Estival Della Valle D'itria 2015
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Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio -
Boston Symphony Orchestra Concert Programs, Season 13, 1893-1894
Music Hall, Bostei if S; ny THIRTEENTH SEASON Ore ra 1 893-94, EMIL PAUR, Conductor. PROGRAMME OP THE Twenty-first Rehearsal and Com WITH HISTORICAL AND DESCRIPTIVE NOTES BY WILLIAM F. APTHORP. Friday Afternoon, April 6, At 2.30 o'clock. Saturday Evening, April 7, At 8 o'clock. UBLISHtD BY C. A. ELLIS, MANAGER. (721) JHam&lamlm flMano^jfortee. (722) Twenty-first Rehearsal and Concert, Friday Afternoon, April 6, at 2.30 Saturday Evening, April 7, at 8.00 IN MEMORIAM HANS GUIDO VON BULOW. BORN JANUARY 8, 1830. DIED FEBRUARY 12, 1894. PROGRAMME. Hans von Biilow - Funerale, Op. 23, No. 4 (First Time.) Ludwig van Beethoven Symphony No. 3, in E-flat major (" Eroica "), Op. 55 I. Allegro con brio (E-flat major) - 3-4 II. Marcia funebre : Adagio assai (C minor) - - 2-4 - III. Scherzo : Allegro vivace (,E-flat major) - 3-4 Trio (E-flat major) - - 3-4 - IV. Finale : Allegro molto (E-flat major) 2-4 Poco Andante (E-flat major; - 2-4 Bernhard Molique Two Movements from Concerto for Violin, No. 5, in A minor, Op. 21 II. Andante (E major) - - 4-4 I. Allegro (A minor) ------ 4-4 Johannes Brahms - Tragic Overture, in D minor, Op. 81 Allegro ma non troppo (D minor) - 2-2 Soloist, Mr. OTTO ROTH. The programme for the next Public Rehearsal and Concert will be found on page 751. (723) : MANUFACTURERS OF GRAND, QUARE AND UPRIGHT MJGEN D'ALBERT : From fullest conviction, I declare them to be the best In- struments of America. OR. HANS VON BULOW : Their sound and touch are more sympathetic to my ears and hands^ than all others of the country. -
Estival Della Valle D'itria 2015
41° estival della valle d’itria 2015 Martina franca 15 luglio - 4 agosto 2015 41° estival della valle d’itria Alto Patrocinio del Parlamento Europeo Patrocinio della Presidenza del Consiglio dei Ministri Martina franca 15 luglio - 4 agosto 2015 Presidente Immagine del manifesto: Francesca Cosanti FRANCO PUNZI Un vortice di archetipi teatrali. Rosso viscerale per Medea, bianco e oro per Poppea. Una notte senza fondo, il lato oscuro e potente del femminile, Direttore artistico nell’intreccio indecifrabile della foresta/cervo di Márai. ALBERTO TRIOLA Redazione: Marilena Lafornara Direttore musicale Progetto grafico: GFCassociati FABIO LUISI Opere MARCO TUTINO NICOLA DE GIOSA LE BRACI DON CHECCO 15 luglio e 1 agosto 2015, ore 21.00 21 e 31 luglio 2015, ore 21.00 Martina Franca - Palazzo Ducale Martina Franca - Palazzo Ducale Opera in un atto Opera buffa in due atti Libretto di Marco Tutino Libretto di Almerindo Spadetta dal romanzo omonimo di Sándor Márai Revisione di Lorenzo Fico Prima rappresentazione assoluta della versione definitiva dell’opera Commissione del Festival della Valle d’Itria Bertolaccio CARMINE MONACO e della Fondazione del Teatro del Maggio Musicale Fiorentino Editore Casa Musicale Sonzogno di Piero Ostali di Milano Fiorina CAROLINA LIPPO Carletto FRANCESCO CASTORO Kristina ANGELA NISI Don Checco DOMENICO COLAIANNI Nini ROMINA TOMASONI Roberto ROCCO CAVALLUZZI Giovane Konrad DAVIDE GIUSTI Succhiello Scorticone PAOLO CAUTERUCCIO Giovane Henrik PAVOL KUBAN Konrad ALFONSO ANTONIOZZI Maestro concertatore e direttore d’orchestra -
Stagione D'opera E Balletto 2017/18 Opere 11 Titoli 72
