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7E Williams ; Versity
WINTER 1965 7EASSOCl}TION WILLIAMS OF ; ALUMNIVERSITY // /.; -=- - I / \ / THE PROUD POSSESSIONS CANADA'S OTHER QUIET REVOLUTION sli~pJ)ing ort a ri,i.~ .. J day: a family dpctor ... or a·family friend ·I' and a night light if you feel a little lonely. ',Jr • '.=·:, ' ''''' _s::;,t:' ;, . Your telephone<is also plastic and brass, carbon and · chrome and a . little bit of gold, 383 · parts, a research laboratory, and 18,000 team-working people ... all·from Northern Electric. If you knew this already, we're pleased. After all, one seldom notices the things that always work right. Right? ,Northern flectrlc fJ . COMPANY LIMITED 6065-3 New Domtar kraft pulp mill now rising in timber-rich area at Lebel-sur-Quevillon, Quebec, to spearhead expansion of Domtar's pulp and paper operations. In northwest Quebec, on the south Three more projects closely follow 60,000 tons and "Alkafide", a new shore of Lac Quevillon, construc the Lebel-sur-Quevillon mill in pulping process developed by tion crews are working full speed Domtar's expansion program. Domtar's Research Department, ahead on Domtar's giant new A new, seventh fine paper machine is being utilized. Lebel -sur-Quevillon mill. Target with an annual capacity of 69,000 This program highlights Domtar's date for completion: early 1967. tons is being installed in the continuing expansion throughout Projected production capacity: Cornwall, Ontario, mill. The mod its entire range of operations. 850 tons per day of highest quality ernization of the Windsor, Quebec, From Domtar comes a growing bleached kraft pulp produced by mill includes a new five-stage world of products for a growing the most up-to-date manufacturing bleach system to increase daily world of people - in pulp and techniques. -
26727 Consignor Auction Catalogue Template
Auction of Important Canadian & International Art September 24, 2020 AUCTION OF IMPORTANT CANADIAN & INTERNATIONAL ART LIVE AUCTION THURSDAY, SEPTEMBER 24TH AT 7:00 PM ROYAL ONTARIO MUSEUM 100 Queen’s Park (Queen’s Park at Bloor Street) Toronto, Ontario ON VIEW Please note: Viewings will be by appointment. Please contact our team or visit our website to arrange a viewing. COWLEY ABBOTT GALLERY 326 Dundas Street West, Toronto, Ontario JULY 8TH - SEPTEMBER 4TH Monday to Friday: 9:00 am to 5:00 pm SEPTEMBER 8TH - 24TH Monday to Friday: 9:00 am to 5:00 pm Saturdays: 11:00 am to 5:00 pm Sunday, September 20th: 11:00 am to 5:00 pm 326 Dundas Street West (across the street from the Art Gallery of Ontario) Toronto, Ontario M5T 1G5 416-479-9703 | 1-866-931-8415 (toll free) | [email protected] 2 COWLEY ABBOTT | September Auction 2020 Cowley Abbott Fine Art was founded as Consignor Canadian Fine Art in August 2013 as an innovative partnership within the Canadian Art industry between Rob Cowley, Lydia Abbott and Ryan Mayberry. In response to the changing landscape of the Canadian art market and art collecting practices, the frm acts to bridge the services of a retail gallery and auction business, specializing in consultation, valuation and professional presentation of Canadian art. Cowley Abbott has rapidly grown to be a leader in today’s competitive Canadian auction industry, holding semi-annual live auctions, as well as monthly online Canadian and International art auctions. Our frm also ofers services for private sales, charity auctions and formal appraisal services, including insurance, probate and donation. -
Post-War & Contemporary
