Barcelona Film Commission, and Barcelona Tourism
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Etiek En Toeskouerskap Deur Die Lens Van Michael Haneke Se Amour
LitNet Akademies Jaargang 15, Nommer 2, 2018, ISSN 1995-5928 Verantwoordelike rolprentvervaardiging: etiek en toeskouerskap deur die lens van Michael Haneke se Amour Dian Weys Dian Weys, onafhanklike navorser Opsomming Aangesien ons moderne samelewing deur die media oorweldig word, stel Michael Haneke voor dat filmmakers ‘n verantwoordelikheid het om gehore aan te moedig om aan ‘n film se betekenisskeppingproses deel te neem, veral wanneer dit kom by die uitbeelding van geweld. Wat behels hierdie verantwoordelikheid? Stanley Cavell verduidelik dat, omdat toeskouers tydens die filmkykproses onsigbaar is, film ‘n beroep op ons moderne begeerte doen, nie vir mag oor die wêreld nie, maar eerder die wens om nie mag nodig te hê nie en om nie die laste van ‘n ander te dra nie. Dit is ‘n probleem, glo ek, veral wanneer iemand anders se werklike swaarkry en lyding as bronmateriaal gebruik word, omdat filmmakers dié werklike ervaring wederregtelik in besit neem vir vermaaklikheidsonthalwe. Indien die filmkykproses ons kwytskeld daarvan om die laste van die wêreld te dra en dus verligting bied van die opneem van verantwoordelikheid, argumenteer ek dat ons nie mag wens om nie die laste van iemand anders te dra nie. Ons is, soos Emmanuel Levinas argumenteer, verantwoordelik vir mekaar. Hoe poog Haneke om, tegnies gewys, sy gehore bewus te maak van hierdie verantwoordelikheid? Judith Butler sê dat ‘n begrip van verantwoordelikheid net bereik kan word wanneer ‘n ek-heid die perke van selfkennis erken. Daarom, indien ons, soos Butler sê, net bewus kan raak van die ondeursigtigheid eie aan ons menswees wanneer ons gekonfronteer word met die ondeursigtigheid van ‘n ander, argumenteer ek dat Haneke, deur sy fragmentariese aanslag ten opsigte van die beeld, redigering en klank, sy gehoor in verwantskap plaas met ‘n film wat hul met die perke van hul selfkennis konfronteer. -
False Authenticity in the Films of Woody Allen
False Authenticity in the Films of Woody Allen by Nicholas Vick November, 2012 Director of Thesis: Amanda Klein Major Department: English Woody Allen is an auteur who is deeply concerned with the visual presentation of his cityscapes. However, each city that Allen films is presented in such a glamorous light that the depiction of the cities is falsely authentic. That is, Allen's cityscapes are actually unrealistic recreations based on his nostalgia or stilted view of the city's culture. Allen's treatment of each city is similar to each other in that he strives to create a cinematic postcard for the viewer. However, differing themes and characteristics emerge to define Allen's optimistic visual approach. Allen's hometown of Manhattan is a place where artists, intellectuals, and writers can thrive. Paris denotes a sense of nostalgia and questions the power behind it. Allen's London is primarily concerned with class and the social imperative. Finally, Barcelona is a haven for physicality, bravado, and sex but also uncertainty for American travelers. Despite being in these picturesque and dynamic locations, happiness is rarely achieved for Allen's characters. So, regardless of Allen's dreamy and romanticized visual treatment of cityscapes and culture, Allen is a director who operates in a continuous state of contradiction because of the emotional unrest his characters suffer. False Authenticity in the Films of Woody Allen A Thesis Presented To the Faculty of the Department of English East Carolina University In Partial Fulfillment of the Requirements for the Degree MA English by Nicholas Vick November, 2012 © Nicholas Vick, 2012 False Authenticity in the Films of Woody Allen by Nicholas Vick APPROVED BY: DIRECTOR OF DISSERTATION/THESIS: _______________________________________________________ Dr. -
