The Brand Challenge Kartikeya Kompella
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Proceedings 2020 International Summit Music & Entertainment Industry Educators Association
Proceedings of the 2020 International Summit of the Music & Entertainment Industry Educators Association – October 2 & 3, 2020 – Proceedings of the 2020 International Summit 1 Contents Academic Papers Presented at the 2020 International Summit of the Music & Entertainment Industry Educators Association October 2-3, 2020 Papers are listed alphabetically by author. 4 Integrating Audio Branding into the Marketing 40 Literature, Lemonade, and DAMN.: A Historical Curriculum: A Model Perspective on Popular Music Awards (abstract only) David Allan, Saint Joseph’s University Jason Lee Guthrie, Clayton State University 8 The Crossover: Evaluating Mainstream Consumption 41 Preparing Global-Ready, and Interculturally of Urban Music Concerts (abstract only) Competent Graduates for the Music and Morgan M. Bryant, Saint Joseph’s University Entertainment Industries Eric Holt, Belmont University Kristina Kelman, Queensland University of Technology 10 The Musician’s Profit Umbrella™ and Women as 48 Summer Camp: Developing a Recruiting Hotbed That Musician-Entrepreneurs (abstract only) Teaches High School Students Music Production Fabiana Claure, University of North Texas Steven Potaczek, Samford University 11 Measuring Folk 52 Skip, Burn, Seek & Scratch: Young Adults’ Compact Michelle Conceison, Middle Tennessee State University Disc Usage Experiences in 2020 (abstract only, full 23 Tools of the Craft: The Value of Practicums in Arts article available in the 2020 MEIEA Journal https:// and Music Management doi.org/10.25101/20.4) Mehmet Dede, The Hartt School, University of Hartford Waleed Rashidi, California State University, Fullerton 27 Dude, Where’s Your Phone?: Live Event Experience 53 Legends and Legacy: Musical Tourism in Muscle in a Phone-Free Environment (abstract only) Shoals (abstract only) Matthew Dunn, University of South Carolina Christopher M. -
From Dimitrios with Love Ian Fleming’S Cold War Revision of Eric Ambler’S a Coffn for Ififrr Fos
From Dimitrios with Love Ian Fleming’s Cold War Revision of Eric Ambler’s A Coffn for ififrr fos LUCAS TOWNSEND One of the most recognisable titles of Cold War popular fction is certainly Ian Fleming’s 1957 no el From Russia With Love! Listed among American $resident %ohn F! &ennedy’s top ten fa ourite no els in Life magazine and later mar(ing Sean Connery’s second flm appearance as %ames *ond+ Russia occupies a cross, roads of multilateral Cold War culture, becoming a -uintessential mar(er of the deadlocked political tensions bet.een /ast and West! Russia .as a noticeable de, parture from the successful formula Fleming de eloped in the four *ond no els that preceded it0 Casino Royale+ Live and Let Die+ Moonraker+ and Diamonds Are For- ever! In Russia+ *ond’s chief 1 orders him to Istanbul on a mission to 2pimp for England3 4Fleming 5615b, 1177 and seduce the beautiful So iet cipher cler( 8a, tiana 9omano a. In e:change, 8atiana ofers a cutting-edge So iet encryption machine, the )pe(tor! As the reader learns from the opening section of the no el+ this is an elaborate ploy+ a 2honey trap3 laid by the So iet <nion’s )1/9)=1 intelligence branch to cripple the reputation of the *ritish Secret Ser, ice in a murder-suicide se: scandal in ol ing their best agent! Russia’s uni-ue 1 #s Fleming defnes it+ 2)1/9)= is a contraction of >)miert )pionam ?Смерть Шпионам@+’ .hich means >Aeath to )pies’3 45615b+ 577! )1/9)= 4СМЕРШ 7 .as a real col, laborati e department of se eral )oviet counterintelligence agencies! Lucas Townsend is .n /A 0.n*i*.)e in Englis1 .) 2lori*. -
Pablo's Armchair Treasure Hunt 2018
