Winter 2003 Newsletter
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John W. Maxwell Assistant Professor Master of Publishing Program Simon Fraser University [email protected] 778-782-5287
Curriculum Vitae John W. Maxwell Assistant Professor Master of Publishing Program Simon Fraser University [email protected] 778-782-5287 January 2014 Research Interests 1. Publishing Technology, especially digital and networked media, both in the service of traditional book and magazine publishing and in the evolution of new forms and models: structured markup; layout and composition software; Web and Internet standards; free and open-source software. 2. History of Computing and Contemporary Media, especially cultural history of computing; technology integration and development; software development culture(s); popular mythologies of technology; media archaeology. 3. Collaborative writing/editing environments, as a special subset of knowledge management technologies; content management systems; wikis; open education; and scholarly communications infrastructure. Education 2007 PhD Curriculum & Instruction, Education,University of British Columbia, Dissertation: Tracing the Dynabook: A Study in Technocultural Transformations 1997 MPub Publishing, Simon Fraser University, Canada Report: House of Words: Designing Text and Community in MOO Environments 1993 Diploma Applied Information Technology, Capilano College, Canada Work in Progress Book: Maxwell, John W. (in preparation). The Crucible: Coach House Press’ and Digital Innovation in Canada. This is a major research project tracing the unlikely early history of digital innovation in Canadian publishing in the 1970s and 1980s, based on extensive interviews and archival research, and blending cultural history with a media archaeology approach. Scholarly Articles: Maxwell, John W. & Haig Armen. (accepted). “Dreams Reoccurring: The Craft of the Book in the Age of the Web.” Journal of Electronic Publishing, Maxwell, John W. (in review). “Publishing Education: Future Prospects.” Journal of Electronic Publishing, Refereed Contributions Articles: Maxwell, John W. -
ALCUIN GOES to LEIPZIG the Alcuin 2004 Book Design Award Winners Mark Canada's Debut at the German Book/Airs
ALCUIN GOES TO LEIPZIG The Alcuin 2004 Book Design Award winners mark Canada's debut at the German book/airs. Leah Gordon and a few other members joined the trip. OOKS, PUBLISHERS, BOOKSELLERS and readers have been travelling to Leipzig every year since B1497, when Kaiser Maximilian I granted the town the privilege of holding trade fairs. In I 5 94, the first Leipzig trade fair catalogue was published (for booksellers). And over 400 years later (overlooking a 20-year hiatus during the Second World War and Cold War years), the fair continues; but 2006 marked the first time with an official Canadian presence. Since r 99 r, the German group Stiftung Buchkunst has organized an exhibit and competition called The Most Beautiful Books from all over the World as part of the larger book fair. In June 2005, they contacted the Society and asked us if we would participate in the competition on behalf of Canada, since we run the only national competition of its type in the country. We jumped at the chance and sent our 2004 prizewinning books to Germany for exhibition at the fall book fair in Frankfurt. After that exhibit, the Stiftung packed up the material and sent it to Leipzig for the international competition in February and the subsequent presentation ofawards at their exhibit in March. A miscellaneous little group (Anne Yandle of Vancouver, Jeannine Green of Edmonton, Marlene Chan ofOttawa and myself) decided that we couldn't miss the opportunity to go to the first international exhibit ofour material. We were joined on the trip by one of the prizewinning designers from the 2004 competition, typographer/printer/publisher Alan Stein (Church Street Press in Parry Sound, Ontario), whose book In Smoke was included in the exhibit. -
2016 Prix De La Société Alcuin Pour L'excellence De La
2016 The Alcuin Society Awards Prix de la Société Alcuin for Excellence in Book Design pour l’excellence de la conception in Canada graphique du livre au Canada 35th Alcuin Society Awards 35e Prix de la Société Alcuin for Excellence in Book Design pour l’excellence de la conception in Canada graphique du livre au Canada FOR BOOKS PUBLISHED IN 2016 POUR LES LIVRES PUBLIÉS EN 2016 VANCOUVER, BC 2017 Contents Table des matières 3 Message from the Governor General 44 Prose Non-Fiction Message du Gouverneur général Études et essais 4 Preface 50 Children’s Préface Livres pour enfants 6 Judges 58 Limited Editions Jury Éditions à tirage limité 12 Poetry 64 Prose Illustrated Poésie Prose Illustrée 20 Reference 70 Index Ouvrages de référence 72 Acknowledgements 26 Prose Fiction Remerciements Romans et nouvelles 73 Dr. Yosef Wosk 32 Comics Bandes dessinées 74 The Alcuin Society La Société Alcuin 38 Pictorial Beaux livres 76 