DOCSLIB.ORG

CONTENTS STATE of the INDUSTRY Global Music Market 2020 in Numbers 04

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CONTENTS STATE of the INDUSTRY Global Music Market 2020 in Numbers 04 GLOBAL MUSIC REPORT 2021 IFPI GLOBAL MUSIC REPORT 2021 3 CONTENTS STATE OF THE INDUSTRY Global Music Market 2020 in Numbers 04 Introduction 05 Global Charts 06 Global Market Overview 2020 10 Our mission to put creators Our continuing commitment The universe of opportunities 2020 Figures by Format 12 first has been more important is to harness our collective for artists and labels is than ever in the past year. talents and resources to diverse, vast, and fast Hits can now come from shape culture through the expanding. There’s strong 2020 Figures by Region 14 anywhere and artists are power of music and the growth in both subscription empowered by future-focused artistry and creativity at its and ad-supported streaming, Record Companies, Driving Global Opportunities for Music 16 insights, tools and resources core. When, in collaboration with plenty of runway to reach global audiences. with our artists, we come around the globe. At the Breaking down barriers and together as a company and same time, the pandemic Partnering with Artists, Delivering for Fans 24 borders of language, culture as a community, what we can has accelerated consumer Case Study: Chen Li Nong 28 and genre around the world, achieve is truly remarkable. adoption in areas like gaming, Case Study: Travis Scott music has made an incredible That mission is especially live streaming, social media 30 impact over the last year, important now, as the world and in-home fitness. Music Case Study: Dua Lipa 32 bringing communities has never needed music more. is a fundamental driving SIR LUCIAN GRAINGE together to tackle the Chairman & Chief Executive force in the success of these Officer, Universal Music Group Beyond the Music 34 challenges facing all of us. platforms, and we’re at the ROB STRINGER Chairman, Sony Music Group forefront of inventing exciting new creative and commercial Creating a Fair Environment to Enable Music to Thrive 40 possibilities. STEVE COOPER CEO, Warner Music Group © IFPI 2021 ALL DATA, COPY AND IMAGES ARE SUBJECT TO COPYRIGHT AND MAY NOT BE REPRODUCED, TRANSMITTED OR MADE AVAILABLE WITHOUT PERMISSION WWW.IFPI.ORG FROM IFPI. USE OF THIS REPORT, IFPI GLOBAL MUSIC REPORT (2021 @IFPI_ORG EDITION) IS GOVERNED BY TERMS OF USE (GMR.IFPI.ORG/TERM-OF-USE) DESIGNED BY DATA DESIGN AND CONTENT USAGE RULES (GMR.IFPI.ORG/CONTENT-USAGE). 4 IFPI GLOBAL MUSIC REPORT 2021 IFPI GLOBAL MUSIC REPORT 2021 5 GLOBAL MUSIC MARKET INTRODUCTION 2020 IN NUMBERS THE ENDURING POWER OF MUSIC As the world contends with the and fan into one of creator and co-creator. These innovations COVID-19 pandemic, we have once will continue to add to the rich and diverse ways we can bring music into our lives. again been reminded of the enduring power of music. IFPI continues to campaign for a better legal environment for +7.4% -4.7% our member record companies to conduct business in around the GLOBAL REVENUE GROWTH PHYSICAL REVENUE DECLINE any in the music community have been deeply impacted. world. Our work often involves fighting for and defending the Live music has been put on hold and restrictions have been rights of those that make music possible. A long-term campaign put in place. For our part, record labels worked to ensure in China bore fruit last year when the Government established M artists were provided with the resources and support full performance rights. For the first time, revenue for