DOCSLIB.ORG

Taboo Words in Movie Sequels 21 and 22 Jump Street

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Taboo Words in Movie Sequels 21 and 22 Jump Street DOI: 10.24843/JH.2018.v22.i04.p27 ISSN: 2302-920X Jurnal Humanis, Fakultas Ilmu Budaya Unud Vol 22.4 Nopember 2018:1033-1038 Taboo Words in Movie Sequels 21 and 22 Jump Street Ni Luh Dianty Saraswati Giri 1*, I Gede Budiasa 2 [12] English Department – Faculty of Arts – Udayana University 1[[email protected]] 2[[email protected]] *Corresponding Author Abstract The current study entitled “Taboo Words in Movie Sequels 21 and 22 Jump Street” aims to identify the types, functions and the dominant type of taboo words uttered by the characters in the movies 21 and 22 Jump Street.The data in this study were chosen from the conversations among the characters in the movies, and were collected through documentation method. This study applied qualitative method for analyzing the types and functions of taboo words in the movies. In addition, this study also used quantitative method to see the dominant types of taboo words in the movie, in a form of percentage. The results of the analysis are stated as follows. Firstly, four types of taboo words occur in the characters’ utterances in the movies 21 and 22 Jump Street. They are obscenity, profanity, vulgarity and epithet. Secondly, four functions of taboo words were also found in the movies namely to show contempt, to draw attention to oneself, to be provocative, and to mock authority. The dominant type of taboo words in both movies is Obscenity type. Keywords: taboo words, type, function, and the dominant type. Abstrak Penelitian ini yang berjudul bahasa tabu di sekuel film 21 dan 22 Jump Street bertujuan untuk mengidentifikasi jenis, fungsi dan tipe dominan dari bahasa tabu yang diucapkan oleh karakter di dalam film 21 dan 22 Jump Street. Data dalam penelitian ini dipilih dari percakapan antara karakter di dalam film, dan dikumpulkan melalui metode dokumentasi. Penelitian ini menggunakan metode kuatitatif untuk menganalisis jenis dan fungsi dari bahasa tabu di dalam film. Selain itu penelitian ini juga menggunakan metode kuantitatif untuk melihat jenis bahasa tabu yang dominan di dalam film, dalam bentuk persentase. Hasil analisis dinyatakan sebagai berikut. Pertama, empat jenis bahasa tabu muncul dalam ucapan para karakter dalam film 21 dan 22 Jump Street. Antara lain obscenity, profanity, vulgarity dan epithet. Kedua empat fungsi bahasa tabu juga ditemukan di dalam kedua film tersebut yaitu to show contempt, to draw attention to oneself, to be provocative, dan to mock authority. Jenis bahasa tabu yang dominan di kedua film adalah jenis obscenity. Kata kunci: bahasa tabu, jenis, fungsi, dan tipe dominan. 1. Background embarrassment, or shame. Taboo According to Wardaugh (2000: subjects can vary widely: sex, death, 234), taboo is the prohibition or illness, excretion, bodily functions, avoidance in any society of behavior religious matters, and the supernatural. believed to be harmful to its members in However, amongst the taboo words that it words that lead to anxiety, used to refer to illness, death and the 1033 DOI: 10.24843/JH.2018.v22.i04.p27 ISSN: 2302-920X Jurnal Humanis, Fakultas Ilmu Budaya Unud Vol 22.4 Nopember 2018:1033-1038 supernatural are rarely used. But quite 3. Aims of The Study often they extend to other aspects of a. To describe the types of taboo used social life. in the movies 21 Jump Street and 22 Taboo words are commonly used Jump Street . in public, the existence of taboo words at b. To analyze the functions of taboo the present time, for example in the words uttered by the characters in the movie, song lyric, or TV show. The use movies 21 Jump Street and 22 Jump of taboo words are believed to be able to Street. express emotion and a strong feelings. c. To identify the dominant types of This study focuses on the analysis taboo words in the movies 21 Jump of taboo words, since we can see or hear Street and 22 Jump Street. the use of taboo words everywhere even in public. It is very interesting to 4. Research Method analyze, because from this research we The sources of the data are the can know various types of taboo words video of the movies and the script of the and what exactly the function of taboo dialogue spoken by the characters in the words. Also by knowing the dominant movies 21 Jump Street and 22 Jump types in this study, we can know the Street. The movies were chosen as the type of taboo words commonly used in data sources because there were a lot of public. By knowing the type and taboo words in the dialogues of the function of taboo words, we can