Matt Smith, the Eleventh Doctor, Has Taken the BBC's Doctor Who TV

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Matt Smith, the Eleventh Doctor, has taken the BBC’s Doctor Who TV series to even greater heights of popularity. With another brand new TV series on its way for Spring 2011, Blueprint is delighted to present our first Doctor Who stationery collection. Featuring a thick spot UV varnish on a matt print finish, Blueprint’s collection includes some really cool scholastic, everyday and novelty stationery items that will appeal to any human or timelord. DOC5683 DOC5684 Lenticular Pencil Case Pencil Tin Barcode: 50551705 5683 8 Barcode: 50551705 5684 5 Pack Sizes: Inner 6 Outer 72 Pack Sizes: Inner 4 Outer 48 Lenticular pencil case with dangler Large pencil tin with embossed lid DOC5766 DOC5685 Triple Tier Pencil Case Dalek Notice Board Barcode: 50551705 5766 8 Barcode: 50551705 5685 2 Pack Sizes: Inner 4 Outer 24 Pack Sizes: Inner 6 Outer 12 Pencil case containing a notepad, Dalek shaped notice board with ballpen, pencil, ruler, sharpener, mini sticky notes and a wipe clean eraser, protractor, set square, 14 marker pen coloured pencils and 14 felt pens BBC logo © BBC 1996. Doctor Who logo © BBC 2009. Blueprint Collections Ltd, Cambridge House, TARDIS image © BBC 1963. Dalek image © BBC/Terry Nation Cambridge Road, Harlow, Essex CM20 2EQ 1963. Cyberman image © BBC/Kit Pedler/ Gerry Davis 1966. Telephone: 0845 217 2400 Fax: 0845 217 1500 Licensed by BBC Worldwide Limited. Email: [email protected] www.blueprintcollections.co.uk DOC5672 DOC5673 DOC5677 DOC5679 A5 Notebook A6 Notebook Scribble Set Pencil & Dalek Topper Barcode: 50551705 5672 2 Barcode: 50551705 5673 9 Barcode: 50551705 5677 7 Barcode: 50551705 5679 1 Pack Sizes: Inner 6 Outer 48 Pack Sizes: Inner 6 Outer 72 Pack Sizes: Inner 6 Outer 72 Pack Sizes: Inner 24 Outer 480 Contains notepad, pencil, Dalek toppers come in assorted sharpener and eraser colours DOC5678 DOC5763 Ballpen & TARDIS Topper Ten Colour Pen & Dalek Topper Barcode: 50551705 5678 4 Barcode: 50551705 5763 7 DOC5674 DOC5675 Pack Sizes: Inner 24 Outer 480 Pack Sizes: Inner 12 Outer 480 Fun/Activity Book Stationery Set Ten colour pen with Dalek topper in Barcode: 50551705 5674 6 Barcode: 50551705 5675 3 assorted colours Pack Sizes: Inner 6 Outer 48 Pack Sizes: Inner 6 Outer 72 Contains pencil, ballpen, sharpener and eraser DOC5682 TARDIS Shaped Pencil Case Barcode: 50551705 5682 1 DOC5676 Pack Sizes: Inner 6 Outer 72 School Set TARDIS shaped pencil case with dangler Barcode: 50551705 5676 0 Pack Sizes: Inner 6 Outer 48 Contains pencil case, pencil, ballpen, ruler, sharpener and eraser.

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A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr.