Colophon 2 The Alcuin Society Message from Message du the Governor General Gouverneur général Books have always played a vital role in my life, so much Les livres ont toujours joué un rôle essentiel dans ma vie, ils so that they are included in my personal coat of arms to symbolisent d’ailleurs mon amour de la lecture, de l’écriture symbolize my love of reading, writing and the transmission et de la transmission du savoir dans mes armoiries. of knowledge. Cette année, les Canadiennes et les Canadiens célèbrent le This year, as we celebrate the 150th anniversary of 150e anniversaire de la Confédération. À cette occasion, Confederation, I would like to encourage all Canadians j’encourage tous mes concitoyens à raconter les récits qui to tell the stories that shape our country and to share those façonnent notre pays et à les diffuser d’un océan à l’autre. -
Borderline Research
Borderline Research Histories of Art between Canada and the United States, c. 1965–1975 Adam Douglas Swinton Welch A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Art University of Toronto © Copyright by Adam Douglas Swinton Welch 2019 Borderline Research Histories of Art between Canada and the United States, c. 1965–1975 Adam Douglas Swinton Welch Doctor of Philosophy Department of Art University of Toronto 2019 Abstract Taking General Idea’s “Borderline Research” request, which appeared in the first issue of FILE Megazine (1972), as a model, this dissertation presents a composite set of histories. Through a comparative case approach, I present eight scenes which register and enact larger political, social, and aesthetic tendencies in art between Canada and the United States from 1965 to 1975. These cases include Jack Bush’s relationship with the critic Clement Greenberg; Brydon Smith’s first decade as curator at the National Gallery of Canada (1967–1975); the exhibition New York 13 (1969) at the Vancouver Art Gallery; Greg Curnoe’s debt to New York Neo-dada; Joyce Wieland living in New York and making work for exhibition in Toronto (1962–1972); Barry Lord and Gail Dexter’s involvement with the Canadian Liberation Movement (1970–1975); the use of surrogates and copies at the Nova Scotia College of Art and Design (1967–1972); and the Eternal Network performance event, Decca Dance, in Los Angeles (1974). Relying heavily on my work in institutional archives, artists’ fonds, and research interviews, I establish chronologies and describe events. By the close of my study, in the mid-1970s, the movement of art and ideas was eased between Canada and the United States, anticipating the advent of a globalized art world. -
Looking in from the Outside
Looking in fom the Outside SPENCER W. STUART interviews director D.W. Young about the work and future of New York’s antiquarian booksellers. D.W. Young’s much anticipated film The Later on, the infrequent chances I had as a kid to Booksellers premiered at the 2019 New York visit their small shop Hibberd’s (sometimes man- Film Festival and was released to select audi- ning the bargain cart outside), were extremely ences this spring at the time of the annual important to me. So, I had a great personal fond- New York International Antiquarian Book Fair ness for the book world I inherited from them on March 5–8. Closures intended to curb the that added to my interest in pursuing the flm. COVID-19 pandemic prevented widespread screenings, however, including one originally SWS: Who were some of the first booksellers scheduled for March 28 in Vancouver. The you interviewed for the project? How did these film was released as an on-demand offering by introductions lead to others within the trade? Greenwich Entertainment on April 17, 2020. An online screening will take place in Vancouver DWY: Some of our initial interviews were with on June 5. Jim Cummins, Henry Wessels, Bibi Mohamed, Alcuin Society director Spencer W. Stuart Dave Bergman, sisters Judith Lowry, Naomi took time to interview Young prior to the flm’s Hample, and Adina Cohen at Argosy, and general release. Heather O’Donnell and Rebecca Romney at Honey & Wax. We had a bit of an advantage Spencer W. Stuart: What drew you to doing going in with Dan as a producer as he really something generally on the world of antiquarian helped us make key connections out of the gate. -
Heritage Property Research and Evaluation Report
