Composers' Sinfonietta
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The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
Fri, Sep 18, 2020 - 00 The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 40:01 Paine Symphony No. 1 in C minor, Ulster 11966 Naxos 8.559747 636943974728 Op. 23 Orchestra/Falletta 00:42:3102:34 Puccini Quando m'en vo' soletta per la Netrebko/Vienna 09185 Decca B001566 028947829478 via (Musetta's Waltz) from La Philharmonic/Noseda 1 boheme 00:46:0513:38 Liszt Hungarian Rhapsody No. 2 Thomas Labe 04785 Dorian 9025 053473025128 01:01:13 42:21 Delibes Sylvia: Act 1 Razumovsky 04166 Naxos 8.553338- 730099433822 Sinfonia/Mogrelia 9 01:44:3419:55 Delibes Sylvia: Act 2 Razumovsky 04166 Naxos 8.553338- 730099433822 Sinfonia/Mogrelia 9 02:05:59 29:02 Delibes Sylvia: Act 3 Razumovsky 04166 Naxos 8.553338- 730099433822 Sinfonia/Mogrelia 9 02:36:0103:10 Ponce Little Star (Estrellita) Perlman/Sanders 00116 EMI 49604 077774960427 02:40:1119:45 Beethoven Piano Sonata No. 28 in A, Op. Murray Perahia 05304 Sony 93043 827969304327 101 03:01:2619:16 Bizet L'Arlesienne Suite No. 2 Philharmonia 06499 EMI 62853 077776285320 Orchestra/Karajan 03:21:4205:03 Hoffstetter Serenade (Andante cantabile) Kodaly Quartet 11034 Naxos 8.558180 636943818022 03:27:45 31:38 Chausson Symphony in B flat, Op. 20 Boston 06919 BMG 60683 090266068326 Symphony/Munch 04:00:5316:47 Boccherini Symphony in D minor, Op. 12 Tafelmusik/Lamon 01856 DHM 7867 054727786723 No. 4 "House of the Devil" 04:18:40 09:21 Sibelius Finlandia, Op. 26 Berlin 00365 DG 413 755 28941375520 Philharmonic/Karajan 04:29:0129:56 Suk Pohadka, A Fairy Tale BBC Symphony/Hrusa 06384 BBC MM300 n/a 05:00:2706:17 Liszt Hungarian Rhapsody No. -
Partitur Del 1 EN
Joakim Sandgren Sinfonietta for Chamber orchestra Instruments and mutes Flute Oboe (cloth) B-flat clarinet, also Bass clarinet (cloth) Bassoon (cloth) F horn C trumpet (straight, cup, harmon) Trombone (straight, cup) 1 Percussionist * Piano Violin 1 (practice mute) Violin 2 (practice mute) Viola (mute) Cello (mute) Double bass Duration 13 minutes Score in C * Percussion and mallets 2 snare drums without snares (nails, rod sticks) Vibraphone (elastic, medium hard mallets) 1 large muted bass drum (small drumstick, gope mallets) 1 small muted bass drum (small drumstick, gope mallets) 1 large tam-tam** (heavy soft mallets) 1 small tam-tam** (heavy soft mallets) 4 wood drums (heavy soft mallets) ** the large and small tam-tam should lie on thick blanket covering a table Joakim Sandgren h = 80 Sinfonietta 1997 - 1999 A molto legato, vibrato e dolcissimo ∞ ` ~~~~~~~~~ 1 with a cloth ` ~~~~~~~~~ ∞ I b œ . 4 ˙ b œ b œ ` ~~~~~~~~~ 2 œ b œ œ ˙ œ Œ b œ œ ‰ b œ œ b œ ≈ Œ œ œ œ ˙ œ Ó Ob l & 2 l b ˙ l ˙ n œ l l l π F π π l F π % F cold, stiff, and non vibrato molto l straight mute half valve II ¶ norm. valve, d.t. 1) £ l 2 half valve Œ . Œ ‰ –j ≠ ‰ Œ Ó Œ – ≠ Trp & 2 # ≠ – – – æ # – – – l - - - l -˙ #_ œj - l - – l –j - l - l π> > > > > >- > > l poco l F poco π l l l l molto legato, vibrato e dolcissimo (valve) l l l ~~ l l (valve) l cup mute ` (valve) 2) £ ` £ £ ` ~~~~ l _œ _œ_ œ ~~~~~ l l b_ ˙ l _œ _œ l _œ _œ l I2 b œ œ b ˙ œ b œ b œ œ œ Trb l B 2 Œ l Ó l Ó l Œ l Œ Ó l π π π π l F l F l l % F l l molto across the drum, up to down (from rim to rim) l 2 snare dr. -
Monday Playlist
February 10, 2020: (Full-page version) Close Window “I pay no attention whatever to anybody's praise or blame. I simply follow my own feelings.” — WA Mozart Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, Awake! 00:01 Buy Now! Elgar The Spanish Lady Suite Guildhall String Ensemble/Salter RCA 7761 07863577612 00:14 Buy Now! Goldmark Sakuntala (Concert Overture), Op. 13 Budapest Philharmonic/Korodi Hungaroton 12552 N/A Trio in B flat for Clarinet, Horn & Piano, 00:32 Buy Now! Reinecke Campbell/Sommerville/Sharon EMI 81309 774718130921 Op. 274 Watkinson/City of London 01:00 Buy Now! Vivaldi Violin Concerto in A minor, Op. 4 No. 4 Naxos 8.553323 730099432320 Sinfonia/Kraemer 01:09 Buy Now! Grieg Holberg Suite, Op. 40 English Chamber Orchestra/Leppard Philips 438 380 02894388023 K. & M. Labeque/Philharmonia 01:31 Buy Now! Bruch Concerto for Two Pianos, Op. 