DOCSLIB.ORG

Illumination

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Illumination DAVID MASLANKA Illumination OVERTURE FOR BAND ILLUMINATION Overture for Band selected works for high school wind ensemble by david maslanka Rollo Takes a Walk • 1980 Prelude on a Gregorian Tune • 1981 Montana Music: Chorale Variations • 1993 Laudamus Te • 1994 A Tuning Piece • 1995 Heart Songs • 1997 Hell’s Gate • 1997 Morning Star • 1997 Tears • 1997 Alex and the Phantom Band • 2002 Testament • 2002 Mother Earth • 2003 Traveler • 2003 Give Us This Day • 2006 Procession of the Academics • 2007 Unending Stream of Life • 2007 Liberation • 2010 Requiem • 2013 On This Bright Morning • 2013 Hymn for World Peace • 2014 Perusal scores, full recordings, and purchasing information available at davidmaslanka.com DAVID MASLANKA Illumination OVERTURE FOR BAND ( 2013 ) TRANSPOSED PERFORMING SCORE MASLANKA PRESS NEW YORK Copyright © 2014 by Maslanka Press Version 1.0 All rights reserved. No part of this work may be reproduced in any form or by any means without permission from the publisher. Individuals who purchase the music may create a physical or electronic copy for personal backup or ease of use. David Maslanka and Maslanka Press are members of the American Society for Composers, Authors and Publishers (ascap). Public performances of this work must be licensed through ascap. See www.ascap.com for more information. First published in 2014 by Maslanka Press. maslanka press 420 West Fifty-sixth Street #10 New York City, ny 10019 usa www.maslankapress.com This is the initial release of this work. Any errata may be found on this work’s page at www.maslankapress.com. mp-2013.12-1.0-ps Designed, engraved, and printed in the United States. ∞ to the grade 8–12 musicians of the Annie Sullivan Middle School, Horace Mann Middle School, Remington Middle School, and Franklin High School, Franklin, Massachusetts Nicole Wright, Band Director Nancy Schoen, Music Director Illumination was made possible through the generous support of the Franklin Education Foundation and the Franklin Music Boosters. Instrumentation Piccolo Piano 2 Flute Timpani Oboe Percussion 1 3 Clarinet in Bb Vibraphone Bass Clarinet in Bb Bassoon Percussion 2 Marimba 2 Alto Saxophone Lg. Susp. Cymbal (shared) Tenor Saxophone Baritone Saxophone Percussion 3 Xylophone 2 Horn in F Chimes 3 Trumpet in Bb Bass Drum 2 Trombone Baritone tc (opt.) Percussion 4 Euphonium Snare Drum Tuba Tenor Drum Lg. Susp. Cymbal (shared) Percussion 5 Lg. Susp. Cymbal (shared) Orchestra Bells Wood Block Illumination may be performed successfully with a wide variety of ensemble sizes, from a single player on each part to a large symphonic band. Each part (including multiple copies) is separately numbered. The following indicates the part number and the number of copies included with the full set: No. Part Name