right to create and record their music. In a time of such uncertainty, holders will be generated for the use of recordings in public it has been wonderful to have new music – some planned, performances and broadcasts, enabling further re-investment some completely unexpected – experienced and enjoyed into the music community in the country. I believe it will serve as around the world. a key example of how putting the right laws in place can shape a bright future for music. The music industry is accustomed to constant change. Fortunately, through the years the groundwork that has been The music community has also been working to examine its +18.5% -10.1% broader contribution to society and its response to social GROWTH IN PAID STREAMING PERFORMANCE RIGHTS laid by record companies to invest in music and license it to an REVENUES REVENUE DECLINE expanding and diverse range of digital services has proved its justice movements around the world. These challenges will not worth, with digital revenue continuing to drive growth in the be solved overnight, but record companies are committed to industry. The work started by record companies years ago has doing the work to develop their own environment and to make made possible the positive developments we are experiencing a meaningful, lasting contribution to the world we want to live in. in the recorded music industry today. These are not easy times, but the music community – with its We are seeing this growth happen around the world, as record creativity, innovation and determination – continues to drive companies continue to expand their geographical footprint and forward, to an even greater future. A future where the power of cultural reach to bring music to everyone, wherever they want to music brings us all closer together. listen to it. They have opened new offices, provided employment, 62.1% and signed new artists, proving the industry to be more globally STREAMING SHARE OF connected today than at any stage in its evolution. GLOBAL REVENUES The sector has continued to innovate and create exciting new ways to bring music to fans, connecting us with our favourite artists and introducing us to new ones. Fans can share in cutting- edge, immersive digital experiences, coming together for truly global events. Record labels are creating further opportunities for music to be part of our entertainment experience with short FRANCES MOORE form video apps, helping to develop the relationship of the artist CHIEF EXECUTIVE, IFPI Julie Bergan photo by Paul Edwards 6 IFPI GLOBAL MUSIC REPORT 2021 IFPI GLOBAL MUSIC REPORT 2021 7 02 03 04 TAYLOR DRAKE THE WEEKND SWIFT 05 06 07 Most popular artists and best sellers of 2020 IFPI TOP 10 GLOBAL RECORDING ARTISTS OF 2020 BILLIE EMINEM POST EILISH MALONE 08 09 10 01 BTS ARIANA JUICE JUSTIN GRANDE WRLD BIEBER 8 IFPI GLOBAL MUSIC REPORT 2021 IFPI GLOBAL MUSIC REPORT 2021 9 GLOBAL TOP 10 DIGITAL GLOBAL TOP 10 ALBUM GLOBAL TOP 10 ALBUM SINGLE CHART 2020 ALL-FORMAT CHART 2020 SALES CHART 2020 ARTIST & GLOBAL ARTIST & ARTIST & GLOBAL TRACK NAME CONVERTED SSE ALBUM NAME ALBUM NAME UNITS The Weeknd BTS BTS Blinding Lights 2.72BN MAP OF THE SOUL : 7 MAP OF THE SOUL: 7 4.80M 01 01 01 Tones and I The Weeknd BTS Dance Monkey 2.34BN After Hours BE (Deluxe Edition) 2.69M 02 02 02 BILLIE EILISH Roddy Ricch WHEN WE ALL FALL ASLEEP, Kenshi Yonezu The Box 1.67BN WHERE DO WE GO? STRAY SHEEP 2.54M 03 03 03 SAINtJHN BTS Taylor Swift Roses 1.64BN BE (Deluxe Edition) folklore 1.99M 04 04 04 Dua Lipa Harry Styles BLACKPINK Don’t Start Now 1.62BN Fine Line THE ALBUM 1.51M 05 05 05 Future (feat. Drake) Post