PABLO’S ARMCHAIR TREASURE HUNT 2018 PSYCH0L0GICALs7 Contents Hunt Timeline .......................................................................................................................................... 3 Page 1 Ian Fleming’s Life ......................................................................................................................... 7 Page 2 Letter, Small and Large Numbers.................................................................................................... 9 Page 2 Letter ........................................................................................................................................ 9 Small Numbers ..................................................................................................................................... 9 Large Numbers ..................................................................................................................................... 9 Page 3 Doctor No ................................................................................................................................... 10 Page 4 From Russia With Love ............................................................................................................... 11 Page 5 Goldfinger ................................................................................................................................... 12 Page 6 Thunderball ................................................................................................................................. 13 -
DOCUMENT RESUME ED 358 855 IR 054 580 AUTHOR Pinheiro
.DOCUMENT RESUME ED 358 855 IR 054 580 AUTHOR Pinheiro, Edwin J.; Oblinger, Diana TITLE Digital Multimedia. An IAT Technology Primer. INSTITUTION International Business Machines Corp., New York, N.Y.; North Carolina Univ., Chapel Hill. Inst. for Academic Technology. REPORT NO IAT-TPR-09 PUB DATE 93 NOTE 15p. PUB TYPE Reports Descriptive (141) EDRS PRICE MFO1 /PCO1 Plus Postage. DESCRIPTORS Computer Assisted Instruction; *Computer Networks; *Digital Computers; *Educational Technology; Highin. Education; Hypermedia; *Instructional Effectiveness; Interactive Video; *Multimedia Instruction; Optical Data Disks; Technological Advancement; Telecommunications IDENTIFIERS Analog Transmission Systems; *Digital Data; Digital Transmission Systems; Digital Video Interactive; *Multimedia Materials ABSTRACT The technology behind digital multimedia is explained, and some of its specific uses and advantagesare outlined. Multimedia is a catch-all term for various technologies. As the reputation for instructional effectiveness of multimedia has grown, the demand for a digital form of multimedia has in-reased, particularly as the limitations of analog multimedia becomemore apparent. Essentially, digital video interactive (DVI) forms transform and compress analog information into digital information representing sound and video. The advantages have been accepted for some time, especially in terms of being able to communicate over computers. The technical aspects of compression to digitize video and other facets of production are sketched. Optical data disks (CD-ROM) are the perfect vehicle for distributing applications and DVI files because of their large storage capacity and the fact that filescan be played back at a convenient rate. The International Business Machines (IBM) ActionMedia II adapter is used to decompress and play back DVI video and audio. Other options with this adapted and related software are reviewed. -
PRESENTS an AGI ORSI PRODUCTION in Association with KRASNOFF/FOSTER ENTERTAINMENT
PRESENTS AN AGI ORSI PRODUCTION in association with KRASNOFF/FOSTER ENTERTAINMENT LOST ANGELS: SKID ROW IS MY HOME A Film by Thomas Q. Napper Narrated by Catherine Keener Documentary| Unrated | 75 minutes DCP | 5.1 Sound **Shot on the RED** PRESS NOTES THEATRICAL VERSION FOR PUBLICITY: DISTRIBUTION: Beth Portello Richard Castro Cinema Libre Studio Cinema Libre Studio [email protected] [email protected] Ph: 818-349-8822 Ph: 818-349-8822 SYNOPSIS: LOST ANGELS: SKID ROW IS MY HOME takes an uncompromising yet life-affirming look at the lives of eight remarkable individuals, people who have found a way to make a life for themselves within the community of homelessness. The film shows how their descent into society’s basement has been exacerbated by the forces of gentrification and the increasing criminalization of homeless people, while exposing the draconian changes to the mental health care system that have brought us here. With the support of a vast array of advocates, especially the services of LAMP, the mission featured in the Jamie Foxx/ Robert Downey Jr. film, THE SOLOIST, many residents of Skid Row have found a way to stick together and fight back. Narrated by actress Catherine Keener, LOST ANGELS demonstrates how proactive approaches to homelessness–most specifically that of providing housing–are helping many to recover from mental illness and substance abuse and to find stability. For many, Skid Row is, improbably, the last place to find refuge and build a life of meaning…proving that sometimes home is where -