movie. Also, these movies have many understand what exactly the purpose of variations of taboo words. using those words, so we will not be Data of this study were collected offended when someone uses the from the movies 21 Jump Street and 22 inappropriate words. In conducting the Jump Street through documentation and research, a movie was chosen as the the following steps: Watching the source of data, since the movie is the movie, note taking the words that may representation of human real life. contain taboo words, downloading the For the data source, the researcher script, sorting the collected data, and uses two movies; they are 21 Jump analyzing the data using two theories Street and 22 Jump Street. Those related to the research. movies were chosen because the In this study the data were characters in the movies use a lot of analyzed using the qualitative method in taboo words in their conversations, so it two steps: First, categorizing the taboo can be analyzed easily. words based on the types using the theory proposed by Batistella (2005: 2. Problems of The Study 72). Second, classifying the function of a. What types of taboo words are used taboo words using the theory proposed in the movies 21 Jump Street and 22 by Wardhaugh (2006: 239). Jump Street? This study was also b. How do the taboo words function in quantitatively analyzed in two steps: the movies 21 Jump Street and 22 First, classified the taboo words based Jump Street? on their types. Second, counting the c. What are the dominant types of taboo taboo words to see the dominant types words in the movies 21 Jump Street of taboo words in the movies. and 22 Jump Street? In order to present the data, this study used the descriptive method combined with quantitative. First, the 1034 DOI: 10.24843/JH.2018.v22.i04.p27 ISSN: 2302-920X Jurnal Humanis, Fakultas Ilmu Budaya Unud Vol 22.4 Nopember 2018:1033-1038 data were categorized based on their Schmidt : I know! Right? I scene. Second, the conversations in that know! It’s hilarious. So why don’t scene were written. Finally, each data you show us a little respect? was presented descriptively and Domingo : Fuck you, pig! quantitatively. Jenko : Hey! You want me to beat your dick off? (00:07:05) 5. Findings and Discussion Domingo : You want to beat my 5.1 Types and Functions of Taboo dick off? Words in the Movie 21 Jump Street Jenko : I’ll beat your dick off with both hands. What’s up? Let’s a. In school hallway go. Melodie : Oh, my God. You’re not In this case, the word dick belongs to asking me to prom, are you? vulgarity type. The sentence was Schmidt : Oh, fuck! No! No! I- spoken by Jenko was used to threaten I…no! No, I just…I mean, you and provoke the anger from Domigo. probably going with someone. Therefore, this expression serves as the provocative function. Melodie : I’m sorry. I don’t know how to put this nicely. c. Captain Dickson’s office Captain Dickson : Now, you two Jenko : There’s not a nice way to sons of bitches in my office, now! put it. You’re a fucking nerd. And, Right now! It’s a new synthetic drug, you know, she’s, I don’t know, she’s goes by the street name, HFS. hot. Look at her. Look at her. Look Jenko : They put this on the at her! Look at her! (00:02:11) internet for everybody to see? In the first exchange, Schmidt said Captain Dickson : They’re “Oh, fuck! No! No! I-I…no! No, I teenager, man. They’re really stupid, just…I mean, you probably going with so you should blend right in. someone”. In the second exchange Jenko : I could watch this all Jenko said “You’re a fucking nerd”. day! (00:14:18) The word fuck and fucking spoken by Captain Dickson said “sons of bitches” Schmidt and Jenko were considered to Schmidt and Jenko, and the taboo words, because fuck actually expression is considered epithet , means to have sex with somebody. because he was mentioning the word Therefore, we can categorize the word bitches. The function of this expression fuck and fucking as obscenity serves to show contempt, because he The word fuck spoken by Schmidt has a higher position than them; serves to dwar attention to oneself, therefore, he thinks Schmidt and Jenko which means Schmidt uttered the cannot be respected. strong word to attract Melodie’s attention. While the word fucking d. In front of Jesus statue Captain Dickson : Hey! Hey! Stop spoken by Jenko used to emphasize a comment or an angry statement. This fucking with Korean Jesus! He kind of expression is categorized as ain’t got time for your problems! He’s busy, with Korean shit! You showing contempt. two get to your mama’s house, b. In parking lot ASAP! Tom Hanson : If them boys is cops, Schmidt : What? I’m DEA.