Malone AC/DC Life Is Good 1.57BN Hollywood’s Bleeding POWER UP 1.37M 06 06 06 Xiao Zhan Kenshi Yonezu Justin Bieber Made To Love 1.48BN STRAY SHEEP Changes 1.22M 07 07 07 DaBaby BTS (feat. Roddy Ricch) Justin Bieber MAP OF THE SOUL : 7 ROCKSTAR 1.45BN Changes ~ THE JOURNEY ~ 1.17M 08 08 08 Billie Eilish Taylor Swift ARASHI bad guy 1.36BN folklore This is Arashi 1.01M 09 09 09 BTS Dua Lipa King Gnu Dynamite 1.28BN Future Nostalgia CEREMONY 0.99M 10 10 10 (SOURCE: IFPI) (SOURCE: IFPI) (SOURCE: IFPI) The Weeknd photo by Nabil Elderkin 10 IFPI GLOBAL MUSIC REPORT 2021 IFPI GLOBAL MUSIC REPORT 2021 11 GLOBAL 25 RECORDED MUSIC INDUSTRY REVENUES 2001-2020 (US$ BILLIONS) A RESILIENT INDUSTRY 25 0.6 0.4 0.6 0.7 CONTINUES TO GROW 0.5 0.4 20 0.7 0.8 0.9 2.3 0.4 0.9 0.5 0.0 1.0 0.5 1.0 2.5 2.3 20 0.8 0.9 0.1 1.2 0.4 0.9 1.2 0.4 2.01.0 2.60.5 0.0 1.0 2.5 0.1 0.1 1.2 0.4 1.5 1.2 2.0 1.2 2.30.4 15 2.7 1.3 0.3 0.3 0.3 2.6 0.3 0.4 1.7 0.1 0.2 3.41.2 0.3 2.20.4 1.5 1.4 1.4 1.5 2.3 15 2.7 1.3 0.3 0.3 0.3 1.7 1.9 0.3 0.4 2.6 1.7 0.2 3.4 3.7 1.80.3 2.2 0.3 1.4 1.4 23.0 1.5 1.7 1.9 3.2 3.9 4.2 1.8 2.6 13.4 21.3 0.43.7 4.4 4.3 3.7 10 19.7 0.3 4.0 3.2 11.2 23.0 19.1 3.9 17.9 0.4 4.2 9.2 13.4 21.3 0.4 0.6 4.4 4.3 3.7 6.5 10 19.7 16.2 1.0 4.0 11.2 19.1 1.4 4.6 17.9 0.4 9.2 14.0 0.6 1.9 2.8 6.5 16.2 1.0 11.9 1.4 4.6 5 14.0 10.3 1.9 2.8 8.9 11.9 8.2 7.6 5 10.3 6.7 8.9 6.0 5.7 5.5 5.2 8.2 7.6 4.7 4.4 4.2 6.7 6.0 5.7 5.5 5.2 4.7 0 4.4 4.2 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 20192018 2020 0 200123.6 200222.1 200320.5 20.42004 200519.9 200619.3 200718.1 200816.8 200915.7 2010 14.9 2011 14.7 2012 14.8 2013 14.5 2014 14.0 2015 14.5 2016 15.8 2017 17.0 18.7 20192018 20.2 21.62020 23.6 22.1 20.5 20.4 19.9 19.3 18.1 16.8 15.7 14.9 14.7 14.8 14.5 14.0 14.5 15.8 17.0 18.7 20.2 21.6 T P T S O P R S T P T S O P R S n 2020, the global recorded music market grew by 7.4%.
Load more

Recommended publications
  • Riaa 2018 Year-End Latin Music Revenue Report Latin Music Is Experiencing a Renaissance
    RIAA 2018 YEAR-END LATIN MUSIC REVENUE REPORT LATIN MUSIC IS EXPERIENCING A RENAISSANCE. STREAMING HAS BROKEN DOWN GEOGRAPHIC AND GENRE BARRIERS, RESULTING IN LATIN MUSIC REACHING NEW AUDIENCES AT THE TOUCH OF A FINGER. The story behind this recovery starts with great music: J Balvin, Daddy Yankee, Karol G, Ozuna, Rosalia, Luis Miguel, Bad Bunny, Sofia Reyes, and so many other talented artists who released music in 2018 helped fuel the second year of double-digit growth in the U.S. Latin music market. Any conversation about the Latin music market starts with one word: streaming. Latin music’s transformation from a physical-based business to a streaming- driven one is even faster than the overall U.S. music market’s turnaround. Revenues from streaming now comprise 93% of the total Latin market, with paid subscription services fueling most of the growth. But there are inherent challenges for any market where fans have a heavier reliance on free, ad-supported services – an area that has not yet reached its full potential due to the efforts by some platforms to drive down the value of music. Overall, the Latin music market is showing signs of strength again, and we are excited for the next chapter of this comeback story. -Michele Ballantyne, COO, RIAA FIGURE 1 FIGURE The U.S. Latin music business grew 18% the overall U.S. music market. Latin music in 2018 to $413 million. Streaming formats accounted for 4.2% of the total $9.8 billion made up a remarkable 93% of total Latin U.S. music business, a slight increase music revenues, compared with 75% for versus 4.0% in 2017.