Copies No. Part Name Copies 1 Piccolo 1 40–42 Trumpet in Bb 1 3 2–5 Flute 1 4 43–45 Trumpet in Bb 2 3 6–9 Flute 2 4 46–48 Trumpet in Bb 3 3 10–11 Oboe 2 49–51 Trombone 1 3 12–15 Clarinet in Bb 1 4 52–54 Trombone 2 3 16–19 Clarinet in Bb 2 4 55–57 Euphonium 3 20–23 Clarinet in Bb 3 4 58–59 Baritone tc 2 24–25 Bass Clarinet in Bb 2 60–63 Tuba 4 26–27 Bassoon 2 64 Piano 1 28–29 Alto Saxophone 1 2 65 Timpani 1 30–31 Alto Saxophone 2 2 66–67 Percussion 1 2 32–33 Tenor Saxophone 2 68–69 Percussion 2 2 34–35 Baritone Saxophone 2 70–71 Percussion 3 2 36–37 Horn in F 1 2 72–73 Percussion 4 2 38–39 Horn in F 2 2 75–75 Percussion 5 2 Duration: 5´ About this work Illumination: Overture for Band was composed for the Franklin, Massachusetts public schools. The commission was started by Nicole Wright, band director at the Horace Mann Middle School in Franklin, when she discovered that my grandnephew was in her band. The piece was initially to have been for her young players, but the idea grew to make it the center of the dedication concert at the opening of Franklin’s new high school building. Rehearsals of Illumination were actually the first musical sounds made in their fine new auditorium. Program note “Illumination” – lighting up, bringing light. I am especially in- terested in composing music for young people that allows them a vibrant experience of their own creative energy. A powerful experience of this sort stays in the heart and mind as a channel for creative energy, no matter what the life path. Music shared in community brings this vital force to everyone. Illumination is an open and cheerful piece in a quick tempo, with a very direct a b a song form. (September 2014) david maslanka ILLUMINATION Overture for Band ILLUMINATION 3 Overture for Band Moderate (q = 80) > > ° b>œ Uw ˙ >˙ ˙ b˙ 4 U >œ Piccolo &4 ∑ ∑ ∑ Ó ff > > > a œ b>œ Uw ˙ >˙ ˙ b˙ 1 4 U Flute 2 &4 ∑ ∑ ∑ Ó ff 4 U >™ U > >˙ b>˙ Oboe ¢&4 ∑ ∑ ∑ b˙ w ˙ ˙ ff œ > > ™ U a ° > ˙ œ w ˙ > 1 4 U œ˙ œ >˙ >˙ ˙ Clarinet in Bb 2 &4 ∑ ∑ ∑ ff > > > U > > U Clarinet in Bb 3 4 ∑ ∑ ∑ œ ˙™ w ˙ Ó ∑ &4 quick U , ff U Bass Clarinet in Bb ¢ 4 &4 ˙ œ w ˙ œ w w ˙ ˙ w ff > quick > > ° œ > , œ > > ? 4 > U > U Bassoon ¢ 4 ˙ bw bw w bw w w ˙ > > ff mf f>f mf ff > > U quick, > > U > >˙ >˙ 1 ° 4 > œ w > œ w w ˙ ˙ Alto Saxophone 2 &4 ˙ œ˙ w ˙ œ˙ w w ˙ ˙ ˙ ˙ quick ff > > , > > 4 U U Tenor Saxophone &4 ff ˙ ˙ w quick ˙ ˙ w w ˙ ˙ w > > , > > > 4 U U > Baritone Saxophone ¢&4 ˙ œ w ˙ œ w w w w ff > œ > > œ > Modera>te (q = 80) > quick > > > U , > a 1 ° 4 > œ w > œ w Uw ˙ > Horn in F 2 &4 ˙ œ˙ w ˙ œ˙ w w ˙ ˙ ˙ b˙ ff quick > > > > > U , > > > > 1 4 > > œ w > > œ w Uw ˙ ˙ ˙ ˙ Trumpet in Bb 2 &4 ˙ ff ˙ œ˙ w quick ˙ œ˙ w w ˙ ˙ >˙ > > U , > > U > Trumpet in Bb 3 ¢ 4 Ó ∑ &4 w w w w w ˙ f>f mf f>f mf ff > quick > ° > U , > U 1 ? 4 > bœ w > bœ w w ˙ Trombone 2 œ˙ w œ˙ w w ˙ Ó ∑ 4 b˙ quick b˙ ff > > U , > > U ? 