Load more

Recommended publications
  • Review: 22 Jump Street | Nouse
    Nouse Web Archives Review: 22 Jump Street Page 1 of 3 News Comment MUSE. Politics Business Science Sport Roses Freshers Muse › Film & TV › Features Film Reviews TV Reviews Festivals Review: 22 Jump Street Delivering more action, more gags and more homoeroticism makes this sequel as funny as the first. Kate Barlow reviews Sunday 22 June 2014 Director: Phil Lord, Christopher Miller Starring: Jonah Hill, Channing Tatum, Ice Cube Running time: 112 minutes Rating: ★★★★☆ One of the most endearing features of a comedy is an ability to take the piss out of itself. 22 Jump Street certainly isn’t lacking in this quality. Its prequel didn’t hold back in mocking its own origins in TV, and now the next instalment mocks itself for being a sequel. Twists are made on the original humour: high school is now college, Korean Jesus is now Vietnamese and the drugs are now much harder to find. While these frequent throwbacks do begin to get a little tiring, the plot soon builds up and the film begins to find a voice of its own. The problem with endlessly referencing 21 Jump Street is that it makes it hard not to compare the two films, and in this scenario the second offering inevitably comes up short. 22 Jump Street returns to the college popularity stereotypes the first film so successfully and originally fought against, seeing Jonah Hill’s Schmidt return as bumbling cop and social reject, and Channing Tatum’s Jenko rise to be football jock and cop hero, emerging as a sort of hench Spider-Man.
    [Show full text]
  • SAC Minutes 9/10/2014 • Roll Call • Prayer O Jake • Public Forum O BSA
    SAC Minutes 9/10/2014 Roll Call Prayer o Jake Public Forum o BSA: Cookout on green space this Saturday . Soul food and music o AKA: Cookout on Sunday o Tori: SAC member at large for BSA . Liaison o Kelsey leaving meeting early for Career Fair o AB looking for more group leaders Opinion Entries Committee Reports o Publicity – Publicity meets at 2:30 on Wednesdays. Please turn in promo forms for Go Karting and Capture the Flag. o Campus Traditions – Thanks for passing the $5 ticket idea. Please get the $5 to Kelsey, Jack, or Becky by next Wednesday so we can set your tickets aside. o Life and Culture – Meet on Tuesdays at 7. Oktoberfest is Sept 20. Please volunteer for this event. Cultural Film series is coming up. Capture Flag is moving from October 7 to October 14. Three buses are booked for Oktoberfest, one of which is an accessible bus. o Late Night Programming – Mark calendars for September 19. We will have volunteer sheet coming soon. Put promo in Abby’s mailbox if you want it hung up in kiosks around campus. o Live Entertainment- Thanks to all that came out to help for the Amazing Race Event. The Fray concert is tomorrow! Go Karting is now Saturday October 18. Battle of the DJs is a collaboration with L & C for October 14. Any interest in a Hoodie Allen concert at Bogart’s, Monday, November 3rd? Here and Now o The Fray – Thursday, September 10 . Buses leave at 7:15 pm Report with Kelly o Make sure proposals are in by Sunday at midnight at least 4 weeks before event o Complete office hours and post event evaluations o Interviews for new SAC members are next week o Committee strengths and goals o Collaboration with Red Bull? o Hang up promo as soon as possible please o Order promo right after it is created please o Mentoring Program .