88a Philips 432 095 028943209526 Orchestra/Bychkov Nicolet/Netherlands Chamber 02:01 Buy Now! Bach, C.P.E. Flute Concerto in A minor Philips 442 592 028944259223 Orchestra/Zinman Academy of St. Martin-in-the- 02:26 Buy Now! Mozart Symphony No. 21 in A, K. 134 Philips 422 610 028942250222 Fields/Marriner 02:47 Buy Now! Handel Trio Sonata in F, Op. 2 No. 4 Heinz Holliger Wind Ensemble Denon 7026 N/A 03:01 Buy Now! Wagner Liebestod ~ Tristan und Isolde Price/Philharmonia/Lewis RCA Victor 23041 743212304121 03:09 Buy Now! Janacek Pohadka (Fairy Tale) Alisa and Vivian Weilerstein EMI Classics 73498 724357349826 03:22 Buy Now! Dvorak Symphony No. -
Korngold, Erich Wolgang
Erich Wolgang Korngold (1897-1957) Violin Concerto A clear understanding of Erich Korngold comes magically into focus when one acknowledges the profound similarities with Gustav Mahler. This prolific prodigy, composer, arranger, and conductor, like Mahler before him, did it all. Korngold was born in Brno, in modern day Czechoslovakia - a German influenced city of the Austro-Hapsburg empire, much like near by Iglau had been for Mahler. Both of them were born into Jewish families, struggling with their familial roots and the confusing national identity of the region. The two are inextricably linked to this formative soil, and in the very rich artistic environment of 1875-1925. Though not exact contemporaries they did meet, a young Erich was introduced by his father to Gustav in 1906 – the latter at his zenith within Viennese music circles and the former being heralded as the next genius. The adopted Viennese pedigree of both composers permeates their world view and their music, but Korngold’s acceptance in Vienna was much less complicated than Mahler’s. Dr. Julius Korngold, Erich’s father had stepped into the shoes of the fabled Edouard Hanslick, the great critic of the Neue Freie Press ( New Free Press). The ins and outs of Viennese musical circles were not a closed door at all – as they had been for Mahler. After being duly impressed with the young boy, Mahler suggested that Alexander von Zemlinsky be Korngold’s teacher, which though there were other influences, remained the only official teacher/pupil relationship, and it didn’t last very long. Julius, in his connected position was also able to privately publish three very early works in 1909 - with Erich at the ripe old age of 12. -
CONNECTED APART Winter 2021
CONNECTED APART Winter 2021 1 COMPOSE YOUR FUTURE qhere World-class faculty. State-of-the-art facilities you have to see (and hear) to believe. Endless performance and academic possibilities. All within an affordable public university setting ranked the number five college town in America.* Come see for yourself how the University of Iowa School of Music composes futures...one musician at a time. To apply, or for more information, visit music.uiowa.edu. *American Institute for Economic Research, 2017 MUSIC.UIOWA.EDU WINTER 2021 VIRTUAL PERFORMANCES The past year has been difficult for everyone, and we know that for many families, incomes have been reduced or become more unpredictable. To ensure that every CYSO family—no matter their CYSO is investing in the future of music and the financial situation—can enjoy our virtual performances, we've next generation of leaders. We provide music replaced our normal ticketing with a pay-what-you-can donation. education to nearly 800 young musicians ages 6-18 through full and string orchestras, jazz, CYSO virtual winter performances will debut on Saturday, steelpan, chamber music, masterclasses, music March 27, 2021 at 7:00 pm CST. For those who are able, the suggested donation is $40 (the equivalent of $10 per tick- composition and in-school programs. Students et for a family of four) to access all winter performance videos. learn from some of Chicago’s most respected Visit cyso.org/concerts to purchase your tickets. If you cannot professional musicians, perform in the world’s afford a ticket donation at this time, simply fill out the form with a great concert halls, and gain skills necessary for $0 amount to receive the performance link at no charge. -
Innovative String Program Expands to Five Nashua Schools!