ATTACHMENT NO. 10 HERITAGE PROPERTY RESEARCH AND EVALUATION REPORT WILLIAM ROBINSON BUILDING 832 YONGE STREET, TORONTO Prepared by: Heritage Preservation Services City Planning Division City of Toronto December 2015 1. DESCRIPTION Above: view of the west side of Yonge Street, north of Cumberland Street and showing the property at 832 Yonge near the south end of the block; cover: east elevation of the William Robinson Building (Heritage Preservation Services, 2014) 832 Yonge Street: William Robinson Building ADDRESS 832 Yonge Street (west side between Cumberland Street and Yorkville Avenue) WARD Ward 27 (Toronto Centre-Rosedale) LEGAL DESCRIPTION Concession C, Lot 21 NEIGHBOURHOOD/COMMUNITY Yorkville HISTORICAL NAME William Robinson Building1 CONSTRUCTION DATE 1875 (completed) ORIGINAL OWNER Sleigh Estate ORIGINAL USE Commercial CURRENT USE* Commercial * This does not refer to permitted use(s) as defined by the Zoning By-law ARCHITECT/BUILDER/DESIGNER None identified2 DESIGN/CONSTRUCTION Brick cladding with brick, stone and wood detailing ARCHITECTURAL STYLE See Section 2.iii ADDITIONS/ALTERATIONS See Section 2. iii CRITERIA Design/Physical, Historical/Associative & Contextual HERITAGE STATUS Listed on City of Toronto's Heritage Register RECORDER Heritage Preservation Services: Kathryn Anderson REPORT DATE December 2015 1 The building is named for the original and long-term tenant. Archival records indicate that the property, along with the adjoining site to the south was developed by the trustees of John Sleigh's estate 2 No architect or building is identified at the time of the writing of this report. Building permits do not survive for this period and no reference to the property was found in the Globe's tender calls 2. -
Difficulty in the Origins of the Canadian Avant-Garde Film
CODES OF THE NORTH: DIFFICULTY IN THE ORIGINS OF THE CANADIAN AVANT-GARDE FILM by Stephen Broomer Master of Arts, York University, Toronto, Canada, 2008 Bachelor of Fine Arts, York University, Toronto, Canada, 2006 A dissertation presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Joint Program in Communication and Culture Toronto, Ontario, Canada, 2015 © Stephen Broomer, 2015 Author’s Declaration I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii Codes of the North: Difficulty in the Origins of the Canadian Avant-Garde Film Stephen Broomer Doctor of Philosophy in Communication and Culture, 2015 Ryerson University and York University Abstract This dissertation chronicles the formation of a Canadian avant-garde cinema and its relation to the tradition of art of purposeful difficulty. It is informed by the writings of George Steiner, who advanced a typology of difficult forms in poetry. The major works of Jack Chambers (The Hart of London), Michael Snow (La Region Centrale), and Joyce Wieland (Reason Over Passion) illustrate the ways in which a poetic vanguard in cinema is anchored in an aesthetic of difficulty. -
Gentle Madness Booklet
C O N F E R E N C E P R O G R A M The Gentle Madness of Book Collecting � ��������������� ��� ���� ������ ��� ������ ���������� ������� ��� ���� ����� ����� ������� ����������� � ������ �� ��� ������� ������� ����� ���������� ���������������������� 2 The Gentle Madness of Book Collecting Conference Materials & Guide October 24, 2003 L. Tom Perry Special Collections 1:00 to 8:00 p.m. Harold B. Lee Library Brigham Young University Provo, Utah http://sc.lib.byu.edu 3 The Gentle Madness of Book Collecting CONTENTS Welcome List of Conference Participants and Advanced Seminar Sign-Up Information Schedule of Events Floor Plans for the Harold B. Lee Library Brief Professional Biographies of Presenters, Speakers and Tour Guides Opening Remarks: Collecting in the 21st Century Conference Materials: Seminar no. 1: Mormon Incunabula: The Infancy of Mormon Publishing Seminar no. 2: Back in the Saddle: Collecting Western Fiction Seminar no. 3: The Top 50 Most Infl uential Books Ever Printed Seminar no. 4: It’s My Press and I’ll Print What I Want to: Collecting Modern Fine Printing Seminar no. 5: Conservation and Preservation: The Art of Preventing Dilapidation Seminar no. 6: Street Literature: Common Reading, Uncommon Times Evaluation Form Notes 4 Gentle Madness of Book Collecting WELCOME 24 October 2003 Dear Gentle Madness participants: My name is Randy Olsen, and I am the University Librarian here at Brigham Young University. I am delighted you have chosen to spend a day with us in our first annual Gentle Madness of Book Collecting conference. We sincerely welcome you to Brigham Young University and particularly welcome your visit to the L. Tom Perry Special Collections Department of the Harold B. -
Joyce Wieland and Michael Snow: Conceptual Landscape Art
Conceptual Landscape Art Johanne sloan Joyce Wieland and Michael Snow Joyce Wieland, 109 Views, 1971, cloth assemblage, York University between 1969 and 1977, both Michael Snow and Joyce vice versa, but rather to suggest that looking at these bodies of Wieland made remarkable works of art using photography, film, work side by side is extremely instructive. In somewhat different and, in Wieland’s case, various unconventional materials to ways, both artists strove to bring the Canadian preoccupation anatomize, explore, and revitalize the legacy of landscape art in with landscape up to date, resituating it in relation to a techno- Canada. Snow began work on La Région Centrale (1970), saying: “I logically expanded visual culture, a shifting sense of nationhood, want to make a gigantic landscape film equal in terms of film to and a destabilized