4 > > bœ w > > bœ w w ˙ Euphonium 4 b˙ œ b˙ œ Ó ∑ ff > quick > ? 4 U , U Tuba ¢ 4 Ó ∑ bw w bw w w ˙ f>f mf f>f mf U– ff quick bœ w > >œ , > >œ bœ œ bœ w— ? 4 b˙ U ? b˙ œ œ 4 b˙ œ &bœ w b˙ œ &bœ bœ ∑ ∑ Piano ff bœ w bœ œ > U > bœ œ U ? 4 œ œ œ œ bœ w– ? ∑ ∑ 4 b˙ œ w b˙ œ bœ & — { b˙ >œ œ w b˙ >œ œ œ bœ w P “>‘ > (no break) “>‘ > æ Uæ æ æ Uæ Timpani ? 4 æ æ æ æ æ 4 b˙ œ w b˙ œ w w œ œbœ œ œ œ œ œ bœ œ œ œ œ œ œ œ f>f œ f>fp f>f œ f>fp f>f > > > > > > > > > > > > > > > ° > > 4 U Percussion 1 &4 ∑ ∑ ∑ ∑ ∑ ∑ ∑ Marimba (no break) U > > b>˙ æ æ b>œ w ˙ ˙ æ˙ æ ? 4 æ Uæ æ >œ æ æ æ æ æ æ Percussion 2 4 bw w bw œ Œ& æ > > æ ff mf ff mf ff > > Xylophone b>œ Uw ˙ >˙ æ˙ bæ˙ 4 U >œ æ æ æ æ æ æ Percussion 3 &4 ∑ ∑ ∑ Ó æ ff 4 U Percussion 4 / 4 ∑ ∑ ∑ ∑ ∑ ∑ ∑ 4 U Percussion 5 ¢ / 4 ∑ ∑ ∑ ∑ ∑ ∑ ∑ MP-2013.12-1.0-PS 1 2 3 4 5 6 7 3 ILLUMINATION 3 Overture for Band Moderate (q = 80) > > ° b>œ Uw ˙ >˙ ˙ b˙ 4 U >œ Piccolo &4 ∑ ∑ ∑ Ó ff > > > a œ b>œ Uw ˙ >˙ ˙ b˙ 1 4 U Flute 2 &4 ∑ ∑ ∑ Ó ff 4 U >™ U > >˙ b>˙ Oboe ¢&4 ∑ ∑ ∑ b˙ w ˙ ˙ ff œ > > ™ U a ° > ˙ œ w ˙ > 1 4 U œ˙ œ >˙ >˙ ˙ Clarinet in Bb 2 &4 ∑ ∑ ∑ ff > > > U > > U Clarinet in Bb 3 4 ∑ ∑ ∑ œ ˙™ w ˙ Ó ∑ &4 quick U , ff U Bass Clarinet in Bb ¢ 4 &4 ˙ œ w ˙ œ w w ˙ ˙ w ff > quick > > ° œ > , œ > > ? 4 > U > U Bassoon ¢ 4 ˙ bw bw w bw w w ˙ > > ff mf f>f mf ff > > U quick, > > U > >˙ >˙ 1 ° 4 > œ w > œ w w ˙ ˙ Alto Saxophone 2 &4 ˙ œ˙ w ˙ œ˙ w w ˙ ˙ ˙ ˙ quick ff > > , > > 4 U U Tenor Saxophone &4 ff ˙ ˙ w quick ˙ ˙ w w ˙ ˙ w > > , > > > 4 U U > Baritone Saxophone ¢&4 ˙ œ w ˙ œ w w w w ff > œ > > œ > Modera>te (q = 80) > quick > > > U , > a 1 ° 4 > œ w > œ w Uw ˙ > Horn in F 2 &4 ˙ œ˙ w ˙ œ˙ w w ˙ ˙ ˙ b˙ ff quick > > > > > U , > > > > 1 4 > > œ w > > œ w Uw ˙ ˙ ˙ ˙ Trumpet in Bb 2 &4 ˙ ff ˙ œ˙ w quick ˙ œ˙ w w ˙ ˙ >˙ > > U , > > U > Trumpet in Bb 3 ¢ 4 Ó ∑ &4 w w w w w ˙ f>f mf f>f mf ff > quick > ° > U , > U 1 ? 4 > bœ w > bœ w w ˙ Trombone 2 œ˙ w œ˙ w w ˙ Ó ∑ 4 b˙ quick b˙ ff > > U , > > U ? 4 > > bœ w > > bœ w w ˙ Euphonium 4 b˙ œ b˙ œ Ó ∑ ff > quick > ? 4 U , U Tuba ¢ 4 Ó ∑ bw w bw w w ˙ f>f mf f>f mf U– ff quick bœ w > >œ , > >œ bœ œ bœ w— ? 4 b˙ U ? b˙ œ œ 4 b˙ œ &bœ w b˙ œ &bœ bœ ∑ ∑ Piano ff bœ w bœ œ > U > bœ œ U ? 4 œ œ œ œ bœ w– ? ∑ ∑ 4 b˙ œ w b˙ œ bœ & — { b˙ >œ œ w b˙ >œ œ œ bœ w P “>‘ > (no break) “>‘ > æ Uæ æ æ Uæ Timpani ? 4 æ æ æ æ æ 4 b˙ œ w b˙ œ w w œ œbœ œ œ œ œ œ bœ œ œ œ œ œ œ œ f>f œ f>fp f>f œ f>fp f>f > > > > > > > > > > > > > > > ° > > 4 U Percussion 1 &4 ∑ ∑ ∑ ∑ ∑ ∑ ∑ Marimba (no break) U > > b>˙ æ æ b>œ w ˙ ˙ æ˙ æ ? 4 æ Uæ æ >œ æ æ æ æ æ æ Percussion 2 4 bw w bw œ Œ& æ > > æ ff mf ff mf ff > > Xylophone b>œ Uw ˙ >˙ æ˙ bæ˙ 4 U >œ æ æ æ æ æ æ Percussion 3 &4 ∑ ∑ ∑ Ó æ ff 4 U Percussion 4 / 4 ∑ ∑ ∑ ∑ ∑ ∑ ∑ 4 U Percussion 5 ¢ / 4 ∑ ∑ ∑ ∑ ∑ ∑ ∑ MP-2013.12-1.0-PS 1 2 3 4 5 6 7 3 4 DAV I D M A S L A N KA I L LU M I NAT I O N 5 > >˙ >˙ œ >˙ >œ™ >œ >œ >> U™ 11 Fast (q = 160) .
