DOCSLIB.ORG

High School Band Required List

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
High School Band Required List 2020-2021 High School Band Required List Table of Contents Click on the links below to jump to that list Band Group I Group II Group III BAND 2020‐2021 ISSMA REQUIRED LIST HIGH SCHOOL Perform as published unless otherwise specified. OOP = Permanently Out of Print * = New Additions or Changes this year Approximate times indicated for most selections GROUP I (REQUIRED) Aegean Festival Overture Makris / Bader E.C. Schirmer 10:00 Aerial Fantasy Michael A. Mogensen C.L. Barnhouse 10:30 Al Fresco Karel Husa Associated Music 12:13 American Faces David R. Holsinger TRN 6:00 American Hymnsong Suite (mvts. 1 & 3 or mvts. 1 & 4) Dwayne Milburn Kjos 3:11 / 1:45 / 1:50 American Overture For Band Joseph Willcox Jenkins Presser 115‐40040 5:00 American Salute Gould / Lang Belwin / Alfred 4:45 And The Mountains Rising Nowhere Joseph Schwantner European American Music 12:00 And The Multitude With One Voice Spoke James Hosay Curnow Music 8:00 Angels In The Architecture Frank Ticheli Manhattan Beach 15:00 * Apotheosis Kathryn Salfelder Kon Brio 5:45 Apotheosis Of This Earth Karel Husa Associated Music 8:38 Archangel Raphael Leaves A House Of Tobias Masanori Taruya Foster Music 9:00 Armenian Dances Part I Alfred Reed Sam Fox / Plymouth 10:30 Armenian Dances Part II Alfred Reed C.L. Barnhouse 9:30 Army Of The Nile (March) Alford or Alford / Fennell Boosey & Hawkes 3:00 Aspen Jubilee Ron Nelson Boosey & Hawkes 10:00 Asphalt Cocktail John Mackey Osti Music 6:00 Austrian Overture Thomas Doss DeHaske 10:20 Away Day A. Gorb Masters Music 4:30 Balkanya Jan Van Der Roost DeHaske 10:16 Ballet Sacra David Holsinger TRN 16:00 Bandwagon, The (March) Philip Sparke Anglo Music 3:00 Barber Of Seville Overture, The Rossini / Singleton Masters Music 7:33 Barnum & Bailey's Favorite (March) King or King / Bainum King or C.L. Barnhouse 2:30 Baron Cimetier's Mambo Donald Grantham Piquant Press (Rental) 5:51 Be Glad Then, America William Schuman Merion Music / Presser 7:00 Be Thou My Vision David Gillingham C. Alan Publications 7:00 Bells For Stokowski Michael Daugherty Peermusic (Rental) 14:00 Beowulf W. Francis McBeth Southern Music 9:30 Beyond Wataru Hokoyama Masters Music 9:00 Big Cage, The Karl King / Glover C.L. Barnhouse 1:36 Blue Lake John Barnes Chance Boosey & Hawkes QMB372 5:45 Blue Shades Frank Ticheli Manhattan Beach 10:00 * Bookmarks From Japan (any 3 mvts.) Julie Giroux Musica Propria 2:15 / 2:40 / 4:00 / 2:54 / 3:55 / 3:50 Boys Of The Old Brigade (March) Chambers or Chambers / Smith Carl Fischer or Wingert‐Jones 2:45 Bravura (OOP) Charles Duble Church / Presser 2:59 British Eighth (March) Zo Elliot / Luckhardt Carl Fischer 3:15 Group I © 2020 Page 2 HS Band Required List BAND 2020‐2021 ISSMA REQUIRED LIST HIGH SCHOOL Bulgarian Dances Franco Cesarini DeHaske 11:10 Burst Sean O'Loughlin Carl Fischer 3:05 Caccia And Chorale Clifton Williams C.L. Barnhouse 6:45 California Counterpoint: The Twittering Machine Cindy McTee Lauren Keiser Music 8:00 Candide Overture Bernstein / Beeler Boosey & Hawkes 4:00 Canterbury