DOCSLIB.ORG

Pace Intellectual Property, Sports & Entertainment Law Forum, Volume

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Pace Intellectual Property, Sports & Entertainment Law Forum Volume 4 Issue 2 Spring 2014 Article 1 April 2014 Pace Intellectual Property, Sports & Entertainment Law Forum, Volume 4, Issue 2, Spring 2014 Follow this and additional works at: https://digitalcommons.pace.edu/pipself Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Pace Intellectual Property, Sports & Entertainment Law Forum, Volume 4, Issue 2, Spring 2014, 4 Pace. Intell. Prop. Sports & Ent. L.F. (2014). Available at: https://digitalcommons.pace.edu/pipself/vol4/iss2/1 This Full Issue is brought to you for free and open access by the School of Law at DigitalCommons@Pace. It has been accepted for inclusion in Pace Intellectual Property, Sports & Entertainment Law Forum by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. Pace Intellectual Property, Sports & Entertainment Law Forum, Volume 4, Issue 2, Spring 2014 Abstract This issue of Pace Intellectual Property, Sports & Entertainment Law Forum includes articles on the modern legal issues & developments affecting fashion, the Internet, music, film, international sports, constitutional law & the lives of celebrities. Keywords intellectual property, PIPSELF, copyright, patent This full issue is available in Pace Intellectual Property, Sports & Entertainment Law Forum: https://digitalcommons.pace.edu/pipself/vol4/iss2/1 Pace Intellectual Property, Sports & Entertainment Law Forum Volume 4 Spring 2014 Issue 2 MODERN LEGAL ISSUES & DEVELOPMENTS AFFECTING FASHION, THE INTERNET, MUSIC, FILM, INTERNATIONAL SPORTS, CONSTITUTIONAL LAW & THE LIVES OF CELEBRITIES ARTICLES Cleaning Out the Closet: A Proposal to Eliminate the Aesthetic Functionality Doctrine in the Fashion Industry Jessie A. Maihos The Patent Reform Debate: Has Patent Overprotection Resulted in Not-So-Smartphones? Ryan A. Kraski Pinning Your Way to Copyright Infringement: The Legal Implications Pinterest Could Face Brittany Fink Banksy Got Back? Problems With Chains of Unauthorized Derivative Works and Arrangements in Cover Songs Under a Compulsory License Matthew A. Eller Cash From Chaos: Sound Recording Authorship, Section 203 Recapture Rights and a New Wave of Termination Hector Martinez CASE NOTES Let’s Talk About Sex: How Societal Value Evolution Has Redefined Obscenity Kamilah Mitchell The Copyright Infringement Test: A New Approach to Literary Misappropriation in Film Rikki Bahar Protecting a Celebrity’s Child From Harassment: Is California’s Amendment to Penal Code § 11414 Too Vague to Be Constitutional? Michelle N. Robinson ESSAY Is Cricket Taxing? The Taxation of Cricket Players in India Rishi Shroff Pace Intellectual Property Sports & Entertainment Law Forum Volume 4, Issue 2 Spring 2014 © 2014 by Pace Intellectual Property, Sports & Entertainment Law Forum in the compilation, formatting and arrangement of this issue. All Article copyrights are held by their respective authors. The Pace Intellectual Property, Sports & Entertainment Law Forum (e-ISSN 2329-9894) is published biannually by the students of Pace University School of Law. Editorial and business offices are located at Pace University School of Law, 78 North Broadway, White Plains, New York 10601. The Pace Intellectual Property, Sports & Entertainment Law Forum published this issue online June 2014. Views expressed in articles published in the Forum are solely the authors’ and are not attributable to the Forum, its Editors, the School of Law, or Pace University unless expressly stated. The submission of unsolicited manuscripts is invited. Manuscripts should be double spaced in 12 point Times New Roman font with footnotes at the bottom of each page. Electronic submissions saved in .doc or .docx format are preferred. Citations conform to The Bluebook: A Uniform System of Citation (Columbia Law Review Ass’n et al. eds., 19th ed. 2010). PIPSELF E-Mail: [email protected] PIPSELF Twitter: @PIPSELF PIPSELF Website: http://digitalcommons.pace.edu/pipself PIPSELF Blog: http://pipself.blogs.law.pace.edu PIPSELF Facebook Page: https://www.facebook.com/pipself Suggested Citation: PACE INTELL. PROP. SPORTS & ENT. L.F. PACE INTELLECTUAL PROPERTY, SPORTS & ENTERTAINMENT LAW FORUM Members of the Forum 2013-2014 Editor-in-Chief DANIELLE MEEKS Managing Editor DANA HALBER Acquisitions Editor Technology Editor PATRICK VANHALL SHEENA MALIK Articles Editors STEPHEN CONLON LEVI GLICK Associate Editors RIKKI BAHAR KAMILAH MITCHELL APRIL BOOKER DANIEL NASTASI SETH COTLER JENNIFER PACHECO SAMANTHA GARRISON MICHELLE ROBINSON ALEXIA MICKLES MARTHA RODRIGUEZ WHITNEY KATE SULLIVAN Founders of the Forum CAESAR LOPEZ ’12 KRISTIN LUCIANO ’12 CHRISTOPHER PSIHOULES ’12 JENNETTE WISER ’12 PACE INTELLECTUAL PROPERTY, SPORTS & ENTERTAINMENT LAW FORUM Volume 4 Spring 2014 Issue 2 Table of Contents ARTICLES Cleaning Out the Closet: A Proposal to Eliminate the Aesthetic Functionality Doctrine in the Fashion Industry...................................... 