.Bldg. EEducationducation NNo.1o.1 CCenterenter Kan-ni TrainingTraining Bldg.Bldg. -
10. Sources and Useful Links
10. Sources and useful links Keio and SFC ・Keio University Jyukusei website : http://www.gakuji.keio.ac.jp/index.html ・SFC- Housing Information for International Students: http://www.gakuji.keio.ac.jp/en/sfc/sl/housing.html ・Keio University International Center – Housing for International Students: http://www.ic.keio.ac.jp/en/life/housing/ryu_boshu.html Housing Information ・Housemate – Shonandai branch: http://www.housemate-navi.jp/shop/59 ・Mini Mini - Shonandai branch: http://minimini.jp/shop/10016/shonandai/index.html ・Leopalace 21: For International Students: http://en.leopalace21.com/students/ ・ABLE: For International Students: http://www.able.co.jp/international/ ・Kyoritsu Maintenance: http://www.gakuseikaikan.com/international/english/index.html http://www.kif-org.com/placehall/e04.html ・Tokyo Sharehouse: http://tokyosharehouse.com/eng ・Oakhouse: http://www.oakhouse.jp/eng/ ・Sakura House: http://www.sakura-house.com/en ・Sharetomo Program http://www.sharetomo.jp/ Visa and Administration ・Immigration Bureau of Japan: http://www.immi-moj.go.jp/newimmiact_1/en/index.html ・Fujisawa City: https://www.city.fujisawa.kanagawa.jp/jinkendanjyo/gaikokugo/english/index.html ・Yamato City: http://www.city.yamato.lg.jp.e.gg.hp.transer.com/ http://www.city.yamato.lg.jp/web/content/000143006.pdf ・Chigasaki City: http://www.city.chigasaki.kanagawa.jp.e.ox.hp.transer.com/about/1010015.html http://www.city.chigasaki.kanagawa.jp.e.ox.hp.transer.com/kankyo/ 89 ・Yokohama City: http://www.city.yokohama.lg.jp/lang/en/ http://www.city.yokohama.lg.jp/lang/en/5-3-1.html -
Contemporary Itinerary
contemporary itinerary Japan edited by Sara Dello Scarparo, Andrea Ferraro 16:0916:096:09 contemporary itinerary: Japan 04 1 3 2 5 4 6 03 A gojo dori 1 Kyoto 4 Awaji nishi-gojo dori 01. Kyoto station, Hirishi Hara 32. Yumebutai, Tadao Ando 02. Villa Katsura 33. Water temple, Tadao Ando 03. Bamboo Forest 34. House on Awaji island, Izue san-in road 02 04. Kinkaku-Ji temple Architects 05. Higashi Honganji reception hall, kujo dori Shin Takamatsu 5 Naoshima 06. Grand Blue Saniyo Yanaginobanba, Skin Takamatsu 35. Naoshima boat terminal, SANAA 07. Bake Cheese Tart Store, Yusuke Seki 36. Naoshima bath, Shinro Ohtake 08. Today‘s Special, Schemata 37. Naoshima pavillion, Sou Fujimot 1 Architects 38. Chi-chu art museum, Tadao Ando 09. Times Building, Tadao Ando 39. Lee Ufan museum, Tadao Ando 10. Garden of Fine Art, Tadao Ando 40. Benesse house, Tadao Ando 3 11. Kyoto Concert Hall, Arata Isozaki 41. Benesse hotel, Tadao Ando 12. National Museum of Modern Art, 42. Minamidera house, Tadao Ando Fumihiko Maki 43. Naoshima hall, Sambuichi 13. Fujimi Inary Architects 44. Kadoya house, Tadashi Yamamoto 2 Osaka 6 Teshima 14. Rolex Nakatsu Building, Fumihiko Maki 45. Teshima Yokoo house, Yuko 15. Expo Tower, Kiyonori Kikutake Nagayama 16. Sun Tower, Taro Okamoto 46. Restaurant on the sea, Koichi 17. Light Church, Tadao Ando Futatsumata 18. Umeda Sky Building, Hiroshi Hara 47. Shima kitche, Atelier Ryo Abe 19. Tomishima house, Tadao Ando 48. Teshima art museum, SANAA 20. TS Building, Tadao Ando 21. Akka gallery, Tadao Ando 22. Osaka dome, Nikken Sekkei 23. -
Kyoto City Council on Multicultural Policy Newsletter No.2
Kyoto City Council on Multicultural Policy Newsletter No.2 Edited and published by the International Relations Office. City of Kyoto The second council meeting of FY 2010 was held. <Time and Date> 10:00 A.M. to Noon, Tue. Sep. 7th, 2010 <Venue> International Community House <Agenda> Multicultural symbiosis from the view point of communication and parenting To live in Japan comfortably, it is important for foreign residents to communicate smoothly (with locals) and to lower the language barrier. The issues of language barrier and parenting by foreign residents were taken up and discussed in the meeting. As a result, useful information and clues that could be proposed to the city for the betterment of the society were gained. --Multicultural Childcare -- Utilizing actively