Trip 2005 Itinerary
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CTBUH Journal
About the Council The Council on Tall Buildings and Urban Habitat is the world’s leading resource for professionals CTBUH Journal focused on the inception, design, construction, and International Journal on Tall Buildings and Urban Habitat operation of tall buildings and future cities. A not-for-profi t organization, founded in 1969 and based at the Illinois Institute of Technology, Chicago, CTBUH has an Asia offi ce at Tongji University, Shanghai, and a research offi ce at Iuav Tall buildings: design, construction, and operation | 2015 Issue II University, Venice, Italy. CTBUH facilitates the exchange of the latest knowledge available on tall buildings around the world through publications, Special Issue: Focus on Japan research, events, working groups, web resources, and its extensive network of international representatives. The Council’s research department Case Study: Abenos Harukas, Osaka is spearheading the investigation of the next generation of tall buildings by aiding original Advanced Structural Technologies research on sustainability and key development For High-Rise Buildings In Japan issues. The free database on tall buildings, The Skyscraper Center, is updated daily with detailed Next Tokyo 2045: A Mile-High Tower information, images, data, and news. The CTBUH Rooted In Intersecting Ecologies also developed the international standards for measuring tall building height and is recognized as Application of Seismic Isolation Systems the arbiter for bestowing such designations as “The World’s Tallest Building.” In Japanese High-Rise -
Hopeful Future for Japan
As of December 20, 2017 Hopeful future for Japan Nippon Healthcare Investment Corporation Presentation Material for The 7th Fiscal Period Ended October 2017 Securities code : 3308 Contents Disclaimer Continuous Evaluation of Operators and Monitoring System 19 Highlights of 7th Fiscal Period (Ended October 2017) 3 Implementation of Monitoring and Section 1 Relationships with Operators 20 Operating Results for 7th Fiscal Period Introduction of Operators 21 Operator Initiatives (AI and System Introduction) 22 Operating Results for 7th Fiscal Period 5 Forecast of Operating Results for 8th Fiscal Period Section 4 and 9th Fiscal Period 6 Financial Status Distribution per Unit 7 Status of Interest-Bearing Liabilities Section 2 (as of October 31, 2017)・・・・・・・・・・・・・・・・・・・・ 24 External Growth Policy on Distributions in Excess of Earnings/Index including NHI 25 Change in Asset Size 9 Overview of the Unitholder Benefits Program・・・・・・・・・・・・・ 26 Sourcing Route 10 ・・・・・・・・・・・・・・ Section 3 Section 5 Portfolio Analysis Environment Surrounding Healthcare Industry Portfolio List (as of October, 2017) 12 Surrounding Status of Healthcare Facilities : Status of Portfolio: Change in Occupancy Rates 13 Progress of aging society 29 Remaining Lease Contract Period of Each Property 14 Market Size by Segment( as of June 2016) 30 Status of Portfolio: Fee Systems of Facilities 15 History of Revisions to Nursing Care Fees 31 Status of Portfolio (as of October 31, 2017) 16 Portfolio Resident Attributes (as of October 31, 2017) 17 Appendix Properties Renovated in the 7th Fiscal Period 18 This document is not material disclosed in compliance with the Financial Instruments and Exchange Act or any regulation of similar nature, nor is it intended for the purposes of solicitation. -
Weekday Set Dinner
