In Defense of Sentimentality (The Passionate Life) (2004).Pdf
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Ecstatic Melancholic: Ambivalence, Electronic Music and Social Change Around the Fall of the Berlin Wall
Ecstatic Melancholic: Ambivalence, Electronic Music and Social Change around the Fall of the Berlin Wall Ben Gook The Cold War’s end infused electronic music in Berlin after 1989 with an ecstatic intensity. Enthused communities came together to live out that energy and experiment in conditions informed by past suffering and hope for the future. This techno-scene became an ‘intimate public’ (Berlant) within an emergent ‘structure of feeling’ (Williams). Techno parties held out a promise of freedom while Germany’s re-unification quickly broke into disputes and mutual suspicion. Tracing the historical movement during the first years of re-unified Germany, this article adds to accounts of ecstasy by considering it in conjunction with melancholy, arguing for an ambivalent description of ecstatic experience – and of emotional life more broadly. Keywords: German re-unification, electronic dance music, structure of feeling, intimate publics, ambivalence. Everybody was happy Ecstasy shining down on me ... I’m raving, I’m raving But do I really feel the way I feel?1 In Germany around 1989, techno music coursed through a population already energised by the Fall of the Berlin Wall. The years 1989 and 1990 were optimistic for many in Germany and elsewhere. The Cold War’s end heralded a conclusion to various deadlocks. Young Germans acutely felt this release from stasis and rushed to the techno-scene.2 Similar scenes also flourished in neighbouring European countries, the United States and Britain around the 1 ‘Raving I’m Raving,’ Shut up and Dance (UK: Shut Up and Dance Records, 1992), vinyl. Funding from the ARC Centre of Excellence for the History of Emotions Associate Investigator (CE110001011) scheme helped with this work. -
Shame and Philosophy
The University of Notre Dame Australia ResearchOnline@ND Philosophy Papers and Journal Articles School of Philosophy 2010 Shame and philosophy Richard P. Hamilton University of Notre Dame Australia, [email protected] Follow this and additional works at: https://researchonline.nd.edu.au/phil_article Part of the Philosophy Commons This book review in a scholarly journal was originally published as: Hamilton, R. P. (2010). Shame and philosophy. Res Publica, 16 (4), 431-439. http://doi.org/10.1007/s11158-010-9120-4 This book review in a scholarly journal is posted on ResearchOnline@ND at https://researchonline.nd.edu.au/ phil_article/14. For more information, please contact [email protected]. Res Publica DOI 10.1007/s11158-010-9120-4 12 3 Shaming Philosophy 4 Richard Paul Hamilton 5 6 Ó Springer Science+Business Media B.V. 2010 7 8 Michael L. Morgan (2008), On Shame. London: RoutledgePROOF (Thinking In Action). 9 Philip Hutchinson (2008), Philosophy and Shame: An Investigation in the 10 Philosophy of Emotions and Ethics. London: Palgrave Macmillan. 11 Shame is a ubiquitous and highly intriguing feature of human experience. It can 12 motivate but it can also paralyse. It is something which one can legitimately demand 13 of another, but is not usually experienced as a choice. Perpetrators of atrocities can 14 remain defiantly immune to shame while their victims are racked by it. It would be 15 hard to understand any society or culture without understanding the characteristic 16 occasions upon which shame is expected and where it is mitigated. Yet, one can 17 survey much of the literature in social and political theory over the last century and 18 find barely a footnote to this omnipresent emotional experience. -
Durham E-Theses
