Reset-Iman! XCLUSIVE What Inspires Iman to Carry On?
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2015 Year in Review
Ar#st Album Record Label !!! As If Warp 11th Dream Day Beet Atlan5c The 4onthefloor All In Self-Released 7 Seconds New Wind BYO A Place To Bury StranGers Transfixia5on Dead Oceans A.F.I. A Fire Inside EP Adeline A.F.I. A.F.I. Nitro A.F.I. Sing The Sorrow Dreamworks The Acid Liminal Infec5ous Music ACTN My Flesh is Weakness/So God Damn Cold Self-Released Tarmac Adam In Place Onesize Records Ryan Adams 1989 Pax AM Adler & Hearne Second Nature SprinG Hollow Aesop Rock & Homeboy Sandman Lice Stones Throw AL 35510 Presence In Absence BC Alabama Shakes Sound & Colour ATO Alberta Cross Alberta Cross Dine Alone Alex G Beach Music Domino Recording Jim Alfredson's Dirty FinGers A Tribute to Big John Pa^on Big O Algiers Algiers Matador Alison Wonderland Run Astralwerks All Them Witches DyinG Surfer Meets His Maker New West All We Are Self Titled Domino Jackie Allen My Favorite Color Hans Strum Music AM & Shawn Lee Celes5al Electric ESL Music The AmazinG Picture You Par5san American Scarecrows Yesteryear Self Released American Wrestlers American Wrestlers Fat Possum Ancient River Keeper of the Dawn Self-Released Edward David Anderson The Loxley Sessions The Roayl Potato Family Animal Hours Do Over Self-Released Animal Magne5sm Black River Rainbow Self Released Aphex Twin Computer Controlled Acous5c Instruments Part 2 Warp The Aquadolls Stoked On You BurGer Aqueduct Wild KniGhts Wichita RecordinGs Aquilo CallinG Me B3SCI Arca Mutant Mute Architecture In Helsinki Now And 4EVA Casual Workout The Arcs Yours, Dreamily Nonesuch Arise Roots Love & War Self-Released Astrobeard S/T Self-Relesed Atlas Genius Inanimate Objects Warner Bros. -
Unit 10 Dreams
English One Unit 10 Dreams Objectives After you have studied this unit you should will be able to • participate in conversations and discussions. • understand and narrate problems. • take and give interviews. • Write paragraphs and dialogues Overview Lesson 1: I have a dream Lesson 2: What I dream to be Lesson 3: They had dreams 1 Lesson 4: They had dreams 2 Answer Key Unit-10 Page # 123 SSC Programme Lesson 1: I have a dream Hi, I am Maitri Mutsuddi. My father Hello! I am Mofakkhar Hasan. I live is a freedom fighter and my mother is in a slum with my parents and sisters. a teacher. They both dream for a I know how cruel poverty can be! I golden Bangladesh and inspire me to feel very sorry to the poor people do something significant, something suffering in my slum. After I have positive for the country. Often I think finished my education, I will be a what to do to fulfil their expectations social worker to fight against the in future. Finally I have decided to be social injustice and poverty. ‘Change a politician and work for my is the word I believe in to make motherland. How is it? Bangladesh a golden Bengal.’ I am Amitabh Kar, when I say to my My name is Ruth Antara Chowdhury. friends that I would like to be a space I believe that society cannot be traveler, they laugh. But I really want enlightened without to be that. If people from other education.Education lights the candle countries can win the moon, and roam in people’s heart. -
Jibon Thekey Neya (Glimpses of Life, 1970): the First Political Film in Pre-Liberation Bangladesh and a Cinematic Metaphor for Nationalist Concerns