Modern European. Asian influence. Dishes that’ll make you fall in love all over again. 4-COURSE WEEKDAY SET DINNER @ 89 (CHOICE OF 1 SMALL PLATE, 1 SOUP, 1 BIG PLATE & 1 DESSERT) 5-COURSE WEEKDAY SET DINNER @ 99 (CHOICE OF 2 SMALL PLATES, 1 SOUP, 1 BIG PLATE & 1 DESSERT) Available from Monday to Thursday SMALL PLATES BIG PLATES Garden of Escargot +$5 Angus Beef Short Ribs +$10 Hors d’oeuvres With Fresh Micro Cress, Truffle Gelato, Fruity Pearl, 100-Day Grain Fed Angus Beef Short Ribs, Smoked Charcoal & Garlic Soil, Mashed Edamame The Seriously Wagyu Iron Steak (MBS 4-5) +$10 Wagyu Carpaccio +$5 Grilled Wagyu Beef Flat Iron Steak, Foie Gras Port Wine Jus, Seared Wagyu Beef slices with Purple Mustard & Truffle Shoyu Red Peppercorn, Tian of Tomatoes Heart Of Palm Black Silkie Poulet Sous Vide & Grilled Heart Of Palm, Aged 3 years Balsamico Chargrilled Black Silkie Chicken Leg With Feet, Silkie Chicken Pipette, Balsamic Pearl, Mesclun Salad, Honey Mustard Roulade, Garlicky Crumb, Bearnaise sauce, Wolfberry Mashed, Black Garlic, Ugly Heirloom Tomatoes, Chives Texture Of Beetroot Golden Beetroot, Pickled Baby Beetroot, Beetroot Cream, Fermented Red Yeast Wine Beetroot Gel, Beetroot Powder, Beetroot Chips Filet de Barramundi, Fermented Red Glutinous Rice Wine, Oyster Mushroom Cauliflower Bloom Warm Cauliflower Floret, Dehydrated Cauliflower, Cauliflower Heman’s Impossible Shakshouka Cous Cous, Cauliflower Puree, Cress, Garlic Sauce Impossible Meat Ball, 64C Egg, Tomato Coulis, Herbs, Ugly Heirloom Tomatoes The Heirloom Tomatoes Fresh Heirloom -
Bukchon Hanok Village
February 14, 2019 Local Information Provider for Foreigners in Korea Volume 18, lssue 19 Printed by Pyeongtaek Culture Newspaper, a private firm in no way connected with the U.S. Government, under written agreement with U.S. Army Garrison Humphreys. Bukchon Hanok Village A village that preserves the beauty of Korean traditional houses of the house and includes traditional paint- by Lee, Sangbae ings, sculptures and ceramics by renowned Korea Culture News Korean artists. Other standout features include a gorgeously landscaped courtyard garden and Bukchon Hanok Village is a home to hundreds of a breathtaking bathroom outfitted with a Hanoks, traditional Korean houses, that date back to wooden tub and natural elements that blend the Joseon Dynasty in the heart of Seoul city. Today, harmoniously with the home’s surroundings. many of these Hanoks operate as cultural centers, Visitors can also enjoy a host of cultural activi- guesthouses, restaurants and tea houses, providing ties and performances and even sample Jo- visitors with an opportunity to experience, learn and seon-era cuisine. immerse themselves in traditional Korean culture. 41, Bukchon-ro 11ga-gil, Jongno-gu, Seoul The name Bukchon literally translated to “northern >> Bukchon Cultural Center Bukchon Cultural Center was established to http://chiwoonjung.com village,” and was given to the district because it lies Reservation: 02-765-7400 north Seoul. Nestled at the southern foot of the offer traditional cultural experience opportu- mountain connecting Baegak and Eungbongsan nities for local residents and international visi- mountains, it is surrounded by lush forests and offers tors. The programs include tea ceremony, beautiful views. -
The Architecture of Metabolism. Inventing a Culture of Resilience
Arts 2014, 3, 279-297; doi:10.3390/arts3020279 OPEN ACCESS arts ISSN 2076-0752 www.mdpi.com/journal/arts Article The Architecture of Metabolism. Inventing a Culture of Resilience Meike Schalk Meike Schalk, Assistant Professor, KTH Royal Institute of Technology, School of Architecture and the Built Environment, Östermalmsgatan 26, 100 44 Stockholm, Sweden; E-Mail: [email protected]; Tel.: +46-73-6000906 Received: 10 May 2014; in revised form: 6 June 2014 / Accepted: 10 June 2014 / Published: 13 June 2014 Abstract: The Metabolist movement, with its radical and visionary urban and architectural schemes, drew the attention of an international architecture community to Japan in the 1960s and 1970s. Seen from a contemporary perspective, the movement’s foremost concern was cultural resilience as a notion of national identity. Metabolism