    [Show full text]
  • Academy Invites 842 to Membership
    MEDIA CONTACT [email protected] July 1, 2019 FOR IMMEDIATE RELEASE ACADEMY INVITES 842 TO MEMBERSHIP LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 842 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. The 2019 class is 50% women, 29% people of color, and represents 59 countries. Those who accept the invitations will be the only additions to the Academy’s membership in 2019. Six individuals (noted by an asterisk) have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership. New members will be welcomed into the Academy at invitation-only receptions in the fall. The 2019 invitees are: Actors Adewale Akinnuoye-Agbaje – “Suicide Squad,” “Trumbo” Yareli Arizmendi – “A Day without a Mexican,” “Like Water for Chocolate” Claes Bang – “The Girl in the Spider’s Web,” “The Square” Jamie Bell – “Rocketman,” “Billy Elliot” Bob Bergen – “The Secret Life of Pets,” “WALL-E” Bruno Bichir – “Crónica de un Desayuno,” “Principio y Fin” Claire Bloom – “The King’s Speech,” “Limelight” Héctor Bonilla – “7:19 La Hora del Temblor,” “Rojo Amanecer” Juan Diego Botto – “Ismael,” “Vete de Mí” Sterling K. Brown – “Black Panther,” “Marshall” Gemma Chan – “Crazy Rich Asians,” “Mary Queen of Scots” Rosalind Chao – “I Am Sam,” “The Joy Luck Club” Camille Cottin – “Larguées,” “Allied” Kenneth Cranham – “Maleficent,” “Layer Cake” Marina de Tavira – “Roma,” “La Zona (The
    [Show full text]
  • Fallen La Sierra High School Students Honored at Veterans Day Remembrance
    Robin Hooding for PLUS: Park Ceremony Homeless 3rd Annual Recalls Local Collection Drive Heroes Page 6 Page 4 Volume 34 • Issue 46 Serving Carmichael and Sacramento County since 1981 November 13, 2014 Moustache Run for Men’s Health Fallen La Sierra High School Students Honored at Veterans Day Remembrance Page 2 El Camino Eagles Season Ends Page 3 Couch Theater 22 Jump Street War veterans honored the fallen at Carmichael’s Vietnam Monument on November 11th. The towering metal sculpture is among the first memorials raised for Vietnam War casualties in the USA. Local Boy and Girl Scouts and Venturer members joined the flag-raising ceremony. At right: former La Sierra High School teacher Earl “Ranger Jack” Koobs remembers students who gave their lives. Story and photos by Susan Maxwell Skinner This week’s observances saw ever-dwindling ranks of WWII veterans, bolstered by those who served in CARMICHAEL, CA (MPG) - Veterans and supporters gathered Korea, Vietnam, and Middle East wars. La Sierra alumni Page 9 to honor Arden/Carmichael Vietnam heroes on Veterans brought the event attendance to about 200. Day this week. The fallen were students of La Sierra A paternal figure at the commemorations was Earl High School. “Ranger Jack” Koobs, a La Sierra teacher who knew In 1973, the school created the first known California many of the young Carmichael men who volunteered memorial to the 1960s war that culled some of the or were drafted for service in Vietnam. The 94-year-old school’s finest alumni. La Sierra High is now closed. was moved almost to tears as a solemn bell chime fol- A towering steel monument inscribed with 15 names lowed the announcement of each of their names: Robert remains in the adjacent Earl J.