Journal of the Asiatic Society of Bangladesh (Hum.), Vol. 59(2), 2014, pp. 291-303 JIBON THEKEY NEYA (GLIMPSES OF LIFE, 1970): THE FIRST POLITICAL FILM IN PRE-LIBERATION BANGLADESH AND A CINEMATIC METAPHOR FOR NATIONALIST CONCERNS * Fahmida Akhter Abstract The year 1970 was significant for Bangladeshi cinema. It was the time when the collective aspirations to construct a new national and cultural identity appeared on Bangladeshi screens, in tandem with the contemporary political situation. Just a few years earlier, in 1966, a new wave of a militant movement had swept over Pakistan when Sheikh Mujibur Rahman announced the Six Point programme. The Six Point, which was widely referred to as the Magna Carta of the Bengalis, drew strength from secular consciousness of the Bengali people and from the economic deprivation of East Pakistan. Slowly it cemented the struggle for a new nation. Jibon Thekey Neya (Glimpses of life, 1970), a film by Zahir Raihan, captures the crucial moment of Pakistani repression by presenting the national experiences and exploitation of Bengalis under the military dictatorship of Ayub Khan. This paper explores how the film, within a family melodrama, introduced a new cinematic style by transforming personal stories into collective and symbolic narratives. The paper argues that by presenting contemporary facts and the identifiable shared narrative of Bengalis through a metaphoric form of fiction, Jibon Thekey Neya can be seen as the first instance of ‘national cinema’ in Bangladesh, even before its emergence as an independent state. The author also looks at how gender difference is constructed, interpreted and entangled with the concept of nation in the crisis moment of history. -
Global Recorded Music Industry Revenues 2001-2020
GLOBAL MUSIC REPORT 2021 IFPI GLOBAL MUSIC REPORT 2021 3 CONTENTS STATE OF THE INDUSTRY Global Music Market 2020 in Numbers 04 Introduction 05 Global Charts 06 Global Market Overview 2020 10 Our mission to put creators Our continuing commitment The universe of opportunities 2020 Figures by Format 12 first has been more important is to harness our collective for artists and labels is than ever in the past year. talents and resources to diverse, vast, and fast Hits can now come from shape culture through the expanding. There’s strong 2020 Figures by Region 14 anywhere and artists are power of music and the growth in both subscription empowered by future-focused artistry and creativity at its and ad-supported streaming, Record Companies, Driving Global Opportunities for Music 16 insights, tools and resources core. When, in collaboration with plenty of runway to reach global audiences. with our artists, we come around the globe. At the Breaking down barriers and together as a company and same time, the pandemic Partnering with Artists, Delivering for Fans 24 borders of language, culture as a community, what we can has accelerated consumer Case Study: Chen Li Nong 28 and genre around the world, achieve is truly remarkable. adoption in areas like gaming, Case Study: Travis Scott music has made an incredible That mission is especially live streaming, social media 30 impact over the last year, important now, as the world and in-home fitness. Music Case Study: Dua Lipa 32 bringing communities has never needed music more. is a fundamental driving SIR LUCIAN GRAINGE together to tackle the Chairman & Chief Executive force in the success of these Officer, Universal Music Group Beyond the Music 34 challenges facing all of us. -
Feminism in Bangladesh: 1971-2000 Voices from Women's Movement
Feminism in Bangladesh: 1971-2000 Voices from Women’s Movement ---------------------------------------------------------------------------------------------------------------- Thesis To obtain the degree of PhD from University of Dhaka Supervisor Dr. Najma Chowdhury Emeritus Professor, Founding Chair, Department of Women and Gender Studies University of Dhaka Co Supervisor Dr. Firdous Azim Professor, Chairperson of the Department of English and Humanities BRAC University, Dhaka Submitted by Ayesha Banu Associate Professor Department of Women and Gender Studies University of Dhaka Registration No and Session: 215 (2012-13) (re) Affiliated Hall: Bangladesh-Kuwait Maitri Hall, University of Dhaka Date of Submission PhD Committee Convenor Dr. Meghna Guhathakurta, Director, Research Initiative, Bangladesh (RIB), Dhaka. Members Dr. Najma Chowdhury, Supervisor, Emeritus Professor, Department of Women and Gender Studies, University of