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EXCAVATIONS at the ROMAN FORT of CRAWFORD, LANARKSHIRE | 149 Extra-Mural Class in Archaeology at Edinburgh University
Excavation Romae th t sa n for Crawfordf o t , Lanarkshire by Gordon Maxwell INTRODUCTION The existence of a Roman fort in the neighbourhood of Crawford, although suspected by General Roy,i was not proved until 1938 when excavation carried out by Dr J K St Joseph2 on a site lying about 400 yds N of the village on the right bank of the Clyde put the matter beyon doubtl d al for e tTh . (NG 954214S RN ) occupie smoderatela y strong positio narroa n no w plateau of hard glacial gravel protected on the south by the Clyde, and on the E and W by the Camps Wate Berried an r s Burn respectively; site acces th ewoul N froo t se mth d have been impeded in Roman times by marshy ground (fig 1). Strategically, however, it was of great importance. At this point the Roman roads from Annandale and Nithsdale met, the latter probably crossing the Clyde to the SW of the site; the route then left the valley of the Clyde, avoidin e gorge-likgth e defile between Crawfor Abingtond dan climbed an , d northward over Raggengile th l Pas rejoio st f Coldchapel Clydo e nth S e e for th e jussitin e th o t t t f Th .musg o t also have been influence presencmuce s da th areconsiderable a y hf b th a o en i e native populationJ e nee th observo dt y b s a e regular intervals betwee e garrisonnth s guardin e Romagth n road notee networkb y d thama importance t I th .t stils site elth wa recognisef o e medievan di l times when Crawford Castle, originally a seat of the Lindsays, but later ceded to the Douglas family, Romae th f o nS site.e th 4wao t Doubtles s builyd 0 5 t s from this time onwar usefors e dth dwa t quarrconstructioa e s th a r yfo associates castlrepair e it n o th d f ean o r d buildings evidence .Th e for prehistoric use of the site is discussed below (pp 187—8). -
February 7–9, 14–16, 2020 Loft Stage at East Ridge High School MERRILL ARTS CENTER
MERRILL ARTS CENTER present a WCT production of Directed By Tom Reed February 7–9, 14–16, 2020 Loft Stage at East Ridge High School MERRILL ARTS CENTER a WCT production of WCT Production Staff Director Tom Reed so let chuck eckberg Music Director Jessie Rolfe help you find your Production Manager Leah Madsen Stage Manager MJ Luna Sound Designer Evangeline Lee dream castle! Props Designer Sarah Herman Scenic Designer Craig Steineck Costume Designer Bailey Remmers Lighting Designer Jacob Berg Even if the house isn’t in Transylvania, Choreographer Megan Torbert Chuck will electrify your journey and make sure you find MAC Administrative Staff “the happiest town” for you! Executive Director Barbe Marshall Hansen Managing Director Kajsa Jones SOS Director Kristin Fox Administrator Hannah Amidon See what a 14-time Super Real Estate AgentTM Accountant Irina Yaritz can do for you! Graphic Designer Galen Higgins Group Sales Director Alicia Wiesneth 604 Bielenberg Drive, Woodbury, MN 55125 651-246-6639 • [email protected] Publicists JAMU Enterprises www.chuckeckberg.com Director of Development Lori Nelson Digital Strategist Cromie Creative Consultants Box Office Managers Erika James, Jeriann Jones Lisa Winston MERRILL ARTS CENTER WANTED The Mission of Merrill Arts Center EMPLOYEE ENDORSEMENTS! is to champion the arts. PROGRAMS Do you work for one of these companies? Wells Fargo • Andersen Corporation • Otto Bremer Trust • Bremer Bank WCT McKnight Foundation • 3M • General Mills • Best Buy • Ecolab If yes, please let us know! AFFILIATES These companies, and many like them, have grant programs available to arts organizations like Merrill but we need an employee endorsement to apply. -
Multi-Channel Ground-Penetrating Radar Array Surveys of the Iron Age and Medieval Ringfort Bårby on the Island of Öland, Sweden
