Kashmir Chapter), University of Kashmir Session-2019
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Bhilwara Sur Sangam Celebrates Its 5Th Edition 07Th Mar, 2016
Bhilwara Sur Sangam Celebrates its 5th Edition New Delhi, March 7, 2016: LNJ Bhilwara Group, one of country's leading business conglomerates with presence in textiles and power, concluded its two day annual cultural musical festival, Bhilwara Sur Sangam on Sunday. Top classical artists including Arnab Chakrabarty, Dr Ashwini Bhide Deshpande, Ustad Rashid Khan and Ustad Shahid Parvez Khan performed and enthralled the audience in the 5th edition of this program. The blend of young musicians fusing their talents with veterans of Indian classical tradition and one of the rarest jugalbandi of vocal and sitar amused the music lovers of the city. The first day of the musical fest saw performance by Arnab Chakrabarty, whose rigorous approach to musical aesthetics and unique tonal quality hypnotized the listeners. This was followed by a mesmerizing performance of Dr Ashwini Bhide Deshpande who is an outstanding vocalist of the famed ‘Jaipur- Atrauli’ Khayal Gayaki tradition. She represented the new generation of veterans worthy of wearing the mantle of the old masters. Evolved from Dhrupad singing, the Jaipur- Atrauli Gharan acquired its name and status as a Gharana in the early half of the 20th century as a result of the growing popularity of stalwarts of this Gharana. She presented some signature and speciality Raags of this Gharana. Mr Ravi Jhunjhunwala, Chairman, LNJ Bhilwara Group said, “We have always endeavored to spread the rich heritage of Indian classical music through Bhilwara Sur Sangam. I am happy to see the audience enjoying the high-end performances by an array of many legendary artists and applauding them. -
Gima NOMINEES: NON-FILM MUSIC CATEGORY
GiMA NOMINEES: NON-FILM MUSIC CATEGORY BEST MUSIC DEBUT Artist Area of Song Album performance Gulraj Singh Music Director Ganaraj Adhiraj Ganaraj Adhiraj Manoj Pandya Instrumentalist Antara Manoj Pandya Sharat Chandra Music Arranger Swan Lake Op. 20 - East Blends West - Srivastava Scene (Tchaikovsky) Western Classical Shivam Singer Bolo Na Bolo Ganaraj Adhiraj Mahadevan Shivam Singer Tu Hi Hai Ganaraj Adhiraj Mahadevan BEST POP ALBUM Album Song Artist(s) Club Trix Luk Tera, Red Lips, Vodka Shot Music Director DJ Sheizwood feat. various artistes Coke Studio @ Hoo, Kaatyaayani, Tere Bin Dil Music Director Lesle Lewis feat. MTV Laage Na various artistes Rangeele Rangeele, Tu Kya Jaane, Yadaan Kailasa Teriyaaan The story so Baalve Jharne, Chhoti Chhoti Papon far… Baatein, Main to Chalta Hi Rahaa Teri Rehmatein Tera Noor, Teri Rehmatein, Tumba Music Director Harpreet Singh feat. Wajda various artistes BEST ROCK ALBUM Album Song Artist(s) Chauraha Bachpan Lauta De, Chauraha, De Nitish Pires Band Hue Deewane Item C U Later, item, Mere Dost Mere Euphoria Bhai Manoj Pandya Antara, Registan, Twilight Manoj Pandya Sky Rabbit Anti-Coke Ganpati, Hilltop, I Sky Rabbit Become I The Silent Sea Dust, Mo Funk, Words Advaita BEST POP/ROCK SINGLE Song Artist(s) Hello Andheron Agnee featuring Aditi Singh Sharma I Believe Agnee featuring Parikrama and Shilpa Rao Manmaani Agnee featuring Raghu Ram Tanha/Alone Sanjeev T featuring Ujjayinee Roy This Is It Music Director Bickram Ghosh featuring various artistes BEST DEVOTIONAL ALBUM Album Song Artist(s) Nivedan -