Chorale Jan Van Der Roost DeHaske 6:32 Canticle Of The Creatures (2nd & 4th mvts. plus 2 additional) James Curnow Jenson / Hal Leonard Canzon, Fugato, And Hymn Mark Camphouse Kjos 8:00 Canzona Peter Mennin Carl Fischer J542 5:00 Canzone Elliot Del Borgo Kendor 7:44 Caricatures For Wind Symphony (any 4 mvts.) Jere Hutcheson Margun Music Carmina Burana (mvts. 1, 2, 13, plus 4 others) Orff / Krance European American Music Carnival Overture Anton Dvorak / Leigh D. Steiger Kjos 9:40 Cathedrals Kathryn Salfelder Boosey & Hawkes 6:15 Celebration Philip Sparke Studio Music 10:36 Celebration Fanfare Joan Tower / Jack Stamp Associated Music 0‐7935‐7438‐2 5:00 Celebration Fanfare Steven Reineke C.L. Barnhouse 4:35 Celebration Overture Paul Creston Shawnee Press K0051 7:30 Celebrations John Zdechlik Kjos 10:00 Centennial Fanfare ‐ March Roger Nixon Carl Fischer 5:00 Centennial March Howard Hanson Carl Fischer 6:00 Chester William Schuman Presser 145‐40000 6:00 Child's Garden of Dreams, A (any two of mvts. 1, 2, & 3 OR mvt. 4 OR mvt. 5) David Maslanka Carl Fischer 4:20 / 4:15 / 3:10 / 9:40 / 8:20 Children's March, The Percy Grainger / Erickson G. Schirmer 5035 / Hal Leonard 9410 7:00 Circuits Cindy McTee MMB Music 5:23 Circus Bee Filmore / Schissel Ludwig 2:42 Circus Franticus Julie Giroux Musica Propria 6:32 Colas Breugnon Overture Dimitri Kabalevsky/ W. Beeler Shawnee Press 4:45 Colonial Song Percy Grainger Carl Fischer J582 6:00 Color Bob Margolis Manhattan Beach 7:00 Colorado Peaks Dana Wilson Boosey & Hawkes 5:00 Colossus Of Columbia (March) Russell Alexander C.L. Barnhouse 2:45 * Come Sunday (mvt. 1 or 2) Omar Thomas omarthomas.com 6:30 / 6:40 Commando March Samuel Barber G. Schirmer 3:15 Commemoration Overture Elliot Del Borgo Shawnee Press K0364 8:30 Commemorative Suite, A (all mvts.) Robert Jager Ludwig SBS242 11:00 Commencement Curtis Wilson Wm. Allen Music CB116 7:00 Concerto For Symphonic Band Frigyes Hidas Stormworks Europe Conversations With The Night Andrew Boysen, Jr. Kjos WB141F 7:30 Council Oak David Gillingham C. Alan Publications 10:01 Country Band March Charles Ives / Sinclair Presser 145‐40012 4:13 Courtly Dances Britten / Bach Boosey & Hawkes 10:00 Cuban Overture Gershwin / Rogers Alfred 10:52 Group I © 2020 Page 3 HS Band Required List BAND 2020‐2021 ISSMA REQUIRED LIST HIGH SCHOOL Dance Diabolique Hellmesberger / Takahashi DeHaske 6:00 Dance Movements (Mvt. IV: Molto Ritmico) Philip Sparke Studio Music 7:03 Dance Of The Jesters Tchaikovsky / Cramer Curnow Music 4:00 Dance Of The New World Dana Wilson Ludwig 11:00 Dance Suite On Spanish And Latin Rhythms Aldo Forte Kjos 10:03 Danish Bouquet (any 3 mvts.) Ira Hearshen Ludwig Danse Bacchanale (from Samson Et Delila) Saint‐Saens / L. Steiger Kjos 7:39 Danse Folatre Claude T. Smith Wingert‐Jones 9:00 Danses Sacred And Profane (any 2 mvts.) William H. Hill C.L. Barnhouse 4:25 / 4:05 / 3:20 Danzon #2 Marquez / Nickel Peermusic Classical 9:52 Decoration Day Charles Ives Peermusic 8:00 Diamond Variations Robert Jager Columbia / Alfred 12:00 Dionysiaques Florence Schmitt / Duker Presser 10:49 Dithyrambos for Wind Orchestra Chang Su Koh Bravo Music YDOK‐C05 (Rental Only) 8:00 Divertimento Husa / Boyd Ludwig 15:00 Divertimento (any 3 mvts.) Leonard Bernstein Boosey & Hawkes 1:58 / 1:16 / 1:30 / 4:08 Divertimento For Band Ira Hearshen Ludwig 11:50 Divertimento For Band (any 4 mvts.) Vincent Persichetti Presser 135‐41014 1:24 / 2:10 / 1:05 / 1:42 / 2:30 / 1:50 Divertimento For Winds And Percussion (any 3 mvts.) Roger Chichy Daehn Publications 2:00 / 2:35 / 1:55 / 2:45 Do Not Go Gentle Into That Good Night Elliot Del Borgo Shawnee Press 11:15 Down From The Shimmering Sky James Curnow Curnow Music 7:32 Downshifting Dan Welcher Presser 165‐00097 6:30 * Duende (mvt. 1 or 4 and 2 or 3) Luis Serrano Alarcon Piles Music 3:37 / 3:30 / 8:10 / 3:24 Dunedin (March) Kenneth Alford Boosey & Hawkes 3:15 Early Light Carolyn Bremmer Carl Fischer 5:26 Easter Monday On The White House Lawn John Philip Sousa / Rogers Southern Music 2:37 El Camino Real Alfred Reed Marks / Hal Leonard 9:30 El Capitan (March) J.P. Sousa Presser 2:10 El Golpe Fatal Dirk Brosse DeHaske 13:00 El Salon Mexico Copland / Hindsley Boosey & Hawkes 12:00 Elegy John Barnes Chance Boosey & Hawkes QMB378 8:10 Elegy And Fanfare (March) (OOP) Roger Nixon Carl Fischer 9:00 Elegy For A Young American Ronald Lo Presti Presser 6:13 Elsa's Procession To The Cathedral R. Wagner / Cailliet Jenson / Alfred 7:15 Emblems Aaron Copland Boosey & Hawkes 11:59 Endurance Timothy Mahr Kjos 11:00 English Dances, Set II Arnold / Herbert Alfred Lengnick 8:30 English Folk Song Suite Ralph Vaughan Williams Boosey & Hawkes QMB151 12:00 Engulfed Cathedral, The Debussy / Patterson Manhattan Beach 6:00 Enigma Variations Edward Elgar / Slocum TRN 12:50 Entry Of The Gladiators (March) Fucik or Fucik / Seredy Boosey & Hawkes or Carl Fischer 2:30 Epinicion John Paulson Kjos B392 6:00 Epiphanies Ron Nelson Ludwig 7:48 Group I © 2020 Page 4 HS Band Required List BAND 2020‐2021 ISSMA REQUIRED LIST HIGH SCHOOL Espana Chabrier / Rogers Southern Music 6:11 Esprit De Corps Robert Jager Marks 00007231 5:20 Eternal Father Strong To Save Claude T. Smith Wingert‐Jones 6:15 Exultate Samuel Hazo Boosey & Hawkes 3:30 Fairest Of The Fair Sousa / Fennell Presser 3:24 Fanfare And Allegro Clifton Williams Summy‐Birchard 515 6:15 Fanfare And Steeplechase John Cheetham Masters Music 7:56 Fanfare For A Golden Sky Scott Boerma Kjos 3:02 Fantasia In G Timothy Mahr Kjos JB3 5:00 Fantasia In G Major Bach / Goldman‐Leist Mercury / Presser 6:30 Fantasia On Aura Lee, "The Army Blue" Ira Hearshen Ludwig Masters 12:07 Fantasies On A Theme By Haydn Norman Dello Joio Marks / Hal Leonard 6778 14:30 Fantasy Variations James Barnes Southern Music S612 15:00 Fantasy Variations On George Gershwin's Prelude II Donald Grantham Alfred 12:30 Fascinating Ribbons Joan Tower Schirmer 6:00 Festival Clifton Williams Summy‐Birchard 517 6:30 Festival Variations Claude T. Smith Wingert‐Jones 9:45 Festive Overture Shostakovich / Hunsberger Hal Leonard UB14 6:30 Festive Overture, A Alfred Reed Frank Music Corp. 7:00 Festivo Edward Gregson Novello / Shawnee Press 6:00 Fiesta Del Pacifico Roger Nixon Boosey & Hawkes QMB340 8:00 Fiesta! Philip Sparke Studio Music 7:14 Fifth Trumpeter, The W.