Red Teaming the Red Team: Utilizing Cyber Espionage to Combat Terrorism
Journal of Strategic Security Volume 6 Number 5 Volume 6, No. 3, Fall 2013 Supplement: Ninth Annual IAFIE Article 3 Conference: Expanding the Frontiers of Intelligence Education Red Teaming the Red Team: Utilizing Cyber Espionage to Combat Terrorism Gary Adkins The University of Texas at El Paso Follow this and additional works at: https://scholarcommons.usf.edu/jss pp. 1-9 Recommended Citation Adkins, Gary. "Red Teaming the Red Team: Utilizing Cyber Espionage to Combat Terrorism." Journal of Strategic Security 6, no. 3 Suppl. (2013): 1-9. This Papers is brought to you for free and open access by the Open Access Journals at Scholar Commons. It has been accepted for inclusion in Journal of Strategic Security by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Red Teaming the Red Team: Utilizing Cyber Espionage to Combat Terrorism This papers is available in Journal of Strategic Security: https://scholarcommons.usf.edu/jss/vol6/iss5/ 3 Adkins: Red Teaming the Red Team: Utilizing Cyber Espionage to Combat Terrorism Red Teaming the Red Team: Utilizing Cyber Espionage to Combat Terrorism Gary Adkins Introduction The world has effectively exited the Industrial Age and is firmly planted in the Information Age. Global communication at the speed of light has become a great asset to both businesses and private citizens. However, there is a dark side to the age we live in as it allows terrorist groups to communicate, plan, fund, recruit, and spread their message to the world. Given the relative anonymity the Internet provides, many law enforcement and security agencies investigations are hindered in not only locating would be terrorists but also in disrupting their operations. -
Uk Producers in Cannes 2009
UK PRODUCERS IN CANNES 2009 Produced by Export Development www.ukfilmcouncil.org/exportteam The UK Film Council The UK Film Council is the Government-backed lead agency for film in the UK ensuring the economic, cultural and educational aspects of films are effectively represented at home and abroad. Our goal is to help make the UK a global hub for film in the digital age, with the world’s most imaginative, diverse and vibrant film culture, underpinned by a flourishing, competitive film industry. We invest Government grant-in-aid and Lottery money in developing new filmmakers, in funding new British films and in getting a wider choice of films to audiences throughout the UK. We also invest in skills training, promoting Britain as an international filmmaking location and in raising the profile of British films abroad. The UK Film Council Export Development team Our Export Development team supports the export of UK films and talent and services internationally in a number of different ways: Promoting a clear export strategy Consulting and working with industry and government Undertaking export research Supporting export development schemes and projects Providing export information The team is located within the UK Film Council’s Production Finance Division and is part of the International Group. Over the forthcoming year, Export Development will be delivering umbrella stands at the Toronto International Film Festival and Hong Kong Filmart; and supporting the UK stands at the Pusan Asian Film Market; American Film Market and the European Film Market, Berlin;. The team will also be leading Research & Development delegations to Japan and China. -