The Sixth String of Vilayat Khan
Published by Context, an imprint of Westland Publications Private Limited in 2018 61, 2nd Floor, Silverline Building, Alapakkam Main Road, Maduravoyal, Chennai 600095 Westland, the Westland logo, Context and the Context logo are the trademarks of Westland Publications Private Limited, or its affiliates. Copyright © Namita Devidayal, 2018 Interior photographs courtesy the Khan family albums unless otherwise acknowledged ISBN: 9789387578906 The views and opinions expressed in this work are the author’s own and the facts are as reported by her, and the publisher is in no way liable for the same. All rights reserved No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher. Dedicated to all music lovers Contents MAP The Players CHAPTER ZERO Who Is This Vilayat Khan? CHAPTER ONE The Early Years CHAPTER TWO The Making of a Musician CHAPTER THREE The Frenemy CHAPTER FOUR A Rock Star Is Born CHAPTER FIVE The Music CHAPTER SIX Portrait of a Young Musician CHAPTER SEVEN Life in the Hills CHAPTER EIGHT The Foreign Circuit CHAPTER NINE Small Loves, Big Loves CHAPTER TEN Roses in Dehradun CHAPTER ELEVEN Bhairavi in America CHAPTER TWELVE Portrait of an Older Musician CHAPTER THIRTEEN Princeton Walk CHAPTER FOURTEEN Fading Out CHAPTER FIFTEEN Unstruck Sound Gratitude The Players This family chart is not complete. It includes only those who feature in the book. CHAPTER ZERO Who Is This Vilayat Khan? 1952, Delhi. It had been five years since Independence and India was still in the mood for celebration. -
Joideep Sen Uorks Around Rude Interruptions on Cell Phone to Tigure out Tuhu Lhe Singer Is Called the Last Hope Ol Hindustani Classical Music
last runn Joideep Sen uorks around rude interruptions on cell phone to tigure out tuhU lhe singer is called the last hope ol Hindustani classical music. tr=l++ l[ I am unable [o evoke a sens: _ soul in the hearis o[ lrstene-: then uhg should theg ask me to si.: l":," /!r/es Darshan Manakkal stad Rashid Khan's eyes are not entirely shut, but badappan hai," (lt is just the largesse of the elderly (musicians)), butterflying in a state of semi-trance as he soaks in the The modesty underlying his every word is also mystifying, raindrop sounds of the surmandal as cradled in his lap, The extensions of the modernity that Ustad young pandit Rashid Khan finds himserf Ustad has a lot to live up to - Bhjmsen.loshi has called surrounded ,glamour,, by, He acknowledges terms like but with an him the last hope of Hindustani classical music. alienated sense of reference in a dictionary littered as with words from Just he's settling into the nuances of the raag, Ustad Rashid chaste Hindustani. And whire 'gramour' is in ail rikelihood the devil in Khan's cell phone breaks the moment, He,s set his ring tone to R,D. the world of the gharana, the Ustad, apart from his Bollywoodized Burman's Chura Liya.,. ring tones, doesn't really take to the present But that's very easily, about the only hint of the digitally remastered world in What he has taken to with a passion bordering on mania is his Ustad Khan's life. Everything else about him _ his syllable_perfect music. -
1 JK Bank Jammu & Kashmir M 2 JK Bank Jammu & Kashmir M 3 JK
