REFINISH SYSTEM LV & NM Tinter Characteristics

Rev. 04/14

No Mix (NM) and No Mix Low V.O.C (LV) share the same number of tints with the same numbering system and characteristics.

Use this guide in conjunction with the Wheel when adjusting (tinting) an existing color or when creating a new color.

TINTER SUITABILITY MASSTONE CHARACTERISTICS 01 • Solid , • Redder than 10 and 37. • Bluish tone in . TINTER metallics and pearls. • Milkiest of all . • Suitable for making whites and pastels • Use as a tinting black greyer. only. • Not recommended for use in bright • Not recommended colors containing no . as a straight black. • In metallics it gives a lighter flip than 10 or 37. 02 • Normally for • undertone. • In metallics it produces a green face and metallics and pearls • Greener than 16, but redder a moderately green flip. only. than 28. 03 • Solid colors, • Slightly undertone. • In whites it is greener than 36, but BRIGHT BLUE metallics and pearls. • Greener than 36, but redder redder than 16. than 16. • Recommended for bright clean blue • Cleanest undertone of all colors. . • In metallics it has a face and flip that’s redder than 02 and greener than 16. 04 • Solid colors, • Transparent red tone . • Red yellow in whites, slightly dirtier BRIGHT metallics and pearls. • Redder than 51. than 51. • Reddest undertone of all • In metallics it produces a reddish gold . face like 24 and a bright yellow flip. 05 • Normally for solids • Bright red with tone. • Ideal for the formulation of bright red BRIGHT RED only. • Redder than 53. solid colors. • Mix with 53 to make yellower, and 25 or 22 to make bluer. 06 • Normally for solids • Milky yellow . • In whites it is cleaner than 33. CUSTARD only. • Cleaner / milkier than 33. • In metallics it produces a greenish flip. • Not suitable as a trace tinter. 07 • Normally for • Transparent red iron oxide. • In metallics it produces a reddish gold metallics and pearls • Yellower than 24. face and dark flip. only. 10 • Solid colors, • Blue tone black. • Yellowish tone in whites. DEEP BLACK metallics and pearls. • Bluer than 01, but redder • Produces a jet black finish. than 37. • In metallics gives a darker flip than 01. 11 • Solid colors, • Deep blue with red • Reddest tone in whites. DEEP BLUE metallics and pearls. undertone. • In metallics it has the reddest face and • Reddest of all b lues. flip. 12 • Solid colors, • Transparent brownish • Mix with 05 or 22 to make bright red metallics and pearls. maroon. and dark red solid colors. • Bluer and dirtier than 13. • In metallics it produces a dark red face and a slightly orange flip. 13 • Normally for • Transparent brownish • In metallics it produces a dark red face DEEP MAROON metallics and pearls maroon. and a yellowish gold flip. only. • Yellower and cleaner than 12. 14 • Normally for • Transparent orange tone red. • In metallics it produces a clean red face GARNET metallics and pearls • Redder than 53. and an orange flip. only. • Cleaner / yellower than 12. 15 • Solid colors, • Blue tone green. • Suited to making both and dark GREEN metallics and pearls. • Bluer than 21. . • Can be used in yellows and blues to make them greener. 16 • Solid colors, • Green undertone. • In whites it is greener than 03, but GREEN BLUE metallics and pearls. • Greener than 03, but redder redder than 02. than 02. • In metallics it produces a green face, but • Not as clean as 03. a reddish flip. 17 • Solid colors, • Transparent yellow tone • In white it gives a clean yellowish shade. GREEN GOLD metallics and pearls. green. • In metallics it produces a greenish • Not suitable as a yellow face and reddish flip. trace tinter. 18 • Normally for pearls • Milky black. • In pearls it produces a smoky graphite GREY BLACK only. effect. • For effect purposes. 20 • Solid colors, • Opaque red iron oxide with a • Suited to the formulation of earth tone LIGHT RED OXIDE metallics and pearls. bluish undertone. red / solid colors. • In metallics it is used to make flips lighter and more reddish. 21 • Solid colors, • Yellow undertone. • Suited to making both light and dark LIME metallics and pearls. • Yellower than 15. shades of green. • Mix with 52 to make lime . 22 • Solid colors, • Blue undertone. • Significantly bluer in white than 25. MAGENTA metallics and pearls. • Bluest undertone of all the • Suited to the formulation of bright and . dark red solid colors. 23 • Normally for solids • Blackish undertone. • Dirty blue tone in white. MIDNIGHT BLUE only. • Opaque. • Use only in trace amounts. • Suitable as a trace tinter. 24 • Normally for • Transparent red iron oxide. • In metallics it produces a copper face RED GOLD metallics and pearls • Redder and dirtier than 07. and dark flip. only. 25 • Solid colors, • Bluish undertone. • Clean slightly blue look in whites. RED MAROON metallics and pearls. • Bluer than 35 and cleaner • Suited to the formulation of bright and and yellower than 22. dark red solid colors. 28 • Solid colors, • Green undertone. • Greenest tone in whites. TURQOUISE metallics and pearls. • Greenest of all blues. • In metallics it has the greenest face and flip. 30 • Solid colors, • Deep violet. • Can be used in blues to make them VIOLET metallics and pearls. • A weaker version of 34. redder. • In metallics it produces a light, brownish flip. 31 • Solid colors, • Slightly blue tone white. • Suited to the formulation of whites and WHITE metallics and pearls. • A weaker version of 62. solid colors. • Use as a tinting • In metallics it produces a lighter / white only. milkier flip. • Not recommended as a straight white. 32 • Normally for • Transparent yellow iron • In metallics it produces a bright gold YELLOW GOLD metallics and pearls oxide. face and a very dark flip. only. 33 • Solid colors, • Opaque yellow iron oxide. • Suited to the formulation of cream, YELLOW ORCHE metallics and pearls. • Dirtier than 06. beige, and brown solid colors. • In metallics it is used to make flips milkier and yellower. 34 • Solid colors, • Deep violet. • Can be used in blues to make them SPECIAL VIOLET metallics and pearls. • A stronger version of 30. more red. • In metallics it produces a dirty brownish flip. 35 • Normally for solids • Slightly blue undertone. • In whites it is dirty and bluer than 05 PORT WINE RED only. • Bluer than 05, but cleaner and dirty and yellower than 25. • Suitable as a trace and yellower than 25. • Suited to the formulation of clean solid tinter in metallics colors. and pearls. 36 • Solid colors, • Deep blue with red • In whites it is greener than 11, but DEEP BLUE metallics and pearls. undertone. redder than 03. • Greener than 11, but redder • In metallics it has a red face, and a than 03. slightly weaker red flip.

