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The Kolkata Municipal Corporation
THE KOLKATA MUNICIPAL CORPORATION Ward UHID No Member Name Family Head Address Gender Age Relationship 75 NIC.8217984 MEENU HALDER MEENU HALDER Address Not Available Female 55 Years Self 75 NIC.8016275 SANJAY GIRI SANJAY GIRI 4 NITTYA GHOSH STREET Male 37 Years Self 75 NIC.696410 ANJANA DAS ANJANA DAS 32/1 M G ROAD Female 35 Years Self 75 NIC.8217985 AFSAR HUSSAIN AFSAR HUSSAIN D_5C.G.R.ROAD, KOL-43 Male 37 Years Self 75 NIC.8016276 MOSARAF ABBAS MOSARAF ABBAS 3 NITTYA GHOSH STREET Male 35 Years Self 75 NIC.8016277 SUMAN KUMAR SINGH SUMAN KUMAR SINGH 3/H/1 NITTYA GHOSH STREET Male 28 Years Self 75 NIC.8016278 NARESH SINGH NARESH SINGH 3/H/1 NITTYA GHOSH STREET Male 30 Years Self 75 NIC.8016279 MD ZAKIR HOSSAIN MD ZAKIR HOSSAIN 22/3/H/5 KABIRTIRTHA SARANI Male 20 Years Self 75 NIC.8016280 HAMIDUR RAHMAN HAMIDUR RAHMAN 3/H/24 KHALASITOLA ROAD KOL 22 Male 51 Years Self 75 NIC.8016281 JAHAN ARA BEGUM HAMIDUR RAHMAN 3/H/24 KHALASITOLA ROAD KOL 22 Female 45 Years Wife 75 NIC.8016282 MD YONOUS KHAN MD YONOUS KHAN 22/5 KABIRTIRTHA SARANI Male 60 Years Self 75 NIC.8016283 SK PAPPA SK PAPPA 22/4 KABIRTIRTHA SARANI Male 45 Years Self 75 NIC.8016284 RAMJALAN SAHANI RAMJALAN SAHANI 3 NITTYA GHOSH STREET Male 30 Years Self 75 NIC.8217986 RAJ KUMARI DEVI RAJ KUMARI DEVI D_5C.G.R.ROAD, KOL-43 Female 45 Years Self 75 NIC.8016285 SIVLI DEVI SIVLI DEVI 4 NITTYA GHOSH STREET Female 60 Years Self 75 NIC.8217987 SAIDA KHATOON SAIDA KHATOON D_5C.G.R.ROAD, KOL-43 Female 45 Years Self 75 NIC.8217988 LALAN MAHATO LALAN MAHATO D_5C.G.R.ROAD, KOL-43 Male 65 Years -
CLPE Teaching Notes for the Proudest Blue
Teaching Notes for THE PROUDEST BLUE A Story of Hijab and Family Written by Ibtihaj Muhammad with S. K. Ali and illustrated by Hatem Aly Published by Andersen Press These notes have been written by the teachers at the CLPE to provide schools with ideas to develop comprehension and cross-curricular activities around this text. They build on our work supporting teachers to use picture books to enhance critical thinking and develop creative approaches in art and writing. They encourage a deep reading of and reflection on the text, which may happen over a series of reading sessions, rather than in just one sitting. We hope you find them useful. The concepts explored in the book and these teaching notes are more suitable for children aged 7+. Pre-reading Preparations: In order for these teaching notes to work most effectively, you will need to ‘keep back’ the text from the children initially and not show them the cover or the title of the book. It would be a good idea to cover the front with sugar or brown paper until the title is revealed. It is advised that you create a class reading journal by stapling large pieces of folded sugar paper. The pages of the journal will provide a space in which to capture thoughts, feelings and discussions about the book. Reading aloud and key talking points: • Before you begin to read the book, cut a circle in the wrapping paper of the front cover to reveal a part of the blue colour that features on the front cover. -
Formative Years