STAGIONE D’OPERA E BALLETTO 2017/18 OPERE 11 TITOLI 72 ALZATE DI SIPARIO 4 NUOVE PRODUZIONI (La fanciulla del West, My Fair Lady, La Traviata, Siroe re di Persia) 6 ALLESTIMENTI PER LA PRIMA VOLTA A NAPOLI 2 PRIME AL SAN CARLO (My Fair Lady, Il cappello di paglia di Firenze) 3 TITOLI FUORI ABBONAMENTO (La bohème, Siroe re di Persia, Don Checco) 5 ANNIVERSARI 150° DALLA MORTE DI GIOACHINO ROSSINI (1792 - 1868) 150° DALLA NASCITA DI ARTURO TOSCANINI (1867 - 1957) 200° DALLA PRIMA RAPPRESENTAZIONE DEL MOSÈ IN EGITTO (1818) 50° MORTE DI TULLIO SERAFIN (1878-1968) 30° MORTE FREDERICK LOEWE (1901-1988) _____________________________________________________________________ Direttori Juraj Valčuha / Stefano Ranzani / Donato Renzetti / Daniel Oren / Stefano Montanari / Valerio Galli / Jordi Bernàcer / Nello Santi / Gabriele Ferro / Antonio Florio / Francesco Lanzillotta Registi Hugo De Ana / Mario Pontiggia / Paul Curran / Lorenzo Amato / David Pountney / Martin Kusej / Elena Barbalich / Jean Paul Scarpitta / Alessandro Talevi *in rosso i debutti al San Carlo _____________________________________________________________________ __________________________________________ ___________________________________________________________ Ufficio Stampa – Fondazione Teatro di San Carlo [email protected]; T. + 39 081 7972 301/ 202 Inaugurazione Martedì 12 dicembre 2017 ore 20.00 Turno A Mercoledì 13 Dicembre 2017, ore 18.00 - Turno B Venerdì 15 Dicembre 2017, ore 20.00 - Turno C/D Sabato 16 Dicembre 2017, ore 20.00 Fuori Abbonamento Domenica -
Traue Du Melodrame, Paris: Delaunylpelicierlplancher 1817. Abbiatl, Franco: Verdi, 4 Bände, Milano: Ricordi 1959
BIBLIOGRAPHIE LITERATUR A!A!A! [Hugo, Abel / Malitourne, Armand / Ader, Jean]: TraUe du melodrame, Paris: DelaunylPelicierlPlancher 1817. ABBIATl, Franco: Verdi, 4 Bände, Milano: Ricordi 1959. ACCORSI, Maria Grazia: ,,11 melodramma melodrammatico", in: Sigma (1980), S. 109-127. AJELLO, Raffaele (Hg.): 11 Teatro San Carlo, 2 Bände, Napoli: Guida 1987. ANTOLINI, Bianca Maria / Witzenmann, Wolfgang (Hg.): NapoU eil teatro musicale in Europa tra sette e ottocento. Studi in onore di Friedrich Lippmann (Quaderni della rivista italiana di musicologia, 28), Firenze: Olschki 1993. ASHBROOK, William: Donizetti and his Operas, Cambridge: Cambridge Univ. Press 1982. AULICH, Reinhard: "Elemente einer funktionalen Differenzierung der literarischen Zen sur. Überlegungen zu Form und Wirksamkeit von Zensur als einer intentional adäqua• ten Reaktion gegenüber literarischer Kommunikation", in: Herbert G. Göpfert / Erdmann Weyrauch (Hg.), ,Unmoralisch an sich ... '. Zensur im 18. und 19. Jahrhun dert (Wolfenbütte1er Schriften zur Geschichte des Buchwesens, 13), Wiesbaden: Har rassowitz 1988, S. 177-230. AZZARONI, Giovanni: Dei teatro e dintorni. Una storia della legislazione e delle strut ture teatrali in ItaUa neU 'ottocento (Biblioteca teatrale, 38), Roma: Bulzoni 1981. BALDACCI, Luigi: Libretti d'opera e altri saggi, Firenze: Vallecchi 1974. BARATELLI, Bianca: "I ,Promessi sposi' di Antonio Ghislanzoni", in: Experienze let terarie (1986), S. 41-80. BASEVI, Abramo: Studio sulle opere di Giuseppe Verdi, Firenze: Tofani 1859. BECKER, Heinz: Giacomo Meyerbeer. Briefwechsel und Tagebücher, 4 Bände, Berlin: de Gruyter 1960ff. BECKER, Heinz (Hg.): Die Couleur locale in der Oper des 19. Jh. (Studien zur Musik geschichte des 19. Jahrhunderts, 42), Regensburg: Bosse 1976. BECKER, Heinz und Gudrun: Giacomo Meyerbeer. Ein Leben in Briefen. Leipzig: Reclam 1987. -
Deutsche Nationalbibliografie
