"Whitacre Is That Rare Thing, a Modern Composer Who Is Both Popular and Original" - the Daily Telegraph, London
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Old Town Road (I Got the Horses in the Back)
Old Town Road (I Got the Horses in the Back) by TRENT REZNOR, ATTICUS ROSS, MONTERO LAMAR HILL and KIOWA ROUKEMA Lyrics by: MONTERO LAMAR HILL, TRENT REZNOR, ATTICUS ROSS and KIOWA ROUKEMA Published Under License From Universal Music Publishing Group © 2018 Form and Texture Inc, Songs in the Key of Mink, Downtown DMP Songs, Downtown Music Publishing LLC, Songs of Universal and Sony/ATV Music Publishing Kobalt Songs Music Publishing, Universal Music Publishing Group and Sony/ATV Music Publishing LLC Contains "34 Ghosts IV" - Music and Lyrics by Trent Reznor and Atticus Ross All Rights Reserved Authorized for use by Irene NOTICE: Purchasers of this musical file are entitled to use it for their personal enjoyment and musical fulfillment. However, any duplication, adaptation, arranging and/or transmission of this copyrighted music requires the written consent of the copyright owner(s) and of Universal Music Publishing Group. Unauthorized uses are infringements of the copyright laws of the United States and other countries and may subject the user to civil and/or criminal penalties. musicnotes.com Old Town Road (I Got The Horses In The Back) Words and Music by MONTERO HILL, KIOWA ROUKEMA, TRENT REZNOR and ATTICUS ROSS 1. Hm Nah-ma dah,dah 2. Yeah, I’mgon-na take my horse to the oldtown road, I’mgon-na ride ’til I can’t no more.I’m gon-na take my horse to the oldtown road, I’mgon-na ride ’til I can’t no more I got the © 2018 Form and Texture Inc, Songs in the Key of Mink, Downtown DMP Songs, Downtown Music Publishing LLC, Songs of Universal -
In-Depth Analysis and Program Notes on a Selection of Wind Band Music Benjamin James Druffel Minnesota State University - Mankato
Minnesota State University, Mankato Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato Theses, Dissertations, and Other Capstone Projects 2012 In-Depth Analysis and Program Notes on a Selection of Wind Band Music Benjamin James Druffel Minnesota State University - Mankato Follow this and additional works at: http://cornerstone.lib.mnsu.edu/etds Part of the Music Performance Commons Recommended Citation Druffel, Benjamin James, "In-Depth Analysis and Program Notes on a Selection of Wind Band Music" (2012). Theses, Dissertations, and Other Capstone Projects. Paper 196. This Thesis is brought to you for free and open access by Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Theses, Dissertations, and Other Capstone Projects by an authorized administrator of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. IN-DEPTH ANALYSIS AND PROGRAM NOTES ON A SELECTION OF WIND BAND MUSIC By Benjamin J. Druffel A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music in Wind Band Conducting Minnesota State University, Mankato Mankato, Minnesota June 2012 In-Depth Analysis and Program Notes on a Selection of Wind Band Music Benjamin J. Druffel This thesis has been examined and approved by the following members of the thesis committee. Dr. Amy K. Roisum-Foley, Advisor Dr. John Lindberg Dr. Linda Duckett ACKNOWLEDGEMENTS Dr. Amy Roisum-Foley: Thank you for your knowledge, musicianship, patience, and above all, your friendship. I am honored to have you as a mentor! Dr. -
Photo Needed How Little You