299 Jessie A. Maihos The Patent Reform Debate: Has Patent Overprotection Resulted in Not- So-Smartphones? ....................................................................................... 327 Ryan A. Kraski Pinning Your Way to Copyright Infringement: The Legal Implications Pinterest Could Face ................................................................................. 363 Brittany Fink Banksy Got Back? Problems With Chains of Unauthorized Derivative Works and Arrangements in Cover Songs Under a Compulsory License .......... 403 Matthew A. Eller Cash From Chaos: Sound Recording Authorship, Section 203 Recapture Rights and a New Wave of Termination .................................................. 445 Hector Martinez CASE NOTES Let’s Talk About Sex: How Societal Value Evolution Has Redefined Obscenity ................................................................................................... 493 Kamilah Mitchell The Copyright Infringement Test: A New Approach to Literary Misappropriation in Film.......................................................................... 529 Rikki Bahar Protecting a Celebrity’s Child From Harassment: Is California’s Amendment to Penal Code § 11414 Too Vague to Be Constitutional? ... 559 Michelle N. Robinson ESSAY Is Cricket Taxing? The Taxation of Cricket Players in India ................ 599 Rishi Shroff PACE UNIVERSITY SCHOOL OF LAW PACE INTELLECTUAL PROPERTY, SPORTS & ENTERTAINMENT LAW FORUM Volume 4 Spring 2014 Issue 2 Article Cleaning Out The Closet: A Proposal to Eliminate the Aesthetic Functionality Doctrine in the Fashion Industry Jessie A. Maihos* * Jessie A. Maihos is currently working as an Intellectual Property Attorney at IBM. She received her Intellectual Property LL.M. from Benjamin N. Cardozo School of Law in 2014 where she was selected as an Intellectual Property & Information Law Colloquium Fellow. She received her J.D. and an Intellectual Property Law Certificate from the University of New Hampshire School of Law, formerly Franklin Pierce Law Center, in 2012 where she received the Franklin Pierce Intellectual Property Law Scholar award. She received her B.A. from Stonehill College in 2009. She would like to dedicate this article, in loving memory, to her YiaYia. 299 PACE INTELL. PROP. SPORTS & ENT. LAW FORUM Vol. 4.2 (2014) Cleaning Out The Closet Abstract The aesthetic functionality doctrine seeks to promote competition, but is ineffective in the fashion industry because there is not one design that will be the most aesthetically appealing to everyone, as there is in other industries. This Article examines the various problems with the aesthetic functionality doctrine, and will argue that this doctrine, while rel- evant in other industries, should be eliminated from fashion. Table of Contents INTRODUCTION ......................................................... 301 I. BACKGROUND OF TRADEMARK LAW .................. 302 A. Basic Principles ........................................ 302 B. The Functionality Doctrine ...................... 303 1. A Brief History of the Functionality Doctrine .............................................. 304 2. Utilitarian Functionality .................... 305 3. Aesthetic Functionality ...................... 306 II. AESTHETIC FUNCTIONALITY IN THE FASHION INDUSTRY ......................................................... 309 A. Significant Non-Reputation-Related Disadvantage ........................................... 309 B. Applying a Utilitarian Functionality Test ........................................................... 314 C. Well-Known Source Identifiers Cannot Be Functional ................................................ 316 III. AN INAPPROPRIATE RESPONSE TO A VALID CONCERN ......................................................... 318 IV. AESTHETIC FUNCTIONALITY IS RELEVANT IN OTHER INDUSTRIES .......................................... 320 V. THE GAME IS NOT WORTH THE CANDLE ........... 324 CONCLUSION ............................................................ 325 300 PACE INTELL. PROP. SPORTS & ENT. LAW FORUM Vol. 4.2 (2014) Cleaning Out The Closet INTRODUCTION The aesthetic functionality doctrine seeks to promote competition by barring trademark protec- tion when the mark in question would significantly undermine competitors’ ability to compete in the rel- evant market.1 How does this doctrine relate to the fashion industry? Fashion is not only about choosing clothes that fit based on size and physical needs; con- sumers use fashion
Recommended publications
  • J Dilla and the Future of Humanity by Kyle Etges the First Time One Listens