Load more

Recommended publications
  • ALL-VIRGINIA BAND and ORCHESTRA Saturday, April 8, 2017
    Virginia Band and Orchestra Directors’ Association ALL-VIRGINIA BAND and ORCHESTRA Saturday, April 8, 2017 Charles J. Colgan, Sr. High School Center for Fine and Performing Arts Manassas, VA Concert Band: Jamie Nix, Columbus State University Symphonic Band: Gary Green, the University of Miami Orchestra: Anthony Maiello, George Mason University Virginia Band and Orchestra Directors Association Past Presidents Stephen H. Rice (2014-2016) H. Gaylen Strunce (1974-1976) Allen Hall (2012-2014) Carroll R. Bailey (1972-1974) Keith Taylor (2010-2012) James Lunsford (1970-1972) Doug Armstrong (2008-2010) James Simmons (1968-1970) Rob Carroll (2006-2008) Harold Peterson (1966-1968) Denny Stokes (2004-2006) David Mitchell (1964-1966) T. Jonathan Hargis (2002-2004) John Perkins (1962-964) Jack Elgin (2000-2002) Ralph Shank (1960-1962) Joseph Tornello (1998-2000) Gerald M. Lewis (1958-1960) Linda J. Gammon (1996-1998) Leo Imperial (1956-1958) Stanley R. Schoonover (1994-1996) Philip J. Fuller (1953-1956) Dwight Leonard (1992-1994) Clyde Duvall (1952-1953) Diana Love (1990-1992) Russell Williams (1950-1952) Steve King (1988-1990) Sidney Berg (1948-1950) Scott Lambert (1986-1988) William Nicholas (1946-1948) Carl A. Bly (1984-1986) Sharon B. Hoose (1944-1946) Vincent J. Tornello (1982-1984) J.H. Donahue, Jr. (1943-1944) Daniel J. Schoemmell (1980-1982) G.T. Slusser (1942-1943) Edward Altman (1978-1980) Fred Felmet, Jr. (1941-1942) Fred Blake (1976-1978) Sharon B. Hoose (1940-1941) Gilbert F. Curtis (1930-1940) Virginia Band and Orchestra Directors Association 75th Anniversary In recognition of the 75th anniversary of the Virginia Band and Orchestra Directors Association, three works were commissioned to be written by composers with ties to Virginia.
