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Spectacular New Retail/Restaurant Opportunity
SPECTACULAR NEW www.newwaverley.com RETAIL/RESTAURANT OPPORTUNITY THE PAVILION BUILDING SUITABLE FOR A WIDE VARIETY OF USES INCLUDING BAR/RESTAURANT | MICROBREWERY | ART GALLERY AND MANY MORE THE BOOMING EPICENTRE OF EDINBURGH’S EASTERN QUARTER Located in the Old Town the Pavilion Building & Kiosk/Terrace will form the most western part of New Waverley, a signature mixed use development and vibrant new destination. – Prominent corner location – Adjacent to 19 historic arches converted to retail/leisure use available for occupation from October 2015 – Just off the Royal Mile, which attracts over 4 million people annually – Close to Waverley Station with over 26 million passengers annually – I mmediately adjacent edinburgh city council headquarter offices A BRILLIANT, VIBRANT AND BUSTLING NEIGHBOURHOOD In an area awash with life and colour there really is something unexpected and interesting around every corner. Historic sites, visitor attractions, museums and art galleries abound and the Royal Mile and its wynds and closes are peppered with cafés, restaurants, bars and specialty shops. The area is a magnet for tourists and visitors alike and is about to become even better with the arrival of New Waverley, Edinburgh’s exciting new destination. Elevational Treatment © Zone Architects 2013 THE PAVILION BUILDING, ONCE COMPLETE, WILL PROVIDE A GLAZED BUILDING OF MODERN ARCHITECTURAL DESIGN INSPIRATIONAL ARRANGED OVER GROUND AND MEZZANINE LEVELS, PROVIDING A FANTASTIC “FLAGSHIP” OPPORTUNITY FOR THE APPROPRIATE OCCUPIER. THE UPPER LEVEL OF THE PAVILION WILL HOUSE A ONE OFF RETAIL KIOSK WITH TERRACE LOCATED OFF JEFFREY STREET WITH A / LEISURE SPACE VIEWING PLATFORM OVERLOOKING THE CITY TO THE NORTH. PAVILION BUILDING SPECIFICATION GROUND FLOOR (EAST MARKET STREET) 9,235 Sq ft 856 Sq m The design of the pavilion building is flexible at this stage and specific occupational requirements may be able to be incorporated into the building as part of the MEZZANINE / 1ST FLOOR 4,520 Sq ft 420 Sq m construction process. -
Scottish Art: Then and Now
Scottish Art: Then and Now by Clarisse Godard-Desmarest “Ages of Wonder: Scotland’s Art 1540 to Now”, an exhibition presented in Edinburgh by the Royal Scottish Academy of Painting, Sculpture and Architecture tells the story of collecting Scottish art. Mixing historic and contemporary works, it reveals the role played by the Academy in championing the cause of visual arts in Scotland. Reviewed: Tom Normand, ed., Ages of Wonder: Scotland’s Art 1540 to Now Collected by the Royal Scottish Academy of Art and Architecture, Edinburgh, The Royal Scottish Academy, 2017, 248 p. The Royal Scottish Academy (RSA) and the National Galleries of Scotland (NGS) have collaborated to present a survey of collecting by the academy since its formation in 1826 as the Scottish Academy of Painting, Sculpture and Architecture. Ages of Wonder: Scotland’s Art 1540 to Now (4 November 2017-7 January 2018) is curated by RSA President Arthur Watson, RSA Collections Curator Sandy Wood and Honorary Academician Tom Normand. It has spawned a catalogue as well as a volume of fourteen essays, both bearing the same title as the exhibition. The essay collection, edited by Tom Normand, includes chapters on the history of the RSA collections, the buildings on the Mound, artistic discourse in the nineteenth century, teaching at the academy, and Normand’s “James Guthrie and the Invention of the Modern Academy” (pp. 117–34), on the early, complex history of the RSA. Contributors include Duncan Macmillan, John Lowrey, William Brotherston, John Morrison, Helen Smailes, James Holloway, Joanna Soden, Alexander Moffat, Iain Gale, Sandy Wood, and Arthur Watson. -
Development Brief Princes Street Block 10 Approved by the Planning Commitee 15 May 2008 DEVELOPMENT BRIEF BLOCK 10