Durham E-Theses 'Head-hunting' (or grief management) on Teesside: Pregnancy loss and the use of counselling as a ritual in the resolution of consequential grief Brydon, Christine How to cite: Brydon, Christine (2001) 'Head-hunting' (or grief management) on Teesside: Pregnancy loss and the use of counselling as a ritual in the resolution of consequential grief, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/4209/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Christine Brydon 'Head-Hunting' (or Grief Management) on Teesside Pregnancy Loss and the Use of Counselling as a Ritual in the Resolution of Consequential Grief. Master of Arts Degree by Thesis University of Durham Department of Anthropology 2001 Abstract This anthropological thesis is based on an evaluation carried out at South Cleveland Hospital on Teesside, where midwives offer counselling to bereaved parents following pregnancy loss. -
Is There a Genetic Fallacy in Nietzsche's Genealogy of Morals?*
Is There a Genetic Fallacy in Nietzsche’s Genealogy of Morals?* Paul S. Loeb (University of Puget Sound) y title-question typically arises in response to Nietzsche’s famous prefatory demand for M“a critique of moral values”: “the value of these values is itself to be called into question for the first time—and for that there is needed a knowledge of the conditions and circumstances out of which they grew, under which they evolved and changed” (GM P:6).1 Alexander Nehamas, having quoted this sentence, sets out to “determine if and how the investigation of the descent (Herkunft) of moral values can affect our own evaluation of the moral point of view.”2 Granting Nietzsche’s identifi ca tion of the moral point of view with altruism or selflessness, he com ments as follows upon Nietzsche’s claim “that this connec tion [between goodness and altruism] is the specific creation of the slave revolt in morality”: Now Nietzsche’s view of the origin of our current values, even if it is correct, does not show that we should not identify goodness with altruism or utility. Nothing is objec tionable simply because it has an objectionable origin. Had Nietzsche made this argu ment he would indeed have been, as he sometimes seems to be, guilty of falling into the genetic fallacy, which amounts to confusing the origin of something with its nature or value. But Nietzsche is quite aware that such an argument is unacceptable: he himself exposes it in section 345 of The Gay Science ... His argument, as we shall see, is in any case more subtle and more complicated.3 In this passage Nehamas summarizes a prevalent strategy for countering the charge of a genetic fallacy in Nietzsche’s geneal ogy of morality: In fact, (1) Nietzsche does not claim that his genealogical results prove the disvalue of altruistic values; of course, (2) if Nietzsche had claimed this, he would have to admit commit ting the genetic fallacy; but, (3) Nietzsche himself 1 Friedrich Nietzsche, Zur Genealogie der Moral, in Sämtliche Werke: Kritische Studienausgabe [=KSA], ed. -
Sickly Sentimentalism: Sympathy and Pathology in American Women's Literature, 1866-1900
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2018 Sickly Sentimentalism: Sympathy and Pathology in American Women's Literature, 1866-1900 Nicole Zeftel The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2613 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] SICKLY SENTIMENTALISM: SYMPATHY AND PATHOLOGY IN AMERICAN WOMEN’S LITERATURE, 1866-1900 by NICOLE ZEFTEL A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2018 © 2018 NICOLE ZEFTEL All Rights Reserved ! ii! Sickly Sentimentalism: Sympathy and Pathology in American Women’s Literature, 1866-1900 by Nicole Zeftel This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Date ! Hildegard Hoeller Chair of Examining Committee Date ! Giancarlo Lombardi Executive Officer Supervisory Committee: Eric Lott Bettina Lerner THE CITY UNIVERSITY OF NEW YORK ! iii! ABSTRACT Sickly Sentimentalism: Sympathy and Pathology in American Women’s Literature, 1866-1900 by Nicole Zeftel Advisors: Hildegard Hoeller and Eric Lott Sickly Sentimentalism: Pathology and Sympathy in American Women’s Literature, 1866-1900 examines the work of four American women novelists writing between 1866 and 1900 as responses to a dominant medical discourse that pathologized women’s emotions. -
As in Milan Kundera's the Unbearable Lightness of Being
Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 Postmodernism and the Concept of Kitsch- As in Milan Kundera’s The Unbearable Lightness of Being Dr.Shanthichitra Associate Professor & Head, Dept. of English, College of Science and Humanities SRMIST, Chennai, India Abstract: The concept of Kitsch is one of the difficult concepts which has been so easily handles by Milan Kundera in his incredible work of art – The Unbearable Lightness of Being. Culturally accepted words and situations vs. the words which are labeled as grotesque points out that peculiar point which deviates the ordinary to sublimity. This paper studies that ordinary which is ignored in culture through Milan Kundera’s The Unbearable Lightness of Being. Keywords: Kitsch, Postmodernism, Phenomenology, Milan Kundera, Ideologies and Culture. When I came across the concept of Taipei modern Toilet diner, I was reminded of Milan Kundera’s Kitsch…This Modern Toilet diner is one of chain of themed eateries in Taiwan appealing to largely the youngsters of the city. This diner has greater relevance to the modern culture, culture in which youngsters call each other by bad words out of love…they have overcome all the grotesques!? Are they above all the human hurts?! Or is it an effort to deviate from kitsch?! Milan Kundera in his The Unbearable Lightness of Being talks about the concept of Kitsch. Kitsch is a German word that’s been adopted by a number of other languages, including English. It refers primarily to art that is overly sentimental or melodramatic, and so refers to aesthetics. What’s interesting is the way Kundera uses the concept in his novel, not to talk about art, but to talk about political ideology and about life. -
Walter Benjamin and Kitsch Politics in the Phantasmagorical Age by Ayşegül Ergül a Thesis Submitted to the Faculty of Gradua
Walter Benjamin and Kitsch Politics in the Phantasmagorical Age by Ayşegül Ergül A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Political Science Carleton University Ottawa, Ontario © 2016, Ayşegül Ergül Abstract In this dissertation I explore the relationship between politics, aesthetics, culture and technology by (re)thinking and (re)conceptualizing the concept of kitsch as a theoretical construct in order to investigate the dream-worlds of Europe which sprang at the intersection of liberalism, social democracy and capitalism. I argue that the unexplored potentialities of kitsch, as a concept, reside in the analysis of the dream-worlds, which have been occupying the social and political imaginaries of Western individuals, communities and institutions since the disenchantment of the world. My methodological approach is built on Benjamin’s notion of historical materialism. Thus, I engage with the historical object(s) (e.g., arcades, fashion, technological reproductions etc.) not as “object(s) of experience” but as a “participant(s) in historical experience” (Caygill 2004, 90). Challenging the progressive notion of history, I argue that within the objective impenetrability of commodity fetishism a “sur-real” world of fetishized images – that is, kitsch – emerges, alienated from the individual and the collective, yet constituting and shaping them. By mapping out the implications of this “sur-real” world on “the political,” the collective (un)conscious and action, I conclude that alternative politics could arise from the unsettling interpretations of the reified and symbolic expressions of this same “sur-real” world, paving a path for new political imaginaries. -
Heidegger, Being and Time
Heidegger's Being and Time 1 Karsten Harries Heidegger's Being and Time Seminar Notes Spring Semester 2014 Yale University Heidegger's Being and Time 2 Copyright Karsten Harries [email protected] Heidegger's Being and Time 3 Contents 1. Introduction 4 2. Ontology and Fundamental Ontology 16 3. Methodological Considerations 30 4. Being-in-the-World 43 5. The World 55 6. Who am I? 69 7. Understanding, Interpretation, Language 82 8. Care and Truth 96 9. The Entirety of Dasein 113 10. Conscience, Guilt, Resolve 128 11. Time and Subjectivity 145 12. History and the Hero 158 13. Conclusion 169 Heidegger's Being and Time 4 1. Introduction 1 In this seminar I shall be concerned with Heidegger's Being and Time. I shall refer to other works by Heidegger, but the discussion will center