DOCSLIB.ORG

Place and Setting in the Work of Sarah Orne Jewett

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Place and Setting in the Work of Sarah Orne Jewett INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been Aimed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo­ graphed the photographer has followed a definite method in "sectioning" the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. Requests can be made to our Dissertations Customer Services Department. 5. Some pages in any document may have indistinct print. In all cases we have Aimed the best available copy. University Microfilms International 300 N. ZEEB ROAD, ANN ARBOR, Ml 48106 18 BEDFORD ROW, LONDON WC1R 4EJ, ENGLAND 8114592 NAIL, REBECCA WALL PLACE AND SETTING IN THE WORK OF SARAH ORNE JEWETT The University ofNorth Carolina at Greensboro PH.D. 1980 University Microfilms International 300 N. Zeeb Road, Ann Arbor, MI 48106 PLACE AND SETTING IN THE WORK OF SARAH ORNE JEWETT by Rebecca Wall Nail A Dissertation submitted to the Faculty of the Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Greensboro 1980 Approved by APPROVAL PAGE This dissertation has been approved by the following connnittee of the Faculty of the Graduate School at the University of North Carolina at Greensboro. Dissertation Adviser Committee Members /? , j-£ Date of Acceptance by Committee ^ fa Date of Final Oral Examination ii NAIL, REBECCA WALL. Place and Setting in the Works of Sarah Orne Jewett. (1980) Directed by: Dr. Robert 0. Stephens. Pp. 208. Although Sarah Orne Jewett's active career extended over thirty- four years, studies of her work bsva tended to ignore its chronological development, and in spite of the admitted importance of her settings relatively little attention has been given to their nature and function in her sketches. Her own comments make it obvious that she habitually worked from setting and character toward incident, and many of her remarks imply that setting suggested character as well. Since Jewett's native region has long been recognized as a major influence on her work, it is not surprising that she considered the places writers knew a major formative influence, and setting for her was an essential matrix generating both writer and story. Thus Jewett agreed with Eudora Welty's suggestion that place is basic to the validity, emotion, and perspective of fiction. Her relationship to her native Berwick, Maine, however, was less serene than many critics have realized, and to this emotional ambivalence must be added the ambiguity inherent in the relationship of real people to real places and of literary characters to their settings. This study demonstrates that Jewett's attitudes and emotions toward her settings are complicated, and the settings themselves are varied and complex. The places she depicts express and interact with her themes, provide a major source of interest in her stories, and supply clues, as they change, to her overall intellectual and emotional development. The body of the dissertation examines Jewett's settings in the three major phases of her development, from her first publication in 1868 to 1884, from the novels of 1884 and 1885 to 1895, and from the appearance of The Country of the Pointed Firs in 1896 until the end of her career. It traces her changing depiction of nature, country, city, and the social milieu, and it examines the techniques she uses at each stage to make her settings real and relate them to her char­ acters, plots, and themes. Her view of nature evolves from that of whimsical, conventional affection to a solid realism that combines genuine love with an honest appraisal of the potential hostility of nature. The city, more attractive and important in the early works than has generally been realized, loses significance and becomes somewhat ambiguous, but its image remains largely pleasant. Rural life is at first seen as lonely, harsh, and extremely destructive to human personality, but as Jewett matures and resolves her own ambivalence toward country existence she learns to appreciate the offsetting advantages of closeness to nature and the soil. She also grows increasingly interested in portraying the social milieu of the rural village and depicting its values, but her realism and belief in progress never allow her to ignore rural hardship or the inevitability of social change. In technique her development is toward increasing skill and consistency of performance, for although there are some changes and experiments her late works depend on essentially the same methods of depicting setting as the best of her early sketches. Most significant of all is Jewett's growing appreciation of the importance real places have for their inhabitants. In this sense place is one of the interests of The Country of the Pointed Firs, it provides a unifying theme for The Tory Lover, and it is the subject of "William's Wedding," the last work of Jewett's published and possibly the last written. Place and setting are thus more than an ornament or background