3. Terenska Audio Snimanja Reportažna Audio Kola
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1 En Petkovic
Scientific paper Creation and Analysis of the Yugoslav Rock Song Lyrics Corpus from 1967 to 20031 UDC 811.163.41’322 DOI 10.18485/infotheca.2019.19.1.1 Ljudmila Petkovi´c ABSTRACT: The paper analyses the pro- [email protected] cess of creation and processing of the Yu- University of Belgrade goslav rock song lyrics corpus from 1967 to Belgrade, Serbia 2003, from the theoretical and practical per- spective. The data have been obtained and XML-annotated using the Python program- ming language and the libraries lyricsmas- ter/yattag. The corpus has been preprocessed and basic statistical data have been gener- ated by the XSL transformation. The diacritic restoration has been carried out in the Slovo Majstor and LeXimir tools (the latter appli- cation has also been used for generating the frequency analysis). The extraction of socio- cultural topics has been performed using the Unitex software, whereas the prevailing top- ics have been visualised with the TreeCloud software. KEYWORDS: corpus linguistics, Yugoslav rock and roll, web scraping, natural language processing, text mining. PAPER SUBMITTED: 15 April 2019 PAPER ACCEPTED: 19 June 2019 1 This paper originates from the author’s Master’s thesis “Creation and Analysis of the Yugoslav Rock Song Lyrics Corpus from 1945 to 2003”, which was defended at the University of Belgrade on March 18, 2019. The thesis was conducted under the supervision of the Prof. Dr Ranka Stankovi´c,who contributed to the topic’s formulation, with the remark that the year of 1945 was replaced by the year of 1967 in this paper. -
Serbia in 2001 Under the Spotlight
1 Human Rights in Transition – Serbia 2001 Introduction The situation of human rights in Serbia was largely influenced by the foregoing circumstances. Although the severe repression characteristic especially of the last two years of Milosevic’s rule was gone, there were no conditions in place for dealing with the problems accumulated during the previous decade. All the mechanisms necessary to ensure the exercise of human rights - from the judiciary to the police, remained unchanged. However, the major concern of citizens is the mere existential survival and personal security. Furthermore, the general atmosphere in the society was just as xenophobic and intolerant as before. The identity crisis of the Serb people and of all minorities living in Serbia continued. If anything, it deepened and the relationship between the state and its citizens became seriously jeopardized by the problem of Serbia’s undefined borders. The crisis was manifest with regard to certain minorities such as Vlachs who were believed to have been successfully assimilated. This false belief was partly due to the fact that neighbouring Romania had been in a far worse situation than Yugoslavia during the past fifty years. In considerably changed situation in Romania and Serbia Vlachs are now undergoing the process of self identification though still unclear whether they would choose to call themselves Vlachs or Romanians-Vlachs. Considering that the international factor has become the main generator of change in Serbia, the Helsinki Committee for Human Rights in Serbia believes that an accurate picture of the situation in Serbia is absolutely necessary. It is essential to establish the differences between Belgrade and the rest of Serbia, taking into account its internal diversities. -