the interaction between Japanese parents and foreign residents and those who have their roots in foreign countries in childcare arena. --Medical care for foreign residents-- (including those who have their roots in foreign countries) Language support related to receiving medical care with peace of mind for foreign residents and those who have their roots in foreign countries. --Supporting foreign women and their children— (including those having their roots in foreign countries) How should we help those who raise children and have difficulty in communicating? Report on the issue of nursery from multicultural symbiotic approach ~ Kibo-no-ie Catholic Hoikuen (nursery school) ~ Kibo-no-ie Catholic Hoikuen located in Minami Ward, Kyoto accepts many children having foreign nationalities or having their roots in foreign countries including Korean residents in Japan. They greet each other with in both Japanese and Korean. -
Introducing Tokyo Page 10 Panorama Views
Introducing Tokyo page 10 Panorama views: Tokyo from above 10 A Wonderful Catastrophe Ulf Meyer 34 The Informational World City Botond Bognar 42 Bunkyo-ku page 50 001 Saint Mary's Cathedral Kenzo Tange 002 Memorial Park for the Tokyo War Dead Takefumi Aida 003 Century Tower Norman Foster 004 Tokyo Dome Nikken Sekkei/Takenaka Corporation 005 Headquarters Building of the University of Tokyo Kenzo Tange 006 Technica House Takenaka Corporation 007 Tokyo Dome Hotel Kenzo Tange Chiyoda-ku page 56 008 DN Tower 21 Kevin Roche/John Dinkebo 009 Grand Prince Hotel Akasaka Kenzo Tange 010 Metro Tour/Edoken Office Building Atsushi Kitagawara 011 Athénée Français Takamasa Yoshizaka 012 National Theatre Hiroyuki Iwamoto 013 Imperial Theatre Yoshiro Taniguchi/Mitsubishi Architectural Office 014 National Showa Memorial Museum/Showa-kan Kiyonori Kikutake 015 Tokyo Marine and Fire Insurance Company Building Kunio Maekawa 016 Wacoal Building Kisho Kurokawa 017 Pacific Century Place Nikken Sekkei 018 National Museum for Modern Art Yoshiro Taniguchi 019 National Diet Library and Annex Kunio Maekawa 020 Mizuho Corporate Bank Building Togo Murano 021 AKS Building Takenaka Corporation 022 Nippon Budokan Mamoru Yamada 023 Nikken Sekkei Tokyo Building Nikken Sekkei 024 Koizumi Building Peter Eisenman/Kojiro Kitayama 025 Supreme Court Shinichi Okada 026 Iidabashi Subway Station Makoto Sei Watanabe 027 Mizuho Bank Head Office Building Yoshinobu Ashihara 028 Tokyo Sankei Building Takenaka Corporation 029 Palace Side Building Nikken Sekkei 030 Nissei Theatre and Administration Building for the Nihon Seimei-Insurance Co. Murano & Mori 031 55 Building, Hosei University Hiroshi Oe 032 Kasumigaseki Building Yamashita Sekkei 033 Mitsui Marine and Fire Insurance Building Nikken Sekkei 034 Tajima Building Michael Graves Bibliografische Informationen digitalisiert durch http://d-nb.info/1010431374 Chuo-ku page 74 035 Louis Vuitton Ginza Namiki Store Jun Aoki 036 Gucci Ginza James Carpenter 037 Daigaku Megane Building Atsushi Kitagawara 038 Yaesu Bookshop Kajima Design 039 The Japan P.E.N. -
Ando's Modern : Reflections on Architectural Translation
24 J p i > n g [ioI 2 u InI i I C i I e 17 Nolurol light floods a concrete gallery bay in the Fort Worth Museum of Modern Art, by Tadao Anda and Associates wilh Kendall/Heaton Associates (2002). Floor sculpture: Slil by Carl Andre. Ando's Modern : Reflections on Architectural Translation Tadao Ando designed a sublime building for the Modern Art Museum of Fort Worth. As built, it's merely great. BY RICHARD R. BRETTELL Cite 5 7 2 o o 11 5 p r i n g 25 Tadoo Ando's (ompelilion mode! showed eight lucite lozenges floating on o blue reflective surface. Ando's competition rendering revealed a light filtering roof, intended lo be realized in glass and steel. The Competition and Ando's Ando's competition model was a Winning Entry series of eight gorgeous lucite lozenges In 1996, the architectural review commit- (lour ol which were connected longitudi- I tee lor the Modern chose sis architects to nally in pairs to form six bays), floating I compete: two Japanese ("Fadao Ando and on a blue reflective surface. Its shimmer- J Arata Iso/aki), one Mexican (Ricardo ing ambiguities ol surface combined with I 1 cgoretta), and three Americans (Richard us lucid geometry to be utterly com- Gluclctnan, Carlos Jimenez, and David pelling, and most viewers of the model Schwarz). Why llns bouquet? File most attempted to "visualize" it as an actual unusual aspect of the selection was how building with little success. Ando's basic relatively non-trendy ir was — no fashion idea was a museum of parallel two-story r;_ —_ v—I- • able Europeans, DO chic Americans, no concrete galleries. -