in Jewett's work; the.y are a major concern, and the most memorable and basic part of her fiction. ACKNOWLEDGEMENTS I would like to express my thanks to Winston-Salem State University and to the Board of Governors of the University of North Carolina for the financial support which made this dissertation possible. Thanks are also due for help provided by the staffs of the Walter Clinton Jackson Library of the University of North Carolina at Greensboro, the Z. Smith Reynolds Library of Wake Forest University, and the Houghton Library of Harvard University. My adviser, Dr. Robert 0. Stephens, has been unfailingly patient and helpful, as have the members of my committee, Dr. Randolph Bulgin, Dr. James E. Evans, Dr. Richard Bardolph, and especially Dr. Donald G. Darnell. Finally, I must also thank my family, friends, and colleagues for their continual kindness and encouragement. iii TABLE OF CONTENTS Page APPROVAL PAGE ii ACKNOWLEDGEMENTS iii CHAPTER I. THE SIGNIFICANCE OF PLACE AND SETTING FOR SARAH ORNE JEWETT 1 II. THE FIRST PHASE: 1868-1884 40 Nature -43 Country 51 City 60 Society 65 Technique 76 III. THE SECOND PHASE: 1884-1895 89 Nature 90 Country. 101 City . HI Society 120 Technique 136 IV. THE THIRD PHASE: 1896-1902 153 Nature 157 Country, City, and Society 162 Technique 179 Place. 188 Conclusion 197 iv 1 CHAPTER I THE SIGNIFICANCE OF PLACE AND SETTING FOR SARAH ORNE JEWETT The importance of setting in the works of Sarah Orne Jewett has long been recognized, but in light of that fact the settings themselves have received curiously little attention. Critical study has focused on The Country of the Pointed Firs (1896), generally acknowledged to be her masterpiece, and has treated the book's Dunnet Landing as a paradigm of all her settings. Within the full scope of her work, how­ ever, the Landing is important but not characteristic. In the thirty- four years between her first publication in 1868 and the end of her active career in 1902, Jewett depicted farms and cities as well as villages, aristocrats as well as rustic citizens, and social customs as well as the rhythms of nature. There were, in all, five novels or sets of related sketches and well over a hundred short stories and essays, to say nothing of a book of history and a number of works for children. So large and varied a canon seems to call for more inclusive analysis, and a productive career which lasted over thirty years can be expected to show considerable growth and change. In addition, it has been convincingly argued that the development of Jewett's portrayal of setting is a major aspect of her overall artis­ tic maturation. F. 0. Matthiessen, in his Sarah Orne Jewett (1929), suggests that Jewett's growth from nostalgic involvement with setting in 2 Deephaven (1877) to the imaginative realism of "By the Morning Boat" (1890) made the writing of Pointed Firs possible for her. A quarter of a century had, he says, served to bring her from mere recital of facts to the creation of an immediate and vivid sense of place, a sense of being there. This special skill was a necessary precondition for her best work, written late in her career.^ Thus Matthiessen sees in Jewett's depiction of setting a developing capacity that strongly af­ fects the quality of her work.
Load more

Recommended publications
  • Biophilia, Gaia, Cosmos, and the Affectively Ecological
    vital reenchantments Before you start to read this book, take this moment to think about making a donation to punctum books, an independent non-profit press, @ https://punctumbooks.com/support/ If you’re reading the e-book, you can click on the image below to go directly to our donations site. Any amount, no matter the size, is appreciated and will help us to keep our ship of fools afloat. Contri- butions from dedicated readers will also help us to keep our commons open and to cultivate new work that can’t find a welcoming port elsewhere. Our ad- venture is not possible without your support. Vive la Open Access. Fig. 1. Hieronymus Bosch, Ship of Fools (1490–1500) vital reenchantments: biophilia, gaia, cosmos, and the affectively ecological. Copyright © 2019 by Lauren Greyson. This work carries a Creative Commons BY-NC-SA 4.0 International license, which means that you are free to copy and redistribute the material in any medium or format, and you may also remix, transform and build upon the material, as long as you clearly attribute the work to the authors (but not in a way that suggests the authors or punctum books endorses you and your work), you do not use this work for commercial gain in any form whatsoever, and that for any remixing and transformation, you distribute your rebuild under the same license. http://creativecommons.org/li- censes/by-nc-sa/4.0/ First published in 2019 by punctum books, Earth, Milky Way. https://punctumbooks.com ISBN-13: 978-1-950192-07-6 (print) ISBN-13: 978-1-950192-08-3 (ePDF) lccn: 2018968577 Library of Congress Cataloging Data is available from the Library of Congress Editorial team: Casey Coffee and Eileen A.
