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THE VILLAGE at FALLSWAY MULTIFAMILY DEVELOPMENT in an OPPORTUNITY ZONE BALTIMORE, MARYLAND the Village at Fallsway
THE VILLAGE AT FALLSWAY MULTIFAMILY DEVELOPMENT IN AN OPPORTUNITY ZONE BALTIMORE, MARYLAND The Village at Fallsway THIS CONFIDENTIAL OFFERING MEMORANDUM (“Offering Memorandum”) is being furnished to the recipient (the “Recipient”) solely for the Recipient’s own limited use in considering whether to provide financing for The Village at Fallsway located at 300-320 North Front Street, 300-312 North High Street, and 300 Fallsway, Baltimore, MD (the “Property”), on behalf of Airo Capital Management (the “Sponsor”). This confidential information does not purport to be all-inclusive nor does it purport to contain all the information that a prospective investor may desire. Neither Avison Young, the Sponsor nor any of their respective partners, managers, officers, employees or agents makes any representation, guarantee or warranty, expressed or implied, as to the accuracy or completeness of this Offering Memorandum or any of its contents and no legal liability is assumed or shall be implied with respect thereto. The Recipient agrees that: (a) the Offering Memorandum and its contents are confidential information, except for such information contained in the Offering Memorandum that is a matter of public record; (b) the Recipient and the Recipient’s employees, agents, and consultants (collectively, the “need to know parties”) will hold and treat the Offering Memorandum in the strictest of confidence, and the Recipient and the need to know parties will not, directly or indirectly, disclose or permit anyone else to disclose its contents to any other person, firm, or entity without the prior written authorization of the Sponsor; and, (c) the Recipient and the need to know parties will not use, or permit to be used, this Offering Memorandum or its contents in any fashion or manner detrimental to the interest of the Sponsor or for any purpose other than use in considering whether to invest into the Property. -
Public Libraries, Archives and Museums: Trends in Collaboration and Cooperation
International Federation of Library Associations and Institutions IFLA Professional Reports, No. 108 108 Public Libraries, Archives and Museums: Trends in Collaboration and Cooperation Alexandra Yarrow, Barbara Clubb and Jennifer-Lynn Draper for the Public Libraries Section Standing Committee Copyright 2008 International Federation of Library Associations and Institutions Public Libraries, Archives and Museums: Trends in Collaboration and Cooperation / Alexandra Yarrow, Barbara Clubb and Jennifer-Lynn Draper. The Hague, IFLA Headquarters, 2008. – 50p. 30 cm. – (IFLA Professional Reports: 108) ISBN 978-90-77897-28-7 ISSN 0168-1931 Table of Contents Executive Summary 4 Introduction: Why Collaborate and Cooperate? 5 Project Proposal 6 Research Methods 7 Literature Review 8 Collaborative Programming Community and Heritage Programs 10 Museum/Art Pass Programs 13 Collaborative Electronic Resources Global Initiatives 16 Continental Initiatives 16 National Initiatives 17 Regional and Local Initiatives 20 Joint-use/Integrated Facilities Minimal Integration 25 Selective Integration 27 Full Integration 28 Guide to Collaboration Best Practices 31 A Successful Collaboration, from Start to Finish 32 Creating Collaborative Electronic Resources: Special Considerations 34 Benefits and Risks of Collaboration 35 Risk Management Strategies 36 Conclusion 37 Contributors 38 Acknowledgements 39 Works Consulted 41 1 Executive Summary This report examines the recent trends in collaboration and cooperation between public libraries, archives and museums. In many cases, the shared or similar missions of the institutions reviewed make them ideal partners in collaborative ventures. Different types of collaborative projects are examined, including exhibits, community programs, digital resources and joint-use facilities. Examples come from Canada, the United States and the United Kingdom (UK), as well as from Russia, Denmark, Norway, Sweden, Germany, Italy, Spain, South Africa, Australia and New Zealand. -
Amazon + Baltimore: Building the American City of Tomorrow
