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SUMERIAN LITERATURE and SUMERIAN IDENTITY My Title Puts
CNI Publicati ons 43 SUMERIAN LITERATURE AND SUMERIAN IDENTITY JERROLD S. COOPER PROBLEMS OF C..\NONlCl'TY AND IDENTITY FORMATION IN A NCIENT EGYPT AND MESOPOTAMIA There is evidence of a regional identity in early Babylonia, but it does not seem to be of the Sumerian ethno-lingusitic sort. Sumerian Edited by identity as such appears only as an artifact of the scribal literary KIM RYHOLT curriculum once the Sumerian language had to be acquired through GOJKO B AR .I AMOVIC educati on rather than as a mother tongue. By the late second millennium, it appears there was no notion that a separate Sumerian ethno-lingui stic population had ever existed. My title puts Sumerian literature before Sumerian identity, and in so doing anticipates my conclusion, which will be that there was little or no Sumerian identity as such - in the sense of "We are all Sumerians!" outside of Sumerian literature and the scribal milieu that composed and transmitted it. By "Sumerian literature," I mean the corpus of compositions in Sumerian known from manuscripts that date primarily 1 to the first half of the 18 h century BC. With a few notable exceptions, the compositions themselves originated in the preceding three centuries, that is, in what Assyriologists call the Ur III and Isin-Larsa (or Early Old Babylonian) periods. I purposely eschew the too fraught and contested term "canon," preferring the very neutral "corpus" instead, while recognizing that because nearly all of our manuscripts were produced by students, the term "curriculum" is apt as well. 1 The geographic designation "Babylonia" is used here for the region to the south of present day Baghdad, the territory the ancients would have called "Sumer and Akkad." I will argue that there is indeed evidence for a 3rd millennium pan-Babylonian regional identity, but little or no evidence that it was bound to a Sumerian mother-tongue community. -
STUDIA BIBLIJNE Słowa Kluczowe: Stary Testament, Druga Księga Królewska, Asyria, Samaria, Izrael, Nergal, Nergal Z Cuta
2 STUDIA BIBLIJNE Słowa kluczowe: Stary Testament, Druga Księga Królewska, Asyria, Samaria, Izrael, Nergal, Nergal z Cuta 82 Keywords: The Old Testament, 2 Kings, Asyria, Samaria, Israel, Nergal, Nergal of Cuth Ks. Leszek Rasztawicki Warszawskie Studia Teologiczne DOI: 10.30439/WST.2019.4.5 XXXII/4/2019, 82-104 Ks. Leszek Rasztawicki PAPIESKI WYDZIAł TEOLOGICZNY W WARSZAWIE COLLEGIUM JOANNEUM ORCID: 0000-0002-5140-0819 „ THE PEOPLE OF CUTH MADE NERGAL” (2 KINGS 17:30). THE HISTORICITY AND CULT OF NERGAL IN THE ANCIENT MIDDLE EAST. The deity Nergal of Cuth appears only once in the Hebrew Bible (2 Kings 17:30). He is mentioned among a list of some Assyrian gods, which new repopulated settlers in Samaria “made” for themselves after the fall of the Northern Kingdom. In this brief paper, we would like to investigate the historicity of Nergal of Cuth in the context of Mesopotamian literature and religion. REPOPULATION OF SAMARIA The Assyrians after conquering a new territory relocated people from other regions of the empire to newly subjugated provinces (2 Kings 17:24). The people of 83 „ THE PEOPLE OF CUTH MADE NERGAL” (2 KINGS 17:30) Samaria were carried away into exile (2 Kings 17:6, 18:11). The repopulation policy of the Assyrians is well documented from their own records1. Sargon II (722-705 BC) took credit in Assyrian royal inscriptions for deporting 27,290 inhabitants of Sa- maria (Sargon II prism IV:31)2: ... he defeated and conquered Samaria, and carried away as slaves 27290 inhabitants ... he rebuilt the city better than before and settled in it people of other countries .. -
Women and Their Agency in the Neo-Assyrian Empire
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto WOMEN AND THEIR AGENCY IN THE NEO-ASSYRIAN EMPIRE Assyriologia Pro gradu Saana Teppo 1.2.2005 TABLE OF CONTENTS Acknowledgements................................................................................................................5 1. INTRODUCTION..............................................................................................................6 1.1 Aim of the study...........................................................................................................6 1.2 Background ..................................................................................................................8 1.3 Problems with sources and material.............................................................................9 1.3.1 Prosopography of the Neo-Assyrian Empire ......................................................10 1.3.2 Corpus of Neo-Assyrian texts .............................................................................11 2. THEORETICAL APPROACH – EMPOWERING MESOPOTAMIAN WOMEN.......13 2.1 Power, agency and spheres of action .........................................................................13 2.2 Women studies and women’s history ........................................................................17 2.3 Feminist scholarship and ancient Near East studies ..................................................20 2.4 Problems relating to women studies of ancient Near East.........................................24 -
