Norfolk State Alumna Succeeding at NASCAR

Total Page:16

File Type:pdf, Size:1020Kb

Norfolk State Alumna Succeeding at NASCAR Sanders WWW.TRIANGLETRIBUNE.COM and The Triangle SWAC a TRIBUNE perfect Sports SUNDAY, OCTOBER 18, 2020 – PAGE 1B marriage I tried to blow off Deion Sanders’ much ballyhooed hiring at Jackson State. After COLLEGE CORNER all, he’s not the first former professional player to coach at an HBCU, and while there have been some successes, there have been flops as well. For every Doug Williams at Grambling State or Sam Wash- NC A&T ington at North Carolina A&T success stories, you have Doug Overton at coach Lincoln (Pa.) or – yes, I must say it again – Robert copes with Brickey at Shaw. Terrible, terrible hires. Think SWAC team, virus coaches aren’t N.C. A&T SPORTS INFORMATION getting sick of BONITTA “Prime Time” EAST GREENSBORO – The 2020- BEST and his, well, 21 women's basketball season prime time expo- was going to be a challenge for COURTESY North Carolina A&T head coach sure? They read the same Brehanna Daniels is a rising star in NASCAR. newspapers or social media Tarrell Robinson before a pan- accounts, and watch the same demic invaded the world. sports shows that we do. And Robinson's Aggies lost to rival they have egos, too. N.C. Central by two points in the Sure, Sanders is good for the quarterfinals of the MEAC Tour- conference – and maybe nament and that team featured HBCUs in general – but that experienced seniors. Unknown to feel-good party is going to get anyone at Norfolk Scope Arena at old and tired real soon. the time, that March 12 game For Jackson State, however, would be the final day of college the good times are rockin’ and basketball season. rollin’. Sanders just snagged a COVID-19 hit around the coun- three-star recruit in defensive try that shut down sports and the tackle Braezhon Ross from Las gymnasiums worldwide. The Vegas. loss led Robinson and his staff Ross announced on Twitter back to the drawing board to re- that he was “110%” to the kindle Aggies women's basket- Tigers. He reportedly chose ball's championship ways. JSU, or rather Sanders, over Meanwhile, from a student-ath- Arizona, Arizona State and lete perspective, the loss was dif- Colorado. ficult enough without the Ross joins another highly complication of the virus forcing rated high schooler, defensive gyms closed, making it hard to lineman Jeremiah Williams; maintain good conditioning. COURTESY When Robinson was able to get Jammie White, a Mississippi N.C. A&T State women’s bowling coach Kim Terrell-Kearney. Gulf Coast Community Col- the student-athletes on campus lege transfer defensive end; for the first time during the and Mississippi State transfer summer, he had to take it slow cornerback Javorrius Selmon with them. "They were off for so to JSU since Sanders was hired long when the nation was quar- barely a month ago. antining, obviously they didn't Sanders’ presence has also have access to a gym or the facil- upped JSU athletics’ market- ities," he said. "We asked them to ing value. According to the get some cardio outside. But university, the value in- when we got back here, we took creased by an estimated $19 small steps. We didn't jump right million in nine days after into anything. We kind of built Sanders came aboard. toward the conditioning and the “Prime Time” had endorse- physical and mental part. Now ment deals with Subway and we're full go." Under Armour when he ar- Without COVID, Robinson's rived at JSU. Reportedly he’s preseason would still be difficult in discussions on a reality TV as he welcomed 10 newcomers, show following him on cam- including eight freshmen. Only pus. four student-athletes return that In addition to the money, played at least 15 games, as the athletics department fin- guard Deja Winters and forward ished first among non-FBS Jayla Jones-Pack return for their program in social media en- senior seasons. COURTESY Junior guards Jasmen Walton gagement for the month of Norfolk State alumna Chanette Hicks. September. JSU beat out such and Kennedy Boyd each return FBS programs as Duke, Florida for another season. The first of- State, South Carolina and Kan- ficial practice is Oct. 15. Robin- sas. son brought in his new team in “Neon Deon” couldn’t have Norfolk State Please see A&T/2B chosen a better setup in the SWAC. The conference has led the NCAA in FCS football at- tendance 42 of the past 43 seasons, with JSU at the top of alumna succeeding NCAA that food chain. Mind you, the Tigers haven’t had a winning season since 2013. They did finish 5-5 in 2018. at NASCAR won’t "This further proves that we have the best fan base in Mis- Norfolk State alumna Bre- verse and inclusive NAS- agement from the U.S. sissippi