HQ2 @ Amazon + Baltimore: Building the American City of Tomorrow Page 02 Location, location, Let’s talk Building Port location talent Covington Maryland is your It’s ranked in the top The first master- gateway to everywhere five most educated planned smart city regions in the U.S., and is here Page 07 Baltimore businesses Page 25 couldn’t be happier Page 10 /01 A Letter from our Mayor CATHERINE E. PUGH MAYOR OF BALTIMORE Baltimore. This Must Be the Place. Amazon will have a great impact on the city chosen for Amazon HQ2, but that city will have a great impact on Amazon. The right city must have a talented workforce, a passion for innovation, a commitment to diversity and inclusion, and environmentally-friendly and sustainable design. The city you choose will share Amazon’s culture and values; Amazon and its HQ2 city will share in each other’s momentum. Baltimore, as you will see, is a city on the rise like no other. When it comes to Amazon HQ2, I am confident you will agree ‘This Must Be the Place.’ Baltimore is located at the epicenter of talent, education and innovation, borne out of its strategic, central location in the heart of the Northeast Corridor of the United States, and decades of collaboration between government, private enterprise, academia, the military and venture capital. As port and rail traffic blends with fiber-optic connections, makerspaces and tech start- ups, Baltimore is the only city with the grit, history and innovative spirit to lead the synergistic union of American commerce and technology for the 21st century. -
Superfine UNSETTLED Pr 10.15.18
t r a n s f o r m e r FOR IMMEDIATE RELEASE CONTACT: Victoria Reis/Georgie Payne October 15, 2018 202.483.1102 or [email protected] Transformer presents: UNSETTLED - An Afternoon of Performance Art Saturday, November 3, 2018, 3-7pm At Superfine! The Fair Union Market, Dock 5 Event Space 1309 5th Street Northeast, Washington, DC Transformer is pleased to present UNSETTLED – a performance art series curated for Superfine! The Fair by Victoria Reis, Founder and Director of Transformer. UNSETTLED features performances by a select group of leading DC based emerging artists – Hoesy Corona, Rex Delafkaran, Maps Glover, Kunj, and Tsedaye Makonnen – each of whom are pushing performance art forward with their innovative, interdisciplinary work. Previously presented in Miami and New York, with upcoming manifestations in Los Angeles, Superfine! The Fair – created in 2015 by James Miille, an artist, and Alex Mitow, an arts entrepreneur – makes its DC premiere October 31 to November 4, 2018 at Union Market’s Dock 5 event space, featuring 300 visual artists from DC and beyond who will present new contemporary artwork throughout 70+ curated booths. Superfine! also features emerging collector events, tours, film screenings and panels. https://superfine.world/ Always seeking new platforms to connect & promote DC based emerging artists with their peers and supporters, and new opportunities to increase dialogue among audiences about innovative contemporary art practices, Transformer is excited to present UNSETTLED at Superfine! UNSETTLED curator and Executive & Artistic Director of Transformer Victoria Reis states: “Superfine! at Union Market’s Dock 5 presents an opportunity for Transformer to advance our partnership based mission, expand our network, and further engage with a growing new demographic of DC art collectors and contemporary art enthusiasts. -
Bma Presents 2019 Jazz in the Sculpture Garden Concerts
BMA PRESENTS 2019 JAZZ IN THE SCULPTURE GARDEN CONCERTS Tickets on sale June 5 for Vijay Iyer, Matana Roberts, and Wendel Patrick Quartet BALTIMORE, MD (May 2, 2018)—The Baltimore Museum of Art’s (BMA) popular summer jazz series returns with three concerts featuring national and regional talent in the museum’s lush gardens. Featured performers are Vijay Iyer (June 29), Matana Roberts (July 13), and the Wendel Patrick Quartet (July 27). General admission tickets are $50 for a single concert or $135 for the three-concert series. BMA Member tickets are $35 for a single concert or $90 for the three-concert series. Tickets are on sale Wednesday, June 5, and will sell out quickly, so reservations are highly recommended. Tickets for BMA Members are available beginning Wednesday, May 29. Saturday, June 29 – Vijay Iyer, jazz piano Grammy-nominated composer-pianist Vijay Iyer sees jazz as “creating beauty and changing the world” (NPR) and is recognized as “one of the best in the world at what he does.” (Pitchfork). Saturday, July 