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Transcript of Doctor
1 You’re listening to Imaginary Worlds, a show about how we create them and why we suspend our disbelief, I’m Eric Molinsky. There’s a bar called The Way Station, which is near my home in Brooklyn. From the outside, it looks like a normal bar. But when you go in, something pops right out at you. A blue Police Box. ANDY: Every day I open up the shutters and I see her sitting in the corner it's just like I feel like home. That’s because the owner of the bar, Andy Heidel, is a huge Doctor Who fan. Even if you’ve never watched Doctor Who, you probably know that police box has something to do with it. You might also notice that Doctor Who is playing on the back wall, all the time – usually an episode from the mid 2000s when David Tennant played the Doctor. Every fan has “their Doctor.” David Tennant is Andy’s favorite. He’s my favorite Doctor too. ANDY: And nobody can say I'm sorry like Tennant like if I if I'm dying I'm on my deathbed I make a wish foundation that is for him to come and told me I'm sorry. THE DOCTOR: I’m sorry. I’m so sorry So what does the Police Box have to do with Doctor Who? On the show, it’s a ship called the TARDIS. And it may look like a police box on the outside but it’s optical illusion meant to disguise the giant space ship on the inside.
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A Special, Light-Hearted, 50Th Anniversary
A special, light-hearted, 50th anniversary While many reflect on the 50th anniversary of the assassination of JFK or the 50th anniversary release of the book, “Where The Wild Things Are,” many of us have been enjoying a year long celebration of Whovian proportions. What’s this great celebration? The 50th anniversary of the popular British science fiction show, “Doctor Who!” Yes, 50 years ago, the world got it’s first taste of the Doctor, his TARDIS (which can travel through all of space and time) that is bigger on the inside than it is on the outside, and the first in a series of many adventures. As a science fiction show, it was not unusual to see aliens. But because the Doctor could also travel through time, there were quite a few historically set adventures as well. What “Doctor Who” fan can forget the time when the Doctor made the TARDIS invisible and landed in President Nixon’s Oval Office? It was crazy, funny, and totally something the Doctor would do because he showed up to help. That’s the thing about “Doctor Who;” it isn’t just a show and it isn’t just mere entertainment. It does what a good show, lasting this long, should do, challenge the ethical and moral values of the characters as well as the viewers. In order to keep the show going with different lead actors, we know the Doctor (an alien who looks human from the planet Gallifrey) is the last of a race known as Time Lords. And, although they can die, they usually regenerate into a different person but with the same memories.
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The Ultimate Foe
The Black Archive #14 THE ULTIMATE FOE By James Cooray Smith Published November 2017 by Obverse Books Cover Design © Cody Schell Text © James Cooray Smith, 2017 Range Editor: Philip Purser-Hallard James Cooray Smith has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. 2 INTERMISSION: WHO IS THE VALEYARD In Holmes’ draft of Part 13, the Valeyard’s identity is straightforward. But it would not remain so for long. MASTER Your twelfth and final incarnation… and may I say you do not improve with age1. By the intermediate draft represented by the novelisation2 this has become: ‘The Valeyard, Doctor, is your penultimate reincarnation… Somewhere between your twelfth and thirteenth regeneration… and I may I say, you do not improve with age..!’3 The shooting script has: 1 While Robert Holmes had introduced the idea of a Time Lord being limited to 12 regenerations, (and thus 13 lives, as the first incarnation of a Time Lord has not yet regenerated) in his script for The Deadly Assassin, his draft conflates incarnations and regenerations in a way that suggests that either he was no longer au fait with how the terminology had come to be used in Doctor Who by the 1980s (e.g.
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I, - Tennant Play Three Incarnations of Gallifrey's Finest in the 50Th "Ibhfl DID THEY KNOW, the Day They Jsi
Steven Moffat, 1 the man behind n r Doctor Who, says the BBC could never kill the Time Lord... AND THEN THERE WERE THREE Doctor Who John Hurt, Matt Smith and David Saturday 7.50pm BBC1 ;•*'•; I, - Tennant play three incarnations of Gallifrey's finest in the 50th "iBHfl DID THEY KNOW, the day they JSi. anniversary special ^ invented Robin Hood, that when he J •* fired his arrow in the air it would ^-> I Ay for ever? When Dr Doyle picked •™«™«™ up his pen to write the very first Sherlock Holmes story, did the paving slabs of Baker Street rattle and heave? When Ian Fleming scanned his bookshelf for a name for his gentle man spy, and settled on James Bond, did that famous music echo faintly from the future? :; Most importantly, 50 years ago, when the Doctor was created in dull grey rooms at the BBC, did a shiver of fear pass through the heart of every evil-doer in the universe? Ah, 50 years. What can one say about 50 years of Doctor Who? Well, first of all, one can be . >' Y pedantic. Doctor Who hasn't been on for 50 years - owing to the outright stupidity and unforgive- able blindness ofthe BBC (sorry guys, it needs to be said), there was a 16-year gap. But seriously, you wouldn't expect the world's most famous time traveller to get here in a straight line, would you? That gap is important, though. It confers "You wouldn't expect something very special on this most special of all shows: immortality.