Full Postal Address with Gender Bank Mitr Mobile Photo of Bank Mitr S.No Name Of Bank Name of State Name of District Name of Bank Mitr Pincode (Bank Mitr Fixed (M/F/O) No. ( 10 Digit). Location of BC (JPG/PNG format) location SSA) Longitude Latitude Srinagar Shabir Hussain Kanth Palpora 9796991888 1 JK Bank Jammu & Kashmir M 2 JK Bank Jammu & Kashmir Srinagar Abdul Rashid Baba M Saidpora 9906565312 3 JK Bank Jammu & Kashmir Srinagar Mohammad Owais M Kreashbal 9797925362 4 JK Bank Jammu & Kashmir Srinagar Jahangir Ullah wani M Lawaypora 9858487968 5 JK Bank Jammu & Kashmir Srinagar Mohammad Rafiq Wani M Gasoo -Burzuhama 9018085456 6 JK Bank Jammu & Kashmir Srinagar Shaheen Ahmad Baba M New Theed 9419091969 7 JK Bank Jammu & Kashmir Srinagar Mohd Arsheed Bhat M Wuyan 9469238583 8 JK Bank Jammu & Kashmir Srinagar Mushtaq Ahmad Dar M Khonmoh 9906857340 Srinagar 9419054454 9 JK Bank Jammu & Kashmir Saqib Mohammad Kirmani M Pantha Chowk 10 JK Bank Jammu & Kashmir Srinagar Jameel Ah. shah M Solina 9906600788 11 JK Bank Jammu & Kashmir Srinagar Sabreena Mir F Nund.Col. Bemina 9796522041 12 JK Bank Jammu & Kashmir Srinagar Mohd. Faheem Reshie M Karan Nagar 9018365528 13 JK Bank Jammu & Kashmir Srinagar Sumaira Noor F Dalgate 9018502142 14 JK Bank Jammu & Kashmir Srinagar Mohammad Faheem M Brein 15 JK Bank Jammu & Kashmir Srinagar Shayesta Makayee F Ziarat Batamaloo 9906739192 16 JK Bank Jammu & Kashmir Srinagar Mohammad Irfan M Islam Yarbal 9796398939 17 JK Bank Jammu & Kashmir Srinagar Irfan Ah. Matoo M Fateh Kadal 9906401450 18 JK Bank Jammu -
Sher – E – Kashmir University of Agricultural Sciences and Technology of Kashmir EXAMINATION CENTRE Shalimar, Srinagar – 190025
Sher – e – Kashmir University of Agricultural Sciences and Technology of Kashmir EXAMINATION CENTRE Shalimar, Srinagar – 190025 Roll No-Wise Result of Written Test for Accounts Assistant Position held on 24th of March 2019 at University of Kashmir, Hazratbal, Srinagar. S No. Roll No Name Parentage Residence of 80 Total Total Right of 100 Wrong Penalty Category Points out Marks out Marks Left Blank Left 1. 1940002 Aabid Hussain Dar Mohammad Amin Dar Khushal-Sar, Zadibal, Srinagar-190011 OM 62 38 0 9.50 52.50 42.00 2. 1940005 Aabid Nisar Shah Nisar Ahmad Shah Batapora Gulzarpora, Awantipora, RBA 42 15 43 3.75 38.25 30.60 Pulwama 3. 1940008 Aadil Aziz Abdul Aziz Bhat Waripora Pahlipora Safapora Ganderbal OM 28 42 30 10.50 17.50 14.00 4. 1940009 Aadil Gulzar Gulzar Ahmad Khan Pethbugh Dialgam, Anantnag OM 27 48 25 12.00 15.00 12.00 5. 1940010 Aadil Habib Bhat Habib ullah Bhat Rawathpora, Ajas Bandipora OM 29 17 54 4.25 24.75 19.80 6. 1940013 Aadil Hussain Bhat Gh. Nabi Bhat Adlash Magam Anantnag OM 37 30 33 7.50 29.50 23.60 7. 1940014 Aadil Hussain Teeli Mubarak Ahmad Teeli Kaprin Shopian OM 50 25 25 6.25 43.75 35.00 8. 1940016 Aadil Mohammad Dar Gh. Mohmad Dar Railway Colony Marwal, Pulwama RBA 53 30 17 7.50 45.50 36.40 9. 1940017 Aadil Mushtaq Mushtaq Ahmad Bhat Nakhasi Mohalla Dal Kanipora, Shopian OM 36 47 17 11.75 24.25 19.40 10. 1940020 Aadil Razaq Ab. -
Track Name Singers VOCALS 1 RAMKALI Pt. Bhimsen Joshi 2 ASAWARI TODI Pt