    [Show full text]
  • Video-Windows-Grosse
    THEATRICAL VIDEO ANNOUNCEMENT TITLE VIDEO RELEASE VIDEO WINDOW GROSS (in millions) DISTRIBUTOR RELEASE ANNOUNCEMENT WINDOW DISNEY Fantasia/2000 1/1/00 8/24/00 7 mo 23 Days 11/14/00 10 mo 13 Days 60.5 Disney Down to You 1/21/00 5/31/00 4 mo 10 Days 7/11/00 5 mo 20 Days 20.3 Disney Gun Shy 2/4/00 4/11/00 2 mo 7 Days 6/20/00 4 mo 16 Days 1.6 Disney Scream 3 2/4/00 5/13/00 3 mo 9 Days 7/4/00 5 mo 89.1 Disney The Tigger Movie 2/11/00 5/31/00 3 mo 20 Days 8/22/00 6 mo 11 Days 45.5 Disney Reindeer Games 2/25/00 6/2/00 3 mo 8 Days 8/8/00 5 mo 14 Days 23.3 Disney Mission to Mars 3/10/00 7/4/00 3 mo 24 Days 9/12/00 6 mo 2 Days 60.8 Disney High Fidelity 3/31/00 7/4/00 3 mo 4 Days 9/19/00 5 mo 19 Days 27.2 Disney East is East 4/14/00 7/4/00 2 mo 16 Days 9/12/00 4 mo 29 Days 4.1 Disney Keeping the Faith 4/14/00 7/4/00 2 mo 16 Days 10/17/00 6 mo 3 Days 37 Disney Committed 4/28/00 9/7/00 4 mo 10 Days 10/10/00 5 mo 12 Days 0.04 Disney Hamlet 5/12/00 9/18/00 4 mo 6 Days 11/14/00 6 mo 2 Days 1.5 Disney Dinosaur 5/19/00 10/19/00 5 mo 1/30/01 8 mo 11 Days 137.7 Disney Shanghai Noon 5/26/00 8/12/00 2 mo 17 Days 11/14/00 5 mo 19 Days 56.9 Disney Gone in 60 Seconds 6/9/00 9/18/00 3 mo 9 Days 12/12/00 6 mo 3 Days 101.6 Disney Love’s Labour’s Lost 6/9/00 10/19/00 4 mo 10 Days 12/19/00 6 mo 10 Days 0.2 Disney Boys and Girls 6/16/00 9/18/00 3 mo 2 Days 11/14/00 4 mo 29 Days 21.7 Disney Disney’s The Kid 7/7/00 11/28/00 4 mo 21 Days 1/16/01 6 mo 9 Days 69.6 Disney Scary Movie 7/7/00 9/18/00 2 mo 11 Days 1212/00 5 mo 5 Days 157 Disney Coyote Ugly 8/4/00 11/28/00 3
    [Show full text]
  • Genre and Classification
    GENRE AND CLASSIFICATION BFI Research and Statistics PUBLISHED JUNE 2015 Image: The Inbetweeners 2 courtesy of Entertainment Film Distributors GENRE AND CLASSIFICATION COMEDY WAS THE MOST POPULAR GENRE AMONG UK CINEMA-GOERS IN 2014, WITH ACTION SECOND AND ANIMATION THIRD. AS IN PREVIOUS YEARS, THERE WERE MORE ‘15’ RELEASES THAN ANY OTHER CLASSIFICATION, BUT ‘12A’ FILMS GENERATED THE LARGEST SINGLE SHARE OF THE BOX OFFICE. FACTS IN FOCUS ■ Comedy was the highest earning genre of 2014, taking 18% of the box office from 19% of releases. The top earning comedy was the UK independent film, The Inbetweeners 2. ■ Drama accounted for the highest proportion of releases (20%) but shared only 5% of the box office. The top earning drama was 12 Years a Slave. ■ Adventure took more money per cinema on average than other genres. The top earning adventure was The Hunger Games: Mockingjay – Part 1. ■ Five of the top performing films by genre were UK films, including the top action, top war and top documentary releases. The top earning family title, and the highest grossing UK (and UK independent) film of the year, was Paddington. ■ Comedy was also the highest earning genre for UK films (26% of total box office from 19% of releases) and UK independent films (35% of total box office from 20% of releases). GENRE AND CLASSIFICATION GENRE For statistical purposes, the BFI Research and Statistics Unit assigns a primary genre to every film released in the UK. This is not meant to be prescriptive but helps gauge the relative popularity of different genres on a consistent basis from year to year.