    [Show full text]
  • The Sonata for Alto Saxophone and Piano (1988) by David Maslanka
    THE SONATA FOR ALTO SAXOPHONE AND PIANO (1988) BY DAVID MASLANKA: AN ANALYTIC AND PERFORMANCE GUIDE. by CAMILLE LOUISE OLIN (Under the Direction of Kenneth Fischer) ABSTRACT In recent years, the Sonata for Alto Saxophone and Piano by David Maslanka has come to the forefront of saxophone literature, with many university professors and graduate students aspiring to perform this extremely demanding work. His writing encompasses a range of traditional and modern elements. The traditional elements involved include the use of “classical” forms, a simple harmonic language, and the lyrical, vocal qualities of the saxophone. The contemporary elements include the use of extended techniques such as multiphonics, slap tongue, manipulation of pitch, extreme dynamic ranges, and the multitude of notes in the altissimo range. Therefore, a theoretical understanding of the musical roots of this composition, as well as a practical guide to approaching the performance techniques utilized, will be a valuable aid and resource for saxophonists wishing to approach this composition. INDEX WORDS: David Maslanka, saxophone, performer’s guide, extended techniques, altissimo fingerings. THE SONATA FOR ALTO SAXOPHONE AND PIANO (1988) BY DAVID MASLANKA: AN ANALYTIC AND PERFORMANCE GUIDE. by CAMILLE OLIN B. Mus. Perf., Queensland Conservatorium Griffith University, Australia, 2000 M.M., The University of Georgia, 2003 A Dissertation Submitted to the Graduate Faculty of the University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF MUSICAL ARTS ATHENS, GEORGIA 2006 © 2007 Camille Olin All Rights Reserved THE SONATA FOR ALTO SAXOPHONE AND PIANO (1988) BY DAVID MASLANKA: AN ANALYTIC AND PERFORMANCE GUIDE. by CAMILLE OLIN Major ProfEssor: KEnnEth FischEr CommittEE: Adrian Childs AngEla JonEs-REus D.
    [Show full text]
  • Maslanka Symphony No. 10
    Wind Ensemble Presents Maslanka Symphony No. 10 World Premiere Scott Hagen, conductor Tuesday, April 3, 2018 Libby Gardner Concert Hall Pre-Concert Discussion: 6:45 p.m. Performance: 7:30 p.m. Program (Please hold applause until the end of each section and turn off all electronic devices that could disrupt the concert.) First Light David Maslanka (1943-2017) The Seeker David Maslanka Intermission Symphony No. 10 : The River of Time David Maslanka I. Alison with Matthew Maslanka II. Mother and Boy Watching the River of Time (1982- ) III. David IV. One Breath in Peace Please join us immediately following the concert for a reception in Thompson Chamber Music Hall Wind Ensemble Personnel Piccolo Bass Clarinet Bass Trombone Ali Parra Raymond Hernandez Peyton Wong Flute Contra Bass Clarinet Euphonium Mitchell Atencio Carla Ray Michael Bigelow* Sara Beck Matthew Maslanka Ali Parra Saxophone Garret Woll Diego Plata* Cameron Carter McKayla Wolf Max Ishihara Tuba Chloe Wright David Kidd James Andrus Timothy Kidder Matthew Lindahl* Oboe Lisa Lamb Brenden McCauley Haehyun Jung Erik Newland* Erika Qureshi* Jordan Wright Timpani Yolane Rodriguez Andy Baldwin Robin Vorkink Horn Taylor Blackley Percussion English Horn Sean Dulger Troy Irish Robin Vorkink Korynn Fink Nick Montoya Bradley Sampson Cris Stiles Bassoon Kaitlyn Seymour* Olivia Torgersen Hans Fronberg Amber Tuckness Monah Valentine Dylan Neff* Taylor Van Bibber Brandon Williams* Kylie Lincoln* Trumpet Piano Contra Bassoon Zach Buie* Carson Malen Hans Fronberg Jacob Greer Zach Janis Celeste Eb Clarinet Eddie Johnson McKayla Wolf Maggie Burke Reed LeCheminant Peyden Shelton String Bass Clarinet George Voellinger Hillary Fuller Maggie Burke Jacob Whitchurch Myroslava Hagen Elihue Wright Harp Janelle Johnson Melody Cribbs* Samuel Noyce Trombone Alex Sadler Shaun Hellige *principal player Michal Tvrdik Ammon Helms* Jairo Velazquez* Alex Hunter* Erin Voellinger Brian Keegan This performance and recording project are genersously supported by the Thomas D.
