Jewish Religious Architecture

Jewish Religious Architecture From Biblical Israel to Modern Judaism Edited by Steven Fine leiden | boston For use by the Author only | © 2020 Koninklijke Brill NV <UN> Contents Preface vii List of Figures x Introduction 1 Steven Fine 1 The Biblical Tabernacle: from Sinai to Jerusalem 7 Carol Meyers 2 The Temple of Jerusalem in Biblical Israel 23 ז״ל Victor Avigdor Hurowitz 3 The Second Temple of Jerusalem: Center of the Jewish Universe 51 Joseph L. Angel 4 Herod’s Temple: an Ornament to the Empire 72 Peter Schertz and Steven Fine 5 Synagogues in the Greco-Roman World 96 Steven Fine 6 The Ancient Synagogues of Asia Minor and Greece 122 Mark Wilson 7 Synagogues under Islam in the Middle Ages 134 Joshua Holo 8 Synagogues of Spain and Portugal during the Middle Ages 151 ז״ל Vivian B. Mann 9 Western Ashkenazi Synagogues in Medieval and Early Modern Europe 169 Ena Giurescu Heller 10 Synagogues in Central and Eastern Europe in the Early Modern Period 184 Batsheva Goldman-Ida For use by the Author only | © 2020 Koninklijke Brill NV <UN> vi Contents 11 Christian Perceptions of Jewish Sacred Architecture in Early Modern Europe 208 Yaacov Deutsch 12 Jewish Sacred Architecture in the Spanish and Portuguese Diaspora 221 Ronnie Perelis 13 Jewish Sacred Architecture in the Ottoman Empire 238 Reuven Gafni 14 Synagogues in India and Myanmar 258 Jay A. Waronker 15 Italian Synagogues from 1492 to the Present 275 Samuel D. Gruber 16 Reimagining the Synagogue in the Nineteenth and Twentieth Centuries 287 Jess Olson 17 Modern Synagogue Architecture 307 Samuel D. Gruber 18 The Sacred Architecture of Contemporary Hasidism 334 Maya Balakirsky Katz 19 The Sukkah as Sacred Architecture 352 Shulamit Laderman 20 The Eruv: from the Talmud to Contemporary Art 369 Margaret Olin Index of Place Names 379 For use by the Author only | © 2020 Koninklijke Brill NV <UN> Chapter 12 Jewish Sacred Architecture in the Spanish and Portuguese Diaspora Ronnie Perelis Upon first seeing the Esnoga, the great Portuguese Synagogue of Amsterdam, one is struck by its sheer size and prominence (Fig. 12.1–12.5). Instead of being hidden down a quiet alleyway, or being tucked behind an unassuming fa- çade, as so many pre-modern European synagogues, the Esnoga stands tall, elegantly proclaiming the arrival of these former Conversos1 from Spain and Portugal into the bustling metropolis of Amsterdam. The structure tells us as much about the Jews who built it and prayed within its walls as it does about the larger Dutch society. The Esnoga of Amsterdam served as a model for the synagogues of Amsterdam’s satellite communities throughout the Western Sephardic Diaspora and is a prism through which to appreciate the internal religious world of these Jews and their self-presentation to their host societies. The Spanish and Portuguese Jews of Amsterdam have their origin in the Iberian Peninsula. They are the descendants of the native Jews of Portugal and those Spanish Jews who emigrated in large numbers to Portugal in 1492 on the eve of the expulsion from Spain.2 This community was forcibly converted to Catholicism en masse in 1497. These forced converts were promised one generation free of Inquisitorial investigation into their religious practices that was extended for another twenty years as a result of the savvy lobbying and generous bribing of Portuguese Conversos in Rome. Once this period was over in the 1530’s Portuguese Conversos began to fan out across the wider Iberian world.3 They found new economic opportunities and respite from the intense vigilance of the Portuguese Inquisition in the newly established colonies of 1 On this question see Yosef Hayim Yerushalmi, From Spanish Court to Italian Ghetto (Seattle: University of Washington Press, 1981). See also, H.P. Salomon, “The Portuguese Inquisition and its Victims in the Light of Recent Polemics,” The Journal of the American Portuguese Cul- tural Society, 5.3–4 (1971), 19–28, 50–55. 2 See the article by Vivian Mann in this volume. 3 Jonathan Irvine Israel, European Jewry in the Age of Mercantilism, 1550–1750 (Oxford: Clar- endon Press, 1985), and idem, Diasporas within a Diaspora: Jews, Crypto-Jews and the World Maritime Empires (1540–1740) (Leiden: Brill, 2002). See also, Daviken Studnicki-Gizbert, A Na- tion upon the Ocean Sea (New York: Oxford University Press, 2007). © koninklijke brill nv, leiden, ��0 | doi:10.1163/9789004370098_014 For use by the Author only | © 2020 Koninklijke Brill NV <UN> 222 Perelis Figure 12.1 Square between Portuguese and High German synagogue complex, The Neth- erlands, unknown Wikimedia Commons Figure 12.2 Interior of first Portuguese Synagogue, Amsterdam, Jan Veenhuysen, 1662 Wikimedia Commons For use by the Author only | © 2020 Koninklijke Brill NV <UN> The Spanish and Portuguese Diaspora 223 Figure 12.3 Engraving from Jacob Judah Leon De Templo Hierosolymitano, libri iv, Helmst- edt, 1665 Wikimedia Commons the Americas, the trading