    [Show full text]
  • Katie Goldberg
    K A T I E G O L D B E R G E X P E R I E N C E TICKETING MANAGER FOR GLOBAL TOURING AEG PRESENTS | JAN 2019 - PRESENT Act as liaison between promoter, artist team, and theater/arena box office staff; communicating on-sale timelines, pricing, scaling, and all necessary tour holds, and validating that each show of 50+ date tours are set up correctly based on all guidelines Monitor ticket holds, track sales, and project future sales for all dates of various theater and arena tours in the United States and Canada, including Maggie Rogers, C O N T A C T Morrissey, Nick Cave & The Bad Seeds, and JoJo Siwa (410) 227-0296 Coordinate with all internal and external tour partners for all operational ticketing aspects including fan club [email protected] and VIP packages, presale offers, Platinum, and internal HTTPS://WWW.LINKEDIN.COM/IN/KATIE- sales and guest lists. GOLDBERG/ TICKETING ASSISTANT THE BOWERY PRESENTS | JUN 2018 - JAN 2019 Manage ticketing for Rough Trade NYC and Music Hall of S K I L L S Williamsburg, including building events, coordinating Microsoft Office Suite with booking, marketing, and venue contacts, creating AXS, Ticketmaster, and and processing all holds and buys, and communicating Paciolan ticketing systems guest lists with general managers and record label or Customer service artist management contacts Time management Compile and distribute ticket counts reports for all venues in The Bowery Presents North East division MARKETING AND MANAGEMENT INTERN CRUSH MUSIC | JAN 2018 - MAY 2018 E D U C A T I O N Manage SubmitHub submissions (earning over $1,000 in BACHELOR OF SCIENCE, MAJOR one month) IN BUSINESS ADMINISTRATION, Compile social media statistics on monthly basis for 17 MINOR IN COMMUNICATIONS artists and bands DELAWARE VALLEY UNIVERSITY Compile press reports on new releases by artists, 2012 - 2016 compile reports for artist managers, proof ad-mats and GPA: 3.9 other marketing tools, observe social media for marketing team during new releases.
    [Show full text]
  • Simple Life Thursdays Buck15
    WWW.WIREWEEKLY.COM DISTRIBUTED EVERY THURSDAY IN MIAMI, THE BEACHES, AND FORT LAUDERDALE • THE LONGEST-RUNNING WEEKLY ON SOUTH BEACH LIKE US ON FACEBOOK VISIT WWW.FACEBOOK.COM/WIREMAGAZINE ISSUE #34 | 08/25/11 2 | wire magazine | follow wire on facebook & twitter: visit www.wireweekly.com & click on the icons FOR KINGS & QUEENS IT’S VODKA. FROM NEW ZEALAND. 42BELOW.COM ENJOY RESPONSIBLY. NEW ZEALANDERS AGREE: DRINK RESPONSIBLY. ©2010 42 BELOW AND THE 42 BOTTLE DESIGN ARE TRADEMARKS AND/OR REGISTERED TRADEMARKS. 42 BELOW IMPORTING COMPANY, CORAL GABLES, FL. VODKA – 40% ALC. BY VOL. -- 100% NEUTRAL SPIRITS DISTILLED FROM GRAIN. FLAVORED VODKAS - EACH 40% ALC. BY VOL. 34B_WIRED_King&Queen.indd | wire magazine | follow 1 wire on facebook & twitter: visit www.wireweekly.com & click on the icons 9/09/10 9:37 AM ALL WIRED UP BY THOMAS BARKER ELITE BEAT RELIVED! So I have to admit that one of my guilty town, Edison Farrow, to give Miami a new fabu party place pleasing crowd of yummy men, Jennie filled me in on how pleasures is taking the time to go back every Thursday night. excited she is to be hosting a new weekly gay event at her to my original nightlife columns to read hot little venue. about the crazy life I used to – and to Since the event takes place on a weeknight, everything gets a certain degree – still live in South started a bit early… which gives you plenty of time to get a Six years later, the party was still going strong, but unfortu- Florida. good buzz going and still get some much needed rest for the nately Buck15’s time at the Lincoln Lane space was up, leav- long Friday ahead.