and across the coun- hanna Daniels continues to CAR." Sports Academy. increase try," said JSU Director of shine on the racing circuit. Athletics Ashley Robinson. "In Daniels received a Crew St. Aug’s gets new FAR Homecomings Mississippi, it's often dis- Member award at the 13th St. Augustine’s sports North Carolina Central games cussed that there is the Big 3. annual NASCAR Driver for management professor has raised just under When mentioning the Big 3, Diversity Awards. In 2018, Umar Muhammad has been $165,000 in its virtual By Greg Johnson Jackson State rightfully be- she became the first black appointed the university’s homecoming campaign. NCAA.ORG longs in that discussion." woman to pit in NASCAR’s new faculty athletic repre- The goal is to reach The Division I Men’s and While Sanders is JSU’s big- top series. She followed sentative. $750,000 by Oct. 31, so gest sports moment, the ath- Women’s Basketball Oversight that up in 2019 by becom- The latest is another in a there’s still much work, uh, Committees on Monday re- letics department was having ing the first black woman long list of job titles Mu- money to do. Chop shop, a banner year before he ar- affirmed their positions on re- and first black graduate of hammad has, including folks!! ducing by four the maximum rived. the diversity program to pit head coach. He and Mark * Over in Raleigh, the Thomas “Snacks” Lee – re- number of games that teams can at the Daytona 500. Team- Janas made history this Shaw U vs. Corona virtual play in the 2020-21 season. member him? – electrified so- mate Breanna O’Leary summer after being se- homecoming is Oct. 19-25. cial media when, as team In men’s basketball, teams can joined her in Daytona. lected to head up the Fal- Alumni are being asked to compete in a maximum of 25 manager of the men’s basket- Daniels attended Louis- cons inaugural cycling send what they would nor- ball team, he donned a uni- regular-season games if a team burg College before trans- team, the only HBCU team mally spend at homecom- does not participate in a multi- form on senior night and ferring to the Spartans, in the country. ing. There will also be some nailed a 3-pointer that sent ple-team event; 25 regular-sea- where she played on the “Our student-athletes virtual events. Visit son games and one the gymnasium into a frenzy. basketball team for two have to manage their aca- www.shawu.edu. His sports moment won an multiple-team event that in- seasons. demic and athletic pursuits cludes up to two games; or 24 Espy for Cant-Stop-Watching "As we continue in our daily, but especially now Bowling history Moment Award beating out regular-season games and one mission to enhance diver- during this pandemic and North Carolina A&T multiple-team event that in- Olympic champion Simone sity across this great sport, after, it becomes even more women’s bowling coach Biles’ quadruple flip and cludes up to three games. we are inspired by the important to surround Kim Terrell-Kearney re- In women’s basketball, teams others. stories and efforts of so them with relationships cently made history by be- And the women’s soccer can compete in a maximum of 25 many leaders within the in- that can support them,” he coming the first woman to regular-season games if a team team produced a quarantine dustry who are setting pos- said. coach an all-female team in video that also went viral. does not compete in a multiple- itive examples and driving The Durham native is the Professional Bowlers team event or 23 regular-season HBCUs, Lord knows, have meaningful change," NAS- president and founder of Association. their challenges, but athletics games and one multiple-team CAR President Steve Phelps USports Consulting. Several “This is a great honor to event that includes up to four departments like Jackson said. "We are proud to rec- years ago, he helped run have the chance to work State show that when you games. ognize these 10 individuals the Bull City Legacy, a pro- with the best women in the The committees, which met have the support of your pres- and organizations whose fessional basketball team world,” Terrell-Kearney ident/chancellor, a rabid fan virtually, thoroughly discussed hard work and accomplish- that played in the Tobacco said. “The women get a whether a blanket waiver should base that keeps coming back, ments are having a pro- Road Basketball League. He chance to compete with the and a kick-butt social be applied to permit a school to found impact and is also pursuing his Doctor men, the best in the world, participate in a maximum of 27 media/sports marketing de- contributing to a more di- of Education in sports man- partment, anything is pos- Please see NSU/2B games with no multiple-team sible.