responded to the human and environmental catastrophe that followed the atomic bombing of Japan and vulnerability to natural disasters such as earthquakes, with architecture envisioning the complete transformation of Japan as a system of political, social, and physical structures into resilient spatial and organizational patterns adaptable to change. Projecting a utopia of resilience, Metabolism employed biological metaphors and recalled technoscientific images which, together with the vernacular, evoked the notion of a genetic architecture able to be recreated again and again. A specific concern was to mediate between an urbanism of large, technical and institutional infrastructures and the freedom of the individual. My aim is to critically examine the notion of sustainable architecture by rereading Metabolist theories and products, such as terms, models, projects, and buildings. For a better understanding of the present discourse, this text searches for a possible history of sustainable architecture, a subject mostly presented ahistorically. -
Index Du Guide
278 Index Les numéros en bleu renvoient aux cartes. 21_21 Design Sight 76 Asuka 168 Cathédrale Ôura 60 bouddhas d’Usuki 216 Atago-jinja 161 Tenshudô 208 Avenue Jizo dori 91 Cathédrale Sainte- Avenue Kappabashi- Marie de Tôkyô 83 A dori 70 Cathédrale Urakami Aburimochi 153 Avenue Omotesando 113 Tenshudô 208 Ad Museum 75 Avenue Omotesandô 62 Cat Street 63 Aida, Mitsuo 73 Avenue Takeshita 61 Cénotaphe pour les victimes de la bombe Ainokura 126 Ayoama 61 atomique 178 Aïnous 224 Center Gai 59 Aizu-Wakamatsu 243 B Centre commercial Akagi-jinja 88 HEP Five 169 Akasaka 75 Baie Matsushima-wan 242 Centre d’interprétation Akihabara 90 Bain public municipal 230 Tsugaruhan Néputa Akita 240 Bain public Shitan-yu 216 Mura 239 Akiyoshidai 186 Baseball (Yakyû) 263 Château blanc 174 Akiyoshidô 186 Belvédère de Château de Hikone 141 Alpes centrales 132 Shiroyama 126 Château de Kawagoe 101 Alpes du Nord 127 Benesse House 201 Château de Alpes japonaises 122 Beppu 216 Matsumoto 129 Amanohashidate 164 Biei 231 Château de Nagoya 116 Amatérasu 218 Bikan-chiku 191 Château d’Inuyama 118 Ancien hôtel de ville Bouddha de bronze Château du shogun de Hakodaté 225 du VIIe s. 168 Nijô-jo 158 Ancien quartier des Bouddhisme 37 Château Hirosaki-jô 239 geishas 145 Brasserie française Château Karatsu-jô 214 Ancien siège du Paul Bocuse 76 Château Kôchi-jô 196 gouvernement de Bunkamura 60 Château Matsué-jô 187 Hokkaidô 228 Château Matsuyama-jô 199 Ando Museum 201 Bunkyô Civic Center 89 Bunraku 170 Château Nakijin, Anime 256 ruines du 247 Butsuden 121 Aoi Matsuri 156 Château -
Subject Index
Subject Index Aalto, Alvar, 22 Art Shed Southbank Architectural Com- bearing, solar angle diagrams, 334 Ackerman Student Union, University of petition, 2006, 383 Berkeley Art Museum and Pacific Film California at Los Angeles, Cali- Asia Society, Hong Kong Center, China, Archive, Berkeley, California, fornia, 250 410, 411 197 Adelaide University, South Australia, assembly drawing, linear perspective Bernal Heights residence, San Fran- School of Architecture, Land- drawing, 311 cisco, California, 262 scape Architecture and Urban Atocha Station, Madrid, Spain, 75 B FIVE STUDIO, 550 Design, 499 audience, portfolio, 463–64 Bilbao Effect, 120 Adelman/Liano residence, Santa Moni- August Wilson Center for African Ameri- BIM (building information modeling), ca, California, 207 can Culture, Pittsburgh, Penn- capabilities of, 93–94 Adobe Photoshop, 63 sylvania, 284 bird’s eye perspective African American Museum of Slavery, Aulenti, Gaetana, 22 linear perspective drawing, 246–47, Rockville, Maryland, 429 automobile 298–301 Aga Han Museum, Toronto, Canada, conceptual sketching, 73 one-point perspective from above, 242 representational drawing, 26–29 linear perspective drawing, Alaska, University of, Fairbanks, 198 auxiliary views, multiview-drawings, 177 248–49 alternatives, conceptual diagramming axes addition, orthographic and paraline underside perspective with, linear and sketches, 40, 44–45 drawing, 195 perspective drawing, 303 altitude, solar angle diagrams, 334 axial lines, orthographic and paraline Birkerts, Gunnar, 42, 69, 150 American Museum -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