The Hebrew Myths and the Neo Assyrian Empire
The Hebrew Myths and the Neo-Assyrian Empire. by Benjamín Toro A dissertation submitted to University of Birmingham for the degree of MPhil (B) in Cuneiform Studies. Institute of Archaeology and Antiquity School of Historical Studies University of Birmingham 16 January 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. INFORMATION FOR ABSTRACTING AND INDEXING SERVICES The information on this form will be published. Surname: Toro First names: Benjamin Degree: MPhil (B) in Cuneiform Studies College/Department: Institute of Antiquities and Archaeology. Full title of thesis: The Hebrew Myths and the New Assyrian Empire. Date of submission: 16/01/2011 Date of award of degree (leave blank): Abstract (not to exceed 200 words - any continuation sheets must contain the author's full name and full title of the thesis): This project seeks to study the first expression of Israelite literature which would was elaborated under the shadow of the Neo-Assyrian cultural influence. This occurred approximately between the 9th to 8th centuries BCE, before a transformation triggered off by theological viewpoints held in the southern kingdom of Judah between the 7th to 6th centuries BCE. -
Apkallu Certain Texts Are Attributed to Sages, No- Tably Two Medical Texts and a Hymn (REINER I
Iconography of Deities and Demons: Electronic Pre-Publication 1/7 Last Revision: 10 March 2011 Apkallu Certain texts are attributed to sages, no- tably two medical texts and a hymn (REINER I. Introduction. Mesopotamian semi- 1961), the Myth of Etana, the Sumerian divine figure. A Babylonian tradition related Tale of Three Ox-drivers, the Babylonian by Berossos in the 3rd cent. (BURSTEIN Theodicy, and the astrological series UD.SAR 1978: 13f) describes a creature called Oan- Anum Enlila. In Assyrian tradition the sages nes that rose up out of the Red Sea in the guarded the Tablet of Destinies for the god first year of man’s history. His entire body →Nabu, patron of scribes. This information was that of a fish, but he had another head, gives a possible link with the composite presumably human, and feet like a man as monsters in the tradition of the Babylonian well as a fish tail. He taught men to write, as Epic of Creation, which centers on control well as many other arts, crafts, and institu- of the Tablet of Destinies. Such a link tions of civilization. He taught them to build would explain the scene that puts phenotype cities and temples, to have laws, to till the 1 (see § II.1) with composite monsters who land, and to harvest crops. At sunset he fight as archers (24), and phenotype 2 returned to the sea. Later there were other (see § II.2) with mermen (44*, 51) and similar creatures who appeared on the earth. composite monsters (50*). However, in These were the sages. -
From Babylon to Baghdad © 2009 Biblical Archaeology Society I
From Babylon to Baghdad © 2009 Biblical Archaeology Society i From Babylon to Baghdad © 2009 Biblical Archaeology Society iv From Babylon to Baghdad Introduction With the news and developments in Iraq commanding the attention of Western media, much of the world has been focused on the tumultuous political situation there. Although the dramatic events of the last several decades dominate much of our attention, the fact is that modern Iraq is the troubled heir of some of human history’s most important empires. The ancient Sumerian, Babylonian, Akkadian, Assyrian and Achaemenid empires all ruled in this land, and their legacy has influenced some of the most fundamental aspects of Judeo- Christian society. The connections between the Western world and the region that was ancient Iraq extend back millennia. However, it wasn’t until the 19th century that Western scholars began to study the ancient Near East in earnest, and began to discover just how crucial these cultures were to Western development. This collection of articles details some of the ways in which these ancient Near Eastern civilizations have impressed themselves on our Western culture. It examines the evolving relationship that modern scholarship has with this part of the world, and chronicles the present-day fight to preserve Iraq’s cultural heritage, which is intrinsically linked to our own. Since the 19th century, scholars have speculated that the Biblical creation story may have its origins in the ancient traditions of Mesopotamian religion. In his article entitled “The Genesis of Genesis: Is the Creation Story Babylonian?” Victor Hurowitz examines the connections of the Judeo-Christian creation story to the Mesopotamian myth known by its Akkadian name Enu¯ ma Eliš (meaning “when above” or “when on high,” taken from the first two words of the text). -
Textual and Visual Discourse in Ashurbanipal's North Palace