Recommended publications
  • Sheets to Lull To
    Sheets to Lull To - Pratyaksh Gautam Lo-Fi? So, What’s Different? usic spawns countless genres, with new ones Most genres of music aim to grab your attention and Mpopping up by the dozens every few years. move you, or to make you move. Lo-fi established Among the genres to come to prominence in the last itself as a genre whose aim is to not draw too much few years, lo-fi stands out as one of the more “un- attention, as demonstrated by the title of the largest interesting” ones. It isn’t bizarre, avant-garde, nor is lo-fi live stream on the internet, ChilledCow’s 24x7 it dominating the top 40. It doesn’t have any artists “lo-fi hip hop radio - beats to relax/study to”. They’re who constantly make headlines for their fashion or repetitive, relaxed and laid-back beats, with rarely relationships. any comprehensible lyrics, to be played without It begs the much more “interesting” question, why needing to pay attention, as filler, think Phillip Glass is such a seemingly niche genre enjoying growing meets J Dilla. popularity? Simply put, lo-fi hip hop is this generation’s elevator Lo-fi, short for ‘low fidelity’ is a genre of music music, well suited for late-night study sesh’s, or drawing largely on hip-hop, with elements of other questionable activities best appreciated with sampling, classic old school drum machine sounds, a calm ambience. lo-fi has existed in some way or unquantised drums, slightly detuned synths, form for a long time, but has recently attracted a repetition, and repetition.
    [Show full text]
  • Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
    Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A.
    [Show full text]
  • Television Academy Awards
    2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D.
    [Show full text]
  • The Evolution of Ornette Coleman's Music And
    DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY by Nathan A. Frink B.A. Nazareth College of Rochester, 2009 M.A. University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Nathan A. Frink It was defended on November 16, 2015 and approved by Lawrence Glasco, PhD, Professor, History Adriana Helbig, PhD, Associate Professor, Music Matthew Rosenblum, PhD, Professor, Music Dissertation Advisor: Eric Moe, PhD, Professor, Music ii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Copyright © by Nathan A. Frink 2016 iii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Ornette Coleman (1930-2015) is frequently referred to as not only a great visionary in jazz music but as also the father of the jazz avant-garde movement. As such, his work has been a topic of discussion for nearly five decades among jazz theorists, musicians, scholars and aficionados. While this music was once controversial and divisive, it eventually found a wealth of supporters within the artistic community and has been incorporated into the jazz narrative and canon. Coleman’s musical practices found their greatest acceptance among the following generations of improvisers who embraced the message of “free jazz” as a natural evolution in style.
    [Show full text]
  • Robert Glasper's In
    ’s ION T T R ESSION ER CLASS S T RO Wynton Marsalis Wayne Wallace Kirk Garrison TRANSCRIP MAS P Brass School » Orbert Davis’ Mission David Hazeltine BLINDFOLD TES » » T GLASPE R JAZZ WAKE-UP CALL JAZZ WAKE-UP ROBE SLAP £3.50 £3.50 U.K. T.COM A Wes Montgomery Christian McBride Wadada Leo Smith Wadada Montgomery Wes Christian McBride DOWNBE APRIL 2012 DOWNBEAT ROBERT GLASPER // WES MONTGOMERY // WADADA LEO SmITH // OrbERT DAVIS // BRASS SCHOOL APRIL 2012 APRIL 2012 VOLume 79 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
    [Show full text]
  • "Some of the Most Luxuriant, Sumptuously Phrased Jazz Vocals
    "Some of the most luxuriant, sumptuously phrased jazz vocals you could hope to hear." CHICAGO TRIBUNE MUSIC "Laurin Talese has a voice like Christmas morning." THE PHILADELPHIA INQUIRER "Laurin Talese has a knack for engaging her audience. The jazz sensation can induce a smile from the most cantankerous of listeners. She melts the room with her personality." THE JUMP Philadelphia-based jazz vocalist, Laurin Talese, has performed on countless stages around the globe with a host of internationally celebrated recording artists including Bilal, Robert Glasper, Vivian Green, Sullivan Fortner, and Christian McBride among others, and is quickly developing a name for herself among the jazz community and beyond. Gorgeous Chaos was produced by in-demand music directors/producers, Adam Blackstone (Justin Timberlake, Rihanna) and Ulysses Owens, Jr. (Christian McBride, Kurt Elling, Wynton Marsalis). Both Blackstone and Owens perform on the album as well. The recording features a list of jazz elite and special guests such as Robert Glasper, Christian McBride, Christian Sands, renowned R&B vocalist, Vivian Green, and longtime collaborator Eric Wortham II (Adele). Other notable artists featured on the album include: Anthony DeCarlo, Yesseh Furaah-Ali, Tim Green, Erskine Hawkins, Jamar Jones, Josh Lawrence, Anwar Marshall, Ben O’Neill, Steve Tirpak, Joe Truglio, String Candy Music, and Dontae Winslow. Talese is currently performing throughout the east coast in support of her recent release entitled Gorgeous Chaos (March 2016). 01. Someone To Watch Over Me (4:19) 07. Winter ft. Robert Glasper (4:23) Artist: LAURIN TALESE 02. This Love (2:45) 08. Kissing A Fool ft. Vivian Green (5:08) Format: CD Title: GORGEOUS CHAOS 03.