HOW LITTLE YOU ARE For Voices And Guitars BY NICO MUHLY WORLD PREMIERE PHOTO NEEDED Featuring ALLEGRO ENSEMBLE, CONSPIRARE YOUTH CHOIRS Nina Revering, conductor AUSTIN CLASSICAL GUITAR YOUTH ORCHESTRA Brent Baldwin, conductor HOW LITTLE YOU ARE BY NICO MUHLY | WORLD PREMIERE TEXAS PERFORMING ARTS PROGRAM: PLEASESEEINSERTFORTHEFIRSTHALFOFTHISEVENING'SPROGRAM ABOUT THE PROGRAM Sing Gary Barlow & Andrew Lloyd Webber, arr. Ed Lojeski From the first meetings aboutHow Little Renowned choral composer Eric Whitacre You Are, the partnering organizations was asked by Disney executives in 2009 Powerman Graham Reynolds knew we wanted to involve Conspirare to compose for a proposed animated film Youth Choirs and Austin Classical Guitar based on Rudyard Kipling’s beautiful story Libertango Ástor Piazzolla, arr. Oscar Escalada Youth Orchestra in the production and are The Seal Lullaby. Whitacre submitted this Austin Haller, piano delighted that they are performing these beautiful, lyrical work to the studios, but was works. later told that they decided to make “Kung The Seal Lullaby Eric Whitacre Fu Panda” instead. With its universal message issuing a quiet Shenandoah Traditional, arr. Matthew Lyons invitation, Gary Barlow and Andrew Lloyd In honor of the 19th-century American Webber’s Sing, commissioned for Queen poetry inspiring Nico Muhly’s How Little That Lonesome Road James Taylor & Don Grolnick, arr. Matthew Lyons Elizabeth’s Diamond Jubilee in 2012, brings You Are, we chose to end the first half with the sweetness of children’s voices to brilliant two quintessentially American folk songs Featuring relief. arranged for this occasion by Austin native ALLEGRO ENSEMBLE, CONSPIRARE YOUTH CHOIRS Matthew Lyons. The haunting and beautiful Nina Revering, conductor Powerman by iconic Austin composer Shenandoah precedes James Taylor’s That Graham Reynolds was commissioned Lonesome Road, setting the stage for our AUSTIN CLASSICAL GUITAR YOUTH ORCHESTRA by ACG for the YouthFest component of experience of Muhly’s newest masterwork. -
Musikliste Zu Terra X „Unsere Wälder“ Titel Sortiert in Der Reihenfolge, in Der Sie in Der Doku Zu Hören Sind
Z Musikliste zu Terra X „Unsere Wälder“ Titel sortiert in der Reihenfolge, in der sie in der Doku zu hören sind. Folge 1 MUSIK - Titel CD / Interpret Composer Trailer Terra X Trailer Terra X Main Title Theme – Westworld - Season 1 / Ramin Djawadi Westworld Ramin Djawadi Dr. Ford Westworld - Season 1 / Ramin Djawadi Ramin Djawadi Photos in the Woods Stranger Things Vol. 1 / Kyle Dixon Kyle Dixon Eleven Stranger Things Vol. 1 / Kyle Dixon Kyle Dixon Race To Mark's Flat Bridget Jones's Baby / Craig Armstrong Craig Armstrong Boggis, Bunce and Fantastic Mr. Fox / Alexandre Desplat Alexandre Desplat Bean Hibernation Pod 1625 Passengers / Thomas Newman Thomas Newman Jack It Up Steve Jobs / Daniel Pemberton Daniel Pemberton The Dream and the Collateral Beauty / Theodore Shapiro Letters Theodore Shapiro Reporters Swarm Confirmation / Harry Gregson Williams Harry Gregson Williams Persistence Burnt / Rob Simonsen Rob Simonsen Introducing Howard Collateral Beauty / Theodore Shapiro Inlet Theodore Shapiro The Dream and the Collateral Beauty / Theodore Shapiro Theodore Shapiro Letters Main Title Theme – Westworld - Season 1 / Ramin Djawadi Westworld Ramin Djawadi Fell Captain Fantastic / Alex Somers Alex Somers Me Before You Me Before You / Craig Armstrong Craig Armstrong Orchestral This Isn't You Stranger Things Vol. 1 / Kyle Dixon Kyle Dixon The Skylab Plan Steve Jobs / Daniel Pemberton Daniel Pemberton Photos in the Woods Stranger Things Vol. 1 / Kyle Dixon Kyle Dixon Speight Lived Here The Knick (Season 2) / Cliff Martinez Cliff Martinez This Isn't You Stranger Things Vol. 1 / Kyle Dixon Kyle Dixon 3 Minutes Of Moderat A New Beginning Captain Fantastic / Alex Somers Alex Somers 3 Minutes Of Moderat The Walk The Walk / Alan Silvestri Alan Silvestri Dr. -
Memories of Aldeburgh
February 2013 Issue 42 Hemiola St George’s Singers INSIDE THIS ISSUE: MEMORIES OF ALDEBURGH Britten at 100—preview 2-3 2013 is a special year for fans of atmosphere created by Diary of a recording 4-5 Benjamin Britten, as the nation performing St Nicolas in Christmas concert review 6 celebrates the 100th birthday of the church where it was Singing Day success 7 one of our greatest composers. first performed and record- SGS News 8 For St George’s Singers, our ed, where Britten’s funeral Jeff takes to the streets 9 ‘Britten at 100’ concert on 23 had included the two February at RNCM also brings hymns from the work, and