Load more

Recommended publications
  • Reports Institute for Latino Studies and Research Partners in Our Community of Interest Vol
    InterimC A series of papers on work in progress by the University of Notre Dame’s Reports Institute for Latino Studies and research partners in our community of interest Vol. 2003.1 January 2003 ter for the St Cen udy Religion Matters: Predicting Schooling Success among Latino Youth of Latino Religion David Sikkink and Edwin I. Hernández University of Notre Dame ter for the St Cen udy of Latino Religion Religion Matters: Predicting Schooling Success among Latino Youth David Sikkink and Edwin I. Hernández University of Notre Dame Institute for Latino Studies, University of Notre Dame 230 McKenna Hall, Notre Dame, IN 46556-0764 (574) 631-4440 • email: [email protected] • www.nd.edu/~latino The Interim Reports series is a publication of the Institute for Latino Studies at the University of Notre Dame. No. 1, January 2003 ter for the St Cen udy of Latino Religion The Center for the Study of Latino Religion was founded in 2002 within Notre Dame’s Institute for Latino Studies to serve as a national center and clearinghouse for ecumenically focused research on the US Latino church, its leadership, and the interaction between religion and community. For more information, please go to www.nd.edu/~cslr. Publication of this paper was underwritten by a grant from The Pew Charitable Trusts. The three wavy lines shown here are a symbol from ancient times representing the human intellect in action. From The Book of Signs, collected, drawn, and C explained by Rudolf Koch (London: The First Edition Club, 1930, page 8). Table of Contents About the Researchers .
    [Show full text]
  • ALL-VIRGINIA BAND and ORCHESTRA Saturday, April 8, 2017
    Virginia Band and Orchestra Directors’ Association ALL-VIRGINIA BAND and ORCHESTRA Saturday, April 8, 2017 Charles J. Colgan, Sr. High School Center for Fine and Performing Arts Manassas, VA Concert Band: Jamie Nix, Columbus State University Symphonic Band: Gary Green, the University of Miami Orchestra: Anthony Maiello, George Mason University Virginia Band and Orchestra Directors Association Past Presidents Stephen H. Rice (2014-2016) H. Gaylen Strunce (1974-1976) Allen Hall (2012-2014) Carroll R. Bailey (1972-1974) Keith Taylor (2010-2012) James Lunsford (1970-1972) Doug Armstrong (2008-2010) James Simmons (1968-1970) Rob Carroll (2006-2008) Harold Peterson (1966-1968) Denny Stokes (2004-2006) David Mitchell (1964-1966) T. Jonathan Hargis (2002-2004) John Perkins (1962-964) Jack Elgin (2000-2002) Ralph Shank (1960-1962) Joseph Tornello (1998-2000) Gerald M. Lewis (1958-1960) Linda J. Gammon (1996-1998) Leo Imperial (1956-1958) Stanley R. Schoonover (1994-1996) Philip J. Fuller (1953-1956) Dwight Leonard (1992-1994) Clyde Duvall (1952-1953) Diana Love (1990-1992) Russell Williams (1950-1952) Steve King (1988-1990) Sidney Berg (1948-1950) Scott Lambert (1986-1988) William Nicholas (1946-1948) Carl A. Bly (1984-1986) Sharon B. Hoose (1944-1946) Vincent J. Tornello (1982-1984) J.H. Donahue, Jr. (1943-1944) Daniel J. Schoemmell (1980-1982) G.T. Slusser (1942-1943) Edward Altman (1978-1980) Fred Felmet, Jr. (1941-1942) Fred Blake (1976-1978) Sharon B. Hoose (1940-1941) Gilbert F. Curtis (1930-1940) Virginia Band and Orchestra Directors Association 75th Anniversary In recognition of the 75th anniversary of the Virginia Band and Orchestra Directors Association, three works were commissioned to be written by composers with ties to Virginia.