TINTER SUITABILITY MASSTONE CHARACTERISTICS 37 • Solid colors, • Blue tone black. • Yellowish tone in whites. SPECIAL DEEP BLACK metallics and pearls. • Bluest and blackest of all • Produces a very jet black finish. blacks. • In metallics it produces a stronger, deeper flip than 10. 38 • Solid colors, • Bluish undertone. • In whites it is dirty and yellower than SPECIAL RED MAROON metallics and pearls. • Similar to 25 but yellower. 25. • Suited to the formulation of bright and dark red solid colors. 39 • Normally for solids • Bright red with orange • A higher strength equivalent of 05, HS SPECIAL RED only. tone. when better coverage is required. • Ideal for the formulation of bright red solid colors. 41 • Solid colors, • A reduced strength • Suitable for making whites greyer. REDUCED BLACK metallics and pearls. version of 01. • In metallics it produces a deeper face • Suitable as a trace and flip. tinter. 42 • For effect purposes • Pure white crystal effect. • Suitable for producing white effect SILK SILVER in metallics and • Transparent. colors. pearls. • Very high sparkle in direct sunlight. 43 • For effect purposes • Red / crystal effect. • Suitable for producing red / russet SILK RUSSET in metallics and effect colors. pearls. • Very high sparkle in direct sunlight. 44 • For effect purposes • Yellow crystal effect. • Suitable for producing yellow effect SILK GOLD in metallics and • Transparent. colors. pearls. • In metallics it produces a gold . • Very high sparkle in direct sunlight. 45 • For effect purposes • Blue crystal effect. • Suitable for producing blue effect SILK BLUE in metallics and • Transparent. colors. pearls. • Very high sparkle in direct sunlight. 46 • For effect purposes • Red crystal effect. • Suitable for producing red and blue SILK RED in metallics and • Transparent. effect colors. pearls. • Very high sparkle in direct sunlight. 47 • For effect purposes • Green crystal effect. • Suitable for producing green effect SILK GREEN in metallics and • Transparent. colors. pearls. • In metallics it produces a greenish hue. • Very high sparkle in direct sunlight. 48 • For effect purposes • Orange / copper crystal • Suitable for producing red / brown SILK COPPER in metallics and effect. effect colors. pearls. • Very high sparkle in direct sunlight. 51 • Normally for solids • Red tone opaque yellow. • Red yellow in whites, cleaner than 04. RED YELLOW only. • Ideal for the formulation of yellow and orange solid colors. 52 • Solid colors, • Transparent green tone • Clean green tone yellow in whites TOPAZ metallics and pearls. yellow. • Between 51 and 63. 53 • Normally for solids • Bright orange. • Ideal for the formulation of bright red ORGANIC ORANGE only. and orange colors. • Suitable as a trace tinter. 59 • Normally for • Milky clear. • Makes a metallic and pearl particle METALLIC ADDITIVE metallics and pearls “stand up” and appear brighter. only. • It affects metallics by making them appear darker on the face and sparkler on the flip.