IL FUTURO DELLA SALUTE Come La Tecnologia Digitale Sta Rivoluzionando La Medicina (E La Nostra Vita)
Roberto Ascione IL FUTURO DELLA SALUTE Come la tecnologia digitale sta rivoluzionando la medicina (e la nostra vita) EDITORE ULRICO HOEPLI MILANO Copyright © Ulrico Hoepli Editore, S.p.A. 2018 via Hoepli 5, 20121 Milano (Italy) tel. +39 02 864871 – fax +39 02 8052886 e-mail [email protected] www.hoepli.it Seguici su Twitter: @Hoepli_1870 Tutti i diritti sono riservati a norma di legge e a norma delle convenzioni internazionali ISBN EBOOK 978-88-203-8494-4 Progetto e realizzazione editoriale: Maurizio Vedovati – Servizi editoriali ([email protected]) Copertina: Sara Taglialegne Realizzazione digitale: Promedia, Torino A mio padre, medico delle persone e maestro di vita SOMMARIO Introduzione UNA RIVOLUZIONE INARRESTABILE PARTE I RIFLESSIONI DIGITALI Capitolo 1 DEVICE Capitolo 2 DATA SCIENCE & ARTIFICIAL INTELLIGENCE Capitolo 3 OPEN INNOVATION & STARTUP Capitolo 4 INTERFACCE Capitolo 5 TELEMEDICINA E MONITORING A DISTANZA Capitolo 6 DO IT YOURSELF Capitolo 7 TERAPIE DIGITALI Capitolo 8 SERVIZI Capitolo 9 GENETICA Capitolo 10 SELF EMPOWERMENT PARTE II RIFLESSIONI UMANE Capitolo 11 MEDICO VS PAZIENTE Capitolo 12 VECCHIO VS NUOVO Capitolo 13 FIDUCIA VS PAURA Capitolo 14 ESPONENZIALE VS INCREMENTALE Conclusioni UNA RIVOLUZIONE POSITIVA Postfazione COME PROSEGUIRE L’autore Ringraziamenti Informazioni sul Libro INTRODUZIONE Una rivoluzione inarrestabile CHI È ROBERTO ASCIONE i occupo di medicina e tecnologia ormai da una ventina d’anni. Ho M studiato da medico, ma non ho mai praticato perché ero appassionato anche d’informatica. Ero quindi combattuto tra questi due elementi: la programmazione e la facoltà di medicina. In ambito sanitario mi resi conto che tutto era largamente analogico, e per molti versi lo è ancora. -
Ian Fleming (1908–64), Novelist and Journalist
22 Ian Fleming (1908–64), Novelist and Journalist JOHN HATCHER Fleming at Yugawara hot spring in 1959 1959 TOKYO VISIT When Ian Fleming arrived in Japan in November 1959 dressed in his habitual lightweight dark blue suit, polka dot bow tie and moccasins, an ebony cigarette holder clamped between his teeth, he was only just coming into the first flush of his success as the creator of James Bond. Since Casino Royale (1953) he had published six Bond novels, with Goldfinger having been published a few months earlier. Film companies were sniffing around – Fleming himself favoured James Stewart or Richard Burton for Bond, with Hitchcock as director – but the world- wide Bond cult would not really take off until the first Bond movie in 1962. In any case, James Bond was far from Fleming’s mind. After churning out a book a year since 1952, he was growing weary of his hero, who seemed to be taking over his life. He was in Tokyo on an all- expenses-paid escape and escapade: the Sunday Times had dispatched him on a five-week tour of his personal canon of ‘the thrilling cities of the world’ – Hong Kong, Macao, Tokyo, Honolulu, Los Angeles, 221 BRITAIN & JAPAN: BIOGRAPHICAL PORTRAITS VOLUME VI Las Vegas, Chicago, New York.1 Unlike his friend Somerset Maugham, who had arrived by boat from Europe days earlier, Fleming was emphatically a post-war traveller, revelling in the speed of air travel, having arrived in the Far East on a BOAC Comet that took twenty-six hours from London to Hong Kong via Zurich, Beirut, Bahrain, New Delhi and Bangkok armed with a £803 19s. -
Ian Fleming & James Bond