Dhaka, Dhaka. External Member: Dr. Maitrayee Chaudhuri, Professor, Jawaharlal Nehru University (JNU), New Delhi. ---------------------------------------------------------------------------------------------------------------- The PhD Programme was supported by the project entitled ―Institutionalising the Department of Women‘s Studies‖, funded by the Royal Netherlands Embassy and managed by the Department of Women and Gender Studies, University of Dhaka and Institute of Development Studies (ISS), The Hague. II Table of Content List of Figures ...................................................................................................................... -
Certifications Export 2020 Certifications Albums - Nouveautés (11)
Certifications export 2020 Certifications Albums - Nouveautés (11) DA TE DE TOTAL EQUIVALENTS A RTISTE TITRE LABEL DISTRIBUTEUR CERTIFICATION 2020 SORTIE VENTES HORS FRA NCE Gregory Porter All rise 17/04/20 Decca Recdrds France (UMF) - Gregory Porter Universal Music France 101 155 Platine Niska M r Sal 08/11/19 Capitol Music France (UMF) - Talent FactOry Ltd Universal Music France 77 236 Or M aster KG Jerusalema 10/07/20 Elektra France (W M F) - Open M ic Warner Music France 72 831 Or Caravan Palace Chronologic 30/08/19 Lone Diggers Le Plan / M vka / W agram / Idol / Rambling / Redeye 72 794 Or Dadju Poison ou Antidote 15/11/19 Polydor France (UMF) - Amaterasu Prod Universal M usic France 70 233 Or Soolking Vintage 20/03/20 Capitol Music France (UMF) - Affranchis Music / Hyper Focal Universal Music France 62 098 Or Nekfeu Les étoiles vagabondes 06/06/19 Polydor France (UM F) - Seine Zoo Universal Music France 56 757 Or Vitaa & Slimane Versus 23/08/19 Capitol Music France (UMF) Universal Music France 56 737 Or M aes Les derniers salopards 17/01/20 Capitol Music France (UMF) - LDS Production Universal Music France 54 380 Or J.J. Cale Stay Around 27/04/19 Because Music - J.J. Cale Caroline International 53 766 Or M etronomy M etronomy Forever 13/09/19 Because Music Caroline International 51 972 Or Certifications Albums - Back catalogue** (9) DA TE DE TOTAL EQUIVALENTS A RTISTE TITRE MASTER OWNER DISTRIBUTEUR CERTIFICATION 2020 SORTIE VENTES HORS FRANCE Aya Nakamura Nakamura* 02/11/18 Rec. 118 (W M F) Warner Music France 510 103 Diamant Christine -
IN the SUPREME COURT of BANGLADESH Hasan Foez
IN THE SUPREME COURT OF BANGLADESH APPELLATE DIVISION PRESENT: Mr. Justice Surendra Kumar Sinha, Chief Justice Mrs. Justice Nazmun Ara Sultana Mr. Justice Syed Mahmud Hossain Mr. Justice Hasan Foez Siddique CRIMINAL APPEAL NO.103 OF 2013. (From the judgment and order dated 17.07.2013 passed by the International Crimes Tribunal-2 ( ICT-2) in ICT-BD Case No.04 of 2012.) Ali Ahsan Muhammad Mujahid: Appellant. =Versus= The Chief Prosecutor, International Respondent. Crimes Tribunal, Dhaka, Bangladesh: For the Appellant: Mr. Khondker Mahbub Hossain, Senior Advocate with Mr. S.M. Shahjahan, Advocate, instructed by Mr. Zainul Abedin, Advocate- on-Record. For the Respondent: Mr. Mahbubey Alam, Attorney General(with Mr. Murad Reza, Additional Attorney General, Mr. Momtazuddin Fakir, Additional Attorney General, Mr. Biswajit Debnath, D.A.G., Mr. Ekramul Hoque, D.A.G., Mr. Masud Hasan Chowdhury, D.A.G., Mr. Khondaker Diliruzzaman, D.A.G., and Mr. Bashir Ahmed, A.A.G., instructed by Syed Mahbubar Rahman, Advocate-on-Record. Date of hearing : 29.04.2015, 04.05.2015, 05.05.2015, 06.05.2015, 17.05.2015, 24.05.2015, 23.05.2015 and 26.05.2015. Judgment on: 16-06-2015 JUDGMENT Hasan Foez Siddique, J: This statutory appeal, by convict Ali Ahsan Muhammad Mujahid (the appellant), has been filed under section 21 of the International Crimes (Tribunal) Act, 1973 2 (in short, ICT Act) against the judgment and order dated the 17th day of July, 2013 by the International Crimes Tribunal-2 (ICT-2) in ICT- BD Case No.04 of 2012 (The Chief Prosecutor v. -
ROMÉO ELVIS Lettelier