Track name Singers VOCALS 1 RAMKALI Pt. Bhimsen Joshi 2 ASAWARI TODI Pt. Bhimsen Joshi 3 HINDOLIKA Pt. Bhimsen Joshi 4 Thumri-Bhairavi Pt. Bhimsen Joshi 5 SHANKARA MANIK VERMA 6 NAT MALHAR MANIK VERMA 7 POORIYA MANIK VERMA 8 PILOO MANIK VERMA 9 BIHAGADA PANDIT JASRAJ 10 MULTANI PANDIT JASRAJ 11 NAYAKI KANADA PANDIT JASRAJ 12 DIN KI PURIYA PANDIT JASRAJ 13 BHOOPALI MALINI RAJURKAR 14 SHANKARA MALINI RAJURKAR 15 SOHONI MALINI RAJURKAR 16 CHHAYANAT MALINI RAJURKAR 17 HAMEER MALINI RAJURKAR 18 ADANA MALINI RAJURKAR 19 YAMAN MALINI RAJURKAR 20 DURGA MALINI RAJURKAR 21 KHAMAJ MALINI RAJURKAR 22 TILAK-KAMOD MALINI RAJURKAR 23 BHAIRAVI MALINI RAJURKAR 24 ANAND BHAIRAV PANDIT JITENDRA ABHISHEKI 25 RAAG MALA PANDIT JITENDRA ABHISHEKI 26 KABIR BHAJAN PANDIT JITENDRA ABHISHEKI 27 SHIVMAT BHAIRAV PANDIT JITENDRA ABHISHEKI 28 LALIT BEGUM PARVEEN SULTANA 29 JOG BEGUM PARVEEN SULTANA 30 GUJRI JODI BEGUM PARVEEN SULTANA 31 KOMAL BHAIRAV BEGUM PARVEEN SULTANA 32 MARUBIHAG PANDIT VASANTRAO DESHPANDE 33 THUMRI MISHRA KHAMAJ PANDIT VASANTRAO DESHPANDE 34 JEEVANPURI PANDIT KUMAR GANDHARVA 35 BAHAR PANDIT KUMAR GANDHARVA 36 DHANBASANTI PANDIT KUMAR GANDHARVA 37 DESHKAR PANDIT KUMAR GANDHARVA 38 GUNAKALI PANDIT KUMAR GANDHARVA 39 BILASKHANI-TODI PANDIT KUMAR GANDHARVA 40 KAMOD PANDIT KUMAR GANDHARVA 41 MIYA KI TODI USTAD RASHID KHAN 42 BHATIYAR USTAD RASHID KHAN 43 MIYA KI TODI USTAD RASHID KHAN 44 BHATIYAR USTAD RASHID KHAN 45 BIHAG ASHWINI BHIDE-DESHPANDE 46 BHINNA SHADAJ ASHWINI BHIDE-DESHPANDE 47 JHINJHOTI ASHWINI BHIDE-DESHPANDE 48 NAYAKI KANADA ASHWINI -
Linking Prototypical, Stock Knowledge with the Creative Musicianship Displayed in Raga Performance
LINKING PROTOTYPICAL, STOCK KNOWLEDGE WITH THE CREATIVE MUSICIANSHIP DISPLAYED IN RAGA PERFORMANCE Preeti Rao and Kaustuv Kanti Ganguli Department of Electrical Engineering Indian Institute of Technology Bombay, Mumbai. {prao,kaustuvkanti}@ee.iitb.ac.in Abstract- Indian classical music is an oral tradition where training is imparted principally through demonstration. There exist text resources however that provide theoretical constructs relating to the raga and tala frameworks. For example, raga grammar is considered to provide the technical boundaries of a raga in the face of the seemingly high flexibility available to the artist in performance. In this work, we consider the computational analyses of audio recordings of raga performances by eminent Hindustani vocal artistes in the context of what is considered the mandatory raga grammar. Our analyses of performance audio use computational models to achieve an understanding of: (i) how the mandatory grammar is satisfied in performance, (ii) whether there are other consistent practices observed for a raga apart from what is specified by the grammar, and (iii) how the artist improvises i.e. uses the stock knowledge of the raga lexicon/grammar in “new” ways. Keywords- Raga-characteristic phrase, acoustic measurements, raga grammar, improvisation. 1. Introduction A raga performance by a virtuoso is marked by considerable creativity while also strongly maintaining the identity of the raga in the ears of the listener. Raga grammar is typically presented in terms of the allowed svara (tonal material) and the relative importance of the svaras, and the svara sequences (aroh, avroh and the characteristic phrases). The intonations and durations of selected svaras may be specified too. -
Nation, Fantasy, and Mimicry: Elements of Political Resistance in Postcolonial Indian Cinema