Development Brief Princes Street Block 10 Approved by the Planning Commitee 15 May 2008 DEVELOPMENT BRIEF BLOCK 10 Contents Page 1.0 Introduction 2 2.0 Site and context 2 3.0 Planning Policy Context 4 4.0 Considerations 6 4.1 Architectural Interest 4.2 Land uses 4.4 Setting 4.5 Transport and Movement 4.12 Nature Conservation/Historic Gardens and Designed Landscapes 4.16 Archaeological Interests 4.17 Contaminated land 4.18 Sustainability 5.0 Development Principles 12 6.0 Implementation 16 1 1.0 Introduction 1.1 Following the Planning Committee approval of the City Centre Princes Street Development Framework (CCPSDF) on 4 October 2007, the Council have been progressing discussions on the individual development blocks contained within the Framework area. The CCPSDF set out three key development principles based on reconciling the needs of the historic environment with contemporary users, optimising the site’s potential through retail-led mixed uses and creating a high quality built environment and public realm. It is not for this development brief to repeat these principles but to further develop them to respond to this area of the framework, known as Block 10. 1.2 The purpose of the development brief is to set out the main planning and development principles on which development proposals for the area should be based. The development brief will be a material consideration in the determination of planning applications that come forward for the area. 2.0 Site and context The Site 2.1 The development brief area is situated at the eastern end of the city centre and is the least typical of all the development blocks within the CCPSDF area. -
National Strategy for Scotland's Museums and Galleries
GOING TheNationalStrategyfor Scotland’sMuseumsandGalleries fURTHER To SUccEEd aNd floURiSH we wILL aLL Need tO pLay Our part ScoTTiSH NaTioNal PoRTRaiT GallERy National Galleries of Scotland TheScottishNationalPortraitGalleryre-opened on1December2011,followingatwoandahalfyear closureandanambitious£17.6mrestorationproject. Asaresult,amuchgreaterproportionofthe collectionwillbeonshow,bringingtolightawealth Theproject–thefirstmajorrefurbishmentinthe ofartworksthathasbeen,untilnow,largelyhidden Gallery’s120-yearhistory–hasrestoredmuchof fromview. thearchitect’soriginalvision,openinguppreviously inaccessiblepartsofthebuildingandincreasing Reviewsandfeedbackhavebeenoverwhelmingly thepublicspacebymorethan60%.Accesstothe positivewithmorethan52,000visitorsgoing exhibitionspacesonallthreelevelshasbeenopened totheGalleryduringthefirstmonthofopening. up,whiletherestorationofthemagnificentsuiteof top-litgalleriesontheupperfloorhascreatedoneof themostimpressivedisplayspacesinScotland. www.nationalgalleries.org TheNationalStrategyfor Scotland’sMuseumsandGalleries Images courtesy of the National Galleries of Scotland © Chris Watt The National Strategy for Scotland’s Museums and Galleries gOINg The National Strategy for Scotland’s Museums and Galleries further Acknowledgements contents The development of this National Strategy for Scotland’s Museums and Galleries would not have 5 FOREWORD 34 AIm fIve -
Observations on the Intended Reconstruction of the Parthenon on Calton Hill
Marc Fehlmann A Building from which Derived "All that is Good": Observations on the Intended Reconstruction of the Parthenon on Calton Hill Nineteenth-Century Art Worldwide 4, no. 3 (Autumn 2005) Citation: Marc Fehlmann, “A Building from which Derived ‘All that is Good’: Observations on the Intended Reconstruction of the Parthenon on Calton Hill,” Nineteenth-Century Art Worldwide 4, no. 3 (Autumn 2005), http://www.19thc-artworldwide.org/autumn05/207-a- building-from-which-derived-qall-that-is-goodq-observations-on-the-intended-reconstruction- of-the-parthenon-on-calton-hill. Published by: Association of Historians of Nineteenth-Century Art Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. ©2005 Nineteenth-Century Art Worldwide Fehlmann: A Building from which Derived "All that is Good" Nineteenth-Century Art Worldwide 4, no. 3 (Autumn 2005) A Building from which Derived "All that is Good": Observations on the Intended Reconstruction of the Parthenon on Calton Hill by Marc Fehlmann When, in 1971, the late Sir Nikolaus Pevsner mentioned the uncompleted National Monument at Edinburgh in his seminal work A History of Building Types, he noticed that it had "acquired a power to move which in its complete state it could not have had."