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2016 Representations of Royal Power: Textual and Visual Discourse in Ashurbanipal’s North Palace Cojocaru, Gabriela Augustina Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-135476 Dissertation Originally published at: Cojocaru, Gabriela Augustina. Representations of Royal Power: Textual and Visual Discourse in Ashur- banipal’s North Palace. 2016, University of Zurich / University of Bucharest, Faculty of Theology. University of Bucharest, Faculty of History History Doctoral School PhD Thesis in Ancient History and Archaeology Gabriela Augustina Cojocaru Representations of Royal Power: Textual and Visual Discourse in Ashurbanipal’s North Palace Advisor: Prof. Dr. Gheorghe Vlad Nistor Referents: Prof. Dr. Christoph Uehlinger (University of Zurich) Prof. Dr. Miron Ciho (University of Bucharest) Prof. Dr. Lucretiu Birliba (Al. I. Cuza University of Iasi) President of the committee: Prof. Dr. Antal Lukacs (University of Bucharest) Bucharest 2015 Contents List of Abbreviations .............................................................................................................................. ii List of Figures ........................................................................................................................................ iii List of Plates ......................................................................................................................................... -
LIBERTY UNIVERSITY School of Divinity Creation, Chaos, Imagers
LIBERTY UNIVERSITY School of Divinity Creation, Chaos, Imagers, and the Flood Submitted to Dr. Pettus, in partial fulfillment of the requirements for the completion of OBST 651 – D01 Creation, Cosmology, and Genesis by John Daniels May 3, 2020 Contents Introduction ....................................................................................................................................1 Chaos and Yahweh’s Creation .....................................................................................................2 Water Above and Below .............................................................................................................2 Chaos Motifs in the Ancient Near East .......................................................................................3 Chaos Motifs in the Bible ............................................................................................................3 The Introduction of Evil into Creation .......................................................................................4 The Nachash .................................................................................................................................4 Apkallu and Nephilim .................................................................................................................5 The Watchers of 1 Enoch ............................................................................................................8 The Clear Polemic ........................................................................................................................9 -
Cuneiform Texts from the Folios of W. G. Lambert, Part One General Editor Jerrold S
Cuneiform Texts from the Folios of W. G. Lambert, Part One General Editor Jerrold S. Cooper, Johns Hopkins University Editorial Board Walter Farber, University of Chicago Jack Sasson, Vanderbilt University Piotr Michalowski, University of Michigan Piotr Steinkeller, Harvard University Simo Parpola, University of Helsinki Marten Stol, Free University of Amsterdam Karen Radner, University College, London Irene Winter, Harvard University 1. The Lamentation over the Destruction of Sumer and Ur, 13. Babylonian Oracle Questions, by W. G. Lambert by Piotr Michalowski 14. Royal Statuary of Early Dynastic Mesopotamia, by Gianni 2. Schlaf, Kindchen, Schlaf! Mesopotamische Baby-Beschwörungen Marchesi and Nicolò Marchetti und -Rituale, by Walter Farber 15. The Correspondence of the Kings of Ur: An Epistolary History 3. Adoption in Old Babylonian Nippur and the Archive of an Ancient Mesopotamian Kingdom, by Piotr Michalowski of Mannum-mešu-liṣṣur, by Elizabeth C. Stone and 16. Babylonian Creation Myths, by W. G. Lambert David I. Owen 17. Lamaštu: An Edition of the Canonical Series of Lamaštu 4. Third-Millennium Legal and Administrative Texts in the Iraq Incantations and Rituals and Related Texts from the Second and Museum, Baghdad, by Piotr Steinkeller and J. N. Postgate First Millennia b.c., by Walter Farber 5. House Most High: The Temples of Ancient Mesopotamia, 18. The Lamentation over the Destruction of Ur, by Nili Samet by A. R. George 19. The babilili-Ritual from Hattusa (CTH 718), by Gary M. 6. Textes culinaires Mésopotamiens / Mesopotamian Culinary Beckman Texts, by Jean Bottéro 20. Babylonia, the Gulf Region, and the Indus: Archaeological and 7. Legends of the Kings of Akkade: The Texts, by Joan Goodnick Textual Evidence for Contact in the Third and Early Second Westenholz Millennium B.C., by Steffen Laursen and Piotr Steinkeller 8. -
Chapter 3 the Source History of the Epic of Gilgamesh