COMANDANTE COMANDANTE Dirigido Por/Directed by OLIVER STONE
COMANDANTE COMANDANTE Dirigido por/Directed by OLIVER STONE Productora/Production Company: MEDIAPRODUCCIÓN, S.L. Bruc, 111, bajos. 08009 Barcelona. Tel. 93 476 15 51. Fax 93 476 15 52. Con la participación de/with the participation of: Pentagrama Films, Morena Films. Director/Director: OLIVER STONE. Productor/Producer: OLIVER STONE. Productores ejecutivos/Executive Producers: JAUME ROURES, ÁLVARO LONGORIA, JOSÉ IBÁÑEZ. Productores asociados/Associate Producers: JUAN IBÁÑEZ, RAMÓN IBÁÑEZ, JUAN GORDON, RITA DAGHER. Director de producción/Line Producer: VINCENT JOLIET. Guión/Screenplay: ÁLVARO LONGORIA, OLIVER STONE, JOSÉ IBÁÑEZ. Argumento/Idea: Basado en una idea original de José Ibáñez y Álvaro Longoria. Directores de Fotografía/Photography: RODRIGO PRIETO, CARLOS MARCOVICH. Música/Score: ALBERTO IGLESIAS. Montadores/Editors: ÁLEX MÁRQUEZ, ELISA BONORA. Sonido/Sound: SANTIAGO NÚÑEZ. Efectos especiales/Special Effects: CARLA PAGI, CLARK MULLER. Efectos digitales/Visual Effects: POST-PRODUCCIÓN DIGITAL: LA LUNA DIGITAL. Supervisor post-producción: ALESSANDRA PASQUINO. Coordinadores post-producción: LAURE JOLIET, MARIAN FERNÁNDEZ. DOCUMENTAL/DOCUMENTARY 35 mm. Eastmancolor. Panorámico 1:1,66. Duración/Running time - Metraje/Metres: 98 minutos. 2.688 Web: www.comandante.net metros. Laboratorios/Laboratories: MADRID FILM LAB. Lugares de rodaje/Locations: Cuba. Fechas de rodaje/Shooting dates: 13/2/2002 - 15/4/2002. Estreno/Premiere: 6/6/2003 Distribución nacional/Spain Distribution: MUSIDORA FILMS, S.A. Princesa, 17. Madrid. Tel. 91 542 00 36. Fax 91 559 90 69. E- mail: [email protected] Ventas mundiales/World Sales: MEDIAPRODUCCIÓN, S.L. Bruc, 111, bajos. 08009 Barcelona. Tel. 93 476 15 51. Fax 93 476 15 52. OLIVER STONE/Filmografía/Filmography: Largometrajes/Feature films: 1981: LA MANO. 1986: PLATOON. -
Sam Harris Interview Part Four
SAM HARRIS INTERVIEW PART FOUR NOTE: This transcript was generated by the service Rev.com, and though it’s quite good, it is imperfect. If you would like to quote anything from this episode you are welcome to! But please find the point in the audio where the quote originates, and verify that the transcript is accurate. If Rev’s transcript is inaccurate, we ask that you only post or publish a version of the quote that you deem correct (because your ears are awesome!). Hello again, Ars Technica listeners. This is the fourth and final installment of a four-part interview with neuroscientist, New York Times bestselling author, podcaster, and controversial public intellectual, Sam Harris. We’ll pick up with the uplifting theme we left off on yesterday. Which is to say, high tech weaponry that tomorrow’s nihilistic, suicidal mass murderers might just use to kill very large numbers of us. Before we get started though, a quick note of orientation. As those of you who listened to last week’s interview with UCSF neuroscientist Adam Gazzaley know, I originally thought this podcast series would be a limited set of just eight episodes connected to my latest science fiction novel, which is also called After On, and which came out last summer. But the podcast acquired a life of its own, and I’m about to publish episode #38 in the series of eight. As you’re about to find out, these first eight episodes have a distinctive format, in that each of them ends with a conversation between me at Tom Merritt - who you might may from CNET, from TechTV, then later from Leo Laporte’s network, and now from Tom’s own videocast, Daily Tech News Show. -