    [Show full text]
  • H:\LEGAL\Sgerse\22 Jump Street\Mrcco
    CO-FINANCING AND DISTRIBUTION AGREEMENT COLUMBIA PICTURES INDUSTRIES, INC. AND MRC II DISTRIBUTION COMPANY L.P. “22 JUMP STREET” This CO-FINANCING AND DISTRIBUTION AGREEMENT (this “Agreement”) is entered into as of this 25th day of March, 2014 between Columbia Pictures Industries, Inc., a California corporation (“Studio”) and MRC II Distribution Company L.P., a Delaware limited partnership (“Financier”). Studio and Financier shall each be referred to as a “Party” and collectively as the “Parties”. In consideration of the mutual covenants and agreements hereinafter set forth and other good and valuable consideration, the receipt and sufficiency of which are hereby acknowledged, each of the parties hereto hereby agrees as follows: 1. FINANCING COMMITMENT. Financier shall finance an amount equal to 10% of the “Final Direct Cost” (as defined below) of the motion picture tentatively entitled “22 Jump Street” (the “Picture”), provided that for purposes of Financier’s financing, the Final Direct Cost shall not exceed the “Final Cost Cap” (as defined below) . Attached as Exhibit “A” is a summary of the principal elements for the Picture as of the date hereof. Studio represents that the Picture when released will satisfy the following criteria (collectively, the “Picture Criteria”): (1) it will be filmed primarily in the English language; (2) it will be filmed primarily in color; (3) it will have an MPAA rating no more restrictive than “R”; (4) it will have a minimum running time (including end titles) of 90 minutes, (5) it will be directed by Phil Lord and Chris Miller, and (6) it will star Jonah Hill and Channing Tatum.
    [Show full text]
  • Title Writer Catalog # Red = Missing
    To reserve a DVD please email your request to [email protected] TITLE WRITER CATALOG # RED = MISSING 13 2012-0196 2012:00:00 2010-8170 300 2010-8090 10 things I hate about you 2010-7368 12 rounds / 2013-0085 12 years a slave / 2014-0220 127 hours : Ralston, Aron. 2011-2139 13 going on 30 2011-1866 16 blocks / 2010-7369 17 again 2011-0760 2 days in Paris 2010-7797 2 fast 2 furious 2010-7368 20,000 Leagues Under The Sea 2014-0312 2001, a space odyssey 2013-0186 21 & Over 2014-0001 21 grams 2010-7651 21 Jump Street 2012-0478 22 Jump Street 2015-0110 27 Dresses 2019-0110 28 days later 2010-7649 3 days of the Condor 2010-7655 3 women 2010-7134 3:10 to Yuma 2012-0463 30 days of night 2010-8000 30 Minutes Or Less 2012-0410 42 The Jackie Robinson Story 2014-0104 47 Ronin 2014-0274 48 hrs. 2010-7647 50 first dates 2010-7371 50/50 2012-0339 6 Bullets 2012-0613 8 mile 2010-7654 8 mile 2010-8089 9 / 2017-0106 9 to 5 / 2012-0326 A beautiful mind 2010-7769 A Christmas story 2010-7205 A clockwork orange 2 disc 2010-7685 A dirty shame 2012-0280 A Fish called Wanda : 2 disc Cleese, John. 2010-8061 A good year 2010-7463 A guide to recognizing your saints 2011-2190 A Guy Thing by Chris Koch 2011-0563 A history of violence 2010-8040 A kid in King Arthur's court 2010-7138 A Kiss Before Dying 2012-0253 A knight's tale 2012-0541 A league of their own 2010-7139 A Little Bit Of Heaven 2012-0563 A love song for Bobby Long 2011-1932 A Man Apart 2013-0202 A midsummer night's dream / Shakespeare, William, 2011-0757 A mighty heart 2010-8227 A mighty wind 2010-7384 A Murder of Crows 2010-8573 A Nightmare on Elm Street 4 2011-0792 A Nightmare on Elm Street.