on Being and Time. In reading the book, some of you, especially those with a reading knowledge of German, may find the lectures of the twenties helpful, which have appeared now as volumes of the Gesamtausgabe. Many of these have by now been translated. I am thinking especially of GA 17 Einführung in die phänomenologische Forschung (1923/24); Introduction to Phenomenological Research, trans. Daniel O. Dahlstrom (Bloomington, Indiana University Press, 2005) GA 20 Prolegomena zur Geschichte des Zeitbegriffs (1925); History of the Concept of Time, trans. Theodore Kisiel (Bloomington, Indiana University Press, 1985) GA 21 Logik. Die Frage nach der Wahrheit (1925/26). Logic: The Question of Truth, trans. Thomas Sheehan GA 24 Die Grundprobleme der Phänomenologie (1927); The Basic Problems of Phenomenology, trans. -
Health and Great Health: Nietzsche on Overcoming Sickness
HEALTH AND GREAT HEALTH: NIETZSCHE ON OVERCOMING SICKNESS BY ERIC RYAN SCHAAF DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Philosophy in the Graduate College of the University of Illinois at Urbana-Champaign, 2017 Urbana, Illinois Doctoral Committee: Professor Emeritus William Schroeder, Chair Professor Emeritus Richard Schacht Associate Professor David Sussman Associate Professor Kirk Sanders ii ABSTRACT My dissertation was motivated by a desire to not only gain clarity in Nietzsche’s manifold use of the notion of sickness, but also to better understand the ideal of health that runs through his writings. Given this goal, I begin by identifying the primary kinds of sickness that animate Nietzsche’s critical project. Having identified three types of sickness in his writings, I then turn to offering an account of how Nietzsche attempts to address these forms of sickness. Finally, having completed the task of understanding health—which forms the three central chapters of the dissertation—I conclude by moving to what Nietzsche calls “the great health,” which can be understood as moving beyond mere health. In chapter one I identify three kinds of sickness—the sickness of bad conscience, the sickness of life negation, and the sickness of enervation—which I argue are the central to understanding Nietzsche’s critique of morality. According to this diagnosis, people suffer from several problems, including pervasive feelings of guilt and self-hatred, a tendency to devalue the world and life, and a false sense of human good that results in enervation. Nietzsche’s work can be read as an attempt to diagnose, understand, and address these problems. -
Nietzsche's Ethic
Nietzsche’s Ethic: Virtues for All and None? A thesis submitted To Kent State University in partial Fulfillment of the requirements for the Degree of Master of Arts by Daniel Robinson May 2015 ©Copyright All rights reserved Except for previously published materials Thesis written by Daniel Robinson B.A., University of South Alabama, 2012 M.A., Kent State University, 2015 Approved by Linda Williams, Associate Professor, Masters Advisor Deborah Barnbaum, Chair, Department of Philosophy James Blank, Associate Dean, Dean of Arts and Sciences Table of Contents Introduction……………………………………………………….……………......01 Chapter I. Solomon’s Nietzsche: A Summary………………….………….....04 Introduction…………………………………..………...………….04 Concern for Character …………………………………………….05 Passion as the Root to the Virtues…………………………..……..15 Building Nietzsche’s Ethic: Virtues for All……………….….…...22 II. Nietzsche on Ethics……………………………………...……..….32 Introduction………………………………………………………..32 Custom & Natural Morality……………………………………….35 Master-type and Slave-type Moralities…………………………...41 Slave-type’s Universalization ……………………………………48 Nietzsche on Virtue and Virtues …………………….……………52 III. Ethical Contortions: Fitting Nietzsche into Virtue Ethics……...…59 Introduction…………………………………………………….…59 Against a Prescriptive Interpretation……………………….….….60 Redefining Virtue and Ethics……………………………….….…64 Nietzsche’s Individualism …………………………………..…....74 Relevant Bibliography…………………………………………………………….83 i Introduction A year ago I read Robert Solomon’s Living with Nietzsche: What the Great “Immoralist” Has to Teach Us for the first time with the hopes of finding a greater understanding of both Nietzsche and virtue ethics. I was undecided on whether Nietzsche was a virtue ethicist, but I was considering it, simply because of how frequently he mentions virtue and because Aristotle was one of the few major philosophers I knew of that Nietzsche didn’t routinely, vehemently reject. The beginning and middle of Solomon’s text made me very hopeful for his conclusion. -