    [Show full text]
  • April 5, 2021
    APRIL 5, 2021 APRIL 5, 2021 Tab le o f Contents 4 #1 Songs THIS week 5 powers 7 action / recurrents 9 hotzone / developiong 10 pro-file 12 video streaming 13 Top 40 callout 14 Hot ac callout 15 future tracks 16 INTELESCOPE 17 intelevision 18 methodology 19 the back page Songs this week #1 BY MMI COMPOSITE CATEGORIES 4.5.21 ai r p lay OLIVIA RODRIGO “drivers license” retenTion THE WEEKND “Save Your Tears” callout OLIVIA RODRIGO “drivers license” audio DRAKE “What’s Next” VIDEO CARDI B “Up” SALES BRUNO MARS/A. PAAK/SILK SONIC “Leave The Door Open” COMPOSITE OLIVIA RODRIGO “drivers license” Your weekly REsource for music research MondayMorningIntel.com CLICK HERE to E-MAIL Monday Morning Intel with your thoughts, suggestions, or ideas. mmi-powers 4.5.21 Weighted Airplay, Retention Scores, Streaming Scores, and Sales Scores this week combined and equally weighted deviser Powers Rankers. TW RK TW RK TW RK TW RK TW RK TW RK TW COMP AIRPLAY RETENTION CALLOUT AUDIO VIDEO SALES RANK ARTIST TITLE LABEL 1 10 2 10 10 8 1 OLIVIA RODRIGO drivers license Geffen/Interscope 7 1 15 12 13 10 2 THE WEEKND Save Your Tears XO/Republic 23 x 21 1 6 2 3 JUSTIN BIEBER Peaches f/Daniel Caesar/Giveon Def Jam 10 2 3 16 23 18 4 24KGOLDN Mood f/Iann Dior RECORDS/Columbia 15 x 35 5 4 3 5 BRUNO MARS/A .PAAK/SILK SONIC Leave The Door Open Aftermath Ent./Atlantic 2 9 8 34 20 13 6 BILLIE EILISH Therefore I Am Darkroom/Interscope 6 6 10 31 25 11 7 TATE MCRAE You Broke Me First RCA 4 7 7 21 17 37 8 ARIANA GRANDE 34+35 Republic 21 16 11 20 15 7 9 SAWEETIE Best Friend f/Doja
    [Show full text]
  • ARTIST INDEX(Continued)
    ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) MAR CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 20 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2021 $NOT HS 18, 19 BENNY BENASSI DA 16 THE CLARK SISTERS GS 14 EST GEE HS 4; H100 34; ODS 14; RBH 17; RS H.E.R. B200 166; RBL 23; ARB 12, 14; H100 50; -L- 13; STM 13 HA 23; RBH 22; RBS 6, 18 THE 1975 RO 40 GEORGE BENSON CJ 3, 4 CLEAN BANDIT DES 16 LABRINTH STX 20 FAITH EVANS ARB 28 HIKARU UTADA DLP 17 21 SAVAGE B200 63; RBA 36; H100 86; RBH DIERKS BENTLEY CS 21, 24; H100
    [Show full text]
  • Shawn Mendes & Camila Cabello
    538 TOP 50 9 AUGUSTUS 2019 538.NL/TOP50 1=7# 1 SHAWN MENDES & CAMILA CABELLO SEÑORITA 2=13# 2 5+6# 3 6+10# 4 ED SHEERAN & JUSTIN ED SHEERAN FEAT. TIËSTO, JONAS BLUE & BIEBER KHALID RITA ORA I DON’T CARE BEAUTIFUL RITUAL PEOPLE 4-14# 5 3-12# 6 8+3# 7 MEDUZA FEAT. KRIS KROSS SNELLE GOODBOYS AMSTERDAM, KRAANTJE PIECE OF YOUR PAPPIE & TABITHA REÜNIE HEART MOMENT 9+10# 8 7-13# 9 13+18# AVICII FEAT. CHRIS MARCO BORSATO, AVICII FEAT. ALOE MARTIN ARMIN VAN BUUREN & BLACC HEAVEN DAVINA MICHELLE SOS