13 – Matana Roberts, experimental jazz saxophonist As “the spokeswoman for a new, politically conscious and refractory music scene” (Jazzthetik), Matana Roberts’ music has been praised for its “originality and … historic and social power” (music critic Peter Margasak). Saturday, July 27 – Wendel Patrick Quartet Wendel Patrick is the “wildly talented” (Baltimore Sun) alter ego of acclaimed classical and jazz pianist Kevin Gift. The Baltimore-based musician creates a unique blend of jazz, electronica, and hip hop. The BMA’s beautiful Janet and Alan Wurtzburger Sculpture Garden presents 19 early modernist works by artists such as Alexander Calder, Isamu Noguchi, and Auguste Rodin amidst a flagstone terrace and fountain. -
Get Charmed in Charm City - Baltimore! "…The Coolest City on the East Coast"* Post‐Convention July 14‐17, 2018
CACI’s annual Convention July 8‐14, 2018 Get Charmed in Charm City - Baltimore! "…the Coolest City on the East Coast"* Post‐Convention July 14‐17, 2018 *As published by Travel+Leisure, www.travelandleisure.com, July 26, 2017. Panorama of the Baltimore Harbor Baltimore has 66 National Register Historic Districts and 33 local historic districts. Over 65,000 properties in Baltimore are designated historic buildings in the National Register of Historic Places, more than any other U.S. city. Baltimore - first Catholic Diocese (1789) and Archdiocese (1808) in the United States, with the first Bishop (and Archbishop) John Carroll; the first seminary (1791 – St Mary’s Seminary) and Cathedral (begun in 1806, and now known as the Basilica of the National Shrine of the Assumption of the Blessed Virgin Mary - a National Historic Landmark). O! Say can you see… Home of Fort McHenry and the Star Spangled Banner A monumental city - more public statues and monuments per capita than any other city in the country Harborplace – Crabs - National Aquarium – Maryland Science Center – Theater, Arts, Museums Birthplace of Edgar Allan Poe, Babe Ruth – Orioles baseball Our hotel is the Hyatt Regency Baltimore Inner Harbor For exploring Charm City, you couldn’t find a better location than the Hyatt Regency Baltimore Inner Harbor. A stone’s throw from the water, it gets high points for its proximity to the sights, a rooftop pool and spacious rooms. The 14- story glass façade is one of the most eye-catching in the area. The breathtaking lobby has a tilted wall of windows letting in the sunlight. -
2003 Annual Report of the Walters Art Museum
THE YEAR IN REVIEWTHE WALTERS ART MUSEUM ANNUAL REPORT 2003 France, France, Ms.M.638, folio 23 verso, 1244–1254, The Pierpont Morgan Library, New York Dear Friends: After more than three intense years renovating and reinstalling our Centre Street Building, which con- cluded in June 2002 with the opening of our transformed 19th-century galleries, we stepped back in fiscal year 2002–2003 to refocus attention on our Charles Street Building, with its Renaissance, baroque, and rococo collections, in preparation for its complete reinstallation for a fall 2005 opening. For the Walters, as for cultural institutions nationwide, this was more generally a time of reflection and retrenchment in the wake of lingering uncertainty after the terrorist attack of 9/11, the general economic downturn, and significant loss of public funds. Nevertheless, thanks to Mellon Foundation funding, we were able to make three new mid-level curatorial hires, in the departments of ancient, medieval, and Renaissance and baroque art. Those three endowed positions will have lasting impact on the museum, as will a major addition to our galleries: in September 2002, we opened a comprehensive display of the arts of the ancient Americas, thanks to a long-term loan from the Austen-Stokes Foundation. Now, for the first time, we are able to expand on a collecting area Henry Walters entered nearly a century ago, to match our renowned ancient and medieval holdings in quality and range with more than four millennia of works from the western hemisphere. The 2002–2003 season was marked by three major exhibitions organized by the Walters, and by the continued international tour of a fourth Walters show, Desire and Devotion. -
Bma's Imagining Home Exhibition Explores