[1] In spite of this "moving" quality, this building has as yet not garnered much attention within a wider scholarly debate. Designed by Charles Robert Cockerell in the 1820's on the summit of Calton Hill to house the mortal remains of those who had fallen in the Napoleonic Wars, it ended as an odd ruin with only part of the stylobate, twelve columns and their architrave at the West end completed in its Craigleith stone (fig. -
29 July–29 August 2021 Edinburghartfestival.Com #Edartf
Platform: 2021 Art Across the Capital Commissions Programme Art is Back Explore Platform: 2021, our exhibition for early As galleries reopen after many months of closure, Our 2021 programme features new commissions We are so delighted to return this year, to work career artists, with new work from Jessica Higgins, this year, more than any, we are proud to cast a and UK premieres by leading international artists, with partners across the city, to showcase the work Danny Pagarani, Kirsty Russell and Isabella Widger spotlight on the uniquely ambitious, inventive and including new work by Sean Lynch co-commissioned of artists from Scotland, the UK and around the world. presented at our festival home in the Institut français thoughtful programming produced each year by with Edinburgh Sculpture Workshop and by Emeka Some exhibitions are newly made in response to the d’Ecosse. While visiting you can also browse festival Edinburgh’s visual art community. Ogboh with Talbot Rice Gallery; alongside the UK seismic shifts of the past year; others have been many merchandise and find out more about the exhibitions premiere of Isaac Julien’s Lessons of the Hour, presented years in the planning; but all are the unique, authentic, and events taking place across the city at our With over 20 partner galleries across the capital, in partnership with National Galleries of Scotland. and thoughtful products of our city’s extraordinarily Festival Kiosk. we encourage you to explore the programme and We are also proud to collaborate with Associate Artist, rich visual art scene. support the incredible visual art organisations that Tako Taal, on her programme What happens to desire… Festival Kiosk the city has to offer. -
UNIVERSITY of CALIFORNIA, IRVINE Tracing A
UNIVERSITY OF CALIFORNIA, IRVINE Tracing a Monument: Creating Spaces THESIS Submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS In Art History By Danielle Elizabeth Ortiz Thesis Committee Professor Margaret M. Miles Associate Professor Roland Betancourt Associate Professor Andromache Karanika 2019 ©2019 Danielle Elizabeth Ortiz Dedication To Mom and Dad, for your endless support and love ii Table of Contents Page List of Figures iv Acknowledgements v Abstract of Thesis vi Introduction 1 Background 2 The Interpretation of the Frieze 3 Confronting the Lysikrates Monument 5 Memorials in Scotland 8 The Monument in Religious Context: Scotland 10 The Lysikrates Monument in England 11 An English Attraction 13 The Monument in Religious Context: England 14 The Lysikrates Monument in America 15 An Altered Form 17 Memorials in America 19 A Miniature Monument 21 Greek Revival 22 Uses of Greek Revival in the United States 23 The Vandalized Monument 24 The Persistence of the Form of the Lysikrates Monument 25 Conclusion 26 Images 27 Bibliography 32 iii List of Figures Page Figure 1 Lysikrates Monument in Athens, Greece 27 Figure 2 Stuart and Revett, Monument of Lysikrates, engraving 27 Figure 3 Stuart and Revett, Frieze of Lysikrates Monument, engraving 27 Figure 4 Dugald Stewart Monument, Calton Hill, Scotland 28 Figure 5 Robert Burns Monument, Calton Hill, Scotland 28 Figure 6 North Kirk Tower, Aberdeen, Scotland 28 Figure 7 St. Giles Church, Elgin, Scotland 28 Figure 8 Lysikrates Replica at the Gardens of Shugborough, Staffordshire, 29 England Figure 9 Charles Talbot (Alton Towers) Monument, Staffordshire, England 29 Figure 10 St. -