Name that tune 10 The staging party 11 back happy memories of the beside the Piper memorial Pilgrimage to Leipzig 12-13 Choir’s tour to Suffolk in 2005, window, intensified the when we performed St Nicolas emotion of the occasion. Fit to sing 14 in Britten’s own church in In the first half Marcus Eric Whitacre on choirs 15 Aldeburgh. Geoff Taylor or- [Farnsworth] sang Let the St George’s in China 16-17 ganised the tour, and wrote the Dreadful Engines and Even- following for Hemiola: ing Hymn by Purcell, and The bear goes home 18 The trees they grow so high, Mindful music 19 ‘On Saturday morning we trav- arranged by Britten. Jeff elled through the Suffolk by- played a Bach prelude and ways to Snape Maltings where ST GEORGE’S SINGERS Britten’s Prelude and Fugue Esther Platten, who works for PRESIDENT: on a Theme of Vittoria brilliant- John Piper’s memorial window to Benjamin the Britten-Pears Foundation, ly. -
Contemporary Film Music
Edited by LINDSAY COLEMAN & JOAKIM TILLMAN CONTEMPORARY FILM MUSIC INVESTIGATING CINEMA NARRATIVES AND COMPOSITION Contemporary Film Music Lindsay Coleman • Joakim Tillman Editors Contemporary Film Music Investigating Cinema Narratives and Composition Editors Lindsay Coleman Joakim Tillman Melbourne, Australia Stockholm, Sweden ISBN 978-1-137-57374-2 ISBN 978-1-137-57375-9 (eBook) DOI 10.1057/978-1-137-57375-9 Library of Congress Control Number: 2017931555 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
Eric Whitacre Press
E R I C W H I T A C R E E R I C W H I T A C R E C O M P O S E R , C O N D U C T O R , L E C T U R E R e c y o R W W W . E R I C W H I T A C R E . C O M c r a M J U L Y 2 0 1 2 © Music Productions Ltd. - +44 (0) 1753 783 739 - Claire Long, Manager - [email protected] E R I C W H I T A C R E B I O G R A P H Y ´:KLWDFUHLVWKDWUDUHWKLQJDPRGHUQFRPSRVHUZKRLV Eric Whitacre is one of the most popular and performed His latest initiative, Soaring Leap, is a series of workshops and ERWK SRSXODU DQG RULJLQDOµ 7KH 'DLO\ 7HOHJUDSK composers of our time, a distinguished conductor, broadcaster festivals. Guest speakers, composers and artists, make regular and public speaker. His first album as both composer and appearances at Soaring Leap events around the world. conductor on Decca/Universal, Light & Gold, won a Grammy® in 2012, reaped unanimous five star reviews and became the An exceptional orator, he was honoured to address the U.N. no. 1 classical album in the US and UK charts within a week of Leaders programme and give a TEDTalk in March 2011 in which release. His second album, Water Night, was released on Decca he earned the first full standing ovation of the conference. He in April 2012 and debuted at no. -
Join the World's Largest Virtual Choir | Eric Whitacre, Deep Field
ERIC WHITACRE’S VIRTUAL CHOIR 5: DEEP FIELD - PRESS RELEASE – TUESDAY JUNE 5, 2018 “Humanity’s most basic instincts are often expressed in discovery and music. Hubble Telescope’s images of the Deep Field, which fundamentally changed the way we understand the Universe, have been transformed into inspired music by composer Eric Whitacre. Combining the voices of thousands of singers from around the world in the Virtual Choir with symphony orchestra and Hubble’s extraordinary images of the cosmos, will a truly mind-blowing experience.” Dr. Robert Williams | Astrophysicist, Former Director - Space Telescope Science Institute (STScI) Join the World’s largest Virtual Choir | Eric Whitacre, Deep Field Submissions are now open for Eric Whitacre’s Virtual Choir 5: Deep Field (VC5). Singers are invited to record and upload their video to become part of a new digital art film created by Eric Whitacre and Music Productions in collaboration with the Space Telescope Science Institute and 59 Productions. Grammy-winning composer and conductor Eric Whitacre’s Deep Field, scored for orchestra, choir and electronics, is inspired by the revolutionary discoveries of the determined scientific visionaries working with the Hubble Space Telescope. VC5 opens on Tuesday June 5 and closes on Wednesday June 27 at 11:59pm PST. The Music: Twenty-eight years ago, NASA’s Space Shuttle Discovery launched the Hubble Space Telescope into orbit. The vast map of our universe that it produced stands as one of the most important scientific discoveries of the twentieth century. It is a story of human endeavor, wonder and extraordinary scientific ambition. This story was the inspiration behind Eric Whitacre’s Deep Field which was commissioned by the Minnesota Orchestra and BBC Radio 3 for the BBC Proms. -