CHAPTER 1 Formative Years Mohandas Karamchand Gandhi was born on October 2, 1869, in Porbandar, a seaside town in western India. At that time, India was under the British raj (rule). The British presence in India dated from the early seventeenth century, when the English East India Company (EIC) first arrived there. India was then ruled by the Mughals, a Muslim dynasty governing India since 1526. By the end of the eighteenth century, the EIC had established itself as the paramount power in India, although the Mughals continued to be the official rulers. However, the EIC’s mismanagement of the Indian affairs and the corruption among its employees prompted the British crown to take over the rule of the Indian subcontinent in 1858. In that year the British also deposed Bahadur Shah, the last of the Mughal emperors, and by the Queen’s proclamation made Indians the subjects of the British monarch. Victoria, who was simply the Queen of England, was designated as the Empress of India at a durbar (royal court) held at Delhi in 1877. Viceroy, the crown’s representative in India, became the chief executive-in-charge, while a secretary of state for India, a member of the British cabinet, exercised control over Indian affairs. A separate office called the India Office, headed by the secretary of state, was created in London to exclusively oversee the Indian affairs, while the Colonial Office managed the rest of the British Empire. The British-Indian army was reorganized and control over India was established through direct or indirect rule. The territories ruled directly by the British came to be known as British India. -
Signatory ID Name CIN Company Name 02700003 RAM TIKA
Signatory ID Name CIN Company Name 02700003 RAM TIKA U55101DL1998PTC094457 RVS HOTELS AND RESORTS 02700032 BANSAL SHYAM SUNDER U70102AP2005PTC047718 SHREEMUKH PROPERTIES PRIVATE 02700065 CHHIBA SAVITA U01100MH2004PTC150274 DEJA VU FARMS PRIVATE LIMITED 02700070 PARATE VIJAYKUMAR U45200MH1993PTC072352 PARATE DEVELOPERS P LTD 02700076 BHARATI GHOSH U85110WB2007PTC118976 ACCURATE MEDICARE & 02700087 JAIN MANISH RAJMAL U45202MH1950PTC008342 LEO ESTATES PRIVATE LIMITED 02700109 NATESAN RAMACHANDRAN U51505TN2002PTC049271 RESHMA ELECTRIC PRIVATE 02700110 JEGADEESAN MAHENDRAN U51505TN2002PTC049271 RESHMA ELECTRIC PRIVATE 02700126 GUPTA JAGDISH PRASAD U74210MP2003PTC015880 GOPAL SEVA PRIVATE LIMITED 02700155 KRISHNAKUMARAN NAIR U45201GJ1994PTC021976 SHARVIL HOUSING PVT LTD 02700157 DHIREN OZA VASANTLAL U45201GJ1994PTC021976 SHARVIL HOUSING PVT LTD 02700183 GUPTA KEDAR NATH U72200AP2004PTC044434 TRAVASH SOFTWARE SOLUTIONS 02700187 KUMARASWAMY KUNIGAL U93090KA2006PLC039899 EMERALD AIRLINES LIMITED 02700216 JAIN MANOJ U15400MP2007PTC020151 CHAMBAL VALLEY AGRO 02700222 BHAIYA SHARAD U45402TN1996PTC036292 NORTHERN TANCHEM PRIVATE 02700226 HENDIN URI ZIPORI U55101HP2008PTC030910 INNER WELLSPRING HOSPITALITY 02700266 KUMARI POLURU VIJAYA U60221PY2001PLC001594 REGENCY TRANSPORT CARRIERS 02700285 DEVADASON NALLATHAMPI U72200TN2006PTC059044 ZENTERE SOLUTIONS PRIVATE 02700322 GOPAL KAKA RAM U01400UP2007PTC033194 KESHRI AGRI GENETICS PRIVATE 02700342 ASHISH OBERAI U74120DL2008PTC184837 ASTHA LAND SCAPE PRIVATE 02700354 MADHUSUDHANA REDDY U70200KA2005PTC036400 -
ED Likely to Seize Bank Accounts of Celebrities in Drugs Case