HOE HET DANST LEWIS CAPALDI SOMEONE YOU LOVED 12+15# KYGO & WHITNEY HOUSTON HIGHER LOVE 10-7# DJ SNAKE FEAT. J. BALVIN & TYGA LOCO CONTIGO 19+3# R3HAB & A TOUCH OF CLASS ALL AROUND THE WORLD (LA LA LA) 21+6# DIMITRI VEGAS & LIKE MIKE, DAVID GUETTA & DADDY YANKEE INSTAGRAM 11-5# LIL NAS X FEAT. BILLY RAY CYRUS OLD TOWN ROAD 17+18# MABEL DON'T CALL ME UP 16-23# LUIS FONSI, SEBASTIAN YATRA & NICKY JAM DATE LA VUELTA 15-16# BILLIE EILISH / BILLIE EILISH & JUSTIN BIEBER BAD GUY 14-4# ARMIN VAN BUUREN & AVIAN GRAYS FEAT. JORDAN SHAW SOMETHING REAL 40+2# LAUREN DAIGLE YOU SAY 31+8# MARTIN GARRIX FEAT. JRM THESE ARE THE TIMES 27+4# SUZAN & FREEK BLAUWE DAG 23=6# KRIS KROSS AMSTERDAM & NIELSON IK STA JOU BETER 25+3# MABEL MAD LOVE 35+7# POST MALONE FEAT. YOUNG THUG GOODBYES 26=5# DAVINA MICHELLE SKYWARD 20-21# SHAWN MENDES IF I CAN'T HAVE YOU 22-14# SAM SMITH HOW DO YOU SLEEP? 32+3# AVA MAX SO AM I 18-19# DADDY YANKEE FEAT.
    [Show full text]
  • Smart Speakers & Their Impact on Music Consumption
    Everybody’s Talkin’ Smart Speakers & their impact on music consumption A special report by Music Ally for the BPI and the Entertainment Retailers Association Contents 02"Forewords 04"Executive Summary 07"Devices Guide 18"Market Data 22"The Impact on Music 34"What Comes Next? Forewords Geoff Taylor, chief executive of the BPI, and Kim Bayley, chief executive of ERA, on the potential of smart speakers for artists 1 and the music industry Forewords Kim Bayley, CEO! Geoff Taylor, CEO! Entertainment Retailers Association BPI and BRIT Awards Music began with the human voice. It is the instrument which virtually Smart speakers are poised to kickstart the next stage of the music all are born with. So how appropriate that the voice is fast emerging as streaming revolution. With fans consuming more than 100 billion the future of entertainment technology. streams of music in 2017 (audio and video), streaming has overtaken CD to become the dominant format in the music mix. The iTunes Store decoupled music buying from the disc; Spotify decoupled music access from ownership: now voice control frees music Smart speakers will undoubtedly give streaming a further boost, from the keyboard. In the process it promises music fans a more fluid attracting more casual listeners into subscription music services, as and personal relationship with the music they love. It also offers a real music is the killer app for these devices. solution to optimising streaming for the automobile. Playlists curated by streaming services are already an essential Naturally there are challenges too. The music industry has struggled to marketing channel for music, and their influence will only increase as deliver the metadata required in a digital music environment.