    [Show full text]
  • American Women Writers, Visual Vocabularies, and the Lives of Literary Regionalism Katherine Mary Bloomquist Washington University in St
    Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) Winter 1-1-2012 American Women Writers, Visual Vocabularies, and the Lives of Literary Regionalism Katherine Mary Bloomquist Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Bloomquist, Katherine Mary, "American Women Writers, Visual Vocabularies, and the Lives of Literary Regionalism" (2012). All Theses and Dissertations (ETDs). 997. https://openscholarship.wustl.edu/etd/997 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of English Dissertation Examination Committee: Vivian Pollak, Chair Ruth Bohan Anca Parvulescu Daniel Shea Akiko Tsuchiya Rafia Zafar American Women Writers, Visual Vocabularies, and the Lives of Literary Regionalism by Katherine Mary Bloomquist A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy December 2012 Saint Louis, Missouri © Copyright 2012 by Katherine Mary Bloomquist All rights reserved. Table of Contents List of Figures iii Acknowledgements iv Dissertation Abstract v Introduction: 1 Of Maps and Memoirs Chapter 1: 30 Self and Other Portraits: Sarah Orne Jewett’s “A White Heron” as Human Documents Chapter 2: 79 As If They Had a History: Documenting the Things Named in Willa Cather’s Regional Fiction Chapter 3: 137 In Place of Picture-Postcards: “Some Measure of Privacy” in Ann Petry’s Wheeling Chapter 4: 190 “Some Kind of a Writin’ Person”: Regionalism’s Unfinished Women Writers Bibliography 245 ii List of Figures Figure 1: 29 Cover Image of The Local Colorists: American Short Stories 1857-1900, ed.
    [Show full text]
  • Newsletter & Review
    NEWSLETTER & REVIEW Volume 56, No. 2 Spring 2013 For really bad weather I wear knickerbockers Then really I like the work, grind though it is In addition to painting the bathroom and doing the house work and trying to write a novel, I have been becoming rather “famous” lately Mr. McClure tells me that he does not think I will ever be able to do much at writing stories As for me, I have cared too much, about people and places I have some white canvas shoes with red rubber soles that I got in Boston, and they are fine for rock climbing When I am old and can’t run about the desert anymore, it will always be here in this book for me Is it possible that it took one man thirty working days to make my corrections? I think daughters understand and love their mothers so much more as they grow older themselves The novel will have to be called “Claude” I tried to get over all that by a long apprenticeship to Henry James and Mrs. Wharton She is the embodiment of all my feelings about those early emigrants in the prairie country Requests like yours take a great deal of my time Everything you packed carried wonderfully— not a wrinkle Deal in this case as Father would have done I used to watch out of the front windows, hoping to see Mrs. Anderson coming down the road And then was the time when things were very hard at home in Red Cloud My nieces have outlived those things, but I will never outlive them Willa Cather NEWSLETTER & REVIEW Volume 56, No.
    [Show full text]
  • The Letters of Sarah Orne Jewett
    Colby Quarterly Volume 5 Issue 3 September Article 4 September 1959 The Letters of Sarah Orne Jewett John Eldridge Frost Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 5, no.3, September 1959, p.38-45 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Frost: The Letters of Sarah Orne Jewett 38 Colby Library Quarterly glimpses of the farmscapes and homely prototypes she so art­ fully and viably transposed to paper. So with the First Citi­ zeness of South Berwick: the evanescent flesh is remote now, but the inextinguishable spirit lives on. THE LETTERS OF SARAH ORNE JEWETT By JOHN ELDRIDGE FROST THE ever-growing volume of Miss Jewett's letters in print has made desirable a survey both of those which have been printed and of those in manuscript form in libraries. It is neither possible nor desirable to list those owned by individuals for this would constitute an invasion of the collector's privacy or, worse still, a breach of manners toward Miss Jewett's friends and their heirs. It is interesting to note that plans have already been nlade for the eventual disposal to libraries of all letters privately owned that I have viewed. Miss Jewett was a warm, vivid, stinlulating person whose genius often flowed into her correspondence. An astonishingly large amount of it was saved by those who knew her. She was an avid correspondent who frequently devoted an entire morn­ ing to the writing of letters.