Domaće Popularne, Zabavne, Strane I Rok Pesme
DOMAĆE POPULARNE, ZABAVNE, STRANE I ROK PESME: o Aerodrom – Obična ljubavna pesma o Ambasadori – Dođi u 5 do 5 o Apsolutno Romantično – Đoletova pesma o Atomsko Sklonište – Olujni Mornar o Atomsko Sklonište – Pakleni vozači o Atomsko Sklonište – Za ljubav treba imat dušu o Azra – Balkan o Azra – Usne vrele višnje o Azra – Voljela me nijedna o Babe – Ko me ter’o o Babe – Noć bez sna o Baby Doll – Brazil o Bajaga – 220 u voltima o Bajaga – Godine prolaze o Bajaga – Moji su drugovi o Bajaga – Na vrhovima prstiju o Bajaga – Ti se ljubiš tako dobro o Bajaga – Tišina o Bajaga – Vratiće se rode o Bijelo Dugme – A i ti me iznevjeri o Bijelo Dugme – Ako ima Boga o Bijelo Dugme – Đurđevdan o Bijelo Dugme – Esma o Bijelo Dugme – Lažeš o Bijelo Dugme – Lipe cvatu o Bijelo Dugme – Na zadnjem sedištu moga auta o Bijelo Dugme – Napile se ulice o Bijelo Dugme – Padaju zvijezde o Bijelo Dugme – Pljuni i zapjevaj o Bijelo Dugme – Ružica si bila o Bijelo Dugme – Tako ti je mala moja kad ljubi o Boris Režak – Anđeo o Colonia – Ti da bu di bu da o Crvena Jabuka – Bacila je sve niz rijeku o Crvena Jabuka – Da nije ljubavi o Crvena Jabuka – Dirlija o Crvena Jabuka – Moje najmilije o Crvena Jabuka – Nekako s prolijeća o Crvena Jabuka – Stižu me sjećanja o Crvena Jabuka – Tamo gdje ljubav počinje o Crvena Jabuka – To mi radi o Crvena Jabuka – Tuga, ti i ja o Crvena Jabuka – Volio bi da si tu o Crvena Jabuka – Zovu nas ulice o Čutura – Voli me o Darko Domijan – Ulica jorgovana o Dado Topić I Slađana Milošević – Princeza o Dejan Cukić – Milica o Dejan Cukić – Nebo -
I Kongresmeni Zabrinuti
OTVORENO PISMO [ESTI ME\UNARODNI FESTIVAL POZORI[TA ZA DJECU BAWA LUKA 2007" VISOKOM PREDSTAVNIKU " U BiH SAMO VELIKI Bawa Luka Godina LXV www.glassrpske.com PRIZNAJU Ponedjeqak, 5. novembar 2007. Broj 11.441, cijena 0,8 KM GRE[KE MALI[ANI U SVIJETU MA[TE Strana 2. Strana 21. IJO[ UVIJEKKONGRESMENI SE NE VIDI IZLAZ IZ KRIZE, NASTALE POSLIJE ZABRINUTI ODLUKA MIROSLAVA LAJ^AKA Smatramo da je premijer Srpske Milorad ze i to je ono {to mi daje opti- mizam da }e i ovaj kompromis u Dodik opravdano zabrinut da bi narednim anima biti postignut - istakao je Igor Crnadak. najnovije mjere visokog predstavnika On je da ocijenio ohrabruju- u BiH mogle da dovedu do preglasavawa }im to {to je rad pravnih timo- va OHR-a i Vlade Srpske dobio konstitutivnih etni~kih grupa u BiH, direktnu podr{ku Upravnog od- naveli u svom pismu Kondolizi Rajs bora Savjeta za implementaci- ju mira, kao i posrednu podr{ku ~lanovi Kongresa SAD Melisa Bin, Evropske unije. - Nedavni doga|aji su poka- Den Barton i Stiv [abot zali da odgovornost u BiH tre- KONGRESMENI Melisa u pismu koje su, pored Kondoli- ba {to prije predati doma}im Bin, Den Barton i Stiv [abot, ze Rajs, uputili i pomo}niku dr- institucijama. Samo zajedni~- ina~e ~lanovi Srpskog kokusa u `avnog sekretara SAD u Birou ka i kompromisna rje{ewa mo- Kongresu SAD, uputili su pismo za evropska i evroazijska pi- gu biti uspje{na - poru~io je ameri~kom dr`avnom sekreta- tawa Rozmari di Karlo i amba- Crnadak. ru Kondolizi Rajs, u kojem su sadoru SAD u BiH ^arlsu In- On smatra da }e Predsjedni- ukazali na opravdanu zabrinu- gli{u. -
Pogansko U "Pričama Iz Davnina" Ivane Brlić Mažuranić