    J Dilla and the Future of Humanity by Kyle Etges the First Time One Listens

    J Dilla and the Future of Humanity By Kyle Etges The first time one listens to the track “Swamp Thing” by Hiatus Kaiyote, your first thought might be “what the fuck am I listening to?” But then a weird thing happens: the groove envelops you, and for reasons you can’t quite articulate, your bobbing your head right along with Perrin Moss. This track, among many others from the last 20 years, is a perfect example of the wobble beat: a beat that feels like it’s constantly teetering on a complete trainwreck, and yet it gives us one of the deepest grooves found in all modern music. How can something so volatile be so much fun to listen to? The “wobble” or “Dilla” beat is not only an obvious indication of progressive neo-soul, but also a sign of a shift in our tastes in music, and our reactions to the progress of humanity itself. The wobble beat itself can be hard to describe, but as we delve further into its inner workings, it will become evident that that’s the whole idea. This drum beat is usually credited to J Dilla (aka James Dewitt Yancey), a hugely influential music producer from Detroit until his untimely death in 2006. During his career, J Dee worked with the likes of Erykah Badu, D’Angelo, The Pharcyde, and many many more, and has had a seminal impact on hip hop and neo-soul music in the 21st century. At the time of this writing, I am not sure of the specific session drummer who first laid down this complicated beat.
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's

    Visual Metaphors on Album Covers: an Analysis Into Graphic Design's

    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
  • 22Nd Istanbul Jazz Festival Programme

    22Nd Istanbul Jazz Festival Programme

    22nd Istanbul Jazz Festival Programme The Festival Hosts Young Jazz Prodigy Tigran Hamasyan in Two Projects Tuesday, 30 June, 21:00, Hagia Eirene Museum Wednesday, 1 July, 19:00, Cemal Reşit Rey Concert Hall Young musical prodigy Tigran Hamasyan, born in Armenia in 1987, will be at the festival with two special concerts. Hamasyan started the piano when he was three and won the piano competitions of both the Montreux Jazz Festival and the Thelonious Monk Institiute when he was 18, the same age when he released his debut album World Passion. Then in 2011, he won the Victoires de la Musique, which is considered to be the French Grammy’s, with his album A Fable. The Guardian describes him as, “a multi-stylistic jazz virtuoso and a groove-powered hitmaker simultaneously.” Herbie Hancock has already told him, “You are my teacher now!” and Hancock is not alone in his admiration of the young musician, but rather joined by others like Brad Mehldau and Chick Corea. On Tuesday, 30 June, Tigran Hamasyan will render traditional Armenian music at the Hagia Eirene Museum, where he will be joined by the Yerevan State Chamber Music Choir, directed by Harutyun Topikyan, for his chamber choir project Luys i Luso. This project will be performed at a hundred different churches around the world and its album will be released under the title of ECM in September. Hamasyan will meet jazz-lovers a second time the next evening and this time it will be for a lilting and melodic concert with his trio at the Cemal Reşit Rey Concert Hall.
  • Jaimeo Brown Takes Jazz to Church