remote sensing Article Multi-Channel Ground-Penetrating Radar Array Surveys of the Iron Age and Medieval Ringfort Bårby on the Island of Öland, Sweden Andreas Viberg 1,* , Christer Gustafsson 2 and Anders Andrén 3 1 Archaeological Research Laboratory, Department of Archaeology and Classical Studies, Stockholm University, SE-106 91 Stockholm, Sweden 2 ImpulseRadar AB, Storgatan 78, SE–939 32 Malå, Sweden; [email protected] 3 Department of Archaeology and Classical Studies, Stockholm University, SE-106 91 Stockholm, Sweden; [email protected] * Correspondence: [email protected] Received: 20 December 2019; Accepted: 4 January 2020; Published: 9 January 2020 Abstract: As a part of the project “The Big Five”, large-scale multi-channel ground-penetrating radar surveys were carried out at Bårby ringfort (Swedish: borg), Öland, Sweden. The surveys were carried out using a MALÅ Imaging Radar Array (MIRA) system and aimed at mapping possible buried Iron Age and Medieval remains through the interior in order to better understand the purpose of the fort during its periods of use. An additional goal was to evaluate the impact of earlier farming on the preservation of the archaeological remains. The data provided clear evidence of well-preserved Iron Age and Medieval buildings inside the fort. The size and the pattern of the Iron Age houses suggest close similarities with, for example, the previously excavated fort at Eketorp on Öland. Given the presence of a substantial cultural layer together with a large number of artefacts recovered during a metal detection survey, it is suggested that Bårby borg’s primary function during the Iron Age was as a fortified village. -
Young Frankenstein"
"YOUNG FRANKENSTEIN" SCREENPLAY by GENE WILDER FIRST DRAFT FADE IN: EXT. FRANKENSTEIN CASTLE A BOLT OF LIGHTNING! A CRACK OF THUNDER! On a distant, rainy hill, the old Frankenstein castle, as we knew and loved it, is illuminated by ANOTHER BOLT OF LIGHTNING. MUSIC: AN EERIE TRANSYLVANIAN LULLABY begins to PLAY in the b.g. as we MOVE SLOWLY CLOSER to the castle. It is completely dark, except for one room -- a study in the corner of the castle -- which is only lit by candles. Now we are just outside a rain-splattered window of the study. We LOOK IN and SEE: INT. STUDY - NIGHT An open coffin rests on a table we can not see it's contents. As the CAMERA SLOWLY CIRCLES the coffin for a BETTER VIEW... A CLOCK BEGINS TO CHIME: "ONE," "TWO," "THREE," "FOUR..." We are ALMOST FACING the front of the coffin. "FIVE," "SIX," "SEVEN," "EIGHT..." The CAMERA STOPS. Now it MOVES UP AND ABOVE the satin-lined coffin. "NINE," "TEN," "ELEVEN," "T W E L V E!" CUT TO: THE EMBALMED HEAD OF BEAUFORT FRANKENSTEIN Half of still clings to the waxen balm; the other half has decayed to skull. Below his head is a skeleton, whose bony fingers cling to a metal box. A HAND reaches in to grasp the metal box. It lifts the box halfway out of the coffin -- the skeleton's fingers rising, involuntarily, with the box. Then, as of by force of will, the skeleton's fingers grab the box back and place it where it was. Now the "Hand" -- using its other hand -- grabs the box back from the skeleton's fingers. -
Technological Advances and Trends in Modern High-Rise Buildings
buildings Article Technological Advances and Trends in Modern High-Rise Buildings Jerzy Szolomicki 1,* and Hanna Golasz-Szolomicka 2 1 Faculty of Civil Engineering, Wroclaw University of Science and Technology, 50-370 Wroclaw, Poland 2 Faculty of Architecture, Wroclaw University of Science and Technology, 50-370 Wroclaw, Poland * Correspondence: [email protected]; Tel.: +48-505-995-008 Received: 29 July 2019; Accepted: 22 August 2019; Published: 26 August 2019 Abstract: The purpose of this paper is to provide structural and architectural technological solutions applied in the construction of high-rise buildings, and present the possibilities of technological evolution in this field. Tall buildings always have relied on technological innovations in engineering and scientific progress. New technological developments have been continuously taking place in the world. It is closely linked to the search for efficient construction materials that enable buildings to be constructed higher, faster and safer. This paper presents a survey of the main technological advancements on the example of selected tall buildings erected in the last decade, with an emphasis on geometrical form, the structural system, sophisticated damping systems, sustainability, etc. The famous architectural studios (e.g., for Skidmore, Owings and Merill, Nikhen Sekkei, RMJM, Atkins and WOHA) that specialize, among others, in the designing of skyscrapers have played a major role in the development of technological ideas and architectural forms for such extraordinary engineering structures. Among their completed projects, there are examples of high-rise buildings that set a precedent for future development. Keywords: high-rise buildings; development; geometrical forms; structural system; advanced materials; damping systems; sustainability 1. -