Guia2-Oriente.Pdf
Facultad de Arquitectura UDELAR Montevideo | Uruguay GRUPO DE VIAJE 2013 ARQUITECTURA RIFA G06 EQUIPO DOCENTE Adriana Barreiro Jorge Casaravilla Gustavo Hiriart Pablo Kelbauskas Bernardo Martín Ximena Rodríguez Soledad Patiño Ernesto Spósito MÓDULO 02 ORIENTE DOCENTES MÓDULO 02 Adriana Barreiro Ernesto Spósito Ximena Rodríguez Nota importante: Las Guías de los Grupos de Viaje de la Facultad de Arquitectura de la Universidad de la República son el resultado del trabajo de sucesivos Equipos Docentes Directores y generaciones de estudiantes. En particular, el material contenido en las presentes Guías fue compilado por el Grupo de Viaje Generación 2005 y su Equipo Docente Director del Taller Danza, quienes realizaron su viaje de estudios en el año 2012. Este material ha sido editado y adaptado al proyecto académico del Grupo de Viaje Generación 2006, cuyo viaje de estudios se realizará en el año 2013. Facultad de Arquitectura UDELAR GRUPO DE VIAJE 2012 ARQUITECTURA RIFA G05 EQUIPO DOCENTE Taller Danza Marcelo Danza Lucía Bogliaccini Luis Bogliaccini Diego Capandeguy Marcos Castaings Martín Delgado Andrés Gobba Lucas Mateo Nicolás Newton Natalia Olivera Felipe Reyno Thomas Sprechmann Marcelo Staricco MÓDULO 02 ORIENTE DOCENTES MÓDULO 02 Tomás Sprechman Diego Capandeguy Nicolás Newton GRUPO DE TRABAJO Natalie Cordero Mariana García Etcheverry Bruno La Buonora Magdalena Ponce de León Katia Sei Fong Santiago Serrano Sofía Damiani Mariano García Patricia Izaurralde JAPÓN DatoS GENERALES: Superficie: 37.800 km2. (Con menos del 7% del suelo urbanizable) Población: 128 .100.000 (2010). (Es la décima más grande del mundo) Densidad de Población: 3.336 habitantes por km2 Territorio: Archipiélago, con cuatro islas principales que forman el 97% de la superficie total del país, y con 6.848 islas menores adyacentes. -
Kyoto Computer Gakuin
Kyoto Computer Gakuin Academic Programs Admissions Office 10-5, Nishikujoteranomae-cho, Minami-ku, Kyoto-city, Kyoto 601-8407 Japan URL: https://www.kcg.ac.jp/ E-mail: [email protected] TEL: (075)681-6334 (+81-75-681-6334 outside Japan) 英 語 201902 To prospective students (greetings from the president) President Yasuko Hasegawa Bachelor of Science in Physics and Astronom, Faculty of Science, Kyoto University (The first female) Completing the Doctor of Science Course, Kyoto University The first to use the computer for astrophysics research Visiting Scientist at Pennsylvania State Universit, the US Awarded from the Ministries of Education and their like, of Thailand, Ghana, Sri Lanka, Peru and others. Awarded the Special Prize for International Cooperation from the International Telecommunication Union in 2006 Testimonial from the Information Processing Society of Japan in 2011 The Pioneer Spirit of Kyoto Computer Gakuin Kyoto Computer Gakuin (KCG) is Japan’s first educational institu- er Gakuin were all given a new opportunity to be of use for com- tion specializing in the computer sciences. It was established puter training in developing countries. The frontier spirit that over 50 years ago at the dawn of the computer age in order to has been passed down since KCG’s founding is now put into create a new era. We believe that education is not only teaching action internationally. This aiding project was recognized and knowledge and techniques, but fostering creativity of the students received a special award for international cooperation from the because software development is indeed a creative work, and International Telecommunication Union (a specialized organiza- maintain the educational goal of fostering creative information tion of UN) in 2006. -