    [Show full text]
  • Howellsian Chic: the Local Color of Cosmopolitanism
    HOWELLSIAN CHIC: THE LOCAL COLOR OF COSMOPOLITANISM BY BRAD EVANS We who are nothing but self, and have no manner of being Save in the sense of self, still have no other delight Like the relief that comes with the blessed oblivion freeing Self from self in the deep sleep of some dreamless night. —William Dean Howells, “Sphinx” Had Sarah Orne Jewett’s country maiden from A Marsh Island (1885), Doris Owen, decided to go off with the bohemian artist Dick Dale to a life of heady, urban aestheticism, she could have hoped for no better end than to have become William Dean Howells’s Alma Leighton from A Hazard of New Fortunes (1890). The two women’s circumstances are remarkably similar, both of them familiar characters from the archives of New England regional fiction. Like Doris Owen, Alma Leighton grew up in one of those picturesque vacation destinations scattered someplace between Vermont, New Hampshire, or Maine; like Doris, her mother kept a summer boarder who happened to be a young bohemian artist who had come with the purpose of making some sketches of the local scene; and like Doris, she became romantically involved with him. The difference between them is that, rather than staying at home in rural Maine, Alma travels to New York: though, like Doris, she ultimately rejects her bohemian suitor, she does so not to remain true to her roots in the country but to become a bohemian artist herself. It is Alma’s sketch for the cover of the novel’s new illustrated magazine, Every Other Week, that sets the aesthetic framework for the novel itself.
    [Show full text]
  • Sarah Orne Jewett's Interpretation of Maine Life
    2^° SARAH ORME JEWETT'S INTERPRETATION OF MAINE LIFE A THESIS' Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in English) By JESSIE FRENCH BRYAN B. A., Wellesley, 1910 University of Maine Orono June, 19S0 ACKNOWLEDGMENT One of the principal pleasures in writing this thesis has been the anticipation of having it pass under the criticism of Doctor Turner. To her evaluation of the ideas from their first groping toward formulation to their present state, is due whatever merit this slight study may have. To Doctor Ellis, who directed my study, to Doctor Morton Turner and to Doctor Draper I wish to express my appreciation of the help they have given me in my graduate work. Mr. Louis Ibbotson, Librarian of the University, has assisted me over many places where my ability to find material has failed. I thank him and the library force for their patient efforts. Mrs. Hoyt D. Foster has supplied me with informa­ tion which no one else could give. Her personal acquain­ tance with two of the authors has thrown light upon their interpretations which has proved invaluable. Mr. Edwin Arlington Robinson very kindly responded to an inquiry telling me where I could be sure of Maine in his poetry. 968 7 9 TABLE OF CONTENTS Foreword Introduction The People Character andCharacterization ......................... p. .1 Culture.......................................................... .. ...p. 40 Social and Economic Conditions......................p. 71Z/ ^ The Countryside.................................. ;..............................p. 113 The Dialect ............................ p. 160 Conclusion................................................................................p. 202 Bibliography FOREWORD There is in Maine a kind of state-consciousness which makes a guest of all who come from other places, no matter how welcome they are made to feel, nor how long they remain.