post-wAr & contemporAry Art Sale Wednesday, november 21, 2018 · 4 Pm · toronto i ii Post-wAr & contemPorAry Art Auction Wednesday, November 21, 2018 4 PM Post-War & Contemporary Art 7 PM Canadian, Impressionist & Modern Art Design Exchange The Historic Trading Floor (2nd floor) 234 Bay Street, Toronto Located within TD Centre Previews Heffel Gallery, Calgary 888 4th Avenue SW, Unit 609 Friday, October 19 through Saturday, October 20, 11 am to 6 pm Heffel Gallery, Vancouver 2247 Granville Street Saturday, October 27 through Tuesday, October 30, 11 am to 6 pm Galerie Heffel, Montreal 1840 rue Sherbrooke Ouest Thursday, November 8 through Saturday, November 10, 11 am to 6 pm Design Exchange, Toronto The Exhibition Hall (3rd floor), 234 Bay Street Located within TD Centre Saturday, November 17 through Tuesday, November 20, 10 am to 6 pm Wednesday, November 21, 10 am to noon Heffel Gallery Limited Heffel.com Departments Additionally herein referred to as “Heffel” consignments or “Auction House” [email protected] APPrAisAls CONTACT [email protected] Toll Free 1-888-818-6505 [email protected], www.heffel.com Absentee And telePhone bidding [email protected] toronto 13 Hazelton Avenue, Toronto, Ontario M5R 2E1 shiPPing Telephone 416-961-6505, Fax 416-961-4245 [email protected] ottAwA subscriPtions 451 Daly Avenue, Ottawa, Ontario K1N 6H6 [email protected] Telephone 613-230-6505, Fax 613-230-8884 montreAl CatAlogue subscriPtions 1840 rue Sherbrooke Ouest, Montreal, Quebec H3H 1E4 Heffel Gallery Limited regularly publishes a variety of materials Telephone 514-939-6505, Fax 514-939-1100 beneficial to the art collector. -
Conserving the Modern in Canada Buildings, Ensembles, and Sites: 1945-2005
Conserving the Modern in Canada Buildings, ensembles, and sites: 1945-2005 Conference Proceedings Trent University, Peterborough, May 6-8, 2005 Editors: Susan Algie, Winnipeg Architecture Foundation James Ashby, Docomomo Canada-Ontario Library and Archives Canada Cataloguing in Publication Conserving the Modern in Canada (2005: Trent University) Conserving the Modern in Canada: buildings, ensembles, and sites, 1945-2005: conference proceedings, Trent University, Peterborough, May 6-8, 2005 / editors: Susan Algie and James Ashby. Papers presented at the Conserving the Modern in Canada conference held at Trent University, Peterborough, Ont., May 6-8, 2005. Includes bibliographical references. ISBN 978-0-9683100-5-2 1. Architecture--Conservation and restoration--Canada. 2. Historic sites--Conservation and restoration--Canada. 3. Architecture--Canada--20th century. 4. Historic preservation--Canada. I. Algie, Susan, 1951 II. Ashby, James, 1962 III. Winnipeg Architecture Foundation. NA109.C3C66 2007 363.6'90971 C2007-902448-3 Also available in French. / Aussi disponible en francais. Conserving the Modern in Canada Conference Proceedings Table of Contents 1.0 Foreword . 1 2.0 Acknowledgements . 3 3.0 Conference Programme . 9 4.0 Introduction Session Papers . 15 5.0 Documentation Session Papers . 29 6.0 Evaluation Session Papers . 53 7.0 Legacy of Ronald J. Thom Session Papers . 87 8.0 Stewardship Session Papers . 113 9.0 Conservation Session Papers . 173 10.0 Education Session Papers . 203 11.0 Tours . 239 i Conserving the Modern in Canada Conference Proceedings ii Conserving the Modern in Canada Conference Proceedings FOREWORD The “Conserving the Modern in Canada” conference, held at Trent University in Peterborough from May 6 to 8, 2005, was Canada’s first national conference on the subject of the built heritage of the 1950s, ‘60s, and ‘70s. -
Note to Users
NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university. The manuscript was microfilmed as received. This reproduction is the best copy available. UMI Social Discourse in the Media Interpretation of Christiane Pflugfs Do11 Paintings Michelle H. Veitch The Department of Art History Presented in Partial Fulfilment of the Requirements for the Degree of Master of Arts at Concordia University Montreal, Quebec, Canada September 19 9 8 Q Michelle H. Veitch, 1998 National Library Bibliothèque nationale of Canada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395, rue Wellington Ottawa ON KIA ON4 Ottawa ON KIA ON4 Canach Canada Your fik, Votre teference Our I% Notre rréfdrence The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou su.format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othedse de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university. -
Winter 2003 Newsletter
