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Vermont History Expo Photographs and News
Vermont History Expo Photograph & News Media Collection, 2000-2012 FB-79 Introduction This collection contains selected newspaper and magazine articles, professional and amateur photographs, and slides of the Vermont History Expo during the years 2000 through 2012. It is housed in two document storage boxes and three archival storage boxes (3.25 linear feet). The core of the collection was transferred to the VHS Library by Sandra Levesque, Expo Coordinator working under contract to the VHS, in 2007. The remainder of the materials have been added from VHS office files. Organizational Sketch The Vermont Historical Society began hosting the Vermont History Expo at the Tunbridge Fairgrounds in Tunbridge, Vermont, for one weekend each June beginning in 2000. The event featured displays by participating local historical societies, museums, historical organizations, period crafters, demonstrators, and re-enactors. In addition there were historic presentations and speakers, musicians, heirloom animal displays and presentations, an authors’ tent, parade, and country auction. Thousands attended the weekend-long event which was held annually until 2008; the event resumed as a biannual event in 2010. The event had its genesis in the Heritage Weekend sponsored by the Cabot Creamery and the Vermont Historical Society in 1999. This event, an open house of historical societies in Washington and Orange Counties for one weekend in June, grew into the Vermont History Expo the following year. Sandra Levesque was the coordinator hired by the VHS to run the event between 1999 and 2006. The Expo event was preceded by a series of workshops for local historical societies on how to create effective displays. -
Le Legs Intellectuel Des Expos, La Tribune De L'eau, Expo Zaragoza
1 2 Bureau International des Expositions (ed.) Le legs intellectuel des Expos, La Tribune de l’Eau, Expo Zaragoza 2008 The intellectual legacy of Expos, The Water Tribune, EXPO 2008 ZARAGOZA © Bureau International des Expositions 34, avenue d’Iéna, 75116 Paris Le BIE remercie les auteurs dont les textes figurent dans ce recueil de lui avoir donné l’aimable autorisation de les reproduire. Tous droits de traduction, de reproduction et d’adaptation réservés pour tous pays (à des fins commerciales), la loi du 11 mars 1957 n’autorisant, aux termes des alinéas 2 et 3 de l’article 41, d’une part, que les « copies ou reproductions strictement réservées à l’usage privé du copiste et non destinées à une utilisation collective », et, d’autre part, que les analyses et les courtes citations dans un but d’exemple et d’illustration, « toute représentation ou reproduction intégrale, ou partielle, faite sans le consentement de l’auteur ou des ayants droit ou ayants cause, est illicite » (alinéa 1er de l’article 40). Ne peut être vendu. Les points de vues exprimées par les auteurs n’engagent que la pensée de ceux-ci et non les avis et opinions du Bureau International des Expositions. The points of view expressed by the authors represent their way of looking at things and not the opinions or convictions of the International Exhibitions Bureau. © 2009 Bureau International des Expositions 3 4 Préface M. Vicente González Loscertales, Secrétaire Général du Bureau International des Expositions Cette année, le Bureau International des Exposition a choisi de consacrer son Bulletin annuel au thème: « Le legs intellectuel des Expos - La Tribune de l’Eau, Expo 2008 Zaragoza » Le legs des Expos est un des éléments les plus importants qui permet à celle-ci de faire perdurer leur message international bien après leur clôture. -
The Formation of Temporary Communities in Anime Fandom: a Story of Bottom-Up Globalization ______