    Jaimeo Brown Takes Jazz to Church

    A DIXON KIT $ WIN VALUED OVER 9,250 • DRUM-OFF FINALS • ZZ TOP THE WORLD’S #1 DRUM MAGAZINE June 2014 The Rhythm of Hot The Voice New Gear! 150+ Photos From Winter Nate NAMM Morton Jaimeo Brown Takes Jazz to Church Steve Goulding Pub-Rocking Hollywood MODERNDRUMMER.com GEARING UP WITH THE EAGLES’ SCOTT CRAGO ON REVIEW: PORK PIE ROSEWOOD/ZEBRAWOOD KIT JAZZ DRUMMER’S WORKSHOP: SYNCOPATION REVISITED STANDING OUT NEVER SOUNDED SO GOOD Orange County Drum and Percussion Venice kits continue OCDP’s legacy of high-performance drum kits, offering lots of loud, tons of tone, and no-compromise features so you can play your best. Features like 45-degree bearing edges for sharp attack, 20 kick drum lugs for precise tuning, and OCDP’s standard suspension system for full tone and natural resonance make these Venice kits ideal for any musical genre. © 2014 OCDP Available at these preferred resellers. VENICE KIT in TUSCAN RED (also available in DESERT SAND) Your Passion. Our Commitment. Helping musicians for over 30 years. Over 85,000 Unique Products. Free Shipping, No Minimum. 45-Day Returns. 45-Day Lowest Price Guarantee. Call 855-272-1088 musiciansfriend.com JASONBITTNER SHADOWS FALL IT STARTS HERE. “During my formative years, one of my first kits was a Pearl Export. I learned how to play on it, jammed in a few of my first bands with it, and now many years later I teach my own students on a new Pearl Export kit, and it still lights me up when I hear them! I’ve played every brand of drums out there and now I’ve come home to where it all started..
  • Stanley Clarke's School Days

    Stanley Clarke's School Days

    august 2006 issue 285 free jazz now in our 32nd year &blues report www.jazz-blues.com LOOKING BACK: STANLEY CLARKE’S SCHOOL DAYS 30 YEARS LATER LOOKING BACK: STANLEY CLARKE’S Published by Martin Wahl SCHOOL DAYS Communications Editor & Founder Bill Wahl 30 YEARS LATER Layout & Design Bill Wahl Operations Jim Martin Pilar Martin Contributors Michael Braxton, Mark Cole, Brian Gilmore, Steve Homick, Chris Hovan, Nancy Ann Lee, Peanuts, Mark Smith, Duane Verh and Ron Weinstock. Check out our costantly updated website. Now you can search for CD Reviews by artists, Titles, Record Labels, keyword or JBR Writers. 15 years of reviews are up and we’ll be going all the way back to 1974. Address all Correspondence to.... Jazz & Blues Report 19885 Detroit Road # 320 Rocky River, Ohio 44116 Main Office ...... 216.651.0626 Editor's Desk ... 440.331.1930 [email protected] Web .................. www.jazz-blues.com By Brian Gilmore Copyright © 2006 Martin-Wahl Communications Inc. No portion of this publication may be reproduced without written permission hirty years ago, in June for the popularity of the music. from the publisher. All rights Reserved. 1976, as America prepared Notably, Clarke, a native Philadel- Jazz Report was founded in Buffalo New T to celebrate the 200th an- phian, was a key member of the jazz- York in March of 1974 and began in Cleve- niversary of the nation’s indepen- fusion powerhouse quartet, “Return to land in April of 1978. We are subsidized dence, jazz bassist Stanley Clarke Forever,” the band that, more than solely through advertisement and ask that entered the famed Electric Ladyland Miles Davis or Weather Report, took you support our advertisers.