Follow us on: @TheDailyPioneer facebook.com/dailypioneer RNI No. TELENG/2018/76469 Established 1864 ANALYSIS 7 MONEY 8 SPORTS 12 Published From CASTE CENSUS: STERILE INDIA’S PLAYING XI HYDERABAD DELHI LUCKNOW GST MOP UP TOPS RS 1L-CR FOR BHOPAL RAIPUR CHANDIGARH IDEAS OF POLITICIANS SECOND STRAIGHT MONTH IN AUG IN FOCUS BHUBANESWAR RANCHI DEHRADUN VIJAYAWADA *LATE CITY VOL. 3 ISSUE 313 HYDERABAD, THURSDAY, SEPTEMBER 2, 2021; PAGES 12 `3 *Air Surcharge Extra if Applicable VISHAL SIGNS PAN-INDIA FILM { Page 11 } www.dailypioneer.com FISHERMAN NETS ‘FISH WITH HEART OF ACTRESS SAIRA BANU, ADMITTED TO ROAD AHEAD MAY BE BUMPIER THAN POPE FRANCIS SAYS NOT RESIGNING, GOLD', TAKES HOME OVER RS 1 CRORE HINDUJA HOSPITAL, CURRENTLY IN ICU HOPED: SUNDAR PICHAI TO GOOGLE LIVING ‘NORMAL LIFE’ AFTER SURGERY fisherman from Maharashtra's Palghar, near Mumbai, had eteran actress Saira Banu, who was admitted to Mumbai's an Francisco, United States: Google on Tuesday extended ope Francis is not thinking of resigning and is living "a never imagined that he would make a fortune with his Hinduja Hospital a couple of days ago after she the option for its employees to work from home into next totally normal life" following intestinal surgery in July, he Acatch and earn crores overnight. Chandrakant Tare, a Vcomplained of blood pressure-related issues, has been Syear due to the pandemic. Returning to Google campuses Psaid in a radio interview on Wednesday. Francis, 84, fisherman from Murbe village in Palghar district, took his boat moved to the Intensive Care Unit (ICU) ward of the hospital on will remain voluntary globally through January 10, with local dismissed an Italian newspaper report that he might step to the sea for the first time on August 28 after the monsoon Wednesday, reports news agency ANI. -
2 Apar Gupta New Style Complete.P65
INDIAN LAWYERS IN POPULAR HINDI CINEMA 1 TAREEK PAR TAREEK: INDIAN LAWYERS IN POPULAR HINDI CINEMA APAR GUPTA* Few would quarrel with the influence and significance of popular culture on society. However culture is vaporous, hard to capture, harder to gauge. Besides pure democracy, the arts remain one of the most effective and accepted forms of societal indicia. A song, dance or a painting may provide tremendous information on the cultural mores and practices of a society. Hence, in an agrarian community, a song may be a mundane hymn recital, the celebration of a harvest or the mourning of lost lives in a drought. Similarly placed as songs and dance, popular movies serve functions beyond mere satisfaction. A movie can reaffirm old truths and crystallize new beliefs. Hence we do not find it awkward when a movie depicts a crooked politician accepting a bribe or a television anchor disdainfully chasing TRP’s. This happens because we already hold politicians in disrepute, and have recently witnessed sensationalistic news stories which belong in a Terry Prachet book rather than on prime time news. With its power and influence Hindi cinema has often dramatized courtrooms, judges and lawyers. This article argues that these dramatic representations define to some extent an Indian lawyer’s perception in society. To identify the characteristics and the cornerstones of the archetype this article examines popular Bollywood movies which have lawyers as its lead protagonists. The article also seeks solutions to the lowering public confidence in the legal profession keeping in mind the problem of free speech and censorship. -
Akshay Kumar