Audiobooks Biography Nonfiction
Audiobooks 1st case / James Patterson and Chris Tebbetts.","AUD CD MYS PATTERSON" "White fragility : why it's so hard for white people to talk about racism / Robin DiAngelo.","AUD CD 305.8 DIA" "The guest list : a novel / Lucy Foley, author of The hunting party.","AUD CD FIC FOLEY" Biography "Beyond valor : a World War II story of extraordinary heroism, sacrificial love, and a race against time / Jon Erwin and William Doyle.","B ERWIN" "Chasing the light : writing, directing, and surviving Platoon, Midnight Express, Scarface, Salvador, and the movie game / Oliver Stone.","B STONE" "Disloyal : a memoir : the true story of the former personal attorney to the President of the United States / Michael Cohen.","B COHEN" Horse crazy : the story of a woman and a world in love with an animal / Sarah Maslin Nir.","B NIR" "Melania and me : the rise and fall of my friendship with the First Lady / Stephanie Winston Wolkoff.","B TRUMP" "Off the record : my dream job at the White House, how I lost it, and what I learned / Madeline Westerhout.","B WESTERHOUT" "A knock at midnight : a story of hope, justice, and freedom / Brittany K. Barnett.","B BARNETT" "The meaning of Mariah Carey / Mariah Carey with Michaela Angela Davis.","B CAREY" "Solutions and other problems / Allie Brosh.","B BROSH" "Doc : the life of Roy Halladay / Todd Zolecki.","B HALLADAY" Nonfiction "Caste : the origins of our discontents / Isabel Wilkerson.","305.512 WIL" "Children of Ash and Elm : a history of the Vikings / Neil Price.","948.022 PRI" "Chiquis keto : the 21-day starter kit for taco, tortilla, and tequila lovers / Chiquis Rivera with Sarah Koudouzian.","641.597 RIV" "Clean : the new science of skin / James Hamblin.","613 HAM" "Do it afraid : embracing courage in the face of fear / Joyce Meyer.","248.8 MEY" "The end of gender : debunking the myths about sex and identity in our society / Dr. -
Revcheck Audit Schedule 2009 - 2021
REVCHECK AUDIT SCHEDULE 2009 - 2021 Territories Type of Distributor(s) Selected Titles EUROPE US STUDIO RELEASES Benelux Independents DJANGO UNCHAINED France Studios & Independents X-MEN: FIRST CLASS Germany Studios & Independents RISE OF THE PLANET OF THE APES Greece Independents LIFE OF PI Italy Studios & Independents AVATAR Portugal Independents THE BFG Scandinavia Independents THE GOLDEN COMPASS Spain Studios & Independents THE BEST EXOTIC MARIGOLD HOTEL Switzerland Studios & Independents THE GIRL ON THE TRAIN UK & Ireland Studios & Independents THE DESCENDANTS RESIDENT EVIL IV EASTERN EUROPE THE HEAT Russia & CIS Studios & Independents JUNO Baltic States Independents US & UK & EU INDEPENDENTS Poland Independents AMERICAN HUSTLE Hungary Independents AMY (WINEHOUSE DOCUMENTARY) Czech & Slovak Independents BARNEY'S VERSION Croatia & Ex-Yug. Independents BLUE JASMINE BRIGHT STAR MIDDLE EAST & AFRICA BUTLER, THE Israel Independents CHARLES CHAPLIN LIBRARY UAE (Dubai) Independents DEATH AT A FUNERAL Lebanon Independents THE DESCENT Egypt Independents DRIVE Turkey Independents EDGE OF DARKNESS South Africa Independents FINDING YOUR FEET HACKSAW RIDGE FAR EAST HARRY POTTER (BOOKS 1 to 7) Japan Studios & Independents HUNGER GAMES (PART 1 TO 4) Hong Kong Independents HURT LOCKER, THE Malaysia Independents IMITATION GAME, THE Philippines Independents IRON LADY, THE Singapore Independents JOHN WICK 2 South Korea Studios & Independents KING'S SPEECH, THE Taiwan Independents KNOWING Thailand Independents LA LA LAND Vietnam Independents LINCOLN -
Reply Comments to Comment 36