    [Show full text]
  • Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
    DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin
    [Show full text]
  • Final Nominations List
    NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 58th Annual GRAMMY® Awards For recordings released during the Eligibility Year October 1, 2014 through September 30, 2015 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 Category 2 Record Of The Year Album Of The Year Award to the Artist and to the Producer(s), Recording Engineer(s) Award to the Artist(s) and to the Album Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist. and/or Mixer(s) & Mastering Engineer(s), if other than the artist. 1. REALLY LOVE 1. SOUND & COLOR D'Angelo And The Vanguard Alabama Shakes D'Angelo, producer; Russell Elevado & Ben Kane, Alabama Shakes & Blake Mills, producers; Shawn Everett, engineer/mixer; Bob Ludwig, mastering engineer engineers/mixers; Dave Collins, mastering engineer [ATO Records] Track from: Black Messiah [RCA Records] 2. TO PIMP A BUTTERFLY Kendrick Lamar 2. UPTOWN FUNK Bilal, George Clinton, James Fauntleroy, Ronald Isley, Rapsody, Mark Ronson Featuring Bruno Mars Snoop Dogg, Thundercat & Anna Wise, featured artists; Taz Arnold, Jeff Bhasker, Bruno Mars & Mark Ronson, producers; Josh Boi-1Da, Ronald Colson, Larrance Dopson, Flying Lotus, Fredrik Blair, Serban Ghenea, Wayne Gordon, John Hanes, Inaam "Tommy Black" Halldin, Knxwledge, Koz, Lovedragon, Terrace Haq, Boo Mitchell, Charles Moniz & Mark Ronson, Martin, Rahki, Sounwave, Tae Beast, Thundercat, Whoarei & engineers/mixers; Tom Coyne, mastering engineer Pharrell Williams, producers; Derek "Mixedbyali" Ali, Thomas Burns, James "The White Black Man" Hunt, 9th Wonder & Matt Track from: Uptown Special Schaeffer, engineers/mixers; Mike Bozzi, mastering engineer [RCA Records] [TDE/Aftermath/Interscope] 3.
    [Show full text]
  • CV for Website
    updated & abbreviated June 2017 Emily Jeanne Lordi EMPLOYMENT: Associate Professor of English, University of Massachusetts, Amherst, September 2016-present Assistant Professor of English, University of Massachusetts, Amherst, September 2011-August 2016 Visiting Assistant Professor of English, Cornell University, July 2009-July 2011 EDUCATION: Ph.D., English and Comparative Literature (with Distinction), Columbia University, October 2009 M.A., English and Comparative Literature, Columbia University, 2003 B.A., English (minor, Art History), Vassar College, 2001 (summa cum laude; Alice D. Snyder Award for Excellence in English) Visiting Scholar in English, Worcester College, Oxford University, 2000-2001 BOOKS: Black Resonance: Iconic Women Singers and African American Literature, Rutgers University Press, 2013 • Reviewed in Choice, Paste Magazine, MELUS, American Literary History Online, Journal of American Culture • Chapter two reprinted in The Mahalia Jackson Reader, ed. Mark Burford (Oxford University Press, forthcoming 2017) Donny Hathaway Live, Bloomsbury Academic (33⅓ series) Soul Survivals: Black Musical Aesthetics from the 1960s to the Present (in progress) ARTICLES: “’black and going on women’: Lucille Clifton, Elizabeth Alexander, and the Poetry of Grief,” forthcoming in Palimpsest, 2017 “Surviving the Hustle: Beyoncé’s Performance of Work,” forthcoming in Black Camera, 2017 “James Baldwin and the Sound of Soul,” New Centennial Review 16.2 (Fall 2016) “Souls Intact: The Soul Performances of Audre Lorde, Aretha Franklin, and Nina Simone,” Women & Performance 26.1 (July 2016) “Fading Out: White Flight and Sly and the Family Stone’s ‘Stand!,’” Journal of Popular Music Studies 24.3 (September 2012) “‘Window Seat’: Erykah Badu, Projective Cultural Politics, and the Obama Era,” Post45: Peer Reviewed, December 2011 BOOK CHAPTERS: “Keyword: Soul,” Keywords in African American Studies, ed.