    [Show full text]
  • National Origin (Mis)Identification Among Latinos in the 2000 Census: the Growth of the “Other Hispanic Or Latino” Category
    National Origin (Mis)Identification Among Latinos in the 2000 Census: The Growth of the “Other Hispanic or Latino” Category. Matt A. Barreto University of California, Irvine Harvard Journal of Hispanic Policy Volume 15, June 2003 Abstract. The 2000 Census revealed unprecedented population growth among Latinos in the United States with the total Latino population growing to over 35 million. However, the census also revealed its inability to accurately count and distinguish between countries of ancestry among the Latino population. Over fifteen percent of all Latinos living in the United States indicated “other Hispanic or Latino” when asked for specific country of origin for their family heritage. This misclassification has lead many groups of Latinos to question the validity and accuracy of the census instrument, and has frustrated others, expecting to find big gains in their population. Using data from the Census 2000 Summary File 1 (SF1) I model identification as “other” Latino at the county level. Not surprising, I find that Dominicans, Colombians, Salvadorans, and Guatemalans were among the top nationalities miscounted by the 2000 census. In sum, nearly 2 million Central and South Americans were misidentified by the census putting their numbers and clout in question. Through OLS regression analysis I can identify which groups are most misrepresented and what regional variations exist. This research holds great promise not just for advocacy groups, eager to see a more accurate count of their population, but also for policy makers responsible
    [Show full text]
  • Historic Context Statement City of Benicia February 2011 Benicia, CA
    Historic Context Statement City of Benicia February 2011 Benicia, CA Prepared for City of Benicia Department of Public Works & Community Development Prepared by page & turnbull, inc. 1000 Sansome Street, Ste. 200, San Francisco CA 94111 415.362.5154 / www.page-turnbull.com Benicia Historic Context Statement FOREWORD “Benicia is a very pretty place; the situation is well chosen, the land gradually sloping back from the water, with ample space for the spread of the town. The anchorage is excellent, vessels of the largest size being able to tie so near shore as to land goods without lightering. The back country, including the Napa and Sonoma Valleys, is one of the finest agriculture districts in California. Notwithstanding these advantages, Benicia must always remain inferior in commercial advantages, both to San Francisco and Sacramento City.”1 So wrote Bayard Taylor in 1850, less than three years after Benicia’s founding, and another three years before the city would—at least briefly—serve as the capital of California. In the century that followed, Taylor’s assessment was echoed by many authors—that although Benicia had all the ingredients for a great metropolis, it was destined to remain in the shadow of others. Yet these assessments only tell a half truth. While Benicia never became the great commercial center envisioned by its founders, its role in Northern California history is nevertheless one that far outstrips the scale of its geography or the number of its citizens. Benicia gave rise to the first large industrial works in California, hosted the largest train ferries ever constructed, and housed the West Coast’s primary ordnance facility for over 100 years.
    [Show full text]
  • Comparing the Basque Diaspora
    COMPARING THE BASQUE DIASPORA: Ethnonationalism, transnationalism and identity maintenance in Argentina, Australia, Belgium, Peru, the United States of America, and Uruguay by Gloria Pilar Totoricagiiena Thesis submitted in partial requirement for Degree of Doctor of Philosophy The London School of Economics and Political Science University of London 2000 1 UMI Number: U145019 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U145019 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Theses, F 7877 7S/^S| Acknowledgments I would like to gratefully acknowledge the supervision of Professor Brendan O’Leary, whose expertise in ethnonationalism attracted me to the LSE and whose careful comments guided me through the writing of this thesis; advising by Dr. Erik Ringmar at the LSE, and my indebtedness to mentor, Professor Gregory A. Raymond, specialist in international relations and conflict resolution at Boise State University, and his nearly twenty years of inspiration and faith in my academic abilities. Fellowships from the American Association of University Women, Euskal Fundazioa, and Eusko Jaurlaritza contributed to the financial requirements of this international travel.