LIFESTYLE 62 URBAIN FÉV/MARS LUXEMBOURGEOIS .2020 « LE RAP DEVIENT CE QUE LE ROCK A ÉTÉ À UNE ÉPOQUE » ·ROMÉO ELVIS Lettelier Chaild . Troost Klara Anne-Laure . Naomi Gunther Moontan . K-turix . Oiseau Jackie . Duarte 41 Florent Elvis SUM ACTION FESTIVAL DU MEUBLE OUVERTURES LES DIMANCHES 8 ET 15 MARS DE 14H À 18H Avec Camber, vous allez adorer ranger ! Découvrez notre action Festival du Meuble* et mettez votre projet entre de bonnes mains. Depuis 25 ans, l’équipe Camber vous conseille, vous inspire et vous accompagne dans le choix et la réalisation de vos rangements sur mesure. *Voir conditions en showrooms PLACARDS SUR MESURE - DRESSINGS - BIBLIOTHÈQUES - MEUBLES TV - ET PLUS ENCORE... camber.lu Route d’Arlon 184, 8010 Strassen - Luxembourg - (+352) 27.84.84.80 WEBSITE JOIN US ! Edito WWW.BOLDMAGAZINE.LU e rap est-il vraiment en train de devenir ce que le rock était à une époque ? C’est en tout cas ce que pense Roméo Elvis, pour qui ce mouvement n'est définitivement plus une « sous-culture ». Partant de ce postulat, chez Bold, nous prenons autant de plaisir à traîner du côté du Grand Théâtre pour un opéra en quatre actes qu'à balancer un bon vieux pogo à un concert de hip-hop à la Rockhal. Très attachés au fait de diversifier au maximum les univers artistiques que nous présentons dans chaque édition, nous considérons que la richesse créative n'a pas de frontières. Apparu que dans les 90s, le rap francophone est parvenu avec le temps à se faire une place dans le cœur du public malgré la quasi-indifférence des médias qui n’y voyaient alors qu’une vulgaire mode. -
Tamirul Millat Kamil Madrasah
Tamirul Millat Kamil Madrasah Assignment-1 Class: Nine Subject: English 1ST Paper Part-A: Reading Comprehension Read the passage carefully and answer the questions following it. Zahir Raihan was one of the most talented film makers in Bangladesh. He was born on 19 August 1935 in the village Majupur, in Feni district. He was an active worker of the Language Movement. He was one of the ten students to go out in a procession on 21 February 1952 despite a ban on such activities. As a result, he and many others were arrested and taken to prison. Zahir was also present at the historical meeting of Amtala on February 21, 1952. He also took part in the mass movement in 1969. In 1971, he joined the Liberation War. All through his life, Zahir dreamt for a democratic society, a society that will ensure freedom of speech and will. He had many dreams about our film industry too. He made a legendary film Jibon Theke Neya based on the Language Movement of 1952. It was a revolt against the then autocratic government. The family presented in that film was a miniature East Pakistan ruled by an autocrat who had to go to the prison for her conspiracy. During the liberation war this film was shown outside Bangladesh. Critics like Satyajit Ray, Mrinal Sen, and Ritwik Ghatak appreciated this film. Zahir gave all his money to the Freedom Fighters’ trust that he got from his film shows. Besides, his great documentary on Pakistani atrocities, Stop Genocide, helped create world sentiment in favour of our liberation war. -
STORNOWAY Farewell
[email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 260 March Oxford’s Music Magazine 2017 “I can’t imagine there are many better cities to be in a band. Our fans have remained unbelievably loyal. We are extremely proud to be an Oxford band.” farewell STORNOWAY Their final show Their final interview Also in this issue: Introducing THE GREAT WESTERN TEARS TRUCK, COMMON PEOPLE, CORNBURY line-ups announced plus All your Oxford music news and reviews, and six pages of local gigs for March NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshiftmag.co.uk PMT launches its new superstore this month with special guests and live sets from local acts. Gaz Coombes and Radiohead’s Colin Greenwood will cut the SEAN PAUL AND PETE TONG’S HERITAGE ORCHESTRA ribbon on the new store, at the new will headline this year’s Common People. site