  • Dual Grammy Nominee Hiatus Kaiyote Join Vivid Music Line-Up

    MEDIA RELEASE: Tuesday 1 May Dual Grammy Nominee Hiatus Kaiyote Join Vivid Music Line-up Australian future soul group, Hiatus Kaiyote will perform their unique and kaleidoscopic vision as part of Vivid Music at the City Recital Hall at 8pm on 26 May 2018. Since appearing at Vivid Sydney in 2016, Hiatus Kaiyote has gone on to become one of the most sampled bands in the world, featuring on Kendrick Lamar’s ‘Damn’, Drake’s ‘More Life’, and included in music by Chance The Rapper, Anderson Paak and Rhapsody. Vivid Music curator, Stephen Ferris, said “We are excited to add two times Grammy nominees, Hiatus Kaiyote to our Vivid Music line up with their contemporary Australian soul music. Their unique combination of jazz, soul, funk, fusion, hip hop and electronica is set to leave fans wanting more, the future of soul is in good hands.” Nai Palm, Hiatus Kaiyote vocalist, performed at Vivid Sydney in 2017 as a solo artist. The band’s most recent headline show was their sold out performance at The Melbourne Zoo, on 2 March. Hiatus Kaiyote said, “It's been two years since we last played Sydney! We're putting together a really special show for this event and can't wait to share it in this amazing space.” About Hiatus Kaiyote They’ve come a long way since 2011 when the four-piece band, operating out of a small home studio in the mid-Northern suburbs of Melbourne, fired out a unique and kaleidoscopic vision of Future Soul. At once they shook down the paradigm walls and inspired even the U.S originators of the music.
  • ON BECOMING: AFROFUTURISM, WORLDBUILDING, and EMBODIED IMAGINATION by Clayton D. Colmon Jr. a Dissertation Submitted to the F

    ON BECOMING: AFROFUTURISM, WORLDBUILDING, and EMBODIED IMAGINATION by Clayton D. Colmon Jr. a Dissertation Submitted to the F

    ON BECOMING: AFROFUTURISM, WORLDBUILDING, AND EMBODIED IMAGINATION by Clayton D. Colmon Jr. A dissertation submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English Spring 2020 © 2020 Clayton D. Colmon Jr. All Rights Reserved ON BECOMING: AFROFUTURISM, WORLDBUILDING, AND EMBODIED IMAGINATION by Clayton D. Colmon Jr. Approved: __________________________________________________________ John R. Ernest, Ph.D. Chair of the Department of English Literature Approved: __________________________________________________________ John Pelesko, Ph.D Dean of the College of Arts & Sciences Approved: __________________________________________________________ Douglas J. Doren, Ph.D. Interim Vice Provost for Graduate and Professional Education and Dean of the Graduate College I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: __________________________________________________________ M. Jean Pfaelzer, Ph.D. Professor in charge of dissertation I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: __________________________________________________________ A.Timothy Spaulding, Ph.D. Member of dissertation committee I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: __________________________________________________________ P. Gabrielle Foreman, Ph.D. Member of dissertation committee I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy.
  • Movement Invention 53 Songs, 3.3 Hours, 438.1 MB