    [Show full text]
  • An Examination of David Maslanka's
    DEPICTION THROUGH EVOCATION, REPRESENTATION, AND INTROSPECTION: AN EXAMINATION OF DAVID MASLANKA’S UNACCOMPANIED MARIMBA SOLOS Corey R. Robinson, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 201 8 APPROVED: Mark Ford, Major Professor Warren Henry, Committee Member Christopher Deane, Committee Member John Holt, Chair of the Division of Instrumental Studies Benjamin Brand, Director of Graduate Studies in the College of Music John W. Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Robinson, Corey R. Depiction through Evocation, Representation, and Introspection: An Examination of David Maslanka’s Unaccompanied Marimba Solos. Doctor of Musical Arts (Performance), August 2018, 94 pp., 48 figures, bibliography, 46 titles. The primary purpose of this study is to provide connections between a formal motivic analysis and the programmatic content of David Maslanka’s three works for unaccompanied marimba: Variations on Lost Love (1977), My Lady White (1980), and A Solemn Music (2013). A comparison of the compositional process of each of these works is proposed through terms of Maslanka’s use of depiction. Depiction is the action or result of representing through drawing, painting, or other art form, in this case, music. In each work for unaccompanied marimba, Maslanka uses this process of depiction in a unique way. The depictive mediums are categorized as evocative, representative, and introspective and these distinct approaches to depiction lead to three drastically different musical works. The different methods of depicting source materials are the distinguishing characteristics that separate these three works for solo marimba.
    [Show full text]
  • APPROVED: Thomas Clark, Major Professor Ron
    AN EXAMINATION OF DAVID MASLANKA’S MARIMBA CONCERTI: ARCADIA II FOR MARIMBA AND PERCUSSION ENSEMBLE AND CONCERTO FOR MARIMBA AND BAND, A LECTURE RECITAL, TOGETHER WITH THREE RECITALS OF SELECTED WORKS OF K. ABE, M. BURRITT, J. SERRY, AND OTHERS Michael L. Varner, B.M.E., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS December 1999 APPROVED: Thomas Clark, Major Professor Ron Fink, Major Professor John Michael Cooper, Minor Professor William V. May, Interim Dean of the College of Music C. Neal Tate, Dean of the Robert B. Toulouse School of Graduate Studies Varner, Michael L., An Examination of David Maslanka’s Marimba Concerti: Arcadia II for Marimba and Percussion Ensemble and Concerto for Marimba and Band, A Lecture Recital, Together with Three Recitals of Selected Works of K. Abe, M. Burritt, J. Serry, and Others. Doctor of Musical Arts (Performance), December 1999, 134 pp., 62 illustrations, bibliography, 40 titles. Although David Maslanka is not a percussionist, his writing for marimba shows a solid appreciation of the idiomatic possibilities developed by recent innovations for the instrument. The marimba is included in at least eighteen of his major compositions, and in most of those it is featured prominently. Both Arcadia II: Concerto for Marimba and Percussion Ensemble and Concerto for Marimba and Band display the techniques and influences that have become characteristic of his compositional style. However, they express radically different approaches to composition due primarily to Maslanka’s growth as a composer. Maslanka’s traditional musical training, the clear influence of diverse composers, and his sensitivity to extra-musical influences such as geographic location have resulted in a very distinct musical style.
    [Show full text]
  • Complete Repertoire for Wind Ensemble David Maslanka Wrote 58 Pieces for Wind Ensemble
    David Maslanka: Complete Repertoire for Wind Ensemble David Maslanka wrote 58 pieces for wind ensemble. David hoped that some of his lesser-known works 22 of these works have a featured soloist, solo group, might find more performances. We encourage you to or narrator. Certain pieces have entered the canon of look through this list for unfamiliar titles and consid- standard works: Symphony No. 4, Give Us This Day, er programming them. Scores and recordings for all and A Child’s Garden of Dreams, among others. works are available on davidmaslanka.com. Grade 2 Montana Music: Chorale Variations Concerto No. 2 for Piano, Winds, Prelude on a Gregorian Tune (1993) 16’ and Percussion (2002) 27’ (1980) 4’ Morning Star (1997) 8½’ Concerto No. 3 for Piano and Wind Rollo Takes a Walk (1980) 5’ The Seeker (2016) 10’ Ensemble (2016) 17’ Variants on a Hymn Tune Tears (1994) 12’ Concerto for Saxophone Quartet and Wind Ensemble (2012) 33’ [solo euphonium] (1995) 5’ Testament (2001) 12’ Grade 3 Concerto for Trombone and Wind A Tuning Piece: Songs of Fall and Ensemble [with solo cello] Collected Chorale Settings (2005) Winter (1995) 18’ (2007) 36’ Heart Songs (1997) 12’ Unending Stream of Life (Varia- David’s Book: Concerto for Solo Mother Earth – A Fanfare tions on All Creatures of Our Percussionist and Wind Ensem- (2003) 3½’ God and King) (2007) 25’ ble (2006) 39’ Procession of the Academics Grade 6 Desert Roads: Four Songs for Clari- (2008) 5’ Angel of Mercy (2016) 17’ net and Wind Ensemble (2005) 27’ Grade 4 First Light (2016) 8’ Mass [satb chorus, children’s Alex and the Phantom Band Hosannas [with tenor solo] chorus, solo soprano & baritone] [narrator] (2002) 16’ (2015) 26’ (1996, rev.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality' 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE FAMILIARITY OF CBDNA COMMISSIONING PROJECTS AMONG COLLEGE BAND DIRECTORS IN THE UNITED STATES A Dissertation SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of Doctor of Musical Arts By SHELLEY MAE SMITHWICK Norman, Oklahoma 1999 UMI Number: 9930530 UMI Microform 9930530 Copyright 1999, by UMI Company.