Akshay Kumar Topic relevant selected content from the highest rated wiki entries, typeset, printed and shipped. Combine the advantages of up-to-date and in-depth knowledge with the convenience of printed books. A portion of the proceeds of each book will be donated to the Wikimedia Foundation to support their mis- sion: to empower and engage people around the world to collect and develop educational content under a free license or in the public domain, and to disseminate it effectively and globally. The content within this book was generated collaboratively by volunteers. Please be advised that nothing found here has necessarily been reviewed by people with the expertise required to provide you with complete, accu- rate or reliable information. Some information in this book maybe misleading or simply wrong. The publisher does not guarantee the validity of the information found here. If you need specific advice (for example, medi- cal, legal, financial, or risk management) please seek a professional who is licensed or knowledgeable in that area. Sources, licenses and contributors of the articles and images are listed in the section entitled “References”. Parts of the books may be licensed under the GNU Free Documentation License. A copy of this license is included in the section entitled “GNU Free Documentation License” All used third-party trademarks belong to their respective owners. Contents Articles Akshay Kumar 1 List of awards and nominations received by Akshay Kumar 8 Saugandh 13 Dancer (1991 film) 14 Mr Bond 15 Khiladi 16 Deedar (1992 film) 19 Ashaant 20 Dil Ki Baazi 21 Kayda Kanoon 22 Waqt Hamara Hai 23 Sainik 24 Elaan (1994 film) 25 Yeh Dillagi 26 Jai Kishen 29 Mohra 30 Main Khiladi Tu Anari 34 Ikke Pe Ikka 36 Amanaat 37 Suhaag (1994 film) 38 Nazar Ke Samne 40 Zakhmi Dil (1994 film) 41 Zaalim 42 Hum Hain Bemisaal 43 Paandav 44 Maidan-E-Jung 45 Sabse Bada Khiladi 46 Tu Chor Main Sipahi 48 Khiladiyon Ka Khiladi 49 Sapoot 51 Lahu Ke Do Rang (1997 film) 52 Insaaf (film) 53 Daava 55 Tarazu 57 Mr. -
Sync Sound and Indian Cinema | Upperstall.Com 29/02/12 2:30 PM
Sync Sound and Indian Cinema | Upperstall.Com 29/02/12 2:30 PM Open Feedback Dialog About : Wallpapers Newsletter Sign Up 8226 films, 13750 profiles, and counting FOLLOW US ON RECENT Sync Sound and Indian Cinema Tere Naal Love Ho Gaya The lead pair of the film, in their real life, went in the The recent success of the film Lagaan has brought the question of Sync Sound to the fore. Sync Sound or Synchronous opposite direction as Sound, as the name suggests, is a highly precise and skilled recording technique in which the artist's original dialogues compared to the pair of the are used and eliminates the tedious process of 'dubbing' over these dialogues at the Post-Production Stage. The very first film this f... Indian talkie Alam Ara (1931) saw the very first use of Sync Feature Jodi Breakers Sound film in India. Since then Indian films were regularly shot I'd be willing to bet Sajid Khan's modest personality and in Sync Sound till the 60's with the silent Mitchell Camera, until cinematic sense on the fact the arrival of the Arri 2C, a noisy but more practical camera that the makers of this 'new particularly for outdoor shoots. The 1960s were the age of age B... Colour, Kashmir, Bouffants, Shammi Kapoor and Sadhana Ekk Deewana Tha and most films were shot outdoors against the scenic beauty As I write this, I learn that there are TWO versions of this of Kashmir and other Hill Stations. It made sense to shoot with film releasing on Friday. -