ARLIS ON it’s about YOUR community ARLIS ONTARIO’S OFFICIAL E-NEWSLETTER vol. 1 • #2 • fall 2003 contents notes from member the chair profiles message from the chair Hildegard Lindschinger The fall semester, the first Art-related printed and .............................1 & 4 involving the “double cohort,” manuscript materials in member profiles is racing toward its finish line. Archives & Special Art-related materials in As we race along with it, we’ll Collections, Scott Library, Archives & Special Collections, be glad to finally catch our Scott Library, York University breath, catch up on some of York University Mary Williamson Mary Williamson those ever-growing piles on .............................1 & 2 our desks... recent projects The Silent Auction event at Art Gallery of Ontario OCAD on December 15 Randall Speller should be the perfect antidote .............................2 & 3 to any stress encountered along the way! upcoming At the Fall Meeting in Toronto, we had passed out events surveys about what kind of work is done by our ARLIS/NA Ontario members. Charles Eames furniture. ANNUAL Twenty-three forms were Archives & Special Collections filled out and submitted; the SILENT AUCTION following is a summary that Monday December 15, you might find quite 6:00 pm - 9:00 pm interesting. BOOKS, PERIODICALS, Ontario College of Art & EXHIBITION CATALOGUE Design Library Of the 23 entries, 18 were When I began my career at # bring your favorite"potluck" from members; 5 were visitors York as Fine Arts hors d'oeuvres Bibliographer in 1970, art # acquire treasures from your at the Fall meeting. ARLIS-Ontario colleagues! books in many categories Visit the ARLIS-Ontario Continued on pg. -
Property of the Estate of Blema and H. Arnold Steinberg
ProPerty of the estAte of BlemA And h. Arnold steinBerg member of the board of governors of McGill University, and later as governor emeritus, and founding chairman of the board of the McGill University Health Centre, among other titles. All of this led to one of the most gratifying roles of his extraordinary life, when in 2009 he was appointed chancellor of McGill University. Upon his passing, Heather Munroe-Blum, vice-chancellor of McGill, reflected: “Arnold was a prince of a man. He shaped McGill, Montreal and Canada in deeply progressive and posi- tive ways—uniquely, indelibly. He influenced everyone he met through his gracious warmth, joyous optimism and incisive intelligence.” Blema Steinberg wore many hats and was exceptionally accomplished. She too was known for her remarkable dedication to McGill University and her continuous philanthropic efforts. She was a double graduate of McGill, where she completed her BA and PhD, and a graduate of Cornell University, where she completed her MA. She became a professor in 1961 and was appointed to McGill’s Department of Political Science, where she taught for more than 40 years, before being honoured with the title of professor emerita following her retirement in 2001. During her tenure, she focused her research efforts on the psy- chological factors of decision-making and character studies of leaders in politics. Blema authored many academic publications and, most notably, two books—Women in Power: The Personalities Blema and H. Arnold Steinberg and Leadership Styles of Indira Gandhi, Golda Meir and Margaret Photo: Owen Egan Thatcher and Shame and Humiliation: Presidential Decision-Making Courtesy of McGill University on Vietnam. -
National Arts Centre, Ottawa, Ontario
REPORT | RAPPORT NATIONAL ARTS CENTRE, OTTAWA, ONTARIO RHona Goodspeed has been an architectural >RHONA GOODSPEED historian with Parks Canada since 1990. During that time she has worked on a range of subjects, including military complexes, historic districts, cultural landscapes, ecclesiastical buildings, houses, and other building types. DESIGNATION The National Arts Centre (NAC) was desig- nated a national historic site of Canada in 2005. The reasons for its designation are the following. It is an outstanding example of a performing arts centre in Canada for its overall design, its highly successful integration into its urban set- ting, its succession of interior spaces to create dramatic