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No Mix Toners Characteristics and Tint Properties

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No Mix Toners Characteristics and Tint Properties REFINISH SYSTEM LV & NM Tinter Characteristics Rev. 04/14 No Mix (NM) and No Mix Low V.O.C (LV) share the same number of tints with the same numbering system and characteristics. Use this guide in conjunction with the Color Wheel when adjusting (tinting) an existing color or when creating a new color. TINTER SUITABILITY MASSTONE CHARACTERISTICS 01 • Solid colors, • Redder than 10 and 37. • Bluish tone in whites. BLACK TINTER metallics and pearls. • Milkiest of all blacks. • Suitable for making whites and pastels • Use as a tinting black greyer. only. • Not recommended for use in bright • Not recommended colors containing no white. as a straight black. • In metallics it gives a lighter flip than 10 or 37. 02 • Normally for • Green undertone. • In metallics it produces a green face and BLUE metallics and pearls • Greener than 16, but redder a moderately green flip. only. than 28. 03 • Solid colors, • Slightly red undertone. • In whites it is greener than 36, but BRIGHT BLUE metallics and pearls. • Greener than 36, but redder redder than 16. than 16. • Recommended for bright clean blue • Cleanest undertone of all colors. blues. • In metallics it has a face and flip that’s redder than 02 and greener than 16. 04 • Solid colors, • Transparent red tone yellow. • Red yellow in whites, slightly dirtier BRIGHT GOLD metallics and pearls. • Redder than 51. than 51. • Reddest undertone of all • In metallics it produces a reddish gold yellows. face like 24 and a bright yellow flip. 05 • Normally for solids • Bright red with orange tone. • Ideal for the formulation of bright red BRIGHT RED only. • Redder than 53. solid colors. • Mix with 53 to make yellower, and 25 or 22 to make bluer. 06 • Normally for solids • Milky yellow ochre. • In whites it is cleaner than 33. CUSTARD only. • Cleaner / milkier than 33. • In metallics it produces a greenish flip. • Not suitable as a trace tinter. 07 • Normally for • Transparent red iron oxide. • In metallics it produces a reddish gold COPPER metallics and pearls • Yellower than 24. face and dark flip. only. 10 • Solid colors, • Blue tone black. • Yellowish tone in whites. DEEP BLACK metallics and pearls. • Bluer than 01, but redder • Produces a jet black finish. than 37. • In metallics gives a darker flip than 01. 11 • Solid colors, • Deep blue with red • Reddest tone in whites. DEEP BLUE metallics and pearls. undertone. • In metallics it has the reddest face and • Reddest of all b lues. flip. 12 • Solid colors, • Transparent brownish • Mix with 05 or 22 to make bright red MAROON metallics and pearls. maroon. and dark red solid colors. • Bluer and dirtier than 13. • In metallics it produces a dark red face and a slightly orange flip. 13 • Normally for • Transparent brownish • In metallics it produces a dark red face DEEP MAROON metallics and pearls maroon. and a yellowish gold flip. only. • Yellower and cleaner than 12. 14 • Normally for • Transparent orange tone red. • In metallics it produces a clean red face GARNET metallics and pearls • Redder than 53. and an orange flip. only. • Cleaner / yellower than 12. 15 • Solid colors, • Blue tone green. • Suited to making both light and dark GREEN metallics and pearls. • Bluer than 21. shades of green. • Can be used in yellows and blues to make them greener. 16 • Solid colors, • Green undertone. • In whites it is greener than 03, but GREEN BLUE metallics and pearls. • Greener than 03, but redder redder than 02. than 02. • In metallics it produces a green face, but • Not as clean as 03. a reddish flip. 17 • Solid colors, • Transparent yellow tone • In white it gives a clean yellowish shade. GREEN GOLD metallics and pearls. green. • In metallics it produces a greenish • Not suitable as a yellow face and reddish flip. trace tinter. 18 • Normally for pearls • Milky grey black. • In pearls it produces a smoky graphite GREY BLACK only. effect. • For effect purposes. 20 • Solid colors, • Opaque red iron oxide with a • Suited to the formulation of earth tone LIGHT RED OXIDE metallics and pearls. bluish undertone. red / brown solid colors. • In metallics it is used to make flips lighter and more reddish. 21 • Solid colors, • Yellow undertone. • Suited to making both light and dark LIME metallics and pearls. • Yellower than 15. shades of green. • Mix with 52 to make lime greens. 22 • Solid colors, • Blue undertone. • Significantly bluer in white than 25. MAGENTA metallics and pearls. • Bluest undertone of all the • Suited to the formulation of bright and reds. dark red solid colors. 23 • Normally for solids • Blackish undertone. • Dirty blue tone in white. MIDNIGHT BLUE only. • Opaque. • Use only in trace amounts. • Suitable as a trace tinter. 24 • Normally for • Transparent red iron oxide. • In metallics it produces a copper face RED GOLD metallics and pearls • Redder and dirtier than 07. and dark flip. only. 25 • Solid colors, • Bluish undertone. • Clean slightly blue look in whites. RED MAROON metallics and pearls. • Bluer than 35 and cleaner • Suited to the formulation of bright and and yellower than 22. dark red solid colors. 