From Devaki to Yashoda
From Devaki to Yashoda: The Intra-authorial Mediation in Translating One's Own Plays Ramesh Panigrahi" When the translator (the creator of the TL text) and the author (the creator of the SL text) are rolled into a single organism, as in my case, the notion of heirarchization with regard to the creator and translator and Popovic's idea of four equivalences prescribed and searched for during translation are erased. As the nurturing mother (Yashoda) of my own SL text, I am compelled to go about with semantic consideration, circumlocution and transformations that do not alter the core meaning of my own original writing (my creative position metaphorised as Devaki). The TL rendering becomes a rewriting and veritably a new creation in the case of the author - translator. This leads to the dissolution of the idea of the 'correct' and 'invariant' translation which two notions seem to be even otherwise either outdated or irrelevant. One of the words for "translation" in my source language, Oriya, an Indo-Aryan language, is rupantar. It means 'change of form'. In Oriya, the Mahabharata of Sarala Das (1sth century) is accepted as an original writing even though there are innumerable interpolations of indigenised episodes. This puts paid to Eugene Nida's prescriptions for a 'correct' and 'invariant' version of translation. In a folk version of Ramayana, Sita is treated as Rama's sister in my state and in the Jagannath temple is the only place in India in which a sister is worshipped with her two brothers. Thus, my culture allows all sorts of variation and all variations are accepted as "correct" and adhered to religiously. -
List of Shareholders- Uncl Fin Div 2012.Xlsx
SRNO FOLIO NAM1 SHARES NETDVD 1 G0006723 GANGA DEVI 476 1666.00 2 IN30023910741012 RAGHU NANDAN SAVARKUDELU 200 700.00 3 K0006892 KUNAL K MEHTA 400 1400.00 4 M0004121 MANISH BHAGAWANDAS 2048 7168.00 5 1201320000272633 VIJAY PRABHAKAR SHIRODKAR 20 70.00 6 1201070000038720 ANURAAG KUMAR SANGHI 4 14.00 7 IN30023911997807 SRIVATHSA K SIRA 400 1400.00 8 A0002227 ASHOK KUMAR GOEL 1120 3920.00 9 A0003073 ARVIND RASTOGI 44 154.00 10 D0002483 D K ROY 1280 4480.00 11 D0007394 DINESH VEDAVYAS KAMATH 196 686.00 12 A0007780 AJIT MAJHI 400 1400.00 13 B0001174 BODHAN RAO MARATHA 224 784.00 14 B0003624 BHAGWATIBEN PATEL 640 2240.00 15 B0102342 BHUPENDRAKUMAR N PANDYA 200 700.00 16 H0000715 HARISH CHANDAR 20 70.00 17 K0005252 KIRAN GIRDONIA 64 224.00 18 D0100131 DENESH CHANDRA MISHRA 576 2016.00 19 H0006718 H HARISHITA 400 1400.00 20 J0002639 JAGDISH ARORA 768 2688.00 21 H0001989 HANUMAN PRASAD GUPTA 44 154.00 22 J0100164 J J SARIN 1216 4256.00 23 J0002723 JAIKISHAN JAITHALIA 40 140.00 24 L0000247 LILADEVI NAINMAL 5 17.50 25 B0006389 BHARTI LAXMAN KHOTKAR 200 700.00 26 M0006209 MEENA HEMANT GANDHI 24 84.00 27 G0100086 GAYATRI SHUKLA 480 1680.00 28 R0005269 ROHAN PATEL 640 2240.00 29 P0004219 PADAM KUMAR CHAURASIA 1280 4480.00 30 N0003284 NARINDER GULATI 172 602.00 31 N0006121 NIRMAL KANTI RASTOGI 120 420.00 32 J0002457 JAI KISHAN JAITHALIA 192 672.00 33 R0006762 RAVI ARORA 16 56.00 34 S0009987 SANDEEP GUPTA 8 28.00 35 S0013008 SUDHAKAR SHETTY KADEKAR 400 1400.00 36 S0016630 SANJAY MANOHAR DIKSHIT 392 1372.00 37 M0006113 MANJULA JOSHI 320 1120.00 38 M0008775 -