    [Show full text]
  • For a Boston Marriage: Sarah Orne Jewett's Illustrated Deephaven
    “Bedtime” for a Boston Marriage: Sarah Orne Jewett’s Illustrated Deephaven adam sonstegard Downloaded from http://direct.mit.edu/tneq/article-pdf/92/1/75/1793769/tneq_a_00721.pdf by guest on 01 October 2021 ARAH ORNE JEWETT first published Deephaven in 1877, S but an illustrated edition that appeared in 1893 with a text with complex, new contributions to the meaning of the work.1 Houghton Mifflin included visual art by Charles H. Woodbury and Marcia Oakes Woodbury. Among the fifty-five visual ad- ditions to Jewett’s novel of coastal Maine, an image captioned “Bedtime” adorns one story (Fig. 1). Nocturnal and shadowy, the image incorporates curved bannisters and arched windows and depicts Deephaven’s heroines, Helen Denis and Kate Lan- caster, climbing stairs toward upper-story chambers, exchang- ing conspiratorial glances across a solemn clock face. Merely putting a story about fisherman’s yarns to bed, as it were, and leaving something gleaming in the ladies’ eyes, the picture portends something other than slumber. The image appeared decades ahead of the first work scholars have identified asa This project has been made possible by a Faculty Scholarship Initiative at Cleve- land State University, Cleveland, Ohio. Sincerest thanks to Jeff Karem, Brooke Conti, Heather Russell, Jackie LaPlante, Peter Woodbury, Wendy Pirsig, Terry Heller, Holly Jackson, and the anonymous reader reviewers of New England Quarterly. 1Jewett first published short fictions in several magazines, many of which illustrated them, and many of which are reproduced with those illustrations in The Irish Stories of Sarah Orne Jewett, ed. Jack Morgan and Louis A.
    [Show full text]
  • Sarah Orne Jewett Collection, 1801-1997
    Sarah Orne Jewett collection, 1801-1997 This finding aid was produced using ArchivesSpace on October 24, 2018. Describing Archives: A Content Standard Maine Women Writers Collection Abplanalp Library University of New England 716 Stevens Avenue Portland, Maine 04103 [email protected] URL: http://www.une.edu/mwwc Sarah Orne Jewett collection, 1801-1997 Table of Contents Summary Information .................................................................................................................................... 3 Biographical/Historical Note ......................................................................................................................... 3 Collection Scope and Content ....................................................................................................................... 4 Arrangement ................................................................................................................................................... 4 Administrative Information ............................................................................................................................ 5 Related Materials ........................................................................................................................................... 6 Controlled Access Headings .......................................................................................................................... 6 Collection Inventory ......................................................................................................................................
    [Show full text]
  • James Thomas Fields Papers: Finding Aid
    http://oac.cdlib.org/findaid/ark:/13030/tf2z09n5tc No online items James Thomas Fields Papers: Finding Aid Finding aid prepared by Huntington Library staff and updated by Diann Benti. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2203 Fax: (626) 449-5720 Email: [email protected] URL: http://www.huntington.org © 2000 The Huntington Library. All rights reserved. James Thomas Fields Papers: mssFI 1 Finding Aid Descriptive Summary Title: James Thomas Fields Papers Dates: 1767-1914 Bulk dates: 1850-1914 Collection Number: mssFI Creator: Fields, James Thomas Extent: 5,438 items in 74 boxes Repository: The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2203 Fax: (626) 449-5720 Email: [email protected] URL: http://www.huntington.org Abstract: The collections consist primarily of letters, as well as poems and manuscripts, from various American and British authors to American editor, publisher, and poet James Thomas Fields (1817-1881), mostly relating to publication of their manuscripts by his firm Ticknor and Fields and in The Atlantic Monthly. The collection also includes letters to Fields's wife Annie Fields (1834-1915) concerning literary matters. Language of Material: The records are in English. Access The collection is open to qualified researchers by prior application through the Reader Services Department. For more information, please visit the Huntington's website: www.huntington.org. Processing Information The collection was processed and a summary report first created in 1976, and revised in 1983.