outposts of the East Indies, Spain and the Spanish Netherlands. When the United Provinces of Holland threw off Spanish domi- nation they embraced a policy of religious tolerance –or at least the absence of persecution- toward non-Calvinists, eventually including Jews. Converso merchants were attracted to the emerging commercial center of Amsterdam and a small group eventually began to openly practice Judaism and identify as Jews.4 After years of conducting prayer services in private homes, these “New Jews”5 began gathering for religious ceremonies in converted warehouses. In 1639 the three existing Sephardic congregations of Beth Jacob, Neve Shalom and Beth Israel joined together to form one larger, unified community, the Kahal Kados Talmud Torah, “Holy Congregation of the Study of the Law.” The Talmud Torah congregation took over several adjoining buildings that were used as prayer halls and classrooms and reconfigured them into a new synagogue. 4 Daniel Swetschinski, “From the Middle Ages to the Golden Age, 1516–1621” in The History of the Jews in the Netherlands, eds. J.C.H. Blom et al. (Portland: Oxford, 2002), 64–67. 5 Yosef Kaplan, “The Jews in the Republic until about 1750: Religious, Cultural, and Social Life,” ibid., 118. For use by the Author only | © 2020 Koninklijke Brill NV <UN> 224 Perelis Figure 12.4 Emanuel de Witte, Interior of the Portuguese Synagogue of Amsterdam, 1680 Wikimedia Commons While this structure was replaced by the monumental Esnoga a few decades later, its importance should not be discounted. In this first synagogue we can see intimations of the aesthetic and cultural impulses which will express them- selves fully in the famed Esnoga. The congregants’ sense of security and confi- dence in their place in Dutch society is apparent in the buildings’ prominent location near the Houtgracht, with easy access to the street. Its elegant façade adorned with Corinthian pilasters reflects the image of wealth and taste so im- portant to this community of merchants and financiers. A contemporary engraving by Jan Veenhuysen in 1662 of the interior shows a rectangular hall with For use by the Author only | © 2020 Koninklijke Brill NV <UN> The Spanish and Portuguese Diaspora 225 Figure 12.5 Portuguese Synagogue, Amsterdam Wikimedia Commons galleries on both sides.6 (Fig. 12.5) The benches were arranged along the length of the synagogue walls allowing the worshipers to focus on the devotional foci of the building: on the extreme west, the teva, elevated reader’s table where the hazan leads the prayers and reads from the Torah scrolls and the ehal (the His- panicized pronunciation of the Hebrew hekhal, shrine), the ark containing the Torah scrolls, on the far east. The interior design of the synagogue space is bal- anced and allows for maximum visibility- the worshiper is able to see and be seen, the service is harmoniously orchestrated and decorous just as the space is rationally organized along straight lines. While the preachers and poets of the Spanish and Portuguese congregation embraced the chiaroscuro of Baroque imagery in their literary productions,7 the synagogue’s design is staunchly neoclassical. It is in this neoclassical mode that the concept of Bom Judesmo is clearly displayed. Yosef Kaplan has shown the ways that the Sephardic Jews of Amsterdam sought to create a Judaism that was decorous and noble, a Judaism 6 David Cohen Paraira, “A Jewel in the City: The Architectural History of the Portuguese-Jewish Synagogue,” in The Esnoga, eds. Judith C.E. Belinfante et al. (Amsterdam: D’Arts, 1991), 42. 7 Harm den Boer, La Literatura Sefardí de Amsterdam (Madrid: Instituto Internacional de Estu- dios Sefardies y Andalusies, 1995). For use by the Author only | © 2020 Koninklijke Brill NV <UN> 226 Perelis Figure 12.6 Charenton Temple, France, unknown, 1648, interior Wikimedia Commons that accorded with their high station in society and their noble heritage.8 A well-orchestrated prayer service and an elegant synagogue space was integral to this self-image. Christian visitors to the synagogue often remarked on the chaotic nature of the services – at least in comparison to their western Chris- tian liturgies – and the leaders of the community consistently enacted decrees to ensure greater order during the prayers.9 Side conversations were forbidden; the derisive “drowning out” of the name of the evil Haman during the public reading of the book of Esther on the festival of Purim was declared uncouth – along with spitting. The fact that these decrees were continuously re-instituted points to the inevitability of human disorderliness; within the fixed zone of the synagogue’s design, however, the leaders of the community were able to establish a space conducive to order and reverence in a way that their decrees could never insure. 8 Yosef Kaplan, “Bom Judesmo: the Western Sephardic Diaspora,” in Cultures of the Jews: A New History, ed.

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