University of Pretoria etd – De Villiers, G (2005) CHAPTER 3 THE SOURCE HISTORY OF THE EPIC OF GILGAMESH Introduction The Babylonian Gilgamesh Epic has a long and intricate history. Everything happened long before it was written down. Memories of a time that had passed were clouded by romance and fear, excitement and horror: the glory of the ancient time was yearned for, yet issues of the present age were equally important and needed to be addressed. The Babylonian Epic of Gilgamesh does not efface the past, neither does it colour a rosy future. The Epic clings to the past: even for its Babylonian recipients the Sumerian background belonged to the past. However, this background is appropriated creatively, masterly, brilliantly to convey a powerful message for the present. In the following chapter the history of the transmission of the Epic of Gilgamesh will be discussed, its origins, adaptations and final transformations. It will appear that the Standard Version of the Babylonian Gilgamesh Epic never let go of its concepts and ideologies of the remote past, therefore these will also be taken into account, from the very beginning. 1. The Sumerian past 1.1. General background The Sumerian culture started to flourish during the Old Sumerian Age. This period covers the three Early Dynasties, usually abbreviated as ED I, II and III. The Old Sumerian Age lasts roughly from 2900 – 2340 BC (cf Boshoff & Scheffler 2000:25-26; Kuhrt 1995:27; Postgate 1994:22; Edzard 1967:54-55). 3–38 University of Pretoria etd – De Villiers, G (2005) Researchers and archaeologists are fascinated by the Sumerians and their exceptional high level of civilisation, even today. -
Gods, Demons and Symbols of Ancient Mesopotamia
AN ILLUSTRATED DICTIONARY Gods, Demons and Symbols of Ancient Mesopotamia JEREMY BLACK AND ANTHONY GREEN Illustrations by Tessa Rickards Gods, Demons and Symbols of Ancient Mesopotamia An Illustrated Dictionary Jeremy Black and Anthony Green Illustrations by Tessa Rickards THE BRITISH MUSEUM PRESS Jeremy Black The late Dr Black, formerly Director of the British School of Archaeology in Iraq, was a Fellow of Wolfson College, Oxford, and University Lecturer in Akkadian. He was the author of several studies on Sumerian and Babylonian literature and ancient philology, and headed the Electronic Text Corpus of Sumerian Literature project (http://etcsl.orinst.ox.ac.uk ) Anthony Green Dr Green has formerly held the positions of Fellow of the British School of Archaeology in Iraq, J. Paul Getty Postdoctoral Research Fellow in the History of Art at the University of Pennsylvania, G.A. Wainwright Research Fellow in Near Eastern Archaeology at Oxford University, and Alexander von Humboldt Research Fellow at the Free University of Berlin. He is currently Shinji Shumeikai Senior Academic Research Fellow in Near Eastern Art and Archaeology at the Free University of Berlin. He has conducted extensive archaeological fieldwork in Syria and Iraq and writes on ancient Mesopotamian art and archaeology. Tessa Rickards Tessa Rickards is a freelance archaeological illustrator specialising in ancient Mesopotamia. She has worked as an illus- trator on numerous international excavations in the Middle East. She is an MA graduate of the Institute of Archaeology, University College London. Front cover: Green jasper seal depicting a conflict between two heroes, a bull-man, a bull and a lion. Dated 225o BC, origin unknown. -
On Authorship in Akkadian Literature
BENJAMIN R. FOSTER On Authorship in Akkadian Literature That the names of the authors of major works of Akkadian literature are unknown seemsstrange to us, to whom authorship implies a named authorl. Only a f-ew works of Akkadian literature can bc identified with a specific author. Some of these make use of the device " ", known as signature where the author's name is given in the text. Examples include the Gula Hymn of Bullutsarabi2. and the Erra Epic (discussedbelow). Others use acrosticsthat spell the namc of the author. Examples include the Theodicy3 (the work of a certair.t (E)saggilkinam ubbib)a. the prayers of Nabu u5eb5is.and the acrostic hymn to Marduk by or in the name of Assurbanipal (see below). Signed compositions are rare (King. BBS 6), though scribes sometimes signed inscriptions (see Weidner. AfO 17 ll954l6l. 264) or were associatedwith specific versions of texts (see Geller. BSOAS 53 [1990], 209ff.). A special problem is raised by certain texts, such as the Marduk acrostic and Assurbanipal's Hyrnn to Shamash (see below), that mention the reigning king as if he were the author. While it is possible that some of these were actually composed by the king hrmseli others may be products of court poets whose work rellects the personality and interests of the sovreign6. For the majority of Akkadian texts. however. the author's name is unknown. and one has sometimes susoectedthat there was in fact no I Fr:lr generaidiscussions of Mesopotamian authorship. sce Hallo. IEJ l2 (1962). l3fi.: Hecker. ArOr 15 (l91ll. 2.{9ff..with aclditionalbibliographl-.