IAN FLEMING & JAMES BOND An exceptional collection of 81 rare first editions, every lifetime edition of the Bond books signed by the author, together with manuscripts, pre-publication proofs, advance copies, related correspondence and ephemera, also first editions of all Fleming’s non-fiction books, and a selection of books from his library, ranging from a Boy’s Own Annual given to him as a 10-year-old boy, to Raymond Chandler’s last novel inscribed for him by the author Peter Harrington, 100 Fulham Road, London, SW3 6HS, UK | Tel +44 20 7591 0220 | [email protected] 1 CASINO ROYALE 4 1 (FLEMING, Ian.) Casino Royale. A James Bond Comedy Saga. FLEMING, Ian. Casino Royale. London: Jonathan Cape, 1953 London: 13 South Audley Street, 15 November 1965 First edition, presentation copy of Fleming’s first novel, inscribed by An early screenplay for the film version of Casino Royale played for the author, “Dear Leonard, ‘Read & burn’, Ian”. Leonard Russell was laughs, eventually produced by Columbia Pictures and screened in the features editor of the Sunday Times, where Fleming worked full- 1967, starring David Niven as Bond, with Peter Sellers, Ursula An- time until December 1959. Original boards, in dust jacket. dress, and Orson Welles. The screenplay shows considerable differ- 2 ences from the final film version. FLEMING, Ian. Casino Royale. London: Jonathan Cape, 1953 First edition, apparently the printer’s retained copy, textually com- plete, with two blanks in the last gathering not found in the pub- lished version, original green wrappers, two pencil text corrections. 3 FLEMING, Ian. -
Join Us for a Program Full of Unforgettable Experiences, Great New Discoveries and Inspiring Conversations. We Will Guide You Th
Austria at SXSW German Haus @ Barracuda | 611 East 7th Street | Austin March 12 - 16, 2017 www.advantageaustria.org/austriaatsxsw Join us for a program full of unforgettable experiences, great new discoveries and inspiring conversations. We will guide you through Austria’s rich musical history and today’s state of the art music technologies. CONTACT INFORMATION ADVANTAGE AUSTRIA Vienna Office for Creative Industries Reanne Leuning Wiedner Hauptstrasse 63 1045 Vienna Austria T +43 5 90 900 36 13 F +43 5 90 900 11 36 13 E [email protected] W www.advantageaustria.org/austriaatsxsw ADVANTAGE AUSTRIA New York Austrian Trade Commission Michael Friedl 120 West 45th Street, 9th Floor 10036 New York USA T +1 212 421 52 50 F +1 212 421 52 51 E [email protected] W www.advantageaustria.org/us 2/37 PREFACE In the year 1934, the Austrian With its headquarters in Vienna and a economist Joseph Schumpeter was global network of 110 offices in over 70 probably the first to argue that the countries, ADVANTAGE AUSTRIA offers notions of entrepreneurship and a broad range of intelligence and innovation are interrelated; today, the business development services for both Austrian business landscape is Austrian companies and their characterised by innovative companies international business partners and is with a truly entrepreneurial spirit. At the face and voice of Austria's export SXSW 2017, Austria will showcase a business abroad. selection of its most innovative and promising young startups and We look forward to another chapter of institutions from the music and continued success stories, investment interactive scenes, inspiring the opportunities, and flourishing audience with their clever ideas and collaborations with our amazing startup ingenious technologies and ecosystem. -
LPTV Group 4
TV Reception By Channel Low Power TV Stations and Translators Kansas - Kentucky - Louisiana - Maine - Maryland - Massachusetts - Michigan - Minnesota HD Channels underlined, with bold faced italic print Highlighted with LIGHT BLUE background. SD 16:9 Widescreen Channels with Regular print LT GRAY Updated January 2015 SPANISH Language channels in RED NOTES: CP = Construction Permit App = Application + = proposed new facility Mileage given from TV transmitter for protected coverage service under average conditions at least 50% of the time. d Notation after "Miles" indicates that the coverage pattern is directional, and overall numbers are approximate. Actual coverage will