TINTER SUITABILITY MASSTONE CHARACTERISTICS 60 • Normally for • Milky clear. • Aids in the suspension of metallics and STABILIZER ADDITIVE metallics and pearls pearls. only. • Used to make the base for a three layer pearl. 61 • Normally for • Transparent ultrafine • In metallics it produces a yellowish EFFECT WHITE metallics and pearls white. face and a deep blue flip. only. • For effect purposes. 62 • Normally for solids • Slightly blue tone white. • Suited to the formulation of whites HS SPECIAL WHITE only. • A stronger version of 31. and pastel solid colors. • Recommended as a straight white. 63 • Normally for solids • Green tone yellow. • Clean green tone yellow in whites, HS SPECIAL YELLOW only. • Greenest and cleanest cleaner than 52. undertone of all yellows. • Ideal for the formulation of bright yellow solid colors, when better coverage is required. 65 • Metallics. • Fine to medium. • Greyish face and a slightly darker flip. FINE METALLIC • Between 69 and 70. • Similar to 69, except slightly coarser • Quite dull / grey. with a darker flip. • Good tinting strength. 66 • Metallics. • Medium. • Moderately bright face with a dark MEDIUM METALLIC • Between 70 and 71. flip. • Medium brightness. • Similar to 70, except not as shiny with a lighter flip. Also weaker tinting strength. 67 • Metallics. • Coarse. • Moderately bright / shiny face with a COARSE METALLIC • Between 72 and 74. darker flip. • Medium brightness. • Similar to 72, except not as white with a less red flip. Also weaker tinting strength. 68 • Metallics. • Very fine. • Very grey face with a very slightly EXTRA FINE SILVER • Finest of all metallics. lighter flip. • Dullest / greyest of all • Extremely high tinting strength. metallics. 69 • Metallics. • Fine. • Slightly grey face and a light flip. FINE SILVER • Between 68 and 65. • Very good tinting strength. • Quite dull / grey. 70 • Metallics. • Medium. • Moderately bright / shiny face with a SILVER • Between 65 and 66. slight reddish flip. • Medium brightness. • Good tinting strength. 71 • Metallics. • Medium. • Bright / shiny face with a dark reddish MEDIUM SILVER • Between 66 and 72. flip. • Very bright. • High sparkle in direct sunlight. • Very good tinting strength. 72 • Metallics. • Medium to coarse. • Clean bright face with a slightly bluish COARSE SILVER • Between 71 and 67. white flip. • Medium brightness. • Very good tinting strength. 74 • Metallics. • Coarse. • Bright / shiny face with a medium dark COARSE ALUMINIUM • Between 67 and 75. flip. • Very bright. • High sparkle in direct sunlight. • Similar to 71, except slightly coarser with a less red flip. • Moderate tinting strength. 75 • Metallics. • Very Coarse. • Bright / shiny face with a dark flip. EXTRA COARSE • Coarsest and brightest of • Very high sparkle in direct sunlight. ALUMINIUM all metallics. • Weak ti nting strength.