Fish Terminologies
FISH TERMINOLOGIES Monument Type Thesaurus Report Format: Hierarchical listing - class Notes: Classification of monument type records by function. -
Frankenstein: Or the Modern Prometheus Pdf, Epub, Ebook
FRANKENSTEIN: OR THE MODERN PROMETHEUS PDF, EPUB, EBOOK Mary Wollstonecraft Shelley | 240 pages | 29 Jun 2011 | Vintage Publishing | 9780099512042 | English | London, United Kingdom Frankenstein: Or the Modern Prometheus PDF Book Retrieved 30 July Florescu, Radu Milner, Andrew. Archived from the original on 8 November During the two years that had elapsed previous to their marriage my father had gradually relinquished all his public functions; and immediately after their union they sought the pleasant climate of Italy, and the change of scene and interest attendant on a tour through that land of wonders, as a restorative for her weakened frame. Other motives were mingled with these, as the work proceeded. The Quarterly Review. Important Quotations Explained. In Shelley's original work, Victor Frankenstein discovers a previously unknown but elemental principle of life, and that insight allows him to develop a method to imbue vitality into inanimate matter, though the exact nature of the process is left largely ambiguous. SUNY Press. Day supports Florescu's position that Mary Shelley knew of, and visited Frankenstein Castle before writing her debut novel. Retrieved 19 September Retrieved 13 April Archived from the original on 13 February To watch the show, RSVP at www. She was not her child, but the daughter of a Milanese nobleman. These visions faded when I perused, for the first time, those poets whose effusions entranced my soul, and lifted it to heaven. American Film Institute. Mary Shelley in Her Times. He is an Englishman, and in the midst of national and professional prejudices, unsoftened by cultivation, retains some of the noblest endowments of humanity. -
Edinburgh Castle (Portcullis Gate, Argyle Tower & Lang Stairs) Statement of Significance
Property in Care (PIC) ID: PIC222 Designations: Scheduled Monument (SM90130) Listed Building (Lang Stairs: LB48221 – Category B) (Portcullis Gate and Argyle Tower: LB48227 – Category A) Taken into State care: 1906 (Ownership) Last Reviewed: 2019 STATEMENT OF SIGNIFICANCE EDINBURGH CASTLE – PORTCULLIS GATE, ARGYLE TOWER AND LANG STAIRS We continually revise our Statements of Significance, so they may vary in length, format and level of detail. While every effort is made to keep them up to date, they should not be considered a definitive or final assessment of our properties. Historic Environment Scotland – Scottish Charity No. SC045925 Principal Office: Longmore House, Salisbury Place, Edinburgh EH9 1SH © Historic Environment Scotland 2019 You may re-use this information (excluding logos and images) free of charge in any format or medium, under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit http://nationalarchives.gov.uk/doc/open- government-licence/version/3 or write to the Information Policy Team, The National Archives, Kew, London TW9 4DU, or email: [email protected] Where we have identified any third party copyright information you will need to obtain permission from the copyright holders concerned. Any enquiries regarding this document should be sent to us at: Historic Environment Scotland Longmore House Salisbury Place Edinburgh EH9 1SH +44 (0) 131 668 8600 www.historicenvironment.scot Historic Environment Scotland – Scottish Charity No. SC045925 Principal Office: -
Castle Frankenstein an Der Bergstraße
Verwaltung der Staatlichen Schlösser und Gärten Castle Frankenstein an der Bergstraße Spaziergänge durch Schlösser und Gärten Kulturerbe Hessen Boundary stones Under the sign of the "Hippe" The boundary stones at the northern wall of the castle chapel (15) date from 1556. Stones remaining from this period are very rare. These stones had to separate the district Seeheim from Frankenstein’s territory. Seeheim was under the rule of the Counts of Erbach. At the left stone (a) the sign of the "Hippe" (a former vine knife) can be seen. It is also shown at the northern wall of the old town hall of Seeheim, and it is still today part of Seeheim’s emblem. The missing upper part of the right stone (b) was also marked with this sign. 2008 both Top of the stone (b) historic stones