MEDIA CONTACTS: Anne Brown Sarah Pedroni Jessica Novak 443-573-1870 BMA’S IMAGINING HOME EXHIBITION EXPLORES DIFFERENT ASPECTS OF HOME THROUGH ART FROM AROUND THE WORLD Visitor participation encouraged through interactive experiences woven into the exhibition BALTIMORE, MD (UPDATED September 25, 2015)—The Baltimore Museum of Art (BMA) presents an innovative thematic exhibition, Imagining Home, in conjunction with the opening of the Center for People & Art, a new education area of the museum. On view October 25, 2015 through August 1, 2018, this extraordinary exhibition presents more than 30 artworks from across the collection in a lively space that incorporates video, audio, and other experiences that encourage visitor participation. More than a third of the objects in the exhibition are light sensitive and will change every six months so there will always be something new to experience. The artworks in Imagining Home represent different ideas and aspects of the places in which we live—whether decorative or functional, real or ideal, celebratory or critical. Visitors can explore objects from many times and places as nearly every area of the BMA’s collection is included: paintings, sculptures, decorative arts, textiles, prints, and photographs, along with works from the Americas, Europe, Africa, and Asia, as well as four of the museum’s popular miniature rooms. Each object reveals something about the cultural values of its makers and users. Visitors have three thematic areas to explore in the exhibition: • Façades & Thresholds: Visitors will enter the exhibition through a designed threshold to see objects that reflect how we mediate public and private spaces such as Emile-Antoine Bourdelle’s sinister bronze Medusa Door Knocker (1925), Walter Henry Williams’ painting A Quick Nap (1952), and a colorful early 20th- century Suzani prayer rug from Central Asia. -
Water Transit Strategic Plan June 22, 2015
i Baltimore Water Transit Strategic Plan June 22, 2015 Acknowledgments This report is prepared for the Baltimore City Department of Transportation (BCDOT) with assistance from Whitman, Requardt and Associates, LLP and funded through a grant provide by the Baltimore Regional Transportation Board, the Maryland Department of Transportation and the US Department of Transportation. City of Baltimore Stephanie Rawlings-Blake, Mayor William M. Johnson, Director of Transportation Lindsay Wines, Deputy Director, Administration Veronica P. McBeth, Transit Bureau Chief Valorie LaCour, RLA, LEED AP, Division Chief, Transportation Planning Project Team BCDOT Linda Taylor-Newton, City Planner II Ciara M. Willis, Transit Services Administrator Frances Knauff - Dockmaster Whitman, Requardt and Associates, LLP Thomas J. Hannan, PE, Senior Vice President James M. Ritchey, Vice President Patrick R. Christian, Transit Technical Specialist Andrea Trabelsi, AICP, Transportation Planner Wendy Haubert, Geographic Information System Specialist Abbi Hoff, Graphics Artist Special thanks to eleven business and community leaders who participated in a Water Transit Workshop on February 24, 2015 including representatives from Greater Baltimore Committee, Waterfront Partnership, Under Armour, Legg Mason, Workshop Development, Watermark Cruises, Baltimore Development Corporation, Locust Point Civic Association, Baltimore Zipcar, and Cruise Maryland. Harbor Care, LLC the operator of the Water Taxi and Harbor Connector cooperated fully over the course of the study providing -
Resolution #20-9
BALTIMORE METROPOLITAN PLANNING ORGANIZATION BALTIMORE REGIONAL TRANSPORTATION BOARD RESOLUTION #20-9 RESOLUTION TO ENDORSE THE UPDATED BALTIMORE REGION COORDINATED PUBLIC TRANSIT – HUMAN SERVICES TRANSPORTATION PLAN WHEREAS, the Baltimore Regional Transportation Board (BRTB) is the designated Metropolitan Planning Organization (MPO) for the Baltimore region, encompassing the Baltimore Urbanized Area, and includes official representatives of the cities of Annapolis and Baltimore; the counties of Anne Arundel, Baltimore, Carroll, Harford, Howard, and Queen Anne’s; and representatives of the Maryland Departments of Transportation, the Environment, Planning, the Maryland Transit Administration, Harford Transit; and WHEREAS, the Baltimore Regional Transportation Board as the Metropolitan Planning Organization for the Baltimore region, has responsibility under the provisions of the Fixing America’s Surface Transportation (FAST) Act for developing and carrying out a continuing, cooperative, and comprehensive