effect, its unique com- bination of performing spaces and the progressive designs of each one, and its integration of contemporary works of art as part of its design. It is an outstand- ing example of a building illustrating the positive consequences of Canadian federal policy on the performing arts during the second half of the twenti- eth century, considered, in the words of Prime Minister Lester B. Pearson, as a “national institution.” It is an example of state-of-the-art performing spaces and technology at the time of construction, in particular for the aesthetic and tech- nical design of Southam Hall, which is an exceptional example of a medium-sized multipurpose auditorium representing an inspired collaboration between architect and acoustician. INTRODUCTION The National Arts Centre (NAC) is located on the east side of Confederation Square in the centre of downtown Ottawa (figs. 1-3). It occupies an irregular site on a steep slope descending from Elgin Street, a major artery on the west, to the Rideau Canal on the east. -
Cultural Loops Guide-Explore Etobicoke
EXPLORE ETOBICOKEEXPLORE Explore Etobicoke Art, History and Nature Cultural Loops Guide Guide Loops Cultural Self-Guided Tours cultural loops Guide loops cultural Contents About Cultural Hotspot 1 About this Cultural Loops Guide 1 Tips for Exploring the Hotspot 3 Councillor’s Message 4 LOOP 1 Flora and Fauna in Mimico 7 Art Along Lake Shore 23 Discovering Lakeshore Grounds 33 LOOP 2 Where Arts and Nature Meet 45 Islington Village: History in Art 55 Getting to Know Mimico Creek 75 Down the Humber River 83 LOOP 3 North Etobicoke Through the Years 99 Community Spirit in North Etobicoke 109 Nature Along the West Humber 117 Wildlife Activity 127 HOT Eats 131 References 141 The Cultural Loops Guide is produced by City of Toronto Arts & Culture Services, Economic Development and Culture Division. For more information visit toronto.ca/culturalhotspot Cover art and interior maps: Salini Perera. Cover illustration is an artistic rendering inspired by community, culture and creativity in Etobicoke. about cultural hotspot From May through October, the Cultural Hotstpot initiative shone a spotlight on arts, culture and community in north Etobicoke. The Cultural Hotspot began in 2014 and has rotated annually, highlighting communities beyond downtown and inspiring new ideas about where culture thrives in the city. The Cultural Hotspot: · Celebrates local culture, heritage, creativity, business and community with special events, festivals and art happenings, building community pride · Connects the Hotspot community, promotes new partnerships and shares this exciting area with all of Toronto through community gather- ings, events, outreach and media campaigns · Grows creative capacity in the area with workshops, courses, youth employment and mentorship, and legacy projects like the Cultural Loops Guide Visit toronto.ca/culturalhotspot for details. -
Post-War & Contemporary
heffel f ine Art Auction Auction ine Art h ouse post-war & contemporary art contemporary & post-war post-wAr & contemporAry Art Sale Thursday, november 26, 2015 · 4 Pm · ToronTo Post-wAr & contemPorAry Art Auction Thursday, November 26, 2015 4 PM Post-War & Contemporary Art 7 PM Fine Canadian Art Park Hyatt Hotel, Queen’s Park Ballroom 4 Avenue Road, Toronto Previews Heffel Gallery, Vancouver 2247 Granville Street Saturday, October 31 through Tuesday, November 3, 11 am to 6 pm Galerie Heffel, Montreal 1840 Rue Sherbrooke Ouest Thursday, November 12 through Saturday, November 14, 11 am to 6 pm University of Toronto Art Centre 15 King’s College Circle Entrance off Hart House Circle Saturday, November 21 through Wednesday, November 25, 10 am to 6 pm Thursday, November 26, 10 am to noon Heffel GAllery, toronto 13 & 15 Hazelton Avenue, Toronto Ontario, Canada M5R 2E1 Telephone 416-961-6505 Fax 416-961-4245 Toll Free 1-800-528-9608 www.heffel.com Heffel Fine Art Auction House Heffel.com Departments A Division of Heffel Gallery Inc. consiGnments toronto [email protected] 13 & 15 Hazelton Avenue, Toronto, Ontario