The Juilliard School presents Juilliard Ensemble

Tuesday, October 31, 2017, 7:30pm Paul Hall

The Music of , Guest Coach

The Max Roach Ensemble Ecaroh (arr. Micah Thomas) Jungle Juice (arr. Jacob Kelberman) Room 608 (arr. David Adewumi) Lonely Woman (arr. Evan Atwell-Harris) Gregory is Here (arr. Alexa Tarantino) Strollin’ (arr. Rashaan Salaam) Natives are Calling (arr. Endea Owens)

Alexa Tarantino, Alto Saxophone Evan Atwell Harris, Tenor Saxophone David Adewumi, Trumpet Rashaan Salaam, Trombone Jake Kelberman, Guitar Micah Thomas, Piano Endea Owens, Bass Dag Markhus, Drums

Ulysses Owens Jr., Resident Coach

Intermission

Juilliard gratefully acknowledges the Talented Students in the Arts Initiative, a collaboration for the Doris Duke Charitable Foundation and the Surdna Foundation, for their generous support of Juilliard Jazz.

Major funding for establishing Paul Recital Hall and for continuing access to its series of public programs has been granted by The Bay Foundation and the Josephine Bay Paul and C. Michael Paul Foundation in memory of Josephine Bay Paul.

Please make certain that all electronic devices are turned off during the performance. The taking of photographs and the use of recording equipment are not permitted in this auditorium. 1

The Dizzy Gillespie Ensemble Roccus (arr. Joel Wenhardt) Silver’s Serenade (arr. David Milazzo) Doin’ the Thing (arr. Jeffery Miller) Shirl (arr. Adam Olszewski) Pretty Eyes (arr. Andrea Domenici) The African Queen (arr. Cameron MacIntosh) No Smokin’ (arr. Anthony Hervey)

David Milazzo, Alto Saxophone Anthony Hervey, Trumpet Jeffery Miller, Trombone Andrea Domenici, Piano Joel Wenhardt, Piano Adam Olszewski, Bass Cameron MacIntosh, Drums

Elio Villafranca, Resident Coach

About Jazz Ensembles at Juilliard

Beginning this season Juilliard Jazz has named each of our small ensembles after a jazz legend. This does not mean the named ensemble will solely perform the works of that artist, but, invoking these names reminds us, and our audience, of our music’s great history and its interconnectedness. In addition, ensemble coaches will incorporate important aspects of each artist’s work, into their ensemble teaching throughout the year. The named ensembles and their coaches are • The Dave Brubeck Ensemble, in the spirit of integrating arts, coached by Helen Sung • The Jelly Roll Morton Ensemble, in the spirit of interpreting the original meanings of jazz, coached by Doug Wamble • The Dizzy Gillespie Ensemble, in the spirit of innovation, dance, Afro-Latin music, humor, and teaching, coached by Elio Villafranca • The Max Roach Ensemble, in the spirit of Civil Rights experimentation and understanding of the African Diaspora, coached by Ulysses Owens Jr. • The Mary Lou Williams Ensemble, in the spirit of stride piano, arranging and intellectual discourse on music techniques and meaning, coached by Bruce Williams • The Ensemble (Artist Diploma Ensemble), in the spirit of being ambassadors to the world, coached by Ben Wolfe

2 Meet Marc Cary

Pianist and composer Marc Cary was born in and raised between Providence, R.I., and Washington, D.C. His mother is a cellist, his great-grandmother was a pianist in silent movie houses who also played barrelhouse and stride duets with Eubie Blake. Ellington trumpeter Cootie Williams was a cousin of Cary's grandfather.

He attended Washington’s Duke Ellington School for The Arts before moving back to New York at the age of 21.The next decade of his life found him sharing stages and working with Dizzy Gillespie, Arthur Taylor, , Jackie McLean, , and Carmen McRae. He was a favorite accompanist to singers including Ndegeocello, , , and Ani DiFranco. His debut recording as a leader was released in 1995, and since then has released more than a dozen albums.

Cary remains one of the progenitors of contemporary jazz, evident in his influence on peers. Live performances with vibraphonist and bandmate began the genesis of ’s recording Nirvana’s “Smells Like Teen Spirit,” and Cary’s record “Taiwa” from Focus in 2006 evolved into “For You” on Glasper’s Double Booked and Harris’ Urbanus. Cary collaborator exalted him with “Caryisms” on 1992’s The Vibe, an album whose title track is one of two Cary originals including “Running Out of Time.”

To the electronic jazz tradition Cary noticeably brings his own lyricism, warmth and warp-speed chops. The familial use of longtime musical comrade Sameer Gupta’s tabla, Terreon Gully’s drums, and ’s bedrock low-end support system insures the indelible and indispensable presence of what Dr.Funkenstein once identified as “‘the preservation of the motion of hip.”’

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Photo byof cellistClaudio Khari Papapietro Joyner by Claudio Papapietro