    Movement Invention 53 Songs, 3.3 Hours, 438.1 MB

    Page 1 of 2 Movement Invention 53 songs, 3.3 hours, 438.1 MB Name Time Album Artist 1 Planet 7:18 New Energy Four Tet 2 I Am 3:29 Black Panther The Album Music F… Jorja Smith 3 The Lung 4:54 Choose Your Weapon Hiatus Kaiyote 4 Typical (feat. Jordan Rakei) 4:40 Shape the Future Nightmares On Wax 5 All to You 3:23 Don't Let Me Down / All to You - S… Sabrina Claudio 6 Love Galore (feat. Travis Scott) 4:35 Ctrl SZA 7 Arabish (DM Edit) 3:12 Donna Mejia's Album Donna Mejia 8 He Don't Want It 2:52 Joyride Tinashe 9 Laputa 2:26 Choose Your Weapon Hiatus Kaiyote 10 The Fall 2:35 T.K.O. (The Knock Out) Mýa 11 Real One 3:32 The Rise of the Phoenix Chanté Moore 12 Foosh (Float) 3:17 Khat Thaleth El Rass & Bashir Saade 13 Free (One Day) [feat. Ian Kamau] 4:11 World War Free Now Narcy 14 Blow 4:29 Blackheart Dawn Richard 15 Sedated 3:30 Reality Bites Bridget Kelly 16 Border Girl 4:01 Cocoa Sugar Young Fathers 17 Thank You (feat. June's Diary) 3:54 1 of 4 - EP Chanté Moore Unknown Album Al Nather 4:01 شب جديد و مقاطعة 18 19 Makoo (feat. 47 Soul) 2:49 World War Free Now Narcy 20 Go Down 3:46 Mama Afrique Yemi Alade 21 Anticipate 2:57 Anticipate - Single Chromonicci 22 Conte a Todos 3:12 De Mim, Pra Você Sango 23 North Cack (feat.
  • Hiatus Kaiyote Choose Your Weapon Album Download Hiatus Kaiyote – Mood Valiant

    Hiatus Kaiyote Choose Your Weapon Album Download Hiatus Kaiyote – Mood Valiant

    hiatus kaiyote choose your weapon album download Hiatus Kaiyote – Mood Valiant. Hiatus Kaiyote’s first album in six years offers new dimensions to an already multi-dimensional band. Effortlessly inventive, inspiringly life-affirming, and unlike anything else you’ll hear this year. A lot has happened for Hiatus Kaiyote since 2015’s Choose Your Weapon, their second album. Their hard-to-categorise sound went global, especially after being sampled by musical elite like Drake , Kendrick Lamar , Beyoncé and Jay-Z . They’ve also signed to Brain Feeder, the esteemed label of Flying Lotus and Thundercat . Pretty good going for a group of self-professed music nerds. More significantly, as the Melbourne-based ensemble experienced unprecedented exposure and success, game-changing frontwoman Naomi ‘Nai Palm’ Saalfield was going through tough times. In late 2018, she was diagnosed with breast cancer, which claimed the life of her mother. She beat it but not after a mastectomy and the death of her beloved rescue bird, Charlie. Profound loss prompted deep self-reflection and Nai, ever the powerful spirit, poured it into art that’s celebratory rather than stricken by grief. “I guess the biggest lesson for me was facing my mortality,” she said on ABC TV’s The Set earlier this year. “When your cage is rattled, there’s this urgency to give your full self… It’s a blessing you know, because you really experience gratitude for your life, and it wakes you up.” That sense of life-affirming vibrancy is laid bare on Mood Valiant , an intoxicating listen that finds Nai and her equally talented bandmates – keys wiz Simon Mavin , drummer Perrin Moss , and bassist Paul Bender – further flexing their ridiculous skill but also wrangling their cosmic scope into songs rich with feeling.
  • Peterson Released Early, Heads Home to New Jersey

    Peterson Released Early, Heads Home to New Jersey

    An Associated Collegiate Press Pacemaker Award Winner FRIDAY January 7' 2000 • Volume 126 THE • Number 23 Review Online Non-Profit Org. 1vww. review. udel. edu U.S. Postage Paid ewark, DE Permit No. 26 250 Student Center • University of Delaware • Newark, DE 19716 FREE The night the lights went out on Newark BY DAWN E. MENSCH connected to the Y2K bug in any P o li ce monito red busy typically has about six officers, was Senior News Editor way, Vitelli said. i ntersection s and directed traffic. called into work earl y," he said. Just a few minutes after 7 p.m. on With no power, restaurants o n F lares warned drivers to be careful There were no other reported Wednesday night , the city of Main Street were forced to stop at the minor intersecti ons. incidents s uch as accidents or Newark went dark. serving food. But c rowds still Cpl. Mark Farrall, of th e Newark looting. Farrall said a rash of crime City officials said a lightning remained. P o li ce Department, said extra in the cit y during a power outage reactor located o n Elkton Road "We served the tic kets we officers were call ed in to assist with wou ld have surprised him. failed, which caused a section of the already had in, but did not take any the e mergency. The only problems "I don't think we live in the kind city's power to go out. A glitch in more ," said D arre n Carpenter, a reported to the police were of community where there would be the relay system created a citywide manager at Klondike Kate's.
  • Final Nominations List