THE FORMATION OF TEMPORARY COMMUNITIES IN ANIME FANDOM: A STORY OF BOTTOM-UP GLOBALIZATION ____________________________________ A Thesis Presented to the Faculty of California State University, Fullerton ____________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in Geography ____________________________________ By Cynthia R. Davis Thesis Committee Approval: Mark Drayse, Department of Geography & the Environment, Chair Jonathan Taylor, Department of Geography & the Environment Zia Salim, Department of Geography & the Environment Summer, 2017 ABSTRACT Japanese animation, commonly referred to as anime, has earned a strong foothold in the American entertainment industry over the last few decades. Anime is known by many to be a more mature option for animation fans since Western animation has typically been sanitized to be “kid-friendly.” This thesis explores how this came to be, by exploring the following questions: (1) What were the differences in the development and perception of the animation industries in Japan and the United States? (2) Why/how did people in the United States take such interest in anime? (3) What is the role of anime conventions within the anime fandom community, both historically and in the present? These questions were answered with a mix of historical research, mapping, and interviews that were conducted in 2015 at Anime Expo, North America’s largest anime convention. This thesis concludes that anime would not have succeeded as it has in the United States without the heavy involvement of domestic animation fans. Fans created networks, clubs, and conventions that allowed for the exchange of information on anime, before Japanese companies started to officially release anime titles for distribution in the United States. -
16062016 Post Release Paris Eng.Docx
Kazakhstan Continues Steps to Ease Visa Regime June 16. Paris – The delegation from Kazakhstan took part in the 159th General Assembly of Bureau International des Expositions (BIE) in Paris. Akhmetzhan Yessimov, Chairman of the Board of National Company “Astana EXPO-2017”, and Rapil Zhoshybayev, Commissioner for EXPO-2017, delivered a report on the progress of preparations for the event. "To create favorable conditions for foreign tourists, last year Kazakhstan abolished the visa regime with 20 developed countries. This was done unilaterally. Starting from January 1, 2017, countries with visa- free access will include the OECD members, Malaysia, Monaco, the UAE and Singapore," said Mr. Zhoshybayev in his Paris report. "We also signed an ADS agreement, which will enable Chinese tourists to travel to Kazakhstan in guided groups. The agreement makes it easier for tourist groups from China to obtain visas: applicants will not be required to attend an interview. Starting from July 1, 2016, the first tourist groups from China are expected to arrive," said the Commissioner for EXPO-2017. In his turn, Akhmetzhan Yessimov, Chairman of the Board of National Company Astana EXPO-2017, reported that "the construction of facilities for EXPO-2017 is going according to schedule." "Over 10 thousand people are engaged in the process and 500 units of equipment are being used. The current construction rate allows the completion of works by November 2016. The official participants in the exhibition have already started sending in their themed concepts for decoration of the pavilions," he said. Together with state authorities, the organizers of EXPO-2017 are working hard to ensure that tourists have a comfortable experience during their visit to the exhibition and their stay in Astana. -
Astana Expo Report
www.expobtobe.com Is a partner of Astana EXPO-2017 in accordance with agreement No. 83-17 dated February 14, 2017 for providing services for the creation and maintenance of the B2B platform and for organizing B2B meetings within the framework of EXPO-2017. Based on the contract 508-17 dated June 2, 2017, the company managed the co-working of Samsung Area in the corporate pavilion in the territory of Astana Expo-2017. The company is partner of ICE – Italian Trade Agency, with contract n. 149/2017 dated May 04, 2017, for service of Business Matching for Italian Delegations and companies. HOW > Computer-based platform > Expert Staff > Dedicated spaces Thanks to the collaboration with Promos and Pwc, the platform EXPO BUSINESS MATCHING has been used: the first web-based business meeting platform ever designed to promote dialogue and relationships between companies during a Universal Exposition. The platform has received support from the Bureau International des Exposition (BIE) and has been the official B2B platform during Expo Milano 2015. THE TEAM > Project Managers > P.r. and institutional relations manager > Managers of the pavilion > Project manager for organizing events > Project manager for B2B organization > The B2B team for maintenance of communication between Kazakhstan and foreign entrepreneurship > Interpreters > Reception team > Hostess team > Security > Daily cleaning team EXPO CORPORATE PAVILION AREA ACTIVITY IN EXPO ASTANA www.expobtobe.com The management of the co-working of Samsung Area in the corporate pavilion in the territory -