University of Kentucky UKnowledge University of Kentucky Doctoral Dissertations Graduate School 2011 NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA Aparajita Sengupta University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sengupta, Aparajita, "NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA" (2011). University of Kentucky Doctoral Dissertations. 129. https://uknowledge.uky.edu/gradschool_diss/129 This Dissertation is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Doctoral Dissertations by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF DISSERTATION Aparajita Sengupta The Graduate School University of Kentucky 2011 NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA ABSTRACT OF DISSERTATION A dissertation submitted in partial fulfillment of the requirements for the degree Doctor of Philosophy in the College of Arts and Sciences at the University of Kentucky By Aparajita Sengupta Lexington, Kentucky Director: Dr. Michel Trask, Professor of English Lexington, Kentucky 2011 Copyright© Aparajita Sengupta 2011 ABSTRACT OF DISSERTATION NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA In spite of the substantial amount of critical work that has been produced on Indian cinema in the last decade, misconceptions about Indian cinema still abound. Indian cinema is a subject about which conceptions are still muddy, even within prominent academic circles. The majority of the recent critical work on the subject endeavors to correct misconceptions, analyze cinematic norms and lay down the theoretical foundations for Indian cinema. -
Antara Nandy Antara Nandy Is a Rising Star in the True Sense and Was One of the Top Three Female Contestant of Sa Re Ga Ma Pa – Little Champs 2009 in the Final Rounds
Antara Nandy Antara Nandy is a rising star in the true sense and was one of the top three female contestant of Sa Re Ga Ma Pa – Little Champs 2009 in the Final rounds. Antara is the winner of the international contest from Singapore, Dream catchers Star Wars 2012 in the Singer category. Today at the age of 14 yrs she has an especially large young fan following. Antara was interested in Music from a very early age. She loves experimenting with various type of music. She is a student of Delhi Public School- Kolkata and is also very good in studies. Antara has won various awards and accolades in Extempore speech, Elocution, Quiz, etc. She is a real crowd puller during shows and has a good stage presence. She is a very confident child with extraordinary qualities and can speak and sing in English, Hindi, Bangla and Assamese. Antara is the brand ambassador for SIP and Alive In India Concert. Albeli Antara is also identified for her attraction towards milk products and her long boots and her attractive way of orating and performance. Antara Nandy Antara formed a band at this tender age. She started her training under the guidance of Padmashree Ustaad Rashid Khan and Guru Jayanta Sarkar before qualifying for the Sa Re Ga Ma Pa- Little Champs 2009. Antara is now under the guidance of Ustaad Wasim Ahmed Khan of ITC Sangeet Research Academy. A delight on stage, she has enthralled audiences all over the globe, winning accolades from many prominent personalities in classical vocals as well. -
List of Officers Who Attended Courses at NCRB