    [Show full text]
  • David Maslanka, Producer Cover Image: Edward Hopper: Route 6, Eastham, Courtesy of the Swope Art Museum “Secrets” from “The Shadow of Sirius” by W.S
    band staff Stephen K. Steele, Director of Bands Daniel A. Belongia, Assistant Director of Bands Connie Bryant, Administrative Assistant Saul Garland, Jerusha Johnson, and Matt Drase, Graduate Teaching Assistants Jodi Slagel, Nancy O’Neill, Kaitlin King, and Matt Drase, Band Librarians acknowledgments Jeff Harrison and Daniel Fedora, Recording Engineers Stephen K. Steele, Producer David Maslanka, Producer Cover image: Edward Hopper: Route 6, Eastham, courtesy of the Swope Art Museum “Secrets” from “The Shadow of Sirius” by W.S. Merwin, published by Copper Canyon Press. Copyright 2008 by W.S. Merwin, used with permission of the Wylie Agency LLC D av i D M a s l a n k a symphony no. 9 www.albanyrecords.com TROY1360 albany records u.s. 915 broadway, albany, ny 12207 R tel: 518.436.8814 fax: 518.436.0643 albany records u.k. illinois state university wind symphony box 137, kendal, cumbria la8 0xd tel: 01539 824008 stephen k. steele, conductor © 2012 albany records made in the usa ddd waRning: cOpyrighT subsisTs in all Recordings issued undeR This label. john koch, reader the composer hidden away hardly looked at until the secret David Maslanka was born in New Bedford, Massachusetts in 1943. He attended the Oberlin College without their noticing had faded all the details white Conservatory where he studied composition with Joseph Wood. He spent a year at the Mozarteum in for my mother it came to be the lace veil covering Salzburg, Austria, and did graduate work in composition at Michigan State University with H. Owen Reed. the front of the baby carriage where she was being Maslanka’s works for wind ensemble have become especially well known.
    [Show full text]
  • Music for an Atomic Age: David Maslanka’S Eternal Garden: Four Songs for Clarinet and Piano an Analysis and Performance Guide
    MUSIC FOR AN ATOMIC AGE: DAVID MASLANKA’S ETERNAL GARDEN: FOUR SONGS FOR CLARINET AND PIANO AN ANALYSIS AND PERFORMANCE GUIDE By Kip Franklin A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Music Performance-Doctor of Musical Arts 2014 ABSTRACT MUSIC FOR AN ATOMIC AGE: DAVID MASLANKA’S ETERNAL GARDEN, FOUR SONGS FOR CLARINET AND PIANO AN ANALYSIS AND PERFORMANCE GUIDE By Kip Franklin David Maslanka has an established place as a composer of twenty-first century wind music. To date, his compositional output includes eight symphonies for band, several concertos, four wind quintets, and numerous works for solo instrument and piano. His latest work for clarinet and piano, Eternal Garden, features musical and emotional depth which performers must express. Beyond an analysis of the musical elements contained in the piece, this document conveys a firsthand account of the vital role between Maslanka and those who perform his music. The first part of the document discusses Maslanka’s life, education, and compositional process. Part two is devoted solely to analyzing the compositional components and extra-musical essence of Eternal Garden. ii Copyright by KIP FRANKLIN 2014 iii This document is dedicated to my wonderful parents in appreciation for the many years of support and encouragement of my education. iv ACKNOWLEDGEMENTS I would first like to acknowledge my teachers: Kennen White, Caroline Hartig, Theodore Oien, and Guy Yehuda for their guidance throughout my many years of study. I would also like to recognize the efforts of my musical partner throughout this process, Ms.