World's Fairs: 1850- 1900." Metropolitan Museum of Art Bulletin 56:3 (Winter 1998/1999): 3-56
World’s Fairs: A Guide to Selected English-Language Resources Compiled for the Center for the Study of Global Change by Kira Homo John Russell Jason Schultz Claudia Silverman Skye Thomsen Under the Direction of Robert Goehlert Indiana University Bloomington 2005 Table of Contents Reference Sources ........................................................................3 Primary Sources............................................................................ 5 Bibliography Comprehensive Resources (multiple fairs) ................................ 9 Chronological Bibliography (individual fairs) .............................. 18 Index .......................................................................................... 86 1 2 Reference Sources Bertuca, David J., Donald K. Hartman, et al. The World's Columbian Exposition: A Centennial Bibliographic Guide. Westport, CT: Greenwood Press, 1996. Burke, Bridget J. “World's Fairs and International Expositions: Selected References 1987-1993.” Fair Representations: World's Fairs and the Modern World. Robert Rydell and Nancy E. Gwinn, eds. Amsterdam: VU University Press, 1994. Cagle, William R., Rebecca Campbell Cape, et al. The Grand Event: International Expositions, 1851-1904. Bloomington: Lilly Library, Indiana University Libraries, 2001. Dybwad, G. L. and Joy V. Bliss. Annotated Bibliography: World's Columbian Exposition, Chicago, 1893: Supplement with 440 Illustrations and Price Guide, Master Index for Both Volumes Including Subjects, Master Source List with 140 New Entries, over 3500 -
Exploring an Edmonton Bid to Host a World EXPO a Conceptual Report
Exploring an Edmonton bid to host a world Expo a Conceptual report CREDITS AND ACKNOWLEDGEMENTS Thanks To: EXPo ProjEcT commiTTEE al maurer - chair, councillor jane Batty, councillor karen Leibovici, Patricia misutka, candice stasynec, ken Fiske, mary Pat Barry, Ellen Finn, Barb ireland EXPo ciTizEn commiTTEE Doug Goss, shafraaz kaba, Yasmin jivraj, Linda Wedman, Vi Becker, Traci Bednard, richard skermer, michael Phair, Eva mah Borsato, john chomiak, karen Wichuk, ruth kelly, ken knowles, randy Ferguson, ralph Young, ken cantor, Ted Lelacheur, Vivian manasc, sam shaw, maureen mccaw, robert noce, ron Gilbertson, Dick Wong, Wendy kinsella, Bob steadward, curtis Gillespie, Lewis cardinal, Frank calder, richard Wong, john mahon, martin salloum, anne mcLellan, Bob Westbury, Don oborowsky, jon hall, alexis Pepin, hafsa Goma, Gail stepanik-keber, Denise carpenter, Patricia mackenzie consultanTs calder Bateman communications, Western management consulting, oGP consulting, steven staples Planning & urban Design consultant, Forrec Ltd., Wild rose Financial services, stantec consulting Ltd., Downey norris & associates inc., Leger marketing Ltd. contents INTRODuCTION 3 ExECuTIvE SuMMARy 7 Section 1: OvERvIEW 13 InTroDucTion To EXPosiTions 13 ThE BiD ProcEss 15 BEnEFiTs anD risks oF hosTinG 16 Section 2: FeasibILITy OF 2017 OR 2020 23 EXPo caTEGoriEs 23 AttenDancE EsTimaTEs 23 AccommoDaTinG VisiTors 25 InFrasTrucTurE 26 ReaLizinG ThE Economic imPacT 27 StraTEGic consiDEraTions 27 EDmonTon shouLD PursuE a rEcoGnizED EXPo in 2017 28 Section 3: ThE PLANNING -
International Exhibitions, Expositions Universelles and World's Fairs, 1851-2005: a Bibliography