    [Show full text]
  • James Thomas Fields Papers Addenda: Finding Aid
    http://oac.cdlib.org/findaid/ark:/13030/tf6p3004vs No online items James Thomas Fields Papers Addenda: Finding Aid Finding aid prepared by Huntington Library staff and updated by Diann Benti. Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2203 Fax: (626) 449-5720 Email: [email protected] URL: http://www.huntington.org © 2000 The Huntington Library. All rights reserved. James Thomas Fields Papers mssFI Addenda 1 Addenda: Finding Aid Descriptive Summary Title: James Thomas Fields Papers Addenda Dates: 1838-1901 Collection Number: mssFI Addenda Creator: Fields, James Thomas Fields, Annie Adams Extent: Approximately 500 pieces in 13 boxes Repository: The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2203 Fax: (626) 449-5720 Email: [email protected] URL: http://www.huntington.org Abstract: This collection of papers of American editor, publisher, and poet James Thomas Fields (1817-1881) and his wife, Annie (Adams) Fields (1834-1915), consists of notebooks and loose papers containing their poetry, essays, notes for speeches, a few scattered diary entries, and memoranda. Language of Material: The records are in English. Access The collection is open to qualified researchers by prior application through the Reader Services Department. For more information, please visit the Huntington's website: www.huntington.org. Processing Information In March 2000, an initial EAD-encoded finding aid was created for this collection and then updated in 2004. In January 2015, Diann Benti created a new EAD-encoded finding aid for the collection. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities.
    [Show full text]
  • USDI/NPS NRHP Registration Form Jewett, Sarah Orne, House Page F 1 (Rev
    *USDI/NPS NRHP Registration Form Jewett, Sarah Orne, House Page f 1 (Rev. 8-86) United States Department of the Interior National Park Service NATIONAL REGISTER OF HISTORIC PLACES REGISTRATION FORM ^IZ°NAL_HISTDRIC_LANDMARK_NDMINATIDN 1. Name of Property historic name: Sarah Orne Jewett House other name/site number: Jewett Mansion 2. Location street & number: 5 Portland Street not for publication: N/A city/town: South Berwick vicinity: N/A state: ME county: York code: 031 zip code: 03908 3. Classification Ownership of Property: private Category of Property: building Number of Resources within Property: Contributing Noncontributing 0 buildings 0 sites 0 structures 0 objects 0 Total Number of contributing resources previously listed in the National Register: 1 Name of related multiple property listing: _______________ *USDI/NPS NRHP Registration Form Jewett, Sarah Orne, House Page # 2 4. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this __ nomination __ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property__meets __ does not meet the National Register Criteria. __ See continuation sheet. Signature of certifying official Date Stare or Federal agency and bureau In my opinion, the property __ meets __ does not meet the National Register
    [Show full text]
  • Maine: Poets' Corner of America
    University of Southern Maine USM Digital Commons Maine Collection 1957 Maine: Poets' Corner of America Carl Jefferson Weber Follow this and additional works at: https://digitalcommons.usm.maine.edu/me_collection Part of the American Literature Commons, American Popular Culture Commons, Fiction Commons, Geography Commons, Poetry Commons, and the United States History Commons Recommended Citation Weber, Carl Jefferson, "Maine: Poets' Corner of America" (1957). Maine Collection. 39. https://digitalcommons.usm.maine.edu/me_collection/39 This Book is brought to you for free and open access by USM Digital Commons. It has been accepted for inclusion in Maine Collection by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. MAINE 'Poets' eorner ?!America F 17.3 W4 MAINE HAS ALWAYS BEEN A FERTILE SEEDBED FOR AUTHORS. THE FOLLOWING PAGES WILL HELP YOU TO VISIT THE SCENES, HOUSES, AND REGIONS WHICH THESE AUTHORS HAVE MADE FAMOUS. MAINE Poets' Corner of America Compiled by CARL J. WEBER FORMERLY PROFESSOR OF ENGLISH CoLBY CoLLEGE Published and distributed by DEPARTMENT OF EcoNOMIC DEVELOPMENT RooM 211P STATE HousE AuGusTA, MAINE 04330 Published under Appropriation No. 3920 CJJid You Know 1. That within a radius of one hundred miles from the State Capitol in Augusta there are more literary landmarks than in any circle of similar size in America? 2. That natives of the State of Maine have won the Pulitzer Prize for Poetry oftener than natives of any other state? (Five awards to Maine: E. A. Robinson, three times; Edna Millay; Robert P. T. Coffin.) 3. That the only American poet ever admitted by the British to Poets' Corner in Westminster Abbey was a native of Maine? (Long­ fellow.) 4.
    [Show full text]