further along Cowley Road, on Jamaican dancehall star Paul tops the Saturday night bill at the Saturday 4th March. The shop will 30,000-capacity event in South Park on the 27th May, while Radio 1 DJ THE JACKSONS will play a show be three times the size of its existing Tong joins forces with The Heritage Orchestra (pictured) and conductor at Blenheim Palace this summer. store, which has been a staple of the Jules Buckley for an orchestral set of Ibiza dance classics on Sunday 28th. In celebration of their 50th east Oxford music scene for 20 years, After last year’s successful inaugural event, headlined by Duran Duran and anniversary, the legendary Motown featuring expanded guitar, drum, Primal Scream, Common People makes a return to the heart of Oxford. -
Loire-Atlantique
#79 - Nov./Déc. 2020 Loire-Atlantique lemonmag.com 1 www.lemonmag.com Edito A l'heure où certaines grandes villes de France ont décidé unilatéralement de supprimer ce qui symbolise depuis des lustres la tradition des Fêtes de fin d'année, le célèbre Sapin de Noel, alors qu'il y a tellement de mesures simples et concrètes pour sauver la planète, Lemon Mag se range derrière ceux et celles qui par leur audace et leur courage, nous proposent de belles perspectives artistiques et culturelles. Certes, tout n'est pas rose et la sinistrose s'installe sournoisement depuis la rentrée, mais l'heure est plus que jamais au soutien envers ces structures nantaises qui se démènent pour vous accueillir dans les meilleures conditions sanitaires possibles et ainsi maintenir leurs programmations ! Nous citerons parmi tant d'autres ces "petits" théâtres privés, qui depuis de nombreuses années, ont à coeur de vous divertir, vous faire réfléchir aussi ! Nos encouragements s'adressent en particulier aux 7 théâtres nantais (Théâtres Nantais Associés) qui regroupent depuis plusieurs mois les entités suivantes : Théâtre 100 Noms, Théâtre de Jeanne, Théâtre de Poche Graslin, Théâtre de la rue de Belleville, Théâtre du Cyclope, Théâtre de la Ruche et le Théâtre Beaulieu ! Bravo à toutes et à tous pour cette initiative généreuse et collective, qui s'inscrit dans l'idée de faire découvrir toujours plus de pièces de théâtre et de one man show, de promouvoir aussi les nouvelles générations de comédiens, et créer une dynamique locale à travers ces transversalités et ces -
2020 Transparency Report
2020 transparency report SOCIÉTÉ CIVILE DES PRODUCTEURS PHONOGRAPHIQUES [PHONOGRAPHIC PRODUCERS SOCIETY] SCPP – Société Civile des Producteurs Phonographiques [Phonographic Producers Society] General Shareholders' Meeting of 24 June 2021 2020 activity report I. p.6-17 1 / Collections p.11 2 / Distributions p.12 3 / Grants p.12 4 / Grants in the event of non-compliance by distributors and special financial aid p.14 5 / Combating piracy p.14 6 / Communication and institutional relations p.14 7 / Current period p.15 Conclusion 2020 financial report II. p.18-65 1 / Collecting and distributing p.22 2 / Account cut-off p.28 3 / Annual financial statements 2020 p.38 5 4 contents Miscellaneous information III. p.66-71 1 / Number of refusals to grant an operating license p.69 2 / Description of the legal structure and of the governance of the SCPP p.69 3 / List of the entities that the SCPP controls in terms of article l.233-16 of the French Commercial Code p.69 4 / Total amount of remunerations paid to people mentioned in the first paragraph of article l.323-13 of the INTELLECTUAL PROPERTY CODE p.69 5 / Uses of the deducted amounts for the purposes of social, cultural or educational services p.70 6 / Report of the CMO audit committee p.70 Appendices IV. p.72-123 Appendix 1 Organisational chart p.75 Appendix 2 Members of the committee and of the board p.77 Appendix 3 Supervisory Board p.79 Appendix 4 Grants approved by the SCPP in 2020 p.81 Appendix 5 Activity report of the Anti-piracy Uni p.117 Appendix 6 Activity report of the communications department p.121 2020 I.