M5R 2E1 APPrAisAls Telephone 416-961-6505, Fax 416-961-4245 [email protected] E–mail: [email protected], Internet: www.heffel.com Absentee And telePHone biddinG montreAl [email protected] 1840 rue Sherbrooke Ouest, Montreal, Quebec H3H 1E4 Telephone 514-939-6505, Fax 514-939-1100 sHiPPinG [email protected] Vancouver 2247 Granville Street, Vancouver, British Columbia V6H 3G1 subscriPtions Telephone 604-732-6505, Fax 604-732-4245 [email protected] ottAwA 451 Daly Avenue, Ottawa, Ontario K1N 6H6 Cao tAl Gue subscriPtions Telephone 613-230-6505, Fax 613-230-8884 Heffel Fine Art Auction House and Heffel Gallery Inc. -
MARCH 2021 ONLINE AUCTION JULY 15, 2020 Sale March 4, 2020 – March 25, 2021 001 HERBERT BRANDL 1959 - Austrian Ohne Titel Oil on Canvas
MaRCH 2021 ONlINe aUCTION JULY 15, 2020 15, JULY Sale March 4, 2020 – March 25, 2021 001 HERBERT BRANDL 1959 - Austrian Ohne Titel oil on canvas on verso signed and dated 2006 74 3/4 x 63 inches 189.9 x 160 centimeters Provenance: Galerie Elisabeth & Klaus Thoman, Austria Private Collection, Austria Sold sale of Zeitgenössische Kunst, im Kinsky Auktionhaus, May 10, 2011, lot 141 Collection of Joey & Toby Tanenbaum, Toronto Exhibited: Literature: This canvas by Herbert Brandl features a bluish teal ground populated by pale yellow brushstrokes sweeping from side to side. As the colours intermingle and separate, a veil of drips wanders down, slowly dissolving into (the ether of) the background. Brandl’s painterly mastery saturates this work. With a few simple, confident and elegant strokes, he creates an abstract form which can be almost instantly recognized as light reflecting on water. Light never materializes into an object, it occurs in time; and on the surface of water it always shimmers, flickering from one form to another. Brandl’s decades long preoccupation with pictorial form and the conceptual underpinnings of the image is clearly visible in this work. Here, Brandl captures something essential in an almost monumental format, and presents it as something still wavering between the abstract and concrete. Like an illusion or an apparition, it appears unmistakable, yet one cannot be sure of its true nature. Brandl’s work has been exhibited all over the world, including Biennale de Paris (1985), the São Paulo Art Biennale (1989), Documenta IX (1992), Kunsthalle Basel (1999) and the Venice Biennale (2007). -
Avrom Isaacs Fonds (F0134)
York University Archives & Special Collections (CTASC) Finding Aid - Avrom Isaacs fonds (F0134) Generated by Access to Memory (AtoM) 2.4.1 Printed: May 29, 2019 Language of description: English York University Archives & Special Collections (CTASC) 305 Scott Library, 4700 Keele Street, York University Toronto Ontario Canada M3J 1P3 Telephone: 416-736-5442 Fax: 416-650-8039 Email: [email protected] http://www.library.yorku.ca/ccm/ArchivesSpecialCollections/index.htm https://atom.library.yorku.ca//index.php/avrom-isaacs-fonds Avrom Isaacs fonds Table of contents Summary information .................................................................................................................................... 40 Administrative history / Biographical sketch ................................................................................................ 40 Scope and content ......................................................................................................................................... 41 Notes .............................................................................................................................................................. 41 Access points ................................................................................................................................................. 42 Collection holdings ........................................................................................................................................ 42 1996-036, Accession 1996-036 (1961-1991) ............................................................................................