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Respondus & Canvas Guide Faculty Guide
Respondus & Canvas Guide Faculty Guide MTECH Office of Teaching and Learning Respondus & Canvas Guide Canvas Guides What is Respondus? Respondus is a software program used to create and edit exams. Test questions can be imported from word processing documents and exported to various learning management systems including Canvas. The Repondus Interface Review the numbered and lettered items for further details each item in the interface. Figure 1 1. Top Menu – This menu allows includes options to edit questions directly in Canvas and control some settings for the test as well as the publish options. 2. Current Personality - When working with Respondus be sure to set the personality to Instructure Canvas before working with any content. 3. Open or Create screen – The introduction screen includes several options for building your tests. a. Open – Open a Respondus file b. Create – Create a new Respondus file. c. Test Bank Network – Locate a publisher test bank and select questions for an exam d. Exam Wizard – Create an exam by copying items from other Respondus files. e. Import Questions –Questions can be imported from a Word or text file. f. Archive Wizard – Create a Respondus archive file. Page 2 Last update 5/30/18 Respondus & Canvas Guide Canvas Guides Preparing the Quiz File to Import into Respondus Respondus can accept Microsoft Word documents (*.doc & *.docx), plain text (*.txt), rich text (*.rft), and comma delimited (*csv) file formats. The test questions and answers must be formatting properly so the correct answers are marked by Respondus. Follow the steps below to make sure multiple choice questions are formatted properly.
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Doctor Who 1 Doctor Who
Doctor Who 1 Doctor Who This article is about the television series. For other uses, see Doctor Who (disambiguation). Doctor Who Genre Science fiction drama Created by • Sydney Newman • C. E. Webber • Donald Wilson Written by Various Directed by Various Starring Various Doctors (as of 2014, Peter Capaldi) Various companions (as of 2014, Jenna Coleman) Theme music composer • Ron Grainer • Delia Derbyshire Opening theme Doctor Who theme music Composer(s) Various composers (as of 2005, Murray Gold) Country of origin United Kingdom No. of seasons 26 (1963–89) plus one TV film (1996) No. of series 7 (2005–present) No. of episodes 800 (97 missing) (List of episodes) Production Executive producer(s) Various (as of 2014, Steven Moffat and Brian Minchin) Camera setup Single/multiple-camera hybrid Running time Regular episodes: • 25 minutes (1963–84, 1986–89) • 45 minutes (1985, 2005–present) Specials: Various: 50–75 minutes Broadcast Original channel BBC One (1963–1989, 1996, 2005–present) BBC One HD (2010–present) BBC HD (2007–10) Picture format • 405-line Black-and-white (1963–67) • 625-line Black-and-white (1968–69) • 625-line PAL (1970–89) • 525-line NTSC (1996) • 576i 16:9 DTV (2005–08) • 1080i HDTV (2009–present) Doctor Who 2 Audio format Monaural (1963–87) Stereo (1988–89; 1996; 2005–08) 5.1 Surround Sound (2009–present) Original run Classic series: 23 November 1963 – 6 December 1989 Television film: 12 May 1996 Revived series: 26 March 2005 – present Chronology Related shows • K-9 and Company (1981) • Torchwood (2006–11) • The Sarah Jane Adventures (2007–11) • K-9 (2009–10) • Doctor Who Confidential (2005–11) • Totally Doctor Who (2006–07) External links [1] Doctor Who at the BBC Doctor Who is a British science-fiction television programme produced by the BBC.