TINTER SUITABILITY MASSTONE CHARACTERISTICS 77 • Pearls. • Fine white pearl. • White face with a dark golden yellow FINE WHITE PEARL • Between 97 and 78. flip. 78 • Pearls. • Bright white pearl. • Bright white face with a golden yellow WHITE SPARKLE PEARL • Coarsest of all white flip. pearls. • High sparkle in direct sunlight. • Transparent. 80 • Pearls. • Yellow pearl. • Bright yellow face with a milky blue YELLOW PEARL • Transparent. flip. 81 • Pearls. • Gold pearl. • Bright gold face with a slightly reddish YELLOW GOLD PEARL flip. 82 • Pearls. • Gold metallic. • Bright reddish gold face with a darker FINE YELLOW GOLD flip. PEARL 86 • Pearls. • Copper pearl. • Bright copper face with a cleaner COPPER PEARL copper flip. 87 • Pearls. • Bright russet pearl. • Yellowish russet face with quite a BRIGHT RUSSET PEARL • Coarser and lighter than bright crimson flip. 88. 88 • Pearls. • Fine russet pearl. • Brownish red / russet face with a FINE RUSSET PEARL • Finer and darker than 87. reddish brown flip. 89 • Pearls. • Blue russet pearl. • Bluish red / russet face with a darker BLUE RUSSET PEARL • Bluer and darker than 87. brown flip. 90 • Pearls. • Fine blue pearl. • Reddish blue face with a milky yellow RED BLUE PEARL • Finest and reddest of all flip. blue pearls. • Transparent. 91 • Pearls. • Fine blue pearl. • Slightly reddish blue face with a FINE BLUE PEARL • Between 90 and 92. slightly yellow flip. • Transparent. 92 • Pearls. • Bright blue pearl. • Bright slightly greenish blue face with GREEN BLUE PEARL • Coarsest and greenest of a yellowish brown flip. all blue pearls. • Transparent. 93 • Pearls. • Fine green pearl. • Bright slightly yellowish green face FINE GREEN PEARL • Yellowest of all green with a red flip. pearls. • Transparent. 94 • Pearls. • Bright green pearl. • Bright yellow green face with a yellow GREEN PEARL • Between 93 and 95. flip. 95 • Pearls. • Blue green pearl. • Bluish green face with a dark golden BLUE GREEN PEARL • Bluest of all green pearls. yellow flip. • Transparent. 96 • Pearls. • Red pearl. • Bright yellowish red face with a RED PEARL • Transparent. slightly bluish green flip. 97 • Pearls. • Fine white pearl. • Yellowish white face and flip. FINE SLIVER PEARL • Finest of all white pearls. 98 • Pearls. • Lilac pearl. • Bright lilac face with a slightly FINE VIOLET PEARL • Transparent. yellowish green flip. 99 • Normally for • Milky clear. • Makes a metallic and pearl particle METALLIC RAISER metallics and pearls “stand up” and appear brighter. only. • It affects metallics by giving them a brighter, cleaner and a more brilliant face and flip.