    [Show full text]
  • This Is the World
    Acknowledgments Recorded on June 16 &17, 2011 in Paul F. Sharp Concert Hall at the University of Oklahoma School of Music, Norman, Oklahoma Producer: David Maslanka Recording Engineer: Jeff Harrison, Harrison Digital Productions, Belchertown, Massachusetts This Is The World Mixing, Editing, and Mastering: Dan Fedora, Harrison Digital Productions, Lance Drege, and Karen Beres Cover Image: David Maslanka Publishers: This Is The World is available from David Maslanka Publications. Gavel Patter is available direct from Libby Larsen. Paganini Variations for Two Pianos is published by Chester Music. Special thanks to: The Thomas S. Kenan Institute for the Arts, at the University of North Carolina School of the Arts, and former director Margaret S. Mertz for their full funding support of the Maslanka commission through the LINKS Commissioning Project The University of Oklahoma Research Council Faculty Grant program for their financial support of this recording. CanAm Piano Duo Karen Beres & Christopher Hahn, piano www.albanyrecords.com TROY1363 albany records u.s. Lance Drege & David Steffens, percussion 915 broadway, albany, ny 12207 tel: 518.436.8814 fax: 518.436.0643 albany records u.k. David Maslanka This Is The World box 137, kendal, cumbria la8 0xd tel: 01539 824008 Libby Larsen Gavel Patter © 2012 albany records made in the usa ddd waRning: cOpyrighT subsisTs in all Recordings issued undeR This label. Witold Lutoslawski Paganini Variations for Two Pianos The Music David Maslanka was born in New Bedford, Massachusetts in 1943. He attended the Oberlin THIS IS THE WORLD we know, the world of air and breathing and sun and beating hearts College Conservatory where he studied composition with Joseph Wood.
    [Show full text]
  • An Evaluation of Compositions for Wind Band According to Specific Criteria of Serious Artistic Merit: a Second Update
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of 8-2011 An Evaluation of Compositions for Wind Band According to Specific Criteria of Serious Artistic Merit: A Second Update Clifford Towner University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Music Practice Commons, and the Other Music Commons Towner, Clifford, "An Evaluation of Compositions for Wind Band According to Specific Criteria of Serious Artistic Merit: A Second Update" (2011). Student Research, Creative Activity, and Performance - School of Music. 44. https://digitalcommons.unl.edu/musicstudent/44 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. AN EVALUATION OF COMPOSITIONS FOR WIND BAND ACCORDING TO SPECIFIC CRITERIA OF SERIOUS ARTISTIC MERIT: A SECOND UPDATE by Clifford N. Towner A DOCTORAL DOCUMENT Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Under the Supervision of Professor Carolyn Barber Lincoln, Nebraska August, 2011 AN EVALUATION OF COMPOSITIONS FOR WIND BAND ACCORDING TO SPECIFIC CRITERIA OF SERIOUS ARTISTIC MERIT: A SECOND UPDATE Clifford Neil Towner, D.M.A. University of Nebraska, 201l Adviser: Carolyn Barber This study is an update to the 1978 thesis of Acton Eric Ostling, Jr.
    [Show full text]
  • Unending Stream of Life”
    A STUDY OF DAVID MASLANKA’S “UNENDING STREAM OF LIFE” A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE DOCTOR OF ARTS BY SCOTT A. HIPPENSTEEL DISSERTATION ADVISOR: DR. THOMAS E. CANEVA BALL STATE UNIVERSITY MUNCIE, INDIANA MAY 2011 ii © 2011 Scott A. Hippensteel iii TABLE OF CONTENTS ABSTRACT.............................................................................................................. v ACKNOWLEDGEMENTS...................................................................................... vi LIST OF TABLES ..................................................................................................vii LIST OF FIGURES.................................................................................................vii CHAPTER 1 – Introduction to the Study................................................................... 1 Purpose of the Study............................................................................................ 2 Definition of Terms ............................................................................................. 2 Wind Band Literature based on Hymn Tunes....................................................... 6 The Significance of David Maslanka and Wind Band Literature ........................ 11 CHAPTER 2 – Review of Related Literature........................................................... 14 Dissertations...................................................................................................... 14 Books ...............................................................................................................
    [Show full text]