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2016 T 09 Stand: 21. September 2016 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2016 ISSN 1613-8945 urn:nbn:de:101-201512111867 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
Famiglia Teatro” Don Checco Di Nicola Di Giosa
m_pi.AOODRCA.REGISTRO UFFICIALE.U.0026087.29-10-2018 Ministero dell’Istruzione, dell’Università e della Ricerca Ufficio Scolastico Regionale per la Campania DIREZIONE GENERALE Ai Dirigenti delle Istituzioni Scolastiche Secondarie di secondo grado della regione Campania Loro Sedi Oggetto: Progetto “Famiglia Teatro” _Don Checco di Nicola Di Giosa Nell’ambito delle iniziative volte all’implementazione delle attività musicali, coreutiche e teatrali, il Liceo Alfano I di Salerno, in qualità di scuola Polo regionale art. 20 DM 851/2017, in partnerschip con la Fondazione Teatro di San Carlo, allo scopo di avvicinare le nuove generazioni all’ opera lirica, promuove il progetto “Famiglia Teatro”. Saranno programmati ad ingresso gratuito per gli studenti delle scuole secondarie di secondo grado della regione Campania e delle loro famiglie, tre repliche dell’opera “Don Checco” di Nicola Di Giosa . Gli spettacoli si terranno presso il Teatro Politeama via Monte di Dio, 80 Napoli, nei giorni: Sabato 17 Novembre 2018, ore 20:00; Domenica 18 Novembre 2018, ore 17:00; Martedì 20 Novembre 2018, ore 20:00. Gli interessati potranno prenotare l’ingresso, fino ad esaurimento dei posti disponibili, utilizzando Firmato digitalmente da FRANZESE LUISA C=IT O=MINISTERO ISTRUZIONE UNIVERSITA' E il form accessibile dal link: RICERCA/80185250588 https://goo.gl/forms/EtGkRUcAkxu8yUEq1 Confidando nella consueta fattiva collaborazione, si invitano le SS. LL. a dare all’iniziativa la massima diffusione fra gli alunni. IL DIRETTORE GENERALE Luisa Franzese Firmato digitalmente -
Dynamic Katalog 2018.Pdf
“[The Dynamic’s Paganini] series is characteristic, lyrical and immensely enjoyable.” – MusicWeb International “Dynamic is to be commended for its pioneering spirit in issuing these as well as the other discs of Paganini rarities.” – Fanfare CDS7734.40 THE PAGANINI COMPLETE EDITION 40-CD Boxed Set CDs 1–3 The six concertos for violin and orchestra * CDs 27–28 Works for solo violin CDs 4–7 Other works for violin and orchestra CDs 29–32 Works for guitar CDs 8–12 Quartets for strings and guitar CDs 33–35 Rare/newly rediscovered works * CDs 13 Trios for strings and guitar CDs 36-38 Salvatore Accardo and CD14 String Quartets Ruggiero Ricci play Paganini CDs 15–17 Other chamber works CDs 39-40 A tribute to Paganini CDs 18–26 Works for violin and guitar * played on Paganini’s violin Dynamic’s very first album was a recording of Paganini’s violin works with esteemed violinist Salvatore Accardo, and in celebration of the label’s 40th anniversary, Dynamic is releasing a 40-CD boxed set of Paganini’s complete works this year. This is a set that belongs in every Paganini and violin aficionado’s music library! For more information, visit www.dynamic.it. DYNAMIC CATALOGUE 2018 Established in 1978 and celebrating its 40th anniversary this year, Dynamic is an independent record label with offices in Villa Quartara, located on the quiet Righi hill overlooking Genoa. Its production schedule embraces the entire field of classical music, but focuses chiefly on the immense heritage of Italian and European music of the 18th and 19th centuries, especially opera and works for violin. -
Nicola De Giosa Alexander Weatherson