Innovative String Program Expands to Five Nashua Schools! By Carol Marine Have you heard of, or heard, the Sinfonietta Strings of Greater Nashua? If not you are in for a treat. Sinfonietta Strings is an innovative musical program in partnership with the United Way of Greater Nashua and the Nashua School District. Entering its fifth season, the Sinfonietta Strings offers students from all economic and cultural backgrounds an opportunity to learn to play a string instrument. Because of its continued success, this year the Sinfonietta has expanded to five elementary schools and added cello lessons and a third advanced ensemble. Sinfonietta Strings is a comprehensive string program offered to students in grades three and up. Currently 120 students are enrolled in Sinfonietta Strings. Sinfonietta members have the opportunity to collaborate with other players through weekly group lessons, concert preparation and a summer camp. Developed by Nashua’s own Nancy Goodwin, Sinfonietta Strings is not your run of the mill, check the box music lesson. In addition to becoming proficient in a string instrument, students experience an emotional and creative outlet as they develop an ear, learn the language of music and the art of collaboration in making music. A day in the musical life of a Sinfonietta Strings member may include a lesson with a professional violinist, violist and now a cellist. These two young cellists, Allison Frye and Logan Lovett, are learning proper cello posture at their first lesson this fall. Each week students gather for small group lessons which include individual instruction as well as the more complex but fun ensemble playing. -
ODE 1191-2D Booklet DIGITAL.Indd
KORNGOLD MUCH ADO ABOUT NOTHING (Complete InCIdental musIC) SINFONIETTA HelsInkI pHIlHarmonIC orCHestra JoHn storgårds 1 ERich WOLfGaNG KORNGOLD (1897–1957) Cd 1 Much ado about Nothing, Op. 11 43’38 1 1. overture 5’31 2 2. don John – act I, scene 2 0’18 3 3. masquerade (Hornpipe) – prelude to act II 2’27 4 4. Festive music – act II, scene 1 4’43 5 5. Balthasar’s song – act II, garden 3’58 soloist: Mati Turi, tenor 6 6. garden scene – prelude to act III 5’55 7 7. Intermezzo 2’10 8 8. dogberry and Verges (march of the Watch) 2’32 – prelude to act III, scene 2 9 8a. arrest – end of act III 0’25 10 9. maiden in the Bridal Chamber – prelude to act IV 3’36 11 10. Church scene – act IV, scene 2 1’05 12 11. dogberry and Verges (march of the Watch) 1’29 13 12. Funeral music – prelude to act V 4’43 14 13. Intermezzo 2’10 15 14. Final dance 2’37 2 Cd 2 Sinfonietta, Op. 5 43’33 1 I. Fließend, mit heiterem schwunge 11’18 2 II. scherzo. molto agitato, rasch und feurig 8’57 3 III. molto andante 7’43 4 IV. Finale. patetico – allegro giocoso 15’35 Helsinki Philharmonic Orchestra JOHN STORGÅRDS, conductor publisher: schott music recordings: Helsinki music Centre, 9–10.8.2011 (Cd 2, tracks 2–4), 26-28.1.2012 (Cd 1), 28.1.2012 (Cd 2, track 1) a 24-bit recording in dXd (digital eXtreme defnition) executive producer: reijo kiilunen recording producer: seppo siirala recording engineer: enno mäemets – editroom oy ℗ 2012 ondine oy, Helsinki © 2012 ondine oy, Helsinki Booklet editor: elke albrecht photos: schott promotion (korngold), Heikki tuuli (John storgårds) design: armand alcazar 3 rich Wolfgang korngold ranks securely among the principal composer Eprodigies. -
African-American Bassoonists and Their Representation Within the Classical Music Environment
African-American Bassoonists and Their Representation within the Classical Music Environment D.M.A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Ian Anthony Bell, M.M. Graduate Program in Music The Ohio State University 2019 D.M.A. Document Committee: Professor Karen Pierson, Advisor Doctor Arved Ashby Professor Katherine Borst Jones Doctor Russel Mikkelson Copyrighted by Ian Anthony Bell 2019 Abstract This paper is the culmination of a research study to gauge the representation of professional African-American orchestral bassoonists. Are they adequately represented? If they are not adequately represented, what is the cause? Within