depend upon terrain between the transmitter and receive location, as well as any local obstructions. Distant reception can be enhanced with elevated antenna locations, as well as specialized antennas and preamplifiers. Compiled by MIKE KOHL at GLOBAL COMMUNICATIONS in Plain, Wisconsin Please E-Mail any corrections to: [email protected] We appreciate any information found by local observation of live signals. LPTV and Translator Stations: (alpha by location, numeric by channel) 10 6 8 5 4 2 11 13 3 1 7 9 12 DIG Range CH Call Network Community (Transmitter) Lat-N Long-W Miles Digital Subchannels LPTV and Translator Stations: (alpha by location, numeric by channel) 24 KTUL-LD ABC Caney 36 58 18 95 53 47 25 8.1 KTUL-ABC 8.2 Weather 8.3 Retro TV 30 KOTV-LD CBS, CW Caney 36 58 18 95 53 47 25 6.1 KOTV-CBS 6.2 KQCW-CW 6.3 News 29 KSAS-LP FOX Dodge City (NW) 37 46 47 100 03 39 -
Chitty Chitty Bang Bang: the Magical Car Pdf, Epub, Ebook
CHITTY CHITTY BANG BANG: THE MAGICAL CAR PDF, EPUB, EBOOK Professor of Organic Chemistry Ian Fleming,Joe Berger | 143 pages | 12 Mar 2013 | Candlewick Press (MA) | 9780763666668 | English | United States Chitty Chitty Bang Bang: The Magical Car PDF Book Inexplicably, this release was limited to only 1, units. At first Chitty-Chitty-Bang-Bang is just a big and powerful car, but as the book progresses the car surprises the family by beginning to exhibit independent actions. The Sunday Times. Filming started June at Pinewood Studios. Share Tweet. Namespaces Article Talk. The brass lamps are all original period pieces and the brass snake horn came from one of the original Chitty cars. Retrieved 22 July Corgi Toys released a scale replica of Chitty Chitty Bang Bang with working features such as pop out wings. This line closed in , the same year the film was released. The Potts' party is helped and hidden by the local Toymaker, who now works only for the childish Baron. Links to related articles. The Dominion Post. Lynbrook Herald. Profiles In History. Iver Bridge, Iver , Buckinghamshire, England. Hi, what are you looking for? Prometheus Global Media. This section does not cite any sources. It was initially published in three volumes, the first of which was released on 22 October by Jonathan Cape in London. United Artists promoted the film with an expensive, extensive advertising campaign, hoping for another Sound of Music. Wikimedia Commons Wikiquote. Built on a vintage, road legal, Overland car, and a vintage Ford Model A Engine, the car has automated opening retractable wings and vintage brass adornments. -
Audio Branding Congress 2009
Audio Branding Congress 2009 November 14th, 2009 9:00 a.m. – 10:00 p.m. Dialog im Dunkeln (Dialogue in the Dark) Alter Wandrahm 4 D-20457 Hamburg Program - seminar room 1 - 9:00 Open doors and check in 9:30 Prelude 10:00 The impact of music on consumer behavior Prof. Dr. Adrian North School of Life Sciences, Heriot Watt University 11:00 Sound branding – only the name is new Prof. Carl-Frank Westermann Creative Director, Sound Branding, MetaDesign AG Visiting professor at Sound Studies, UdK Berlin 12:00 Lunch break 13:00 Emotional Boosting. Die hohe Kunst der Kaufverführung (German language) Dr. Hans-Georg Häusel Chairman Gruppe Nymphenburg Consult AG Expert for neuromarketing, author of “Brain View” (2008) 14:00 Wie viel Marke verträgt der Sound? (German language) Georg Rabbe Managing Partner, Klangwerk Brand Acoustics GmbH 15:00 Coffee break 15:30 Sound affects! Julian Treasure Chairman at The Sound Agency, London 16:30 Tone defines content / Der Klang macht die Musik Walter Werzowa Composer of the Intel Audio Logo Musikvergnügen, Hollywood 18:00 Babylonian Branding: Audio, Acoustic, Sound or Sonic? Panel discussion with John Groves (Managing Director, GROVES Sound Communications) Wilbert Hirsch (Senior Partner, audio consulting group) Rainer Hirt (Managing Partner, audity, owner of audio-branding.de) Birgitte Rode (Managing Director, Audio Management A/S) Ruth Simmons (Managing Director, soundlounge) Moderator: Karsten Kilian (Markenlexikon.com) 19:00 Get Together 22:00 End – seminar room 2 - / – black box – 11:00 The sound of success