    [Show full text]
  • This Year, MTV Movie Awards Are 'Bigger, Badderer and Conaner'
    This Year, MTV Movie Awards Are 'Bigger, Badderer and Conaner' 04.09.2014 ​The MTV Movie Awards telecast has long been a digitally focused, socially integrated show, encouraging fan voting, Twitter tie-ins and an All Access Live Stream. This year, the social aspect is not going unnoticed, but the cable net has been more focused on billing the awards show, which airs April 13, as a perfect way to set the stage for the summer blockbuster season. To this end, MTV will present exclusive teasers to summer movies "The Fault in Our Stars" and "The Amazing Spider-Man 2": But MTV's promo campaign has also centered on its host this year, who has a history of appealing to MTV's younger demographic. Conan O'Brien's TBS audience skews to the 18-34 age groups, a plus for both advertisers and MTV sponsors. But the stars don't stop there. MTV is also honoring Mark Wahlberg this year with the Generation Award for his work in TV and film, which will be presented to him onstage by the cast of "Entourage." To hype this appearance, they've released a series of promos featuring Wahlberg with MTV News correspondent Josh Horowitz. Not one to miss out on the fun, Channing Tatum is slated to receive MTV's third annual Trailblazer Award. He and "22 Jump Street" costar Jonah Hill sat down with MTV's Horowitz for a series of interviews before the awards show to promote both his new film and his award. Get More: Movie Trailers, Celebrity News Lastly, MTV is keeping with its tradition of involving the fans in every way possible, which includes voting on the Favorite Character category this year (Katniss Everdeen, Beatrice Prior, Veronica Mars, Loki or Khan).
    [Show full text]
  • 2:22 (2017) M 1154 a Beautiful Mind (2001) M 959 a Monster Calls
    Title Number CALL No. 21 M 346 2012 M 345 7500 M 733 (500) Days of Summer M 801 10 Cloverfield Lane (2016) M 987 12 Years a Slave M 672 13 Going on 30 M 343 17 Again M 344 2 Guns M 594 2:22 (2017) M 1154 21 Grams M 145 22 Jump Street M 797 24 (season 8) The Final Season M 532 S.8.1-6 300: Rise of an Empire M 692 47 Ronin M 664 5 Children and It M 155 50 First Dates M 083 5huck (season 3, disc 1-5) M 357 S.3.1-5 7 Seconds M 124 A CALL No. A Beautiful Mind (2001) M 959 A Bug's Life M 239 A Cinderella Story M 436 A Dangerous Man: Lawrence after Arabia M 219 A Dog's Purpose (2017) M 1144 A Good Day to Die Hard M 559 A Home at the End of the World M 221 A Million Ways to Die in the West M 731 A Monster Calls (2016) M 1079 A River Runs Through It M 493 A Serious Man M 429 A Sound of Thunder M 193 A Street Cat Named Bob (2016) M 1106 A Time to Kill M 016 A Very Long Engagement M 206 A Walk to Remenber M 347 About Ray (2015) M 1142 About Schmidt M 036 About Time M 582 After Earth M 599 Aftershock M 033 Air (I) (2015) M 906 Air Force One M 478 Alfie M 208 Alice in Wonderland M 309 Alice Through the Looking Glass (2016) M 1043 Alien M 060 Alien 2 M 061 Alien 3 M 062 Alien vs.