Kyoto Sightseeing Route
Imamiya-jinja Nearest bus stop ❾● Nearest bus stop ❾● Eizan Elec. Rwy. Specialty Shrine For Shimogamo-jinja Shrine For Ginkaku-ji Templeダミー銀閣寺の説明。□□□□□□□□□□□□□□□□□□□□□□□□□ Free Wi-Fi on board Operate every 5~10 min. Operate every 5~10 min. ( to Kibune/Kurama) Specialty SSID:skyhopbus_Free PW:skyhopbus ABURI MOCHIダミー金閣寺の説明。□□□□□□□□□□□□□□□□□□ □□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□ 1 2 GOLD LEAF aitokuji 【Kyoto City Bus】 【Kyoto City Bus】 yoto ta. arasuma ojo roasted□□□□□□□□□□□□□□□□□□□□□□□□□□□□D □□□□□□□□□□□□□□□□□ Sky Hop K S K G SOFT CREAM rice cakes Bus route No.203 & No.102 BusKita-Oji route St. No.203 & No.102 □□□□□□□□□□□□□□□□□□□□□□□□□□□□Temple Bus □□□ Koto-in Karasuma Imadegawa Demachiyanagi Sta. Karasuma Imadegawa Ginkakuji-michi Ichijoji Sta. SKYHOP BUS Kyoto With Kyoto as the gateway to Hotel New Kyoto Tower ↑ Nearby Byodo-ji Temple was Temple 8 ※Walking about 3 min. from❾ ※Walking about 12 min. ※Walking about 3 min. from❾ ※Walking about 10 min. ダミー下鴨神社の説明。□□□□□□□□□□□□□□□□□ history, the station features a Hankyu Kyoto Hotel established when a statue of 2 Ryogen-in Temple to Shimogamo-jinja Shrine to Ginkaku-ji Temple (1 trip 99 min./every 30 min.) Kinkakuji 7 廬山寺 □□□□□□□□□□□□□□□□□□□□□□□□□□□□ Japanese Go board tile design. Yakushi Nyorai was drawn from ※A separate fare fromShimei the SkySt. Hop Bus Kyoto ticket is ※A separate fare from the Sky Hop Bus Kyoto ticket is Gojo Shimogamo Hon-dori St. Hon-dori Shimogamo □□□□□□□□□□□□□□□□□□□□□□□□□□□□ required. This fareKarasuma St. is 230 yen (one way). required. This fare is 230 yen (one way). Visitors from abroad will the sea and enshrined in 997. Temple □□□□ 500m 法然院 Subway Karasuma Line ダミー銀閣寺の説明。□□□□□□□□□□□□□□□□□□□□□□□□□ Tomb of Murasaki Shikibu 1 appreciate the large tourist Information 京都The principle image of Yakushi □□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□ Central Gojo St. -
Rites of Blind Biwa Players
ASIA 2017; 71(2): 567–583 Saida Khalmirzaeva* Rites of Blind Biwa Players DOI 10.1515/asia-2017-0034 Abstract: Not much is known about the past activities of blind biwa players from Kyushu. During the twentieth century a number of researchers and folklorists, such as Tanabe Hisao, Kimura Yūshō,KimuraRirō,Nomura(Ga) Machiko, Narita Mamoru, Hyōdō Hiromi and Hugh de Ferranti, collected data on blind biwa players in various regions of Kyushu, made recordings of their performances and conducted detailed research on the history and nature of their tradition. However, despite these efforts to document and publicize the tradition of blind biwa players and its representatives and their repertory, it ended around the end of the twentieth century. The most extensively docu- mented individual was Yamashika Yoshiyuki 山鹿良之 (1901–1996), one of the last representatives of the tradition of blind biwa players, who was known among researchers and folklorists for his skill in performing and an abundant repertory that included rites and a great many tales. Yamashika was born in 1901 in a farmer family in Ōhara of Tamana District, the present-day Kobaru of Nankan, Kumamoto Prefecture. Yamashika lost the sight in his left eye at the age of four. At the age of twenty-two Yamashika apprenticed with a biwa player named Ezaki Shotarō 江崎初太郎 from Amakusa. From his teacher Yamashika learned such tales as Miyako Gassen Chikushi Kudari 都合戦筑紫 下り, Kikuchi Kuzure 菊池くづれ, Kugami Gassen くがみ合戦, Owari Sōdō 尾張 騒動, Sumidagawa 隅田川 and Mochi Gassen 餅合戦. After three years Yamashika returned home. He was not capable of doing much farm work because his eyesight had deteriorated further by then.