natural world. the great landscape paintings of Cézanne, Poussin, Corot, Monet, Wieland’s and Snow’s idiosyncratic explorations of landscape Matisse and in Canada the Group of Seven.”1 Wieland had by then aesthetics at this time did develop in tandem with international just completed her own “gigantic” cross-country landscape film movements in Land Art and Conceptual Art, while other avant- Reason over Passion (1969), soon to be followed by the multimedia garde filmmakers shared an interest in landscape. The artworks True Patriot Love exhibition at the National Gallery (1971), which under discussion can be profitably compared with multimedia itself included fragments of a script for another feature-length experimental landscape projects from the late 1960s and early film about Canadian landscape (which would eventually get made 1970s by Canada’s N.E. -
The Alcuin Society Awards Prix De La Société Alcuin
The Alcuin Society Awards for Excellence in Book Design in Canada Prix de la Société Alcuin pour l’excellence de la conception graphique du livre au Canada The Alcuin Society Awards for Excellence in Book th Design in Canada (for books published in 2011) 30 Vancouver, BC 2012 30e Prix pour l’excellence de la conception graphique du livre au Canada décernés par la Société Alcuin (pour les livres publiés en 2011) In memory of Basil Stuart-Stubbs, one of the founding members of The Alcuin Society. À la mémoire de Basil Stuart-Stubbs, un des membres fondateurs de la Société Alcuin. 03 Message from the Governor General Message du Gouverneur Général 04 Preface to the 30th competition Préface au 30e concours 06 Reflections on Robert Reid Réflexions sur Robert Reid 08 Judges able des matières able T Jury | 11 Children Livres pour enfants 16 Limited Editions Éditions à tirage limité 22 Pictorial Beaux livres Contents 27 Poetry Poésie 33 Prose Fiction Romans et nouvelles 40 Prose Non-Fiction Études et essais 45 Prose-Fiction Illustrated Études et essais illustrés 50 Reference Ouvrages de référence 54 Judges Comments Observation du jury 62 Exhibition Venues Expositions 65 Acknowledgements Remerciements 67 Colophon 68 Yosef Wosk 69 The Alcuin Society La Société Alcuin Message du Gouverneur Général Message Gouverneur du General Governor Message the from I am delighted to extend greetings to all members of the Alcuin Society on the occasion of the presentation of the 2011 Alcuin Society Awards for Excellence in Book Design in Canada. I believe that the magic of books is made possible thanks to the imagination, daring and skill of passionate artists devoted to their craft, and Canada is without a doubt an incubator of creative genius. -
The National Gallery of Canada: a Hundred Years of Exhibitions: List and Index
Document generated on 09/28/2021 7:08 p.m. RACAR : Revue d'art canadienne Canadian Art Review The National Gallery of Canada: A Hundred Years of Exhibitions List and Index Garry Mainprize Volume 11, Number 1-2, 1984 URI: https://id.erudit.org/iderudit/1074332ar DOI: https://doi.org/10.7202/1074332ar See table of contents Publisher(s) UAAC-AAUC (University Art Association of Canada | Association d'art des universités du Canada) ISSN 0315-9906 (print) 1918-4778 (digital) Explore this journal Cite this article Mainprize, G. (1984). The National Gallery of Canada: A Hundred Years of Exhibitions: List and Index. RACAR : Revue d'art canadienne / Canadian Art Review, 11(1-2), 3–78. https://doi.org/10.7202/1074332ar Tous droits réservés © UAAC-AAUC (University Art Association of Canada | This document is protected by copyright law. Use of the services of Érudit Association d'art des universités du Canada), 1984 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ The National Gallery of Canada: A Hundred Years of Exhibitions — List and Index — GARRY MAINPRIZE Ottawa The National Gallerv of Canada can date its February 1916, the Gallery was forced to vacate foundation to the opening of the first exhibition of the muséum to make room for the parliamentary the Canadian Academy of Arts at the Clarendon legislators. -
Note to Users
NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university. The manuscript was microfilmed as received. This reproduction is the best copy available. UMI Social Discourse in the Media Interpretation of Christiane Pflugfs Do11 Paintings Michelle H. Veitch The Department of Art History Presented in Partial Fulfilment of the Requirements for the Degree of Master of Arts at Concordia University Montreal, Quebec, Canada September 19 9 8 Q Michelle H. Veitch, 1998 National Library Bibliothèque nationale of Canada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395, rue Wellington Ottawa ON KIA ON4 Ottawa ON KIA ON4 Canach Canada Your fik, Votre teference Our I% Notre rréfdrence The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou su.format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othedse de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university.