a determined set of parameters, prominent orchestras and opera companies were examined. Of the 342 orchestral and opera companies studied, there are 684 positions for bassoonists. Sixteen of these jobs are currently held by African-Americans. Some of these musicians hold positions in more than one organization reducing the study to twelve black bassoonists. Translated to a percentage, .022% of the professional bassoonists within these groups are African-American, leading the author to believe that the African-American bassoon community is underrepresented in American orchestras and opera companies. This study also contains a biography of each of the twelve bassoonists. In addition, four interviews and five questionnaires were completed by prominent African- American bassoonists. Commonalities were identified, within their lives and backgrounds, illuminating some of the reasons for their success. Interview participants included Rufus Olivier Jr. (San Francisco Opera), Joshua Hood (Charlotte Symphony Orchestra), Monica Ellis (Imani Winds), Alexander Davis (fellowship recipient), and Andrew Brady (Atlanta Symphony Orchestra). -
Acknowledgments
ACKNOWLEDGMENTS I would like to acknowledge and express my sincerest thanks to the many people without whom the completion ofthis document would have been impossible: My wife, Amy, whose patience, support, and encouragement was unending, and whose proofreading, word processing, and taping skills were invaluable. My children, Charlie, Will, and Mary Emma, for willingly giving up many, many hours of "quality time" with their dad, which rightfully belonged to them. Professor Richard Blatti of The Ohio State University for his priceless knowledge of the wind-band repertoire, and for the guidance, suggestions, and time (of which he has very little) he was willing to give me and this project. Dr. James L. Moore, for his kindness, support, and willingness to proofread parts of this document, and for donating valuable materials from his own research which concerned this topic. Dr. A Peter Costanza, for his willingness to proofread parts of this document during a time in which he could have devoted all available time and energy into overseeing the 1995 OMEA State Convention. Craig Young, for the many times he helped me find what I needed in the OSU Band Music Library. Professor H. Robert Reynolds of the University of Michigan, for making that university's band music library available to me, and to Ms. Maggie St. Clair and Mr. Bill Kellerman for their wonderful hospitality and professionalism in assisting me while on campus. The many percussionists and conductors who responded to my surveys, submitting valuable suggestions ofpieces which represented the core ofmy research. My father-in-law, Dr. L. R. -
Decca Classics Will Release the Recording of Janáček's Glagolitic
Czech Philharmonic recordings JANÁČEK: GLAGOLITIC MASS Jiří Bělohlávek, conductor Release date: Friday 31 August 2018 (4834080) On 31 August, Decca Classics will release the Czech Philharmonic's recording of Janáček's Glagolitic Mass, Sinfonietta, Taras Bulba and The Fiddler’s Child conducted by the late Jiří Bělohlávek. With the release of Smetana’s Má vlast (My Homeland) at the beginning of the year, the recordings mark some of the last that Bělohlávek made with the Orchestra for Decca Classics. 90 years since Janáček’s death in 1928, the Czech Philharmonic continues to champion the music of its homeland as it has done since its inaugural concert in 1896 when it gave the première of Dvořák's Biblical Songs conducted by the composer. Of the works featured on this release, Janáček's The Fiddler's Child and Sinfonietta both received their world premières from the Czech Philharmonic, the former under Otakar Ostrčil in 1917 and the latter under Václav Talich in 1926. Talich also conducted the Czech Philharmonic in the Prague première of Taras Bulba in 1924. The Orchestra made earlier recordings of the Glagolitic Mass with Karel Ančerl, Václav Neumann and Sir Charles Mackerras, but this is the first under Jiří Bělohlávek who chose to conduct the work at the First Night of the 2011 BBC Proms. Jiří Bělohlávek's recordings with the Czech Philharmonic for Decca Classics include Dvořák’s complete Symphonies & Concertos, Slavonic Dances and Stabat Mater, which was chosen as Album of the Week by The Sunday Times. Under its new Chief Conductor and Music Director, Semyon Bychkov, the Orchestra have recently embarked on The Tchaikovsky Project – recordings of the complete symphonies, the three piano concertos, Romeo & Juliet, Serenade for Strings and Francesca da Rimini. -