Institute of Business Administration, Karachi Bba, Bs
FINAL RESULT - FALL 2020 ROUND 1 Announced on Tuesday, February 25, 2020 INSTITUTE OF BUSINESS ADMINISTRATION, KARACHI BBA, BS (ACCOUNTING & FINANCE), BS (ECONOMICS) & BS (SOCIAL SCIENCES) ADMISSIONS TEST HELD ON SUNDAY, FEBRUARY 9, 2020 (FALL 2020, ROUND 1) LIST OF SUCCESSFUL CANDIDATES FOR DIRECT ADMISSION (BSAF PROGRAM) SAT Test Math Eng TOTAL Maximum Marks 800 800 1600 Cut-Off Marks 600 600 1410 Math Eng Total IBA Test MCQ MCQ MCQ Maximum Marks 180 180 360 Cut-Off Marks 100 100 256 Seat S. No. App No. Name Father's Name No. 1 18 845 FABIHA SHAHID SHAHIDSIDDIQUI 132 136 268 2 549 1510 MUHAMMAD QASIM MAHMOOD AKHTAR 148 132 280 3 558 426 MUHAMMAD MUTAHIR ABBAS AMAR ABBAS 144 128 272 4 563 2182 ALI ABDULLAH MUHAMMAD ASLAM 136 128 264 5 1272 757 MUHAMMAD DANISH NADEEM MUHAMMAD NADEEM TAHIR 136 128 264 6 2001 1 MUHAMMAD JAWWAD HABIB MUHAMMAD NADIR HABIB 160 100 260 7 2047 118 MUHAMMAD ANAS LIAQUAT ALI 148 128 276 8 2050 125 HAFSA AZIZ AZIZAHMED 128 136 264 9 2056 139 MUHAMMAD SALMAN ANWAR MUHAMMAD ANWAR 156 132 288 10 2086 224 MOHAMMAD BADRUDDIN RIND BALOCH BAHAUDDIN BALOCH 144 112 256 11 2089 227 AHSAN KAMAL LAGHARI GHULAM ALI LAGHARI 136 160 296 12 2098 247 SYED MUHAMMAD RAED SYED MUJTABA NADEEM 152 132 284 13 2121 304 AREEB AHMED BAIG ILHAQAHMED BAIG 108 152 260 14 2150 379 SHAHERBANO ‐ ABDULSAMAD SURAHIO 148 124 272 15 2158 389 AIMEN ATIQ SYED ATIQ UR REHMAN 148 124 272 16 2194 463 MUHAMMAD SAAD MUHAMMAD ABBAS 152 136 288 17 2203 481 FARAZ NAWAZ MUHAMMAD NAWAZ 132 128 260 18 2210 495 HASNAIN IRFAN IRFAN ABDULAZIZ 128 132 260 19 2230 -
Copyright by Mohammad Raisur Rahman 2008
Copyright by Mohammad Raisur Rahman 2008 The Dissertation Committee for Mohammad Raisur Rahman certifies that this is the approved version of the following dissertation: Islam, Modernity, and Educated Muslims: A History of Qasbahs in Colonial India Committee: _____________________________________ Gail Minault, Supervisor _____________________________________ Cynthia M. Talbot _____________________________________ Denise A. Spellberg _____________________________________ Michael H. Fisher _____________________________________ Syed Akbar Hyder Islam, Modernity, and Educated Muslims: A History of Qasbahs in Colonial India by Mohammad Raisur Rahman, B.A. Honors; M.A.; M.Phil. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2008 Dedication This dissertation is dedicated to the fond memories of my parents, Najma Bano and Azizur Rahman, and to Kulsum Acknowledgements Many people have assisted me in the completion of this project. This work could not have taken its current shape in the absence of their contributions. I thank them all. First and foremost, I owe my greatest debt of gratitude to my advisor Gail Minault for her guidance and assistance. I am grateful for her useful comments, sharp criticisms, and invaluable suggestions on the earlier drafts, and for her constant encouragement, support, and generous time throughout my doctoral work. I must add that it was her path breaking scholarship in South Asian Islam that inspired me to come to Austin, Texas all the way from New Delhi, India. While it brought me an opportunity to work under her supervision, I benefited myself further at the prospect of working with some of the finest scholars and excellent human beings I have ever known.