    [Show full text]
  • The Sonata for Alto Saxophone and Piano (1988) by David Maslanka
    THE SONATA FOR ALTO SAXOPHONE AND PIANO (1988) BY DAVID MASLANKA: AN ANALYTIC AND PERFORMANCE GUIDE. by CAMILLE LOUISE OLIN (Under the Direction of Kenneth Fischer) ABSTRACT In recent years, the Sonata for Alto Saxophone and Piano by David Maslanka has come to the forefront of saxophone literature, with many university professors and graduate students aspiring to perform this extremely demanding work. His writing encompasses a range of traditional and modern elements. The traditional elements involved include the use of “classical” forms, a simple harmonic language, and the lyrical, vocal qualities of the saxophone. The contemporary elements include the use of extended techniques such as multiphonics, slap tongue, manipulation of pitch, extreme dynamic ranges, and the multitude of notes in the altissimo range. Therefore, a theoretical understanding of the musical roots of this composition, as well as a practical guide to approaching the performance techniques utilized, will be a valuable aid and resource for saxophonists wishing to approach this composition. INDEX WORDS: David Maslanka, saxophone, performer’s guide, extended techniques, altissimo fingerings. THE SONATA FOR ALTO SAXOPHONE AND PIANO (1988) BY DAVID MASLANKA: AN ANALYTIC AND PERFORMANCE GUIDE. by CAMILLE OLIN B. Mus. Perf., Queensland Conservatorium Griffith University, Australia, 2000 M.M., The University of Georgia, 2003 A Dissertation Submitted to the Graduate Faculty of the University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF MUSICAL ARTS ATHENS, GEORGIA 2006 © 2007 Camille Olin All Rights Reserved THE SONATA FOR ALTO SAXOPHONE AND PIANO (1988) BY DAVID MASLANKA: AN ANALYTIC AND PERFORMANCE GUIDE. by CAMILLE OLIN Major ProfEssor: KEnnEth FischEr CommittEE: Adrian Childs AngEla JonEs-REus D.
    [Show full text]
  • Christou V8U 1..264
    www.ssoar.info Narratives of place, culture and identity: second- generation Greek-Americans return 'home' Christou, Anastasia Veröffentlichungsversion / Published Version Dissertation / phd thesis Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: OAPEN (Open Access Publishing in European Networks) Empfohlene Zitierung / Suggested Citation: Christou, A. (2006). Narratives of place, culture and identity: second-generation Greek-Americans return 'home'. (IMISCoe Dissertations). Amsterdam: Amsterdam Univ. Press. https://nbn-resolving.org/urn:nbn:de:0168-ssoar-329816 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de Narratives of Place, Culture and Identity IMISCOE (International Migration, Integration and Social Cohesion) IMISCOE is a European Commission-funded Network of Excellence of more than 350 scientists from various research institutes that specialise in migration and integration issues in Europe. These researchers, who come from all branches of the economic and social sciences, the huma- nities and law, implement an integrated, multidisciplinary and interna- tionally comparative research program that focuses on Europe’s migra- tion and integration challenges. Within the program, existing research is integrated and new re- search lines are developed that involve issues crucial to European-level policy-making and provide a theory-based design to implement new re- search. The publication program of IMISCOE is based on five distinct publication profiles, designed to make its research and results available to scien- tists, policymakers and the public at large.