Pogansko u "Pričama iz davnina" Ivane Brlić Mažuranić Ivšić, Ivana Master's thesis / Diplomski rad 2016 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Pula / Sveučilište Jurja Dobrile u Puli Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:137:730781 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-02 Repository / Repozitorij: Digital Repository Juraj Dobrila University of Pula SVEUČILIŠTE JURJA DOBRILE PULA FAKULTET ZA ODGOJNE I OBRAZOVNE ZNANOSTI IVANA IVŠIĆ POGANSKO U „PRIČAMA IZ DAVNINE" IVANE BRLIĆ-MAŽURANIĆ Diplomski rad Pula, 2016. SVEUČILIŠTE JURJA DOBRILE PULA FAKULTET ZA ODGOJNE I OBRAZOVNE ZNANOSTI IVANA IVŠIĆ POGANSKO U „PRIČAMA IZ DAVNINE“ IVANE BRLIĆ-MAŽURANIĆ Diplomski rad JMBAG: 0265004629, redoviti student Studijski smjer: Učiteljski studij Predmet: Dječja književnost Znanstveno područje: Humanističke znanosti Znanstveno polje: Filologija Znanstvena grana: Teorija i povijest književnosti Mentor: doc.dr.sc. Vjekoslava Jurdana Pula, 2016. IZJAVA O AKADEMSKOJ ČESTITOSTI Ja, dolje potpisana Ivana Ivšić, kandidat za magistru primarnog obrazovanja, ovime izjavljujem da je ovaj Diplomski rad rezultat isključivo mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na objavljenu literaturu kao što to pokazuju korištene bilješke i bibliografija. Izjavljujem da niti jedan dio Diplomskog rada nije napisan na nedozvoljen način, odnosno da je prepisan iz kojega necitiranog rada, te da ikoji dio rada krši bilo čija autorska prava. -
Relocating Popular Music
Relocating Popular Music Edited by Ewa Mazierska and Georgina Gregory Pop Music, Culture and Identity Pop Music, Culture and Identity Series Editors: Steve ("lark, University of Tokyo, Japan, Tristanne Connolly, St Jerome's, University of Waterloo, Canada and Jason Whittakcr, f-'alinouth University, UK Advisory Hoard: Chris Be.st, University College Falmouth, UK, Audrey l;aine, Vice President of Marketing, CBS Records, Gavin Hayes, Musician, USA, John Ilutnyk, Goldsmiths, University of London, UK, Allan F;. Moore, University of Surrey, UK, Ryan Moore, l-'lorida Atlantic University, USA, Jennifer Otter, University of East London, UK, John Phillips, National University of Singapore, Singapore, Cristina Kuotolo, San Francisco, USA, Karl Simm.s, University of Liverpool, UK. Will Straw, Mc(iill University, Canada and Steve Waksman, Smith College, USA Pop music lasts. A form all too often assumed to be transient, commercial and mass-cultural has proven itself durable, tenacious and continually evolving. As such, it has become a crucial component in defining various forms of identity (individual and collective) as influenced hy factors such as nation, class, gender, ethnicity, location/situation, and historical period. Pop Music, Culture and Identity investigates the implications of this greatly enhanced status. Particular attention will he paid to issues such as the iconog- raphy of celebrity, the ever-expanding archive, the nature of the performance- event, the parameters of generational memory, and the impact of new technologies on global -
Serbia's Appetite for Sterlet Drives Unique Sturgeon to the Brink