    [Show full text]
  • Entertainment Business Supplemental Information Fiscal Year and Three Months Ended March 31, 2016
    Entertainment Business Supplemental Information Fiscal year and three months ended March 31, 2016 April 28, 2016 Sony Corporation Pictures Segment 1 ■ Pictures Segment Aggregated U.S. Dollar Information 1 ■ Motion Pictures 1 - Motion Pictures Box Office for films released in North America - Select films to be released in the U.S. - Top 10 DVD and Blu-rayTM titles released - Select DVD and Blu-rayTM titles to be released ■ Television Productions 4 - Television Series with an original broadcast on a U.S. network - Television Series with a new season to premiere on a U.S. network - Select Television Series in U.S. off-network syndication - Television Series with an original broadcast on a non-U.S. network ■ Media Networks 6 - Television and Digital Channels Music Segment 8 ■ Recorded Music 8 - Recorded Music Revenue breakdown of physical, digital and other revenues - Top 10 best-selling recorded music releases - Upcoming releases ■ Music Publishing 9 - Number of songs in the music publishing catalog owned and administered as of March 31, 2016 Cautionary Statement Statements made in this supplemental information with respect to Sony’s current plans, estimates, strategies and beliefs and other statements that are not historical facts are forward-looking statements. Forward-looking statements include, but are not limited to, those statements using such words as “may,” “will,” “should,” “plan,” “expect,” “anticipate,” “estimate” and similar words, although some forward- looking statements are expressed differently. Sony cautions investors that a number of important risks and uncertainties could cause actual results to differ materially from those discussed in the forward-looking statements, and therefore investors should not place undue reliance on them.
    [Show full text]
  • MATTHEW E. TAYLOR Supervising Sound Editor
    MATTHEW E. TAYLOR Supervising Sound Editor SUPERVISING SOUND EDITOR | SELECT TELEVISION CREDITS & AWARDS Alex Kurtzman CBS Television Studios STAR TREK: PICARD (2020) MYTHICAL QUEST: RAVEN’S BANQUET Charlie Day Lionsgate Television Alex Kurtzman CBS Television Studios STAR TREK: DISCOVERY (2019) (2019) Alex Kurtzman CBS Television Studios STAR TREK: SHORT TREKS (2019) (2020) David Goyer/Cameron KRYPTON Warner Horizon Television Welsh BARRY (2019) (2020) Alec Berg/Bill Hader HBO (2019) (2020) SILICON VALLEY Mike Judge HBO CURB YOUR ENTHUSIASM Larry David HBO ANIMAL KINGDOM John Wells Warner Horizon Television Dave Erickson/Robert FEAR THE WALKING DEAD AMC Kirkman SHAMELESS John Wells Showtime Networks DAMIEN Glen Mazzara A&E PROOF Rob Bragin TNT Frank Darabont TNT Originals MOB CITY (2014) (2014) 20th Century Fox SLEEPY HOLLOW Alex Kurtzman Television ELEMENTARY Carl Beverly CBS Television Studios POLITICAL ANIMALS Greg Berlanti Warner Horizon Television SUPERNATURAL McG WBTV LONGMIRE Michael Robin Warner Horizon Television CALIFORNICATION Tom Kapinos Showtime Networks SUBURGATORY Emily Kapnek WBTV Daniel Petrie Jr./Douglas COMBAT HOSPITAL ABC Steinberg SOUTHLAND Ann Biderman WBTV Warner Bros. Post Production Creative Services | 4000 Warner Blvd. | Burbank, CA 91522 | 818.954.5305 Award Key: W for Win | N for Nominated OSCAR | BAFTA | EMMY | MPSE | CAS McG WBTV HUMAN TARGET (Season 2) (2011) IN PLAIN SIGHT David Maples USA Network EUREKA Andrew Cosby/Jaime Paglia NBC Universal Television PSYCH Steve Franks NBC Universal Television WOLVERINE & THE X-MEN Stan Lee Marvel Enterprises SOUND EDITOR | SELECT FEATURE CREDITS & AWARDS Bob Persichetti/Peter SPIDER MAN:INTO THE SPIDER-VERSE (2019) Ramsey/Rodney Rotham Sony Pictures Animation SICARIO (2016) Denis Villeneuve Lionsgate TED 2 Seth MacFarlane Universal Pictures 22 JUMP STREET Phil Lord/Christopher Miller Columbia Pictures GET ON UP Taye Taylor Imagine Entertainment DEAR DUMB DIARY Jerry Zucker Walden Media AFTER EARTH M.
    [Show full text]