    [Show full text]
  • Unhcr > Global Trends 2018
    2018 IN REVIEW Trends at a Glance The global population of forcibly displaced increased by 2.3 million people in 2018. By the end of the year, almost 70.8 million individuals were forcibly displaced worldwide as a result of persecution, conflict, violence, or human rights violations. As a result, the world’s forcibly displaced population remained yet again at a record high. MILLION FORCIBLY as a result of persecution, DISplacED 70.8 WORLDwiDE conflict, violence, or human rights violations at end-2018 25.9 million refugees 20.4 million refugees under UNHCR’s mandate 5.5 million Palestine refugees under UNRWA’s mandate 41.3 million internally displaced people1 3.5 million asylum-seekers 37,000 13.6 MILLION NEW DISPLACEMENTS NEWLY DISPLACED EVERY Day 4 IN 5 An estimated 13.6 million people The number of new displacements Nearly 4 out of every 5 refugees were newly displaced due to conflict was equivalent to an average of lived in countries neighbouring their or persecution in 2018. 37,000 people being forced to flee countries of origin. This included 10.8 million individuals their homes every day in 2018. displaced2 within the borders of their own country and 2.8 million new 1 Internal Displacement Monitoring Centre refugees and new asylum-seekers. of the Norwegian Refugee Council. 2 Ibid. 3 The number of new individual asylum applications for Turkey does not include Syrian 3.5 nationals who receive protection under the MILLION Temporary Protection Regulation and relates 16% to applications submitted to UNCHR until 10 September 2018, when the government ASYLUM-SEEKERS assumed full responsibility for registration and Countries in developed regions refugee status determination.
    [Show full text]
  • Maslanka Symphony No. 10
    Wind Ensemble Presents Maslanka Symphony No. 10 World Premiere Scott Hagen, conductor Tuesday, April 3, 2018 Libby Gardner Concert Hall Pre-Concert Discussion: 6:45 p.m. Performance: 7:30 p.m. Program (Please hold applause until the end of each section and turn off all electronic devices that could disrupt the concert.) First Light David Maslanka (1943-2017) The Seeker David Maslanka Intermission Symphony No. 10 : The River of Time David Maslanka I. Alison with Matthew Maslanka II. Mother and Boy Watching the River of Time (1982- ) III. David IV. One Breath in Peace Please join us immediately following the concert for a reception in Thompson Chamber Music Hall Wind Ensemble Personnel Piccolo Bass Clarinet Bass Trombone Ali Parra Raymond Hernandez Peyton Wong Flute Contra Bass Clarinet Euphonium Mitchell Atencio Carla Ray Michael Bigelow* Sara Beck Matthew Maslanka Ali Parra Saxophone Garret Woll Diego Plata* Cameron Carter McKayla Wolf Max Ishihara Tuba Chloe Wright David Kidd James Andrus Timothy Kidder Matthew Lindahl* Oboe Lisa Lamb Brenden McCauley Haehyun Jung Erik Newland* Erika Qureshi* Jordan Wright Timpani Yolane Rodriguez Andy Baldwin Robin Vorkink Horn Taylor Blackley Percussion English Horn Sean Dulger Troy Irish Robin Vorkink Korynn Fink Nick Montoya Bradley Sampson Cris Stiles Bassoon Kaitlyn Seymour* Olivia Torgersen Hans Fronberg Amber Tuckness Monah Valentine Dylan Neff* Taylor Van Bibber Brandon Williams* Kylie Lincoln* Trumpet Piano Contra Bassoon Zach Buie* Carson Malen Hans Fronberg Jacob Greer Zach Janis Celeste Eb Clarinet Eddie Johnson McKayla Wolf Maggie Burke Reed LeCheminant Peyden Shelton String Bass Clarinet George Voellinger Hillary Fuller Maggie Burke Jacob Whitchurch Myroslava Hagen Elihue Wright Harp Janelle Johnson Melody Cribbs* Samuel Noyce Trombone Alex Sadler Shaun Hellige *principal player Michal Tvrdik Ammon Helms* Jairo Velazquez* Alex Hunter* Erin Voellinger Brian Keegan This performance and recording project are genersously supported by the Thomas D.