28 • Solid colors, • Green undertone. • Greenest tone in whites. TURQOUISE metallics and pearls. • Greenest of all blues. • In metallics it has the greenest face and flip. 30 • Solid colors, • Deep violet. • Can be used in blues to make them VIOLET metallics and pearls. • A weaker version of 34. redder. • In metallics it produces a light, brownish flip. 31 • Solid colors, • Slightly blue tone white. • Suited to the formulation of whites and WHITE metallics and pearls. • A weaker version of 62. pastel solid colors. • Use as a tinting • In metallics it produces a lighter / white only. milkier flip. • Not recommended as a straight white. 32 • Normally for • Transparent yellow iron • In metallics it produces a bright gold YELLOW GOLD metallics and pearls oxide. face and a very dark flip. only. 33 • Solid colors, • Opaque yellow iron oxide. • Suited to the formulation of cream, YELLOW ORCHE metallics and pearls. • Dirtier than 06. beige, tan and brown solid colors. • In metallics it is used to make flips milkier and yellower. 34 • Solid colors, • Deep violet. • Can be used in blues to make them SPECIAL VIOLET metallics and pearls. • A stronger version of 30. more red. • In metallics it produces a dirty brownish flip. 35 • Normally for solids • Slightly blue undertone. • In whites it is dirty and bluer than 05 PORT WINE RED only. • Bluer than 05, but cleaner and dirty and yellower than 25. • Suitable as a trace and yellower than 25. • Suited to the formulation of clean solid tinter in metallics colors. and pearls. 36 • Solid colors, • Deep blue with red • In whites it is greener than 11, but DEEP BLUE metallics and pearls. undertone. redder than 03. • Greener than 11, but redder • In metallics it has a red face, and a than 03. slightly weaker red flip. TINTER SUITABILITY MASSTONE CHARACTERISTICS 37 • Solid colors, • Blue tone black. • Yellowish tone in whites. SPECIAL DEEP BLACK metallics and pearls. • Bluest and blackest of all • Produces a very jet black finish. blacks. • In metallics it produces a stronger, deeper flip than 10. 38 • Solid colors, • Bluish undertone. • In whites it is dirty and yellower than SPECIAL RED MAROON metallics and pearls. • Similar to 25 but yellower. 25. • Suited to the formulation of bright and dark red solid colors. 39 • Normally for solids • Bright red with orange • A higher strength equivalent of 05, HS SPECIAL RED only. tone. when better coverage is required. • Ideal for the formulation of bright red solid colors. 41 • Solid colors, • A reduced strength • Suitable for making whites greyer. REDUCED BLACK metallics and pearls. version of 01. • In metallics it produces a deeper face • Suitable as a trace and flip. tinter. 42 • For effect purposes • Pure white crystal effect. • Suitable for producing white effect SILK SILVER in metallics and • Transparent. colors. pearls. • Very high sparkle in direct sunlight. 43 • For effect purposes • Red / russet crystal effect. • Suitable for producing red / russet SILK RUSSET in metallics and effect colors. pearls. • Very high sparkle in direct sunlight. 44 • For effect purposes • Yellow crystal effect. • Suitable for producing yellow effect SILK GOLD in metallics and • Transparent. colors. pearls. • In metallics it produces a gold hue. • Very high sparkle in direct sunlight. 45 • For effect purposes • Blue crystal effect. • Suitable for producing blue effect SILK BLUE in metallics and • Transparent. colors. pearls. • Very high sparkle in direct sunlight. 46 • For effect purposes • Red crystal effect. • Suitable for producing red and blue SILK RED in metallics and • Transparent. effect colors. pearls. • Very high sparkle in direct sunlight. 47 • For effect purposes • Green crystal effect. • Suitable for producing green effect SILK GREEN in metallics and • Transparent. colors. pearls. • In metallics it produces a greenish hue. • Very high sparkle in direct sunlight. 48 • For effect purposes • Orange / copper crystal • Suitable for producing red / brown SILK COPPER in metallics and effect. effect colors. pearls. • Very high sparkle in direct sunlight. 51 • Normally for solids • Red tone opaque yellow. • Red yellow in whites, cleaner than 04. RED YELLOW only. • Ideal for the formulation of yellow and orange solid colors. 52 • Solid colors, • Transparent green tone • Clean green tone yellow in whites TOPAZ metallics and pearls. yellow. • Between 51 and 63. 53 • Normally for solids • Bright orange. • Ideal for the formulation of bright red ORGANIC ORANGE only. and orange colors. • Suitable as a trace tinter. 59 • Normally for • Milky clear. • Makes a metallic and pearl particle METALLIC ADDITIVE metallics and pearls “stand up” and appear brighter. only. • It affects metallics by making them appear darker on the face and sparkler on the flip. TINTER SUITABILITY MASSTONE CHARACTERISTICS 60 • Normally for • Milky clear.
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