Freie Universität Berlin, Germany California State University, Fresno, USA International Exhibitions, Expositions Universelles and World’s Fairs, 1851-2005: A Bibliography by Alexander C.T. Geppert, Jean Coffey and Tammy Lau 1. Introduction _________________________________________________________ 5 2. Research Aids ______________________________________________________ 7 2.1 Research Aids General _________________________________________________7 2.2 Bibliographies ________________________________________________________8 2.3 Review Articles ______________________________________________________10 2.4 Journals and Newsletters ______________________________________________10 3. History and Theory of International Exhibitions: General Works _______________ 11 3.1 Official Exhibition Regulations ___________________________________________11 3.2 Exhibition Theory _____________________________________________________11 3.3 Exhibition History _____________________________________________________13 4. International Exhibitions, 1851-2005 ____________________________________ 28 4.1 Australia ____________________________________________________________28 4.1.0 Australia Genera l _____________________________________________28 4.1.1 International Exhibition, Sydney 1879-1880 _________________________28 4.1.2 International Exhibition, Melbourne 1880-1881 ______________________28 4.1.3 Centennial International Exhibition, Melbourne 1888-1889 _____________28 4.1.4 Expo 88, Brisbane 1988 ________________________________________28 4.2 Austria _____________________________________________________________28 -
What Remains History and Locations of World Fairs
WHAT REMAINS HISTORY AND LOCATIONS OF WORLD FAIRS This is a chronological list of exhibitions and fairs held throughout the world that gained international attention. A few regional fairs are included if they were significant to the author or for showcasing emerging technology. This list is a compilation from various sources, trying to respect the capitalization traditions from the countries of origin. When controversy arises about the date or name of a fair (should the 1849 fair held in Birmingham, United Kingdom be referred to as “Exhibition of Industrial Arts and Manufacturers” or “Exposition of British Society”) a choice has been made so the checklist remains an index of fairs. Brown text indicates that the fair occurred before the Bureau international des expositions (BIE) on November 22, 1928 or was not sanctioned by them. Purple text also shows the fair was not sanctioned, but indicates there is a link to additional information researched by the author. Black text indicates a BIE sanctioned fair. Blue text indicates a link to additional information about a sanctioned fair. 1790's 1791 Prague, Bohemia; First Industrial Exhibition 1798 Paris, France; L'Exposition publique des produits de l'industrie française 1800's 1801 Paris, France; L'Exposition publique des produits de l'industrie française (Second Exposition) 1802 Paris, France; L'Exposition publique des produits de l'industrie française (Third Exposition) 1806 Paris, France; L'Exposition publique des produits de l'industrie française (Fourth Exposition) 1810's 1819 Paris, -
AIA Tap Innovation Astana Expo City
ASTANA EXPO CITY 2017 American Institute of Architects 2016 Tap Innovation Award ASTANA EXPO CITY 2017 Project Team PositivEnergy Practice Fortune Consultants MEP Engineering, Parametric Vertical Transportation Modeling Altitude Façade Access V3 Companies Consulting Civil Engineering Façade Access Werner Sobek Charcoal Blue Structural Engineering Theater Consulting, Acoustics Studio Altieri CASE Structural and MEP Engineering Building Information Specialist GEI Consultants Sembol Construction Geotechnical Engineering Contractor AON Planning Partnership Fire and Life Safety, Security Landscape Architecture Rowan Williams Davies & Irwin IT Engineering Inc. Design Manager Wind Engineering Energy Hall Rendering American Institute of Architects 2016 Tap Innovation Award 2 ASTANA EXPO CITY 2017 Project Narrative The Astana Expo City 2017 master plan embraces the designated concept of “Future Energy.” International expositions are held every 2-3 years and choose specialized themes that generates the discourse of the architecture, events, and demonstrations of the event. Future Energy is aimed at finding ways to achieve qualitative changes in the energy sector, primarily for the development of alternative sources of energy and transportation. Finding sustainable energy supplies is a critical and growing global concern. The solution to these concerns ensures economic growth and improved social standards while reducing the burden on the environment. Currently under construction, Astana Expo City 2017 will embrace the Expo’s focus by becoming the -