Yuriko Saito's CV
Yuriko Saito Curriculum Vitae 32 Highland Avenue Barrington, RI 02806 [email protected] USA EDUCATION University of Wisconsin-Madison (Ph. D.) Major: Philosophy Minor: Japanese Literature Ph. D. Dissertation: “The Aesthetic Appreciation of Nature: Western and Japanese Perspectives and Their Ethical Implications” International Christian University, Tokyo, Japan (B. A.) Major: Philosophy TEACHING EXPERIENCE Professor of Philosophy at the Rhode Island School of Design (Fall 1995 – Spring 2018) Associate Professor of Philosophy at the Rhode Island School of Design (Fall 1987 - Spring 1995) Head of the Special Studies Department (1989-1992) Assistant Professor of Philosophy at the Rhode Island School of Design (Winter 1981 - Spring 1987) Instructor at UW - Madison (Fall 1980) Teaching Assistant at UW - Madison (Fall 1976 - Spring 1980); Grader at UW -Madison (Spring, Fall 1977) PUBLICATION Book • Aesthetics of the Familiar: Everyday Life and World-Making (Oxford University Press, hardback 2017, paperback forthcoming), awarded the outstanding monograph prize by the American Society for Aesthetics, 2018 • Everyday Aesthetics (Oxford University Press, hardback 2008, paperback 2010), included as a must-read work in “Analytic Approaches to Aesthetics” in Oxford 2 Bibliographies Online (2011); one of the six books in Chinese Translation Series on the Frontiers of International Aesthetics (to be published by Henan University Press); Chinese translation using complex characters by WU-NAN BOOK INC. of Taipei (expected publication Nov/Dec of 2019) Book Chapter • “Reflections on the Atomic Bomb Ruin in Hiroshima,” included in Philosophical Perspectives on Ruins, Memorials, and Monuments, eds. Jeanette Bicknell, Jennifer Judkins, and Carolyn Korsmeyer (Routledge, 2019) • “Introduction” (originally published as “Japanese Aesthetics - An Overview” included in The Encyclopedia of Aesthetics, 2nd ed. -
Beautiful and Sublime Kitsch: Framing the Prologue of Lars Von Trier's
Beautiful and Sublime Kitsch: Framing the Prologue of Lars von Trier’s Melancholia as Avant-Garde Video Art Aleksandr Andreas Wansbrough University of Sydney Lars von Trier’s film Melancholia (2011) begins with a memorable and enigmatic prologue.1 Distinct from the film’s diegesis and played before the title credits, the prologue seems out of sync with the rest of the film’s trajectory, and even indicates the narrative’s key features before the story commences. Yet, while Melancholia’s narrative is representationally presented in this prologue, the film’s scenes are allegorical rather than literal; they possess a premonitory, dreamlike quality, which is enhanced by slow motion. For the viewer, these slow-motion effects engender a kind of hypnosis, a feeling that is itself enriched by the film’s imagery, which recalls the imagery, poetry and paintings of German romanticism. However, the prologue also evokes a precarious ambivalence concerning the film’s aesthetic features. The power of visual images to evoke both pleasure and disdain has long been documented within the sensual and violent — and Philament 22: Precarity philamentjournal.com 87 88 Philament 22: Precarity indeed the carnal — realms.2 However, many of Melancholia’s viewers may also find the film’s grandiose imagery lacking in aesthetic cred- ibility, and the digital perfection attained by the film to be uncom- fortable or disaffecting. The prologue induces a range of experiences with imagery that is both sublime and beautiful, but also kitsch. By reading the prologue to Melancholia as a work of video art, one can see the how the film’s concerns cross over with those of avant-garde video and digital installations, as well as how it moves beyond these concerns.