    [Show full text]
  • The Future of Copyright and the Artist/Record Label Relationship in the Music Industry
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive A Change is Gonna Come: The Future of Copyright and the Artist/Record Label Relationship in the Music Industry A Thesis Submitted to the College of Graduate Studies And Research in Partial Fulfillment of the Requirements for the Degree Of Masters of Laws in the College of Law University of Saskatchewan Saskatoon By Kurt Dahl © Copyright Kurt Dahl, September 2009. All rights reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Dean of the College of Law University of Saskatchewan 15 Campus Drive Saskatoon, Saskatchewan S7N 5A6 i ABSTRACT The purpose of my research is to examine the music industry from both the perspective of a musician and a lawyer, and draw real conclusions regarding where the music industry is heading in the 21st century.
    [Show full text]
  • Investor Group Including Sony Corporation of America Completes Acquisition of Emi Music Publishing
    June 29, 2012 Sony Corporation INVESTOR GROUP INCLUDING SONY CORPORATION OF AMERICA COMPLETES ACQUISITION OF EMI MUSIC PUBLISHING New York, June 29, 2012 -- Sony Corporation of America, a subsidiary of Sony Corporation, made the announcement noted above. For further detail, please refer to the attached English press release. Upon the closing of this transaction, Sony Corporation of America, in conjunction with the Estate of Michael Jackson, acquired approximately 40 percent of the equity interest in the newly-formed entity that now owns EMI Music Publishing from Citigroup, and paid an aggregate cash consideration of 320 million U.S. dollars. The impact of this acquisition has already been included in Sony’s consolidated results forecast for the fiscal year ending March 31, 2013 that was announced on May 10, 2012. No impact from this acquisition is anticipated on such forecasts. For Immediate Release INVESTOR GROUP INCLUDING SONY CORPORATION OF AMERICA COMPLETES ACQUISITION OF EMI MUSIC PUBLISHING (New York, June 29, 2012) -- An investor group comprised of Sony Corporation of America, the Estate of Michael Jackson, Mubadala Development Company PJSC, Jynwel Capital Limited, the Blackstone Group’s GSO Capital Partners LP and David Geffen today announced the closing of its acquisition of EMI Music Publishing from Citigroup. Sony/ATV Music Publishing, a joint venture between Sony and the Estate of Michael Jackson, will administer EMI Music Publishing on behalf of the investor group. The acquisition brings together two of the leading music publishers, each with comprehensive and diverse catalogs of music copyrights covering all genres, periods and territories around the world. EMI Music Publishing owns over 1.3 million copyrights, including the greatest hits of Motown, classic film and television scores and timeless standards, and Sony/ATV Music Publishing owns more than 750,000 copyrights, featuring the Beatles, contemporary superstars and the Leiber Stoller catalog.
    [Show full text]
  • Following Is a List of All 2019 Festival Jurors and Their Respective Categories
    Following is a list of all 2019 Festival jurors and their respective categories: Feature Film Competition Categories The jurors for the 2019 U.S. Narrative Feature Competition section are: Jonathan Ames – Jonathan Ames is the author of nine books and the creator of two television shows, Bored to Death and Blunt Talk His novella, You Were Never Really Here, was recently adapted as a film, directed by Lynne Ramsay and starring Joaquin Phoenix. Cory Hardrict– Cory Hardrict has an impressive film career spanning over 10 years. He currently stars on the series The Oath for Crackle and will next be seen in the film The Outpostwith Scott Eastwood. He will star and produce the film. Dana Harris – Dana Harris is the editor-in-chief of IndieWire. Jenny Lumet – Jenny Lumet is the author of Rachel Getting Married for which she received the 2008 New York Film Critics Circle Award, 2008 Toronto Film Critics Association Award, and 2008 Washington D.C. Film Critics Association Award and NAACP Image Award. The jurors for the 2019 International Narrative Feature Competition section are: Angela Bassett – Actress (What’s Love Got to Do With It, Black Panther), director (Whitney,American Horror Story), executive producer (9-1-1 and Otherhood). Famke Janssen – Famke Janssen is an award-winning Dutch actress, director, screenwriter, and former fashion model, internationally known for her successful career in both feature films and on television. Baltasar Kormákur – Baltasar Kormákur is an Icelandic director and producer. His 2012 filmThe Deep was selected as the Icelandic entry for the Best Foreign Language Oscar at the 85th Academy Awards.