    [Show full text]
  • A Scene Without a Name: Indie Classical and American New Music in the Twenty-First Century
    A SCENE WITHOUT A NAME: INDIE CLASSICAL AND AMERICAN NEW MUSIC IN THE TWENTY-FIRST CENTURY William Robin A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2016 Approved by: Mark Katz Andrea Bohlman Mark Evan Bonds Tim Carter Benjamin Piekut © 2016 William Robin ALL RIGHTS RESERVED ii ABSTRACT WILLIAM ROBIN: A Scene Without a Name: Indie Classical and American New Music in the Twenty-First Century (Under the direction of Mark Katz) This dissertation represents the first study of indie classical, a significant subset of new music in the twenty-first century United States. The definition of “indie classical” has been a point of controversy among musicians: I thus examine the phrase in its multiplicity, providing a framework to understand its many meanings and practices. Indie classical offers a lens through which to study the social: the web of relations through which new music is structured, comprised in a heterogeneous array of actors, from composers and performers to journalists and publicists to blog posts and music venues. This study reveals the mechanisms through which a musical movement establishes itself in American cultural life; demonstrates how intermediaries such as performers, administrators, critics, and publicists fundamentally shape artistic discourses; and offers a model for analyzing institutional identity and understanding the essential role of institutions in new music. Three chapters each consider indie classical through a different set of practices: as a young generation of musicians that constructed itself in shared institutional backgrounds and performative acts of grouping; as an identity for New Amsterdam Records that powerfully shaped the record label’s music and its dissemination; and as a collaboration between the ensemble yMusic and Duke University that sheds light on the twenty-first century status of the new-music ensemble and the composition PhD program.
    [Show full text]
  • Readers Poll
    84 READERS POLL DOWNBEAT HALL OF FAME One night in November 1955, a cooperative then known as The Jazz Messengers took the stage of New York’s Cafe Bohemia. Their performance would yield two albums (At The Cafe Bohemia, Volume 1 and Volume 2 on Blue Note) and help spark the rise of hard-bop. By Aaron Cohen t 25 years old, tenor saxophonist Hank Mobley should offer a crucial statement on how jazz was transformed during Aalready have been widely acclaimed for what he that decade. Dissonance, electronic experimentation and more brought to the ensemble: making tricky tempo chang- open-ended collective improvisation were not the only stylis- es sound easy, playing with a big, full sound on ballads and pen- tic advances that marked what became known as “The ’60s.” ning strong compositions. But when his name was introduced Mobley’s warm tone didn’t necessarily coincide with clichés on the first night at Cafe Bohemia, he received just a brief smat- of the tumultuous era, as the saxophonist purposefully placed tering of applause. That contrast between his incredible artistry himself beyond perceived trends. and an audience’s understated reaction encapsulates his career. That individualism came across in one of his rare inter- Critic Leonard Feather described Mobley as “the middle- views, which he gave to writer John Litweiler for “Hank Mobley: weight champion of the tenor saxophone.” Likely not intended The Integrity of the Artist–The Soul of the Man,” which ran in to be disrespectful, the phrase implied that his sound was some- the March 29, 1973, issue of DownBeat.
    [Show full text]
  • Make It New: Reshaping Jazz in the 21St Century
    Make It New RESHAPING JAZZ IN THE 21ST CENTURY Bill Beuttler Copyright © 2019 by Bill Beuttler Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to be a digitally native press, to be a peer- reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial- NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/ by-nc-nd/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, California, 94042, USA. DOI: https://doi.org/10.3998/mpub.11469938 Print ISBN: 978-1-64315-005- 5 Open access ISBN: 978-1-64315-006- 2 Library of Congress Control Number: 2019944840 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Contents Member Institution Acknowledgments xi Introduction 1 1. Jason Moran 21 2. Vijay Iyer 53 3. Rudresh Mahanthappa 93 4. The Bad Plus 117 5. Miguel Zenón 155 6. Anat Cohen 181 7. Robert Glasper 203 8. Esperanza Spalding 231 Epilogue 259 Interview Sources 271 Notes 277 Acknowledgments 291 Member Institution Acknowledgments Lever Press is a joint venture. This work was made possible by the generous sup- port of
    [Show full text]