    [Show full text]
  • Puerto Rico's Quest for Difference Within the United
    1 Liking to Be in America: Puerto Rico’s Quest for Difference within the United States Ángel R. Oquendo* I like to be in America! O.K. by me in America! Ev’rything free in America. For a small fee in America! America , WEST SIDE STORY Lyrics by Stephen Sondheim Music by Leonard Bernstein I. The Puerto Rican Cultural Exception When Gabriel García Márquez visited Puerto Rico recently, someone asked him why he had never written about the island. The Colombian Nobel Prize winning novelist smiled and paused for a second before responding. “If I told the truth about Puerto Rico,” he explained, “everyone would say I was making it up.”1 Indeed, the Puerto Rican experience is in many ways too outlandish , even for magical realism. Despite being a territory of the world’s largest exporter of democratic rhetoric, Puerto Rico does not function as a true democracy. Puerto Ricans have absolutely no electoral say with respect to the institutions that enact, execute, and apply the supreme laws of the land.2 * Visiting Professor Boalt Hall, School of L aw (Berkeley); Professor of Law, University of Connecticut School of Law. A.B., M.A., Ph.D., Harvard University; J.D., Yale University. I would like to express my appreciation to Philip Blumberg, Christina Burnett, Maria Clara Dias, Angela Harris, Mark J anis, Richard Kay, Wilson Mendonça, and Shaina Spreng for their critical comments on earlier drafts. 1 Elea Carey, Spark’s Novel Was Worth the Wait COM . A PPEAL (Memphis), Jan. 22, 1995, at 3G. 2 U.S. federal law generally applies in Puerto Rico as in any state of the Union.
    [Show full text]
  • An Examination of David Maslanka's
    DEPICTION THROUGH EVOCATION, REPRESENTATION, AND INTROSPECTION: AN EXAMINATION OF DAVID MASLANKA’S UNACCOMPANIED MARIMBA SOLOS Corey R. Robinson, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 201 8 APPROVED: Mark Ford, Major Professor Warren Henry, Committee Member Christopher Deane, Committee Member John Holt, Chair of the Division of Instrumental Studies Benjamin Brand, Director of Graduate Studies in the College of Music John W. Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Robinson, Corey R. Depiction through Evocation, Representation, and Introspection: An Examination of David Maslanka’s Unaccompanied Marimba Solos. Doctor of Musical Arts (Performance), August 2018, 94 pp., 48 figures, bibliography, 46 titles. The primary purpose of this study is to provide connections between a formal motivic analysis and the programmatic content of David Maslanka’s three works for unaccompanied marimba: Variations on Lost Love (1977), My Lady White (1980), and A Solemn Music (2013). A comparison of the compositional process of each of these works is proposed through terms of Maslanka’s use of depiction. Depiction is the action or result of representing through drawing, painting, or other art form, in this case, music. In each work for unaccompanied marimba, Maslanka uses this process of depiction in a unique way. The depictive mediums are categorized as evocative, representative, and introspective and these distinct approaches to depiction lead to three drastically different musical works. The different methods of depicting source materials are the distinguishing characteristics that separate these three works for solo marimba.
    [Show full text]
  • California-Ko Ostatuak: a History Of
    3-79 Af&ti /Jo. 281? CALIFORNIA-KO OSTATUAK: A HISTORY OF CALIFORNIA'S BASQUE HOTELS DISSERTATION Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By Jeronima (Jeri) Echeverria, B.A., M.A. Denton, Texas May, 1988 Echevenia, Jeronima (Jeri), Cal^fornia-ko Ostatuak: A History of California's Basque Hotels. Doctor of Philosophy (History), May, 1988, 282 pp., 14 tables, 15 illustrations, bibliography, 512 titles. The history of California's Basque boardinghouses, or ostatuak, is the subject of this dissertation. To date, scholarly literature on ethnic boardinghouses is minimal and even less has been written on the Basque "hotels" of the American West. As a result, conclusions in this study rely upon interviews, census records, local directories, early maps, and newspapers. The first Basque boardinghouses in the United States appeared in California in the decade following the gold rush and tended to be outposts along travel routes used by Basque miners and sheepmen. As more Basques migrated to the United States, clusters of ostatuak sprang up in communities where Basque colonies had formed, particularly in Los Angeles and San Francisco during the late nineteenth century. In the years between 1890 and 1940, the ostatuak reached their zenith as Basques spread throughout the state and took their boardinghouses with them. This study outlines the earliest appearances of the Basque ostatuak, charts their expansion, and describes their present state of demise. The role of the ostatuak within Basque-American culture and a description of how they operated is another important aspect of this dissertation.
    [Show full text]