The Film Music Label Partners with the Golden State Pops Orchestra for Another 'Music of the 'Star Wars' Universe' Concert
7:20 PM PDT 6/19/2013 by Austin Siegemund-Broka The Golden State Pops Orchestra The film music label partners with the Golden State Pops Orchestra for another 'Music of the 'Star Wars' Universe' concert. Film music label Varèse Sarabande Records is celebrating its 35th anniversary at home and abroad. The Golden State Pops Orchestra’s June 15 concert Music of the 'Star Wars' Universe commemorated the milestone with a performance of Joel McNeely’s score, released on Varèse, for the 1996 multimedia project Star Wars: Shadows of the Empire, alongside pieces from John Williams’ iconic Star Wars film scores -- not released on Varèse, though the label has distributed other orchestras’ renditions of Williams’ Star Wars compositions. Hans Zimmer, Danny Elfman, Michael Giacchino, John Powell and other guest composers came out for the GSPO’s previous concert, a Varèse Sarabande 35th anniversary revue on May 11. Varèse executive producer Robert Townson, who hosted the revue, says he opted to work with the GSPO to bring Varèse’s anniversary festivities back to the label’s Los Angeles roots. “I sent an email to the conductor and said, ‘we’d like to do something locally. To be honest, your orchestra came to mind because of the attitude and the degree to which you’re making a point of celebrating the aspects of film music I really appreciate, the artistry,’” Townson says. Two more concerts will partner the GSPO with Varèse: the orchestra’s annual Halloween and winter holiday performances, held October 19 and December 21. Plans for a single revue concert grew into a yearlong Varèse celebration when GSPO conductor Steven Allen Fox realized how much Varèse-released music was already on the GSPO season’s programs. -
PROGRAM NOTES Disney in Concert: Around the World Quincy Symphony Orchestra September 29, 2019 Quincy, IL Notes by Dr
PROGRAM NOTES Disney in Concert: Around the World Quincy Symphony Orchestra September 29, 2019 Quincy, IL Notes by Dr. Paul Borg We begin our season with a generous offering of music from the films of the Walt Disney Company [Walt Disney Productions until 1986]. When Walt Disney died in 1966, the corporation continued his inspired and successful animated-film output. Although not all of nearly 200 animations, live-action films, television series, documentaries, or videos are equally memorable, everyone today has heard many of the songs associated with the films, whether from viewing the films, listening to recordings, or in live concerts such as this one. In the late 1920s and 30s films had newly been furnished with recorded sound, giving motion pictures real-time spoken dialogue among the characters as well as music that could entertain with songs embedded in the storyline. Music could also be employed to enhance or evoke a particular emotion--think the spooky two-note shark approach in Jaws or the "screeching" of the knife in the shower scene of Psycho. Walt Disney and his brother Roy extended these sound element to animated cartoons, short at first (Steamboat Willie) and eventually feature length (Snow White and the Seven Dwarfs). Disney's intent to continue a series of fairy tale animations was interrupted by the Second World War, during which he and his collaborators produced a series of training and propaganda films, even using Donald Duck in some comical short sketches. After the war, Disney turned his vision to television and then his entertainment parks, starting with Disneyland in 1955. -