Akaa2007 Final 01-65:Akdn 2007
AKAA2007_FINAL_130-192:AKDN 2007 24/7/07 16:02 Page 181 180 AKAA2007_FINAL_130-192:AKDN 2007 24/7/07 16:02 Page 182 Aga Khan Award for Architecture Aga Khan Award for Architecture Retrospective 1977 – 2007 Over the past 30 years, the Aga Khan Award has recognised outstanding architectural achievements in some 32 countries. It has held seminars, conferences and exhibitions to explore and discuss the crucial issues of the built environment, and published the proceedings to bring these subjects to a wider audience. It has brought together the architectural community and policy-makers to celebrate the prize-winning projects of 10 award cycles in important historical and architectural settings, and has invited the leading thinkers and practitioners of the day to frame the discourse 10 th on architectural excellence within the context of successive master juries and steering committees. Cycle 1st Cycle 6th Cycle Award Award Ceremony Ceremony Pakistan 1980 Indonesia 1995 2nd Cycle 7th Cycle Award Award Ceremony Ceremony Turkey 1983 Spain 1998 3rd Cycle 8th Cycle Award Award Ceremony Ceremony Morocco 1986 Syria 2001 4th Cycle 9th Cycle Award Award Ceremony Ceremony Egypt 1989 India 2004 Building for Change With an introduction by Homi K. Bhabha 5th Cycle Samir Kassir Square Beirut Lebanon 10th Cycle Award Rehabilitation of the City of Shibam Yemen Award Ceremony Central Market Koudougou Burkina Faso Ceremony 182 183 Uzbekistan 1992 University of Technology Petronas Bandar Seri Iskandar Malaysia Malaysia 2007 Restoration of the Amiriya Complex -
“Shall We Compete?”
5th International Conference on Competitions 2014 Delft “Shall We Compete?” Pedro Guilherme 35 5th International Conference on Competitions 2014 Delft “Shall we compete?” Author Pedro Miguel Hernandez Salvador Guilherme1 CHAIA (Centre for Art History and Artistic Research), Universidade de Évora, Portugal http://uevora.academia.edu/PedroGuilherme (+351) 962556435 [email protected] Abstract Following previous research on competitions from Portuguese architects abroad we propose to show a risomatic string of politic, economic and sociologic events that show why competitions are so much appealing. We will follow Álvaro Siza Vieira and Eduardo Souto de Moura as the former opens the first doors to competitions and the latter follows the master with renewed strength and research vigour. The European convergence provides the opportunity to develop and confirm other architects whose competences and aesthetics are internationally known and recognized. Competitions become an opportunity to other work, different scales and strategies. By 2000, the downfall of the golden initial European years makes competitions not only an opportunity but the only opportunity for young architects. From the early tentative, explorative years of Siza’s firs competitions to the current massive participation of Portuguese architects in foreign competitions there is a long, cumulative effort of competence and visibility that gives international competitions a symbolic, unquestioned value. Keywords International Architectural Competitions, Portugal, Souto de Moura, Siza Vieira, research, decision making Introduction Architects have for long been competing among themselves in competitions. They have done so because they believed competitions are worth it, despite all its negative aspects. There are immense resources allocated in competitions: human labour, time, competences, stamina, expertizes, costs, energy and materials.