Reply Comments to Comment 36. David B. Carroll 19 February 2003 1. Class of Work From Comment #361: Audiovisual works as follows: foreign-language audiovisual works not available for sale in the United States but available for purchase outside the US on DVDs that are regionally encoded to prevent playback on DVD players purchased in the United States. The exemption requested is to permit circumvention of the region coding mechanism. 2. Summary of Argument Additional factual information in support of Comment #36’s initial request for an exemption is submitted. The proposed class is compared against a similar class from Comment #352, which offers some advantages over this class. 3. Factual Support / Legal Arguments 3.1.Evidence of a need to circumvent DVD region coding for works in this class. The Library’s solicitation for comments makes it clear that a demonstration of actual or likely damage is a prerequisite for a successful exemption, rather than an argument based solely on hypothetical or legal grounds. I have collected additional examples of, and documentation for, real-world demand for DVD content unavailable in Region 1 (“R1”) format. 3.1.1. DVD features unavailable on VHS. In rejecting an exemption for circumvention of DVD access controls in 2000, the Library of Congress wrote3: 1 Carroll, David B. Comment #36. 18 Dec 2002. http://www.copyright.gov/1201/2003/comments/036.pdf. 2 Von Lohmann, Fred and Gwen Hinze, Electronic Frontier Foundation, and Gigi Sohn, Public Knowledge. Comment #35. Dec 2002. http://www.copyright.gov/1201/2003/comments/035.pdf. From the comments and testimony presented, it is clear that, at present, most works available in DVD format are also available in analog format (VHS tape) as well.. -
Moviefone Blog 12/15/10 2:41 AM
The 50 Best Movies of 2008 - The Moviefone Blog 12/15/10 2:41 AM AOL Mail Sign in / Register Help Feedback Movie Times Movies DVD Trailers Reviews Blog Enter ZIP/Postal Code - Search Movies LOCATION: Set Your Location FAVORITE THEATERS: Add Theaters Download Apps Call Moviefone The 50 Best Movies of 2008 By Moviefone Staff (Subscribe to Moviefone Staff's posts) 647 Comments Posted Dec 19th 2008 6:00PM Filed under: Features, Best Movies Ever, Best and Worst Like 17 likes. Sign Up to see what your friends | Email like. ADVERTISEMENT Follow Us Newsletter Facebook Twitter RSS Hot Topics Most movie critics make it an annual tradition to rank their top 10 films of the year. Coming Soon DVDs Fall Movies Free Movies Online New Releases Reviews We think that's way too limiting -- what with instantly classic superhero flicks ('The Dark Knight,' 'Iron Man'), top-notch comedies ('Tropic Thunder,' 'Role Models'), Trailers and Clips Weekend Guide fantastic family fare ('WALL-E,' 'Kung Fu Panda') and must-see Oscar contenders ('Milk,' 'Slumdog Millionaire') all in the running. Believe it or not, we've got 42 more where those came from ... Presenting our third Most Popular Articles annual list of the year's 50 best movies. 'Narnia: Dawn Treader' Barely Treads 50. 'Indiana Jones and the Kingdom of the Crystal Water, Wins Weak Box Office Skull' The alien-themed plot (not to mention that scene where Shia LaBeouf channels Tarzan) incurred the wrath of some diehard Indy fans -- and earned the flick a hilariously controversial send-up courtesy of Tom Hardy Is Moviefone's Breakout Star 'South Park.' But at its essence, 'Crystal Skull' keeps of 2010 up with the previous 'Jones'es, delivering a long- awaited, and whip-cracking, fourth dose of our http://blog.moviefone.com/2008/12/19/best-movies-of-2008/ Page 1 of 18 The 50 Best Movies of 2008 - The Moviefone Blog 12/15/10 2:41 AM favorite globe-trotting archaeologist. -
Cisco Videoscape Voyager Vantage Client User Interface Guide