BEST PICTURE Director Actor in a Leading Role ACTRESS in A
Up–to–the–minute Oscar news and wrap-up on vulture.com 2011 OSCAR POOL BALLOT BEST PICTURE FOreiGN LANGuaGE FilM DOcuMENtarY Feature Black Swan Biutiful Exit Through the Gift Shop Banksy and Jaimie D’Cruz The Fighter Mexico | Directed by Alejandro González Iñárritu Gasland Josh Fox and Trish Adlesic Inception Dogtooth (Kynodontas) Inside Job Charles Ferguson and Audrey Marrs Greece | Directed by Giorgos Lanthimos The Kids Are All Right Restrepo Tim Hetherington and Sebastian Junger In a Better World (Hævnen) The King’s Speech Waste Land Lucy Walker and Angus Aynsley Denmark | Directed by Susanne Bier 127 Hours Incendies DOcuMENtarY SHOrt SUBJect The Social Network Canada | Directed by Denis Villeneuve Killing in the Name Nominees to be determined Toy Story 3 Outside the Law (Hors-la-loi) Poster Girl Nominees to be determined True Grit Algeria | Directed by Rachid Bouchareb Strangers No More Karen Goodman and Kirk Simon Winter’s Bone OriGINal SCOre Sun Come Up Jennifer Redfearn and Tim Metzger DirectOR How to Train Your Dragon John Powell The Warriors of Qiugang Ruby Yang and Darren Aronofsky Black Swan Inception Hans Zimmer Thomas Lennon David O. Russell The Fighter The King’s Speech Alexandre Desplat ANIMated SHOrt FilM Tom Hooper The King’s Speech 127 Hours A.R. Rahman Day & Night Teddy Newton David Fincher The Social Network The Social Network Trent Reznor and Atticus Ross The Gruffalo Jakob Schuh and Max Lang Joel Coen and Ethan Coen True Grit OriGINal SONG Let’s Pollute Geefwee Boedoe ActOR IN A LeadiNG ROle Country Strong “Coming Home” The Lost Thing Shaun Tan and Andrew Ruhemann Javier Bardem Biutiful Music and Lyric by Tom Douglas, Troy Verges, Madagascar, carnet de voyage (Madagascar, a and Hillary Lindsey Journey Diary) Bastien Dubois Jeff Bridges True Grit Tangled “I See the Light” Jesse Eisenberg The Social Network Music by Alan Menken, Lyric by Glenn Slater LIVE ActiON SHOrt FilM Colin Firth The King’s Speech 127 Hours “If I Rise” The Confession Tanel Toom James Franco 127 Hours Music by A.R. -
Grammy® and Academy Award® Winner A.R. Rahman's The
For Immediate Release: October 6, 2017 GRAMMY® AND ACADEMY AWARD® WINNER A.R. RAHMAN’S THE FLYING LOTUS RELEASED TODAY ON KM MUSIQ RECORD LABEL Photo credit: Brandon Patoc and James Holt Conductor Ricardo Averbach led the Seattle Symphony, Seattle Symphony Chorale and Seattle Girls’ Choir Prime Voci ensemble in the world premiere of The Flying Lotus commissioned by the Seattle Symphony Seattle Symphony Assistant Concertmaster Simon James featured as soloist Worldwide Release: October 6, 2017 Seattle, WA – Grammy® and Academy Award®-winning composer A.R. Rahman releases a recording of the world premiere of The Flying Lotus on October 6, 2017. Commissioned by the Seattle Symphony and recorded live in concert, The Flying Lotus is Rahman’s first composition solely for orchestra and features Seattle Symphony’s Second Assistant Concertmaster Simon James as the violin soloist. “The Flying Lotus is a musical impression of where India was and where it’s going,” says Rahman in an interview with The Seattle Times. “India is very progressive now. People are in such a very strong kind of mood. I thought I should capture musically those feelings of elation and also helplessness in a way. How can you say that musically, and also with a sense of pride in it? It’s hard to explain in words, but I thought music could communicate those emotions.” The Flying Lotus was commissioned for the Seattle Symphony’s ninth annual Celebrate Asia concert, held on May 12, 2017. This cultural celebration is now a signature event in Seattle, presented in partnership with local Asian leaders from the region’s Chinese, Filipino, Indian, Indonesian, Japanese, Korean, Thai and Vietnamese communities.