List of officers who attened courses at NCRB Sr.No State/Organisation Name Rank YEAR 2000 SQL & RDBMS (INGRES) From 03/04/2000 to 20/04/2000 1 Andhra Pradesh Shri P. GOPALAKRISHNAMURTHY SI 2 Andhra Pradesh Shri P. MURALI KRISHNA INSPECTOR 3 Assam Shri AMULYA KUMAR DEKA SI 4 Delhi Shri SANDEEP KUMAR ASI 5 Gujarat Shri KALPESH DHIRAJLAL BHATT PWSI 6 Gujarat Shri SHRIDHAR NATVARRAO THAKARE PWSI 7 Jammu & Kashmir Shri TAHIR AHMED SI 8 Jammu & Kashmir Shri VIJAY KUMAR SI 9 Maharashtra Shri ABHIMAN SARKAR HEAD CONSTABLE 10 Maharashtra Shri MODAK YASHWANT MOHANIRAJ INSPECTOR 11 Mizoram Shri C. LALCHHUANKIMA ASI 12 Mizoram Shri F. RAMNGHAKLIANA ASI 13 Mizoram Shri MS. LALNUNTHARI HMAR ASI 14 Mizoram Shri R. ROTLUANGA ASI 15 Punjab Shri GURDEV SINGH INSPECTOR 16 Punjab Shri SUKHCHAIN SINGH SI 17 Tamil Nadu Shri JERALD ALEXANDER SI 18 Tamil Nadu Shri S. CHARLES SI 19 Tamil Nadu Shri SMT. C. KALAVATHEY INSPECTOR 20 Uttar Pradesh Shri INDU BHUSHAN NAUTIYAL SI 21 Uttar Pradesh Shri OM PRAKASH ARYA INSPECTOR 22 West Bengal Shri PARTHA PRATIM GUHA ASI 23 West Bengal Shri PURNA CHANDRA DUTTA ASI PC OPERATION & OFFICE AUTOMATION From 01/05/2000 to 12/05/2000 1 Andhra Pradesh Shri LALSAHEB BANDANAPUDI DY.SP 2 Andhra Pradesh Shri V. RUDRA KUMAR DY.SP 3 Border Security Force Shri ASHOK ARJUN PATIL DY.COMDT. 4 Border Security Force Shri DANIEL ADHIKARI DY.COMDT. 5 Border Security Force Shri DR. VINAYA BHARATI CMO 6 CISF Shri JISHNU PRASANNA MUKHERJEE ASST.COMDT. 7 CISF Shri K.K. SHARMA ASST.COMDT. -
Ministry of Indusrties & Production Applicants Roll Numbers
Ministry of Indusrties & Production Applicants Roll Numbers S.No Name Father's Name CNIC No 124 Aqib Jahangir M. Jahangir 61101-9189325-5 125 Naqeeb Ahmed Malik Abdul Shakoor 61101-15302535 126 Muhammad Mehtab Khan Muhammad Naeem Khan 37405-2560070-1 127 Rameez Muhammad Khurshid 61101-7777044-5 128 Waqar Ali Muhammad Suleeman Charan 45301-5026976-7 129 Muhammad Umair Noor Muhammad 37405-8302707-7 130 Talib Hussain Muhammad Basharat 61101-6217623-1 131 Abdul Raqeeb Noor Akbar 17301-4958957-5 132 Shahid Ayub Muhammad Ayub 13503-0497748-9 133 Nawaz Hussain Shah Niaz Hussain Shah 61101-1685972-1 134 Muhammad Abu Bakar Saeed Saeed Muhammad Zahid 61101-7681186-1 135 Abdul Rahman Abid Abid Jamil 61101-7742490-1 136 Noman Abbasi Anayat Khan 61101-9189474-9 137 Asif Nawaz Ali Nawaz 61101-1304717-3 138 Saqib Saleem Abbasi M. Saleem Abbasi 61101-8833090-9 139 Atif Shehzad Muhammad Wazir 38401-3260806-5 140 Muhammad Yasin Khizar Hayat 61101-8104885-7 141 Akeel Hussain Muhammad Hussain 61101-8556869-9 142 Zahoor Ahmad Ghulam Muhammad Khan 61101-3575431-1 143 Waqar Ahmed Abdul Waheed 61101-8162632-5 144 Syed Wahid Hassan Syed Akhtar Hassan 61101-7653656-7 145 Rana Muhammad Awais Muhammad Ashraf Farooq 61101-7501600-7 146 Muhammad Zeeshan Sarwar Muhammad Sarwar 13503-8301891-1 147 Kashif Javaid Javaid Akhtar 37405-9302862-5 148 Hafiz Muhammad Waqar Hussain Abdul Sattar 35404-3472184-7 149 Rana Muhammad Murtaza Rana Muhammad Anwar 61101-9158512-3 150 Muhammad Arsalan Qamar Muhammad Nazim Qamar 37402-2836863-9 151 Laraib Saeed Muhammad Saeed 37405-9320326-8 152 Naeem-ur-Rasool Hafiz Abdul Rehman 61101-5753645-1 153 Ajab Gull Wahid Bux 61101-6986351-7 154 Abdul Ghafoor Molvi Ahmad Noor 21101-8614407-5 155 Muhammad Talha Javed Javed Iqbal Khattak 37405-4792110-7 156 Abdul Qadeer Khan M.