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Lorna Jowett Is a Reader in Television Studies at the University Of
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by NECTAR 1 The Girls Who Waited? Female Companions and Gender in Doctor Who Lorna Jowett Abstract: Science fiction has the potential to offer something new in terms of gender representation. This doesn’t mean it always delivers on this potential. Amid the hype surrounding the 50th anniversary of Doctor Who, the longest running science fiction series on television, a slightly critical edge is discernable in the media coverage concerning the casting of the twelfth Doctor and issues of representation in the series. This paper examines Doctor Who in the broader context of TV drama and changes to the TV industry, analysing the series’ gender representation, especially in the 2005 reboot, and focusing largely on the female ‘companions’. Keywords: gender representation, television, feminism, BBC. When I put together an earlier version of this paper two years ago, I discovered a surprising gap in the academic study of Doctor Who around gender. Gender in science fiction has often been studied, after all, and Star Trek, another science fiction television series starting in the 1960s (original run 1966-69) and continued via spin-offs and reboots, has long been analysed in terms of gender. So why not Doctor Who? Admittedly, Doctor Who’s creators have no clear philosophy about trying to represent a more equal society, as with the utopian Trek. The lack of scholarship on gender in Doctor Who may also be part of a lack of scholarship generally on the series—academic study of it is just gaining momentum, and only started to accumulate seriously in the last five years.
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<Jmmjm* • >. •/ VOTE NOW the 12 Covers We Produced to Mark Doctor
VOTE NOW <jMmjm* The 12 covers we produced to mark • >. •/ Doctor Who's 50th anniversary have Jbeen shortlisted for cover of the year at •the PPA Awards. To cast your vote, go to E ppa.co.uk/events/ppaawards2014 >.uk/events/ppaawardsZOl4 # COMDC m tfl«i»J? Rad^mefg^wnes WIN SRStf DOCTOR WHO: THE DAY OF THE DOCTOR Steven Moffat recalls writing G HEanwe Doctor Who's 50th birthday DAVIDTEHHWTIS special, and how Peter Capaldi s Sam THE DOCTO Fiftv years of the show that changed TV boyish charms won him over \ B«10 ItNWNI H»U SHIlh JOHN HURT STtVtH MOfWT Jtk Hk I DON'T THINK I've ever worked on Of course the Doctor is always capable of • anything that was as difficult, darkness - he makes terrible decisions through «ip fi terrifying and as much of a respon- out the show - but this war involved the deadli M sibility as writing the 50th anni- est of decisions because the stakes were so much ^^feZ ^k versary episode of Doctor Who. higher. The Doctor is a good man, always doing ^^tW Am I wanted everybody to love it. I things for a good cause, but at this point he is no knew that was impossible, but I wanted people longer the happy-go-lucky wanderer; he's a dark - from those who had never seen it, to the warrior. The Doctor has always been able to absolute diehard fans who hate every episode solve problems. Here he admits defeat, saying, I've written - to love it. So it was monstrously "I'm going to have to descend to the level of my stressful and very hard: the uncastable cast, the enemies in order to fix this." impossible brief, the unwritable script..