User Guide Cisco Videoscape Voyager Vantage Client User Interface User Guide Table of Contents Introducing the Cisco Videoscape Voyager Vantage Client User Interface .................... 6 Welcome ....................................................................................................................6 About the AT8500 AllTouch IR Universal Remote Control .............................................. 7 Select TV and Viewing Preferences with the Menu ....................................................... 8 Confi gure System Preferences with the Settings Option ............................................... 9 Set the Video Appearance ......................................................................................... 9 Set the Audio Preferences ....................................................................................... 10 Set Favorite Channels ............................................................................................... 11 Hide Channels in the Channel List ............................................................................12 Hide Specifi c Channels .........................................................................................12 Show All/Hide All Options ..................................................................................... 12 Set Closed Captioning ................................................................................................. 13 Turn Closed Captioning On and Off ...................................................................... 13 Change -
Redacted - for Public Inspection
REDACTED - FOR PUBLIC INSPECTION Page 18 REDACTED - FOR PUBLIC INSPECTION ----- - ------ - - --- - - - }} Page 19 REDACTED - FOR PUBLIC INSPECTION Table 10: Comcast Channel Positions for Top DMAs N.New Phila- San Washington Jersev Chicaao delohia Francisco Boston DC Atlanta Detroit Houston Seattle Lenfest Mass Washington Placement Union ety W Burbs DC-MD Detroit relative to (60'% of (34% of (70%01 (47% of (45% of CNBC subs) subs) subs) subs) subs) -10 MSNBC VERSUS TNT BRAVO LIFE A&E CMATL21 ESPN GOLF TRAVEL -9 LIFETIME GOVACC ESPN AMC A&E HISTORY TVG ESPN2 TNT HISTORY -8 FOOD OPEN ESPN2 TLC TLC DI Health LOCAL FSN DET FSN TLC -7 HGTV OPEN SPEED ANIMAL DISC DISC LOCAL SPEED FNC FAMILY -6 NICK BIG TEN VERSUS ABC FAM TRUTV AMIMAL CSPAN FX TCM NICK -5 SYFY OPEN CSNPHL NICK FNC TLC OPEN TNT LIFE DISNEY -4 TCM NICK GOLF CARTOON CNN DISNEY TWC AMC DISNEY CARTOON -3 DISC DISNEY FNC DISNEY HLN ABC FAM TLC A&E ANIMAL ANIMAL -2 ABC FAM CARTOON CNN CNN CSPAN CARTOON CNN E NICK CNN -1 TNT CNN HLN HLN CSPAN2 NICK HLN MSNBC E HLN Ch47 Ch58 Ch43 Ch58 Ch46 Ch60 Ch36 Ch 38 Ch45 Ch 46 CNBC CNBC CNBC CNBC CNBC CNBC CNBC CNBC CNBC CNBC +1 USA MSNBC MSNBC FNC TWC MSNBC FNC CNN BET MSNBC +2 COMEDY FNC DISC MSNBC ABC FAM CNN A&E HLN HGTV FNC +3 STYLE HLN TLC TWC ESPN HLN TBS TWC SPIKE TRUTV +4 OPEN OPEN HISTORY HISTORY ESPN2 TRUTV DISC ANIMAL VERSUS OXYGEN +5 OPEN HGTV ANIMAL COMEDY NESN LIFE TNT TRAVEL GALA LIFETIME I +6 MTV A&E OPEN EDUC CSNNE HGTV USA DISNEY TBS A&E +7 ANIMAL HISTORY FOOD TRUTV MSNBc OPEN FX NICK FOOD FX +8 TLC OXYGEN HGTV HALL RAI BRAVO VERSUS CARTOON KAZH TNT +9 BET OPEN OPEN HGTV SPIKE COMEDY CSS FAMILY WGN TBS +10 HISTORY OPEN TWC OPEN OPEN TCM ESPN USA KTBU BET Open Channels +/- 10 Yes Yes Yes Yes Yes Yes Yes No No No BTV Channel 103 128 103 128 246 103 207 178 235 128 FBN Channel 106J 106 NA 130 284 106 106 106 234 130 Data regarding channels located +/- len channel positions of CNBC and market share data lor Northern New Jersey were provided by James Cofer, Head of US Distribution, Bloomberg TV.