This Is Edinburgh Information Pack Summer 2017
1 This is Edinburgh Information Pack Summer 2017 edinburgh.org /Edinburgh @edinburgh thisisedinburgh 2 · This is Edinburgh 3 “ The city whispers: come Edinburgh’s beauty is both staggering and Look at me, listen to the beating of my heart inimitable. But, the city is far more than just I am the place you have seen in dreams a pretty face. Take a closer look and there’s I am a stage for you to play upon much more to discover. I am Edinburgh” Our shopping ranges from the world’s best luxury names, to local, independent talent Alexander McCall Smith just waiting to be discovered. Our food, be it Michelin-starred, or pop-up street-food with award-winning chefs, is mouthwateringly delicious. From the rich – sometimes hidden – history that surrounds your every step, to the wealth of lush, green spaces peppered around the city centre, Edinburgh continually surprises, delights and inspires. Join us and find out why there’s nowhere in the world quite like Scotland’s capital city. Contents Heritage 4 Culture and events 8 Attractions 14 Food and drink 18 Shopping 22 Stay 26 Awards 28 Fast facts 30 10 things 31 Social media 32 4 · This is Edinburgh 5 Edinburgh’s Heritage Royal Mile Calton Hill The Royal Mile is at the centre of Edinburgh’s Old Town Of all places for a view, this Calton Hill is perhaps the best Edinburgh has been inhabited since the and as its name suggests, the thoroughfare is one mile – Robert Louis Stevenson, 1889. long. With Edinburgh Castle at its head and the Palace of Bronze Age; its first settlement can be traced Holyroodhouse at its foot, The Royal Mile features many Home to some of Edinburgh’s most iconic monuments and historic buildings; Gladstone’s Land, The Real Mary King’s one of the city’s most picturesque locations, Calton Hill to a hillfort established in the area, most likely Close and John Knox House to name but a few. -
Scottish Ecological Design Association
© Scottish Ecological Design Association - www.seda.uk.net - The Scottish Ecological Design Association is a registered charity: SC020799 Designed by dotrun.co.uk S START WAVERLY STATION Start at Waverley Station and head up Waverley Steps to Princess Street, turn right and head up Calton Hill. 1 CALTON HILL Calton Hill is home the Scottish Government’s offices in St Andrew’s House on the steep southern slope of the hill – the Scottish Parliament Building and other notable buildings (Holyrood Palace) lying near the foot of the hill. The hill is also the location of several iconic monuments and buildings: the National Monument, the Nelson Monument, the Dugald Stewart Monument, the old Royal High School, the Robert Burns Monument, the Political Martyrs’ Monument and the City Observatory. The future of the derelict Old Royal High School is currently under debate. Rival proposals of a hotel by Hoskins Architects and a music school by Richard Murphy Architects have ignited fierce debate. Hopefully one of these proposals will give this impressive building a new lease of life. Collective Architecture has undertaken conservation work on the dome atop Calton Hill, enabling the structure to be opened to the public once again for art exhibitions and performances. The A-listed building is currently home to Collective gallery. From the summit of Calton Hill on a clear day you can see the wind turbines in Fife, contributing to the high percentage of renewable energy generated in Scotland. Also visible is the Scottish Parliament which achieved a BREEAM ‘Excellent’ rating when it was opened. It is heated by a combined heat and power plant and has 40m2 of solar panels. -
New Nelson Monument Exhibition Charts 'Edinburgh's Forgotten