were brought up to the castle for protection against vandalism. Originally, they were placed on the border between the municipalities Seeheim-Jugen - heim and Muehltal (territories Malchen and Nieder Beerbach). Boundary stones showing Frankenstein’s coat of arms were found in Ockstadt, Frankfurt and Buerstadt, but not near the castle. It is quite possible that they had been taken away by the Landgraf of Hessen-Darmstadt 1662. Seeheim’s Hippe Place of the stone (a) Place of the stone (b) Castle Frankenstein Nobility’s residence, veteran’s asylum, destination for an outing Castle Frankenstein is situated on a hilltop, approximately 400 metres (MSL) high above the Rhine-valley. It is the northernmost castle of those along the Bergstrasse. The castle’s history is closely connected with legends and poetry; therefore, it is a popular attraction for visitors from all parts of the world. -
The Ginger Fox's Two Crowns Central Administration and Government in Sigismund of Luxembourg's Realms
Doctoral Dissertation THE GINGER FOX’S TWO CROWNS CENTRAL ADMINISTRATION AND GOVERNMENT IN SIGISMUND OF LUXEMBOURG’S REALMS 1410–1419 By Márta Kondor Supervisor: Katalin Szende Submitted to the Medieval Studies Department, Central European University, Budapest in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Medieval Studies, CEU eTD Collection Budapest 2017 Table of Contents I. INTRODUCTION 6 I.1. Sigismund and His First Crowns in a Historical Perspective 6 I.1.1. Historiography and Present State of Research 6 I.1.2. Research Questions and Methodology 13 I.2. The Luxembourg Lion and its Share in Late-Medieval Europe (A Historical Introduction) 16 I.2.1. The Luxembourg Dynasty and East-Central-Europe 16 I.2.2. Sigismund’s Election as King of the Romans in 1410/1411 21 II. THE PERSONAL UNION IN CHARTERS 28 II.1. One King – One Land: Chancery Practice in the Kingdom of Hungary 28 II.2. Wearing Two Crowns: the First Years (1411–1414) 33 II.2.1. New Phenomena in the Hungarian Chancery Practice after 1411 33 II.2.1.1. Rex Romanorum: New Title, New Seal 33 II.2.1.2. Imperial Issues – Non-Imperial Chanceries 42 II.2.2. Beginnings of Sigismund’s Imperial Chancery 46 III. THE ADMINISTRATION: MOBILE AND RESIDENT 59 III.1. The Actors 62 III.1.1. At the Travelling King’s Court 62 III.1.1.1. High Dignitaries at the Travelling Court 63 III.1.1.1.1. Hungarian Notables 63 III.1.1.1.2. Imperial Court Dignitaries and the Imperial Elite 68 III.1.1.2. -
English Style, from the Late 18Th Century)
WHC-99/CONF.204/INF.7 UNESCO WORLD HERITAGE CONVENTION BUREAU OF THE WORLD HERITAGE COMMITTEE 23rd session (5 - 10 July 1999) Paris (France) EVALUATIONS OF CULTURAL PROPERTIES Prepared by the International Council on Monuments and Sites (ICOMOS) The IUCN and ICOMOS evaluations are made available to members of the Bureau and the World Heritage Committee. A small number of additional copies are also available from the secretariat. Thank you. 1999 Mountains and down to the valley floors. Both rock art and Greater Blue Mountains (Australia) tracks are intact and authentic. The exceptional circumstances of the Greater Blue Mountains are the scale, intensity, and longevity of the No 917 cultural association. It is a place where ancient custodianship over the million hectares of dissected plateaux has been replaced by another, more recent, form of custodianship, significant nonetheless. The intense inter-relationship of nature and people over tens of thousands of years make the Greater Blue Mountains a Identification classic example of the nature-culture continuum, which has exercised the minds of the World Heritage Committee over Nomination The Greater Blue Mountains Area recent years and was given expression in its Global Strategy meeting of March 1998. Cultural criterion vi Location State of New South Wales State Party Australia Category of property Date 30 June 1998 In terms of the categories of cultural property set out in Article 1 of the 1972 World Heritage Convention, this is a site. Note This property is nominated under both natural and History and Description cultural criteria as a mixed site. In this evaluation only that History information from the dossier relating to nomination under the cultural criteria are taken into account. -
Frankenstein
Frankenstein Frankenstein; or, The Modern Prometheus Author Mary Shelley Country United Kingdom Language English Genre Gothic novel, horror