    [Show full text]
  • Reset-Iman! XCLUSIVE What Inspires Iman to Carry On?
    ASIA whatson.guide Issue 362 New Year 2021 Little Mix whatsOn Quiz Iman Chakraborty WIN Prizes 50 years of Victory + YEAR Planner + WIN Prizes Reset-Iman! XCLUSIVE What inspires Iman to carry on? 01 XCLUSIVEON 005 Agenda> NewsOn 007 Live> Nugen 008 FashiOn> Festive 011 Issue> 5 Ways 013 Interview> Little Mix 015 Report> Noam Chomsky 017 Xclusive> Iman Chakraborty 02 WHATSON 019 Action> Things To Do 020 Arts> Events 023 Books> Culture 027 Film> TV 031 Music> Albums 033 Sports> Games 03 GUIDEON 037 Best Picks> Briefing 053 Business> Pages 063 QuizOn> Recipe 065 Take10> To Be Independent 066 WinOn> PlayOn DISHA PATANI The Indian actress Disha Patani began her acting career with the Telugu film Loafer. She is on the the top spot on the list of The Times 50 Most Desirable Women 2019. Disha was recently seen in ‘Bhaghi 3’ and ‘Malang’. The star also won several IFFA Awards. Ads> T +44(0)121 655 1122 [email protected] Editorial> [email protected] About> WhatsOn: Progressive global local guide. Values> Diversity, Equality, Participation, Solidarity. Team WhatsOn> Director Sam Alim Creative Director Setsu Adachi Sub Editor Anika Khan Editorial Assistant Puza Snigdha, Books Editor Naomi Round Clubs Editor Nicole Lowe Film Editor Mark Goddard Music Editor Adam Humphries TV Mar Martínez Graphic Designer Rashed Hassan, Barnaly Chaity Video Producer Navid Mehedi IT & Web Laila Arzuman, Arman Hosain, Mehadi Hasan Communications Director Michael Cunningham Team Managers Samuel Barnett, Pam Dhami, Baljiit Shoker Media Managers James Kent, Vince
    [Show full text]
  • The Fan Data Goldmine Sam Hunt’S Second Studio Full-Length, and First in Over Five Years, Southside Sales (Up 21%) in the Tracking Week
    BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 24, 2021 Page 1 of 30 Leader; Travis Denning Makes History INSIDE The Fan Data Goldmine Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No. 1 on Billboard’s lionBY audienceTATIANA impressions, CIRISANO up 16%). Top Country• Spotify’s Albums Music chart dated April 18. In its first week (ending April 9), it earnedLeaders 46,000 onequivalent the album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingStreaming to Nielsen Giant’s Music/MRC JessieData. Reyez loves to text, especially with fans.and Ustotal- Countryand Airplay Community No. 1 as “Catch” allows (Big you Machine to do that, Label especially Group) ascends Southside‘Audio-First’ marks Future: Hunt’s seconding No.a phone 1 on the number assigned through the celebrity when you’re2-1, not increasing touring,” 13% says to 36.6Reyez million co-manager, impressions. chart andExclusive fourth top 10. It followstext-messaging freshman LP startup Community and shared on her Mauricio Ruiz.Young’s “Using first every of six digital chart outletentries, that “Sleep you canWith- Montevallo, which arrived at thesocial summit media in No accounts,- the singer-songwriter makes to make sureout you’re You,” stillreached engaging No.
    [Show full text]