    Final Nominations List

    NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 58th Annual GRAMMY® Awards For recordings released during the Eligibility Year October 1, 2014 through September 30, 2015 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 Category 2 Record Of The Year Album Of The Year Award to the Artist and to the Producer(s), Recording Engineer(s) Award to the Artist(s) and to the Album Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist. and/or Mixer(s) & Mastering Engineer(s), if other than the artist. 1. REALLY LOVE 1. SOUND & COLOR D'Angelo And The Vanguard Alabama Shakes D'Angelo & Brent Fischer, producers; Russell Elevado, Alabama Shakes & Blake Mills, producers; Shawn Everett, engineer/mixer; Bob Ludwig, mastering engineer Ben Kane & Rafa Sardina, engineers/mixers; Dave Collins, [ATO Records] mastering engineer Track from: Black Messiah 2. TO PIMP A BUTTERFLY [RCA Records] Kendrick Lamar Bilal, George Clinton, James Fauntleroy, Ronald Isley, Rapsody, 2. UPTOWN FUNK Snoop Dogg, Thundercat & Anna Wise, featured artists; Taz Arnold, Mark Ronson Featuring Bruno Mars Boi-1Da, Ronald Colson, Larrance Dopson, Flying Lotus, Fredrik Jeff Bhasker, Philip Lawrence, Bruno Mars & Mark "Tommy Black" Halldin, Knxwledge, Koz, Lovedragon, Terrace Ronson, producers; Josh Blair, Riccardo Damian, Serban Martin, Rahki, Sounwave, Tae Beast, Thundercat, Andrew “Pop” Ghenea, Wayne Gordon, John Hanes, Inaam Haq, Boo Wansel, Whoarei & Pharrell Williams, producers; Derek "Mixedbyali" Ali, Thomas Burns, Andrew Coleman, Hart Gunther, Mitchell, Charles Moniz & Mark Ronson, James "The White Black Man" Hunt, Mike Larson, 9th Wonder & engineers/mixers; Tom Coyne, mastering engineer Matt Schaeffer, engineers/mixers; Mike Bozzi, mastering engineer Track from: Uptown Special [Top Dawg Entertainment/Aftermath Records/Interscope Records] [RCA Records] 3.
  • Nai Palm Long Bio Final

    Nai Palm Long Bio Final

    NAI PALM ARTIST BIO Nai Palm is the type of artist that arrives once in a generation. A two-time Grammy nominated singer, songwriter and musician from Australia, she is a composer, instrumentalist, producer, vocalist and poet who approaches all of these self-taught disciplines with an intuitive, infectious grace which sent her on a journey to sculpt songs that have been received and treasured across the world. It is a world she has travelled many times over with her band Hiatus Kaiyote, who along with Nai Palm, have become household names since they first began playing together in Melbourne in 2011. After the independent release of their debut album Tawk Tomahawk, word of mouth caught on like wildfire and within months they were championed by a host of R&B and hip hop’s most respected tastemakers and icons (Ahmir “Questlove” Thompson, Jazzy Jeff, Erykah Badu, Prince). This eventually led to their signing with Salaam Remi's new imprint Flying Buddha (on Sony Music Masterworks) in 2013, and a Grammy Nomination for Best R&B Performance for their single ‘Nakamarra feat. Q-Tip.’ This Grammy nomination made them the first Australian artist ever to be recognized by the Grammys in an R&B category. Hiatus Kaiyote exceeded expectations with their critically acclaimed sophomore release, the opus Choose Your Weapon, which earned them a second Grammy nomination (“Breathing Underwater” for Best R&B Performance), and cemented their uncompromising artistic vision to transcend genre and the trappings and clichés of the industry. These choices have led to the band’s continual growth in a lane of their own design, garnering deep respect and actively inspiring today’s most celebrated musical icons.