transportation planning process for the metropolitan area; and WHEREAS, the Federal Transit Administration, a modal division of the U.S. Department of Transportation, requires under FAST Act the establishment of a locally developed, coordinated public transit-human services transportation plan. Previously, under MAP-21, legislation combined the New Freedom Program and the Elderly Individuals and Individuals with Disabilities Program into a new Enhanced Mobility of Seniors and Individuals with Disabilities Program, better known as Section 5310. Guidance on the new program was provided in Federal Transit Administration Circular 9070.1G released on June 6, 2014; and WHEREAS, the Federal Transit Administration requires a plan to be developed and periodically updated by a process that includes representatives of public, private, and nonprofit transportation and human services providers and participation by the public. -
Charm of the Baltimore Region HOST COMMITTEE’S GUIDE
DISCOVER THE Charm of the Baltimore Region HOST COMMITTEE’S GUIDE The Maryland City/County Management Association and ICMA’s 2018 Conference Host Committee are excited to welcome you to Baltimore for ICMA’s 104th Annual Conference. From the bustling Inner Harbor, where the Baltimore Convention Center is located, to the city’s many historical sites, renowned museums, inspiring architecture, and diverse neighborhoods, Baltimore has something for everyone. So get out and discover the many reasons why Baltimore is known as Charm City! wrote some of the early stories that would make him the father of the modern short story, creating and Historical Sites defining the modern genres of mystery, horror, and History abounds in Baltimore. A must-see stop while science fiction. you’re in town is Fort McHenry. During the War of 1812, Westminster Hall is a beautiful building troops at Fort McHenry stopped a British advance into located at the intersection of Fayette and the city, inspiring Francis Scott Key to pen our national Greene Streets in downtown Baltimore. anthem. Administered by the National Park Service since This restored historic church features 1933, Fort McHenry is the only area of the National Park stained glass windows, an 1882 pipe System to be designated as both a national monument organ, cathedral ceilings, and raised and a historic shrine. balconies. The Westminster Burying History enthusiasts may also want to visit the Star-Spangled Grounds, one of Baltimore’s Banner Flag House, Mary Pickersgill’s 1793 home where oldest cemeteries, features the she made the 30-by-42-foot flag that flew over Fort gravesite of Edgar Allan Poe. -
In Response to the Letter from Former Trustees, the Baltimore Museum of Art (BMA) Has Released the Following Statement
In response to the letter from former trustees, The Baltimore Museum of Art (BMA) has released the following statement: We are confident that there are no legal issues relating to the BMA’s deaccession of works by Brice Marden, Clyfford Still, and Andy Warhol, or to the intended use of the proceeds of the sale. We have reached out to Secretary of State John C. Wobensmith and Maryland Attorney General Brian E. Frosh to provide them with information regarding our actions, and we look forward to working with them to answer any questions that they may have, and to sharing any necessary documents or additional details. Deaccessioning artworks from a museum’s collection is a standard practice, and these decisions are guided by curatorial vision and then ultimately validated by a museum’s Board of Trustees. That is the process that the BMA followed. The selection of works was determined through a rigorous collection review process led by the museum’s senior curators, who proposed the artworks for deaccession, in accordance with AAMD’s criteria. The selection was then reviewed and approved by the museum’s leadership team, accessions committee, executive committee, and full board. Furthermore, the history of deaccessions at the BMA is such that Andy Warhol’s The Last Supper was itself purchased through funds made possible by the deaccessioning of a painting by the Abstract Expressionist master Mark Rothko. That history, from a Rothko to a Warhol, demonstrates that collections management—which includes both accessioning and deaccessioning—is a critical aspect of curatorial practice and is not one that is purely additive.