Fall 2019 Blind Audition Procedure
Fall 2019: KSU Concert Ensemble Audition Letter Wind Ensemble, Wind Symphony, Concert Band, Woodwind Ensemble, Brass Ensemble Auditions: Dear KSU Fall 2019 Concert Ensemble Auditioner, The FollowinG brass and woodwind excerpts are to be prepared at the designated style and tempo For your ensemble audition. These excerpts are taken From: Sinfonietta – InGolf Dahl Symphony in B-flat for Band – Paul Hindemith Two-Lane Blacktop – James M. David Beneath a Canvas of Green – Aaron Perrine POEM for Wind Ensemble – John Frantzen there are no words – James Stephenson Children’s March – Percy Grainger Silver Light – Benjamin Yeo Excerpts can be downloaded at http://www.k-state.edu/band/ensembles/windensemble.html. Percussion auditions will be on the afternoon of Sunday, August 25th. For more inFormation and for audition percussion specific audition excerpts, please email Dr. Kurt Gartner ([email protected]). Brass and woodwind players can expect the Following during their blind audition (see attached Blind Audition Procedure): 1. Sign up For an audition time (Band Office, McCain 226) ONLY USING YOUR WID NUMBER. 2. Attend the mandatory audition meeting on Monday, August 26th at 3:30pm in McCain 201. 3. ThorouGhly and accurately complete the Audition InFormation Sheet prior to your audition. a. This sheet will be provided riGht beFore your audition. b. Please hand your completed Form to your audition room proctor (GA). 4. PerForm 1-2 scales (slurred up, tonGue down). a. Any of the 12 major/minor scales could be chosen. b. Be prepared to perForm scales a minimum of 2 octaves. 5. PerForm Audition Excerpts. a. Download at http://www.k-state.edu/band/ensembles/windensemble.html i. -
Repertoire List
Fergus McAlpine: Repertoire List (NB. Works performed or conducted are marked in bold, other works studied/assisted are not) Aa, M. van der -Upload Adams, J. -A Guide to Strange Places -Chamber Symphony -Short Ride in a Fast Machine Bach, J. S. -Cantata No. 66, Erfreut euch, ihr Herzen -St John Passion -St. Matthew Passion Barber, S. -Adagio for Strings -Essay No. 1 for Orchestra -Essay No. 2 for Orchestra -A Hand of Bridge -Horizon -Knoxville, Summer of 1915 -School for Scandal Overture -Symphony No. 1 Bartók, B. -Bluebeard’s Castle -Concerto for Orchestra -Divertimento for Strings -The Miraculous Mandarin, Suite -Music for Strings, Percussion and Celeste -Piano Concerto No. 3 Beethoven, L. v. -Egmont (Overture/Complete) -Fidelio (Complete) -Piano Concerto No. 1 -Piano Concerto No. 3 -Piano Concerto No. 4 -Romance No. 2 for Violin -Symphony No. 1 -Symphony No. 2 -Symphony No. 3 -Symphony No. 4 -Symphony No. 5 -Symphony No. 6 -Symphony No. 7 -Symphony No. 8 -Symphony No. 9 -Triple Concerto -Violin Concerto Berg, A. -Violin Concerto Berkeley, L. -A Dinner Engagement Berlioz, H. -Carnaval Romain Overture -Romeo et Juliette -Symphonie Fantastique Bernstein, L. -Serenade after Plato’s Symposium -Symphonic Dances after West Side Story -Symphony No. 1, Jeremiah -Trouble in Tahiti -West Side Story (Scenes) Bizet, G. -Carmen -Pecheurs du Perles -Symphony in C Bons, J. -Mokum -Nomaden, Concerto for Cello and Mixed Chamber Orchestra Brahms, J. -Academic Festival Overture -Symphony No. 1 -Symphony No. 2 -Symphony No. 3 -Symphony No. 4 -Tragische Overture -Variations on a theme by Haydn -Violin Concerto Britten, B. -Albert Herring -Les Illuminations -The Turn of the Screw -Nocturne -Peter Grimes (+ Four Sea Interludes) -Serenade for Tenor, Horn and Strings -Sinfonia da Requiem -Sinfonietta Bruch, M.