A donizettian life Nicola De Giosa Alexander Weatherson “Tra gli scolari ch’egli ebbe allora e in seguito, vanno annoverati Achille Pistilli,i Salvatore Sarmiento,ii il Badia,iii il Salvi,iv l’Agnelli,v Marcello Pepe, vi Giulio Benoni,vii e uno che ancora oggi ricordato come valente compositore, il De Giosa. Sotto la direzione di Donizetti, questi scrisse due operette che sembrano disperse e un intero corso di contrapunto sul quale il Maestro aveva segnato di proprio pugno consigli e ricordi. Una domestica vendette il prezioso manoscritto a un pizzicagnolo! È un incerto a cui non di rado van sottoposte le fatiche dei valentuomini” viii In this way Giuliano Donati-Petteniix introduced Nicolax Donato De Giosa almost a century ago. He was, as the list suggests, the most vivid of Donizetti’s pupils, the closest, as well as the most loyal to his memory. Irrespective of his own operatic works it was this determined barese who single-handedly resuscitated a succession of submerged operas by his beloved maestro in the 1850’s and 1860's, it is to him we owe, arguably, the survival of Maria Stuardaxi after the Malibran naufragio of 1835 as well as the rescue of the tragic ending of Pia de'Tolomei from the Venetian lagoonxii - both of them key items in a brave series of bold Neapolitan revivals in editions as faithful to the original as was feasible in the recollection of the schoolboy he had been when first he came under the spell of the great composer. The precocious De Giosa (Bari 1819 – ivi1885) was fifteen years old when he entered Donizetti’s composition class at the Naples Conservatorio and nineteen when the Bergamasc abandoned his precious musical post in the soon-to-be-betrayed capital city after being denied his coveted appointment as its Director. -
Opera Lirica
Biblioteca A. Balladoro Povegliano Veronese VR N° Armadio Titolo Librettista Compositore N° InventarioStampa - Anno Teatro Via della Pergola FirenzeCittà 15 XVlll E Cristoforo Colombo Felice Romani Vincenzo Mela 7301 Tip. G. Daldò - Autunno 1857 Teatro Nuovo di Verona Veroma 16 XVlll E Otello Arrigo Boito Giuseppe Verdi 7315 Editori Stampatori Riccordi Milano 17 XVlll E Edmea Antonio Ghislanzoni Alfredo Catalani 7306 Stab. Musicale Ditta F. Lucca Teatro della Scala 1885-86 Milano 18 XVlll E Camoens Enrico Golisciani Pietro Musone 7304 Stab. Tip. Luigi Penada Padova 1867 Padova 19 XVlll E Il Conte Ory Augustin Eugene Scribe Gioachino Rossini 7300 Stab. Riccordi Grand Operà a Parigi 1825 Milano 20 XVlll E Manon Henry Meilhac Jules Massenet 7314 Ed. Sonzogno 1894 Milano 21 XVlll E Contessa di Mons Marco Darienzo Lauro Rossi 7316 Stab. Musicale Giudici e Strada Torino1874 Teatro Reggio di Torino Torino 22 XVlll E Consalvo Attilio Catelli Italo Azzoni 7305 Tip. Lit. G. Ferrari Parma 1878 Parma 23 XVlll E Matilde di Chabran (Ferro) Giacomo Ferretti Gioachino Rossini 7403 Tip. Weis Trieste 1859 Teatro Grande di Trieste Triesta 24 XVlll E Maschera Francesco Guidi Cesare Domeniceti 7046 Franc. Lucca Milano1853 Teatro della scala di Milano Milano 25 XVlll E Ballo Nuovo Giuseppe Rota Paolo Giorza 7090 Tip. Paolo Ripamonti Milano1856 Teatro alla Canobbiana Milano 26 XVlll E Saffo Salvatore Cammarano Giovanni Pacini 5110 Tip. Giuseppe Molinari Venezia 1842 Duca di Luca Luca 27 XVlll E Zaira Felice Romani Vincenzo Bellini 5127 Stam. F. Giachetti Firenze 1836 Real Teatro Via della Pergola 28 XVlll E Berengario d'Ivrea Antonio Gazzoletti Vincenzo Lutti 5033 Tip. -
View Catalogue