Website │ Twitter │ Instagram FREE TO USE IMAGES AVAILABLE HERE Press release for immediate use New Nelson Monument exhibition charts ‘Edinburgh’s Forgotten Astronomer’ Charles Piazzi Smyth’s place in the city’s history Alastair Bruce, Royal Observatory astronomer and actor, as Charles Piazzi Smyth. Photo (c) Ian Georgeson Charles Piazzi Smyth Exhibition, Nelson Monument, 1st April, Free Exhibition Entry (£6 to climb the tower) A fascinating free new exhibition – part of a year-long series of events - opens in Edinburgh aiming to establish Charles Piazzi Smyth’s place in Edinburgh’s history. The exhibition, housed in Edinburgh’s iconic Nelson Monument, presents Piazzi Smyth’s photography, paintings and drawings, alongside a newly commissioned short film and interviews in what will be the first major exhibition in Edinburgh dedicated to the forgotten astronomer. The location of the exhibition itself carries strong significance as in 1852 Piazzi Smyth started the Time Ball service which involved hoisting a large ball from the top of Nelson Monument which would drop at exactly one o’clock every day as a as a time signal to ships docked in Leith harbour. In 1861 Piazzi Smyth added an audible element and set up the One O’ Clock Gun service from Edinburgh Castle, stretching a cable all the way from Calton Hill to another clock on Castle Rock, which fired the Gun. The cable is no longer in place but both the Time Ball on Nelson Monument and the One O’ Clock Gun still remain active today, providing a daily reminder of Piazzi Smyth’s legacy to the city. -
The Cockburn Association Edinburgh and East Lothian
THE COCKBURN ASSOCIATION EDINBURGH AND EAST LOTHIAN DOORSDAYS OPEN SAT 29 & SUN 30 SEPTEMBER 2018 Cover image: Barnton Quarry ROTOR Bunker. EDINBURGH DOORS OPEN DAY 2018 SAT 29 & SUN 30 SEPTEMBER SUPPORT THE COCKBURN ASSOCIATION AND EDINBURGH DOORS OPEN DAY Your support enables us to organise city WHO ARE WE? wide free events such as Doors Open Day, The Cockburn Association (The Edinburgh bringing together Edinburgh’s communities Civic Trust) is an independent charity which in a celebration of our unique heritage. relies on the support of its members to protect All members of the Association receive and enhance the amenity of Edinburgh. We an advance copy of the Doors Open Day have been working since 1875 to improve programme and invitations throughout the built and natural environment of the city the year to lectures, talks and events. – for residents, visitors and workers alike. If you enjoy Doors Open Days please We campaign to prevent inappropriate consider making a donation to support our development in the City and to preserve project www.cockburnassociation.org.uk/ the Green Belt, to promote sustainable donate development, restoration and high quality modern architecture. We are always happy If you are interested in joining the Association, visit us online at www.cockburnassociation. to advise our members on issues relating org.uk or feel free to call or drop in to our to planning. offices at Trunk’s Close. THE COCKBURN ASSOCIATION The Cockburn Association (The Edinburgh Civic Trust) For Everyone Who Loves Edinburgh is a registered Scottish charity, No: SC011544 TALKS & TOURS 2018 P3 ADMISSION BALERNO P10 TO BUILDINGS BLACKFORD P10 Admission to all buildings is FREE. -
Cooper2016 Vol1.Pdf (11.89Mb)
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Gerard Baldwin Brown: Edinburgh and the Preservation Movement (1880-1930). Malcolm Ashton Cooper A thesis submitted for the degree of Doctor of Philosophy University of Edinburgh 2015 Abstract In 1880 Gerard Baldwin Brown (1849-1932) was appointed by Edinburgh University as its first Watson Gordon Professor of Fine Art. Over the fifty-year period that he held the professorship he was to become well-known as a scholar of Anglo-Saxon art and culture, preparing the first comprehensive study of Anglo-Saxon church architecture in England as part of a six volume study of the arts in early England. In 1905 he produced a monograph, The Care of Ancient Monuments (Cambridge, 1905) which provided a comprehensive assessment of the protective systems in place across Europe and America for the protection of ancient buildings and monuments and made strong recommendations for the strengthening of the protective measures in Britain.