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I Need Fish Fingers and Custard”: the Irruption and Suppression of Vegan Ethics in Doctor Who
Chapter 11 “I Need Fish Fingers and Custard”: The Irruption and Suppression of Vegan Ethics in Doctor Who Matthew Cole and Kate Stewart Doctor Who, produced by the BBC (British Broadcasting Corporation), is the world’s longest running television science fiction series, celebrating its 50th anniversary in 2013. The original ‘classic’ run of Doctor Who was broadcast in the UK between 1963–1989, before going on hiatus, excepting a 1996 TV movie, although the programme retained a cultural presence through the production of new stories in alternative media formats and in video and DVD releases of the ‘classic’ series. The television series was rebooted in 2005 and has been in continuous production since. Both classic and new series Doctor Who targets a ‘family’ audience, thereby engaging children and their caregivers in a com- munal viewing experience. This is reflected in the Saturday tea-time (approxi- mately 5pm) scheduling of the original programme in the UK and in its current scheduling early on Saturday evenings (around 7pm). It thereby provides an opportunity for the inter-generational reproduction, or critique, of cultural and ethical norms through the stories it tells and especially the behavior of the central characters and their relations with alien ‘others’. The Doctor him- self is a member of an alien species, a Timelord from the planet Gallifrey, who has the technological capacity to travel through time and space. The Doctor appears human, with his alien-ness being marked by his technological prowess, longevity, nonhuman anatomy (such as having two hearts) and a range of character quirks that vary with each incarnation.
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CM11 STD Format.Pdf
EDITORIAL by Rik Moran Editorial Greetings one and all. This issue of Cosmic Masque comes at a time, when, let’s face Cosmic Masque XI it, there’s not a lot going on in the world of Edited by Rik Moran Doctor Who. Front Cover by Paul Burley Rear Cover by So, whilst we may be light on reviews and Marshall Tankersley features in this issue, it gives us the space to Fiction Editor Stephen Hatcher catch up on the fiction. Poor Steve was getting a bit of a backlog of stories. I’ll let Steve tell you about the fiction contained in this issue in his Editorial and we will go back to having 3 stories in an issue next time around. Published by the Doctor Who Appreciation Society Once again, my heartfelt thanks to those who have contributed to this issue and until Layout by Nicholas Hollands next time. All content is © relevant contributor/DWAS Stay safe. No copyright infringement is intended Rik. CONTACT US: DWAS, PO Box 1011, Horsham, RH12 9RZ, UK or email: [email protected] FIND US ONLINE www.dwasonline.co.uk @dwasonline - 2 - STRANDED Review by Anthony David comes in to its own in a very positive way. There’s a delightfully bitchy elderly gay couple with shades of Vicious, a family with a young teenage son, mysterious others, and Tania. Rebecca Root underplays a quiet, shy, awkward woman – and warms in to the part, as we warm to her, through the course of the stories. By the time she’s very gently romancing Liv and confessing she’s trans in Wild Animals, which to Liv doesn’t matter in the slightest, in a very touching scene, she’s The TARDIS is disabled, and needs serious well established as a lovely, positive and repair.
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From Cybermen to the TARDIS: How the Robots of Doctor Who Portray a Nuanced View of Humans and Technology
From Cybermen to the TARDIS: How the Robots of Doctor Who Portray a Nuanced View of Humans and Technology GWENDELYN S. NISBETT AND NEWLY PAUL Critics and fans have praised the 2000s reboot of the science fiction classic Doctor Who for its increasing use of social commentary and politically relevant narratives. The show features the adventures of the Doctor and his companions, who have historically been humans, other aliens, and occasionally robots. They travel through time and space on a spaceship called the TARDIS (which is shaped like a 1960s British police box). The show is meant for younger audiences, but the episodes involve political and social commentary on a range of issues, such as racism, sexism, war, degradation of the environment, and colonialism. The Doctor is an alien from Gallifrey and can (and does) regenerate into new versions of the Doctor. Scholars have commented extensively about the show in the context of gender and race, political messaging, transmedia storytelling, and fandom. In this project, we examine the portrayal of robots and labor, a topic that is underexplored in relation to this show. Doctor Who makes for an interesting pop culture case study because, though the show has a huge global fan base, its heart remains in children’s programming. The series originated in 1963 on the British Broadcasting Corporation (BBC) as a show for children that incorporates lessons related to courage, ingenuity, kindness, and other such qualities, which it continues to do to this day. Doctor Who is also interesting because the Doctor has a history of machines as companions: K-9 the GWENDELYN S.
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