J & J LUBRANO MUSIC ANTIQUARIANS Item 40 Catalogue 85 Autograph Musical Manuscripts & Letters of Composers First & Early Editions of Printed Music Rare Books on Music Iconography 6 Waterford Way, Syosset, NY 11791 USA Telephone 516-922-2192 [email protected] www.lubranomusic.com Early 20th Century German Expressionism 1. DER ANBRUCH Zweiter Jahrgang 1919/1920 [herausgegeben von J.B. Neumann]. Hefts I-XII. [Herausgeber Otto Schneider und J.B. Neumann Textredaktion Felix Grafe, Wien]. Complete. Berlin: Graphisches Kabinett Israel ber Neumann. Folio. Original publisher's mid-tan heavy card printed folder. [iv] (title; contents; list of illustrations, drawings, and prints; edition statement). Heft I: Four prints: Erich Heckel, Ludwig Meidner, Christian Rohlfs, and Oskar Kokoschka. With text by Ludwig Meidner, Ernst Weiss, Paul Adler, and Johannes Urzidill. Heft II: Two prints: Lyonel Feininger, with text by Alfred Wolfensteinand Otto Jarek. Heft III: Two prints: K. Schmidt-Rottluff. With text by Alfred Newman and Otto Schneider. Hefts IV-V: Four prints: Ludwig Meidner, Christian Rohlfs, Max Pechstein, and Otto Müller. With text by Felix Stössinger. Hefts VI-VII: Four prints: Emil Nolde. With text by Friedrich Mellinger and Hermann Nowak. Hefts VIII-IX: Four prints: Max Beckmann. With text by Max Herrmann-Neisse. Slightly browned. Hefts X-XI: Four prints: Erich Heckel (2), Gerd, Wollheim, and Emil Maetzel. Lacking text by Rudolf Pannwitz. Heft XII: Two prints: Rudolf Möller. Lacking text by Ernst Steiger. Folder slightly worn; browned; lower outer corner chipped; separated at spine. Some internal browning; minor foxing to title; occasional fraying and abrasions. Limited to 150 copies. Der Anbruch (The New Beginning) was one of a number of German periodicals devoted to Expressionism that appeared during and after World War II. -
Cruel Comedy Comes to a Head! Donizetti’S Malatesta and the Black Comedy That Came in Its Wake Alexander Weatherson
Cruel comedy comes to a head! Donizetti’s Malatesta and the Black Comedy that came in its wake Alexander Weatherson How much of the libretto of Don Pasquale did Donizetti write himself? No one has ever really known. Comedy was self-generating on the Italian stage, in its neo-slapstick Neapolitan guise it re-recreated itself nightly. Donizetti supplied an enigmatic “MA” to identify the librettist of Don Pasquale, initials which mean medesimo autore and - whatever anyone else might suppose or claim – reveal that he considered himself to be the author of its text as well as its music. And why not? The opera is a summation of all the comedy that came from his pen.1 Opera buffa had begun to turn sour even before the end of the eighteenth century. In company with romance, as witnessed by Paisiello’s Nina pazza per amore (1789) whose affective core formed the basis of Donizetti’s Linda di Chamounix some fifty years later - a shadow - an emotive question-mark - emerged over lightweight themes in the opera house during the pivoting revolutionary years that turned into cynicism and derision in the decades that followed. You laughed at lovers rather than with them in Rossini’s comic operas (as in Il barbiere di Siviglia), his tenors – as in an earlier operatic mode - were just as likely to be villains as the lovers they would become in the melodramma romantico. He liked to make his buffi ridiculous and treat them cruelly as with the grandiloquent Don Magnifico of La cenerentola whose irresistible deflation Donizetti inherited joyfully.