Innovation Et Education Dans Les Expositions Internationales
Volker Barth (ed.) Innovation and Education at International Exhibitions Innovation et Education dans les Expositions Internationales © Bureau International des Expositions 34, avenue d’Iéna, 75116 Paris Le BIE remercie les auteurs dont les textes figurent dans ce recueil de lui avoir donné l’aimable autorisation de les reproduire. Tous droits de traduction, de reproduction et d’adaptation réservés pour tous pays (à des fins commerciales). La loi du 11 mars 1957 n’autorisant, aux termes des alinéas 2 et 3 de l’article 41, d’une part, que les « copies ou reproductions strictement réservées à l’usage privé du copiste et non destinées à une utilisation collective », et, d’autre part, que les analyses et les courtes citations dans un but d’exemple et d’illustration, « toute représentation ou reproduction intégrale, ou partielle, faite sans le consentement de l’auteur ou des ayants droit ou ayants cause, est illicite » (alinéa 1er de l’article 40). Ne peut être vendu. Les vues exprimées par les auteurs n’engagent que la pensée de ceux-ci et non les avis et opinions du Bureau International des Expositions. The points of view expressed by the authors represent their way of looking at things and not the opinions or convictions of the International Exhibitions Bureau. © 2007 Bureau International des Expositions Préface Vicente Gonzalez Loscertales, Secrétaire Général du Bureau International des Expositions A l’occasion du 75ème anniversaire du Bureau International des Expositions, le Bulletin du BIE est consacré au thème « Innovation et Education dans les Expos » L’innovation et l’éducation sont les deux mots clés des Expos, ils révèlent à eux seuls les deux intérêts majeurs des Expos à la fois pour les organisateurs, les participants et le public. -
Expo Milano 2015
Magazine clients du Groupe EGGER 07 Expo Milano 2015 Les grandes Expositions Universelles laissent derrière elles des icônes comme l'Atomium ou la Tour Eiffel. Que retiendrons-nous de l’édition 2015 ? SOMMAIRE 03 Éditorial 10 E_INSPIRATION 11 Des idées pour demain 12 L'Expo au XXIe siècle : des constructions créant une atmosphère unique 18 L'histoire de l'Expo : un concentré de l'esprit d'une époque 22 Focus sur les constructions cultes de l'Expo 24 E_SOLUTIONS 25 Nous sommes EGGER 26 Le Pavillon Allemand : sous le signe de l’innovation 32 Expo Milano 2015 : Un défi de taille 34 Sondage : découvrir en s’amusant 36 E_NATURE 37 Vivre avec l'environnement 38 La fin de l'Expo : rien ne se perd... 42 Entretien avec… Thomas Fisher, spécialiste américain en design 46 Devinette Qui se cache derrière l’arbre ? 47 Mentions légales BIENVENUE À MILAN À chaque Exposition Universelle, on attend beaucoup des pays fortement développés. Avec son pavillon à l’Expo Milano 2015, l’Allemagne se présente comme une nation orientée vers les solutions. En tant que partenaire, EGGER a apporté de nombreuses idées innovantes. Cette participation fait du Pavillon Allemand un projet de référence très original pour l'entreprise tyrolienne. Tentez votre chance pour découvrir vous aussi, sur place, le Pavillon Allemand : la page 46 vous explique comment gagner l'une des cinq visites pour deux personnes, hébergement, dîner et petit-déjeuner compris, mises en jeu. _ Éditeur FRITZ EGGER GmbH & Co. OG Holzwerkstoffe Weiberndorf 20 6380 St. Johann in Tirol Autriche t +43 50 600-0 f +43 50 600-10111 [email protected] Direction de projet Martina Haager (directrice de la publication) _ Rédaction / Mise en page / Production Raufeld Medien GmbH www.raufeld.de Direction de la rédaction Till Schröder Directeur artistique Daniel Krüger, Juliana Hesse _ Photos Raufeld Medien (titre), EGGER (p.