Undersized sterlets are a frequent sight at markets and restaurants around Serbia despite being protected bylaw. beingprotected Serbiadespite around andrestaurants sightatmarkets afrequent are sterlets Undersized STERLET DRIVES UNIQUE STURGEON STURGEON UNIQUE DRIVES STERLET +381 11 4030 306 114030 +381 Theme Apocalyptic With Returns BITEF Page 13 The sterlet sturgeon of the Danube outlived the the outlived Danube ofthe sturgeon The sterlet dinosaurs, but can the ancient species survive survive species ancient the can but dinosaurs, SERBIA’S APPETITE FOR FOR APPETITE SERBIA’S Serbian appetites and the illegal fishing trade trade fishing illegal the and appetites Serbian [email protected] Issue No. No. Issue 257 TO THE BRINK THE TO Friday, July 27 - Thursday, September 13, 2018 13, September 27 -Thursday, July Friday, that serves them? serves that Continued on on Continued page 2 Beach Bars Beach Best Belgrade’s City: in the Summer Page 14 BELGRADE INSIGHT IS PUBLISHED BY INSIGHTISPUBLISHED BELGRADE ORDER DELIVERY TO DELIVERY ORDER [email protected] YOUR DOOR YOUR +381 11 4030 303 114030 +381 Friday • June 13 • 2008 NEWS NEWS 1 9 7 7 Photo: Dragan Gmizic Dragan Photo: 1 ISSN 1820-8339 8 2 0 8 3 3 0 0 0 0 1 Issue No. 1 / Friday, June 13, 2008 EDITOR’S WORD Lure of Tadic Alliance Splits Socialists Political Predictability While younger Socialists support joining a new, pro-EU government, old By Mark R. Pullen Milosevic loyalists threaten revolt over the prospect. party over which way to turn. “The situation in the party seems extremely complicated, as we try to convince the few remaining lag- gards that we need to move out of Milosevic’s shadow,” one Socialist Party official complained. -
Hudobn Festival Rock Gitarijada, Zajecar
Media Center Zajecar Rock Music Festival Gitarijada, Zajecar Telenet City Network | Serbia Phone: +38164 5558581; +38161 6154768; www.booking-hotels.biz [email protected] Rock Music Festival Gitarijada, Zajecar The oldest Youth festival in East Europe which goal is encouragement and affirmation of music creativity of young people - rock based audience. 41. Gitarijada Zajecar 31.07.07 04.08.07 31.07. Trg oslobodjenja 20,00 HAPPY HOUR - Zajecar Beer promotion 20,30 3rd international Rock Photography Exibition Opening Concert - Milan Milojkovic - guitar 21,00 HIT 202 live broadcast 01.08. Popova plaza 12,00 Rock camp opening 21,00 ALL THAT JAZZ - public recording 02.08. Popova plaza 20,30 Short animated movies by New York authors 22,00 KEN HENSLEY & live Fire 23,30 First Semi-finals - 6 bands 01,00 DIVLJE JAGODE 02,30 EKIPA PLUS 03.08. Popova plaza 20,30 Short animated movies by New York authors 22,00 DADO TOPIC & GRUPA TIME 23,30 Second Semi-finals - 6 bands 01,00 NEVERNE BEBE 04.08. Popova plaza 20,30 Movie projection - Masters of scream 22,00 WISHBONE ASH 23,30 Finals - Top 6 bands 01,00 FULL FLAVOR Winners of the 40th Gitarijada 01,30 Announcing the Winner of the 41st Gitarijada Zajecar Beer 02,00 RIBLJA CORBA Semi finalists 70 bands have met conditions for participating on 41st Gitarijada Zajecar Beer. The jury, consisting of : Vladimir Jankovic Dzet (Radio Belgrade 202, president of the jury), Branimir Lokner (rock critic), Petar Milosakovic (representative of TV Belgrade), Jovan Rasic (representative of the organizer), Jovana Stankovic (representative TV Metropolis), Mirko Radic (representative RTV Zajecar) and Vesna Pantelic (representative of Vecernje novosti) Has selected 12 semi finalists: AETERNIA (Belgrade), NIGHTFALL (Belgrade), AETAR (Belgrade), HATRED (Belgrade), REVOLUTION (Nis), AL JAZEERA (Zajecar), PINE CONES (Zrenjanin), ANTI-DOTE (Pirot), ANGUISH SUBLIME (Novi Sad / Temerin), ART DILER (Petrovac na Mlavi), T.C.O.B. -
Pojam Undergrounda Underground
POJAM UNDERGROUNDA U UMJETNOSTI U SRBIJI DEVEDESETIH - ! NIKOLA 52 DEDIĆ ! - THE NOTION OF UNDERGROUND IN SERBIAN ART DURING THE 1990S ČASOPIS ZA SUVREMENA LIKOVNA ZBIVANJA PREGLEDNI ČLANAK-REVIEW tome, pojedini umjetnici težit će stvaranju posve nepolitičkog, PREDAN 1.2.2012. - PRIHVAĆEN 13.5.2012. UDK/UDC 7.038.51(497.11)“199“ formalističkog jezika u području proširenog poimanja slikarstva i UDK/UDC 7:316.723(497.11)“199“ skulpture, anticipirajući na taj način indirektnu, gotovo utopijsku SAŽETAK: U tekstu se analizira jednan od fenomena umjetnosti kritiku spomenute ideologije (različiti oblici neoformalizma, devedesetih godina u Srbiji kojeg je tadašnja kritika označila terminom neominimalizma i radikalne apstrakcije). Najzad, jedan je od „underground umjetnost“. Ovaj se fenomen postavlja u odnos s novom figuracijom u umjetnosti desetog desetljeća, odnos underground značajnijih fenomena kritike nacionalne platforme devedesetih umjetnika prema nasljeđu konceptualne umjetnosti i veze koje ovi autori i pojava umjetnosti undergrounda: formulirana tijekom ostvaruju s popularnom, prije svega rock i punk glazbom. osamdesetih godina (s pojavom novog vala kao karakterističnog KLJUČNE RIJEČI: undeground umjetnost, nova figuracija, lowbrow, pop subkulturnog fenomena), a predstavljajući i jedan od mogućih art, novi val oblika „subverzivnog“ umjetničkog djelovanja u idućem desetljeću, ta se umjetnost formirala u spoju najčešće fi gurativno Umjetnost devedesetih orijentiranog slikarstva, rock i punk muzike, u pripadnosti Devedesetih godina 20. stoljeća dolazi do raspada onoga što autora miljeu „omladinskih subkultura“ i njihovu svjesnom je nekadašnja jugoslavenska umjetnička kritika označavala kao izboru položaja društvene margine, alternative kao osobnog i „jugoslavenski umjetnički prostor“, a nacionalistička ideološko- profesionalnog stava. politička platforma u određenoj mjeri postaje dominantni jezik nekadašnjeg jugoslavenskog kulturnog konteksta. -
Repertoar Pesama ,,Barakuda Benda”
Repertoar pesama ,,Barakuda Benda” U želji da Vam omogućimo uvid u bogat i šarolik repertoar pesama benda, razvrstali smo pesme po žanrovima - narodna muzika, zabavna muzika, noviteti i starogradska muzika. Milan Nikolić i Bara-kuda Bend Vam pružaju uvid u deo repertoara muzike koju izvodimo na programskim svadbama. Uverite se da za svakog ima po nešto, naravno, znamo mi još mnogo toga. Bend repertoar koriguje prema kraju u kome nastupa i na osnovu vrste nastupa (klub, svadba, žurka, proslava, rođendan, mat-ura, godišnjica, veridba, punoletstvo, krštenje). Repertoar starogradskih pesama: • - Čamac na Tisi • - Moja mala nema mane • - Evo banke cigane moj • - Alaj mi je večeras bo volji - Olivera Katarina • - Ciganka sam mala • - Haljinica boje lila • - Tri metera somota • - Kraj jezera • - Ko te ima taj te nema • - Makedonsko devojče • - Kada padne prvi sneg • - Rekla nana da mi daš • - Čuješ seko • - Obraše se vinogradi • - U lijepom starom gradu Višegradu • - Mila majko šalji me na vodu • - Osam tamburaša • - Nesanica • - Mito bekrijo • - Ruse kose • - Crne kose • - I dođi lolo • - Godine su prolazile • - Nemoj da brigaš • - Ja ne mogu mila majko bez njega • - Fijaker stari • - Aj berem grožđe • - Zorice zorule • - Čuješ seko • - U Novom Sadu • - U tem Somboru • - U ranu zoru • - Stanite dani stanite noći • - Dunave Dunave Repertoar zabavne muzike: • -Kremen Merlin • -Pusti pusti modu Cola • -Hajde da se volimo Kerber • - Mladicu moj-DLM • - Čekala sam čekala • -Jadranka Stojaković • - Kofer ljubavi • - Zana • - Mesečina-Merlin • - Ugasi -
Pesma Izvođač 100 Dana U Mesecu Tap 011 a I Ti Me Izneveri Bijelo Dugme a Sad Adio Oliver Dragojević a Šta Da Radim Azra
PESMA IZVOĐAČ 100 DANA U MESECU TAP 011 A I TI ME IZNEVERI BIJELO DUGME A SAD ADIO OLIVER DRAGOJEVIĆ A ŠTA DA RADIM AZRA ADIO AMORE RASTA AFRIKA DINO DVORNIK ANJA VOLIM TE GOBLINI AJKULA ELLA B AKO KAŽEŠ DA ME NE VOLIŠ NINA BADRIĆ AKO SU TO SAMO BILE LAŽI PLAVI ORKESTAR AKO TI JE DO MENE TROPICO BAND APSOLUTNO TVOJ MIRZINO JATO BALKAN NEVERNE BEBE BALKAN AZRA BALKAN FUNK DUBIOZA KOLEKTIV BARAKUDA VIKTORIJA BEZ TEBE OLIVER DRAGOJEVIĆ BEZ TEBE ME NEMA SAŠA KOVAČEVIĆ BOS ILI HADŽIJA ZABRANJENO PUŠENJE BOŽE BRANI JE OD ZLA TOŠE PROESKI BRAD PITT SEVERINA BRAZIL BEBI DOL BUDI MOJA VODA DAMIR URBAN CELU NOĆ I CELI DAN MVP CESARICA OLIVER DRAGOJEVIĆ CARTE BLANCHE OKTOBAR 1864 CRNI PLES OKTOBAR 1864 CRNI LEPTIR YU GRUPA ČAJE ŠUKARIJE ZDRAVKO ČOLIĆ ČAMAC NA TISI DUET ČARDAŠ NOGE ĐORĐE BALAŠEVIĆ ČAROBNO JUTRO NINA BADRIĆ ČEKALA SAM JADRANKA STOJAKOVIĆ ČIJA JE ONO ZVEZDA ZDRAVKO ČOLIĆ ČIJA SI TOŠE PROESKI ČINIM PRAVU STVAR GIBONNI ČOKOLADA IDOLI ČUDNA ŠUMA YU GRUPA ČUVAJ MOJE SRCE ALEKSANDRA RADOVIĆ ČUVAM TE ALEKSANDRA RADOVIĆ DA IMA NAS NEVERNE BEBE DA L SI IKADA KNEZ DA TE VOLIM ALEKSANDRA KOVAČ DA TI NISAM BILA DOVOLJNA E.T. DAIRE SMAK DAJTE MI VINO APSOLUTNO ROMANTIČNO DANAS SAM LUDA JOSIPA LISAC DANAS SAM OK MERLIN DANI I GODINE NINA BADRIĆ DAT ĆE NAM BOG NINA BADRIĆ DENIS OKTOBAR 1864 DEVOJKA ŽELJKO JOKSIMOVIĆ DEVOJKA BROJ 8 ATOMSKO SKLONIŠTE DEVOJKO MALA IDOLI DIJETE U VREMENU LET 3 DIGNI RUKU GALIJA DOBRA VAM NOĆ PRIJATELJI ZDRAVKO ČOLIĆ DOBAR DAN DLM DOBRO DA NIJE VEĆE ZLO LEXINGTON DODIRNI MI KOLENA ZANA DOK DIŠEM ALEKSANDRA RADEVIĆ DOĐI -
New Wave in Yugoslavia: Socio-Political Context Udc 316.723:78(497.11)
FACTA UNIVERSITATIS Series: Philosophy, Sociology, Psychology and History Vol. 12, No1, 2013, pp. 69 - 83 NEW WAVE IN YUGOSLAVIA: SOCIO-POLITICAL CONTEXT UDC 316.723:78(497.11) Jelena Božilović University of Niš, Faculty of Philosophy, Serbia E-mail: [email protected] Abstract. This paper analyzes the social and political implications of a popular culture music trend known as New Wave in SFRY. This trend was created in Great Britain and USA by the end of the 1970's but it "moved" to our country, as well, due to its opennes to Western culture. The Yugoslav New Wave was not a sheer copy of the Western trend but it managed to create its own original music expression becoming a phenomenon of one generation. The most popular new wave bands (Prljavo kazalište, Azra, Haustor, Film, Lajbah, Šarlo akrobata, Električni orgazam, Idoli) left a significant mark on the society, generation and the whole epoch not only in the sense of the music they created but also in the social, cultural and political sense. The New Wave was an avant-gard music trend whose ideals were reflected in simple musical forms, characteristic ideological engagement, visual presentations (music album covers and posters) and particularly in their lyrics full of irony, allusions and metaphors in relation to the establishment of the time. The paper compares the Western and Yugoslav new wave and punk music with a reference to their achievements and influence which is still present in contemporary culture. Key words: New Wave, Subculture, SFRY, Socialist ideology, Urban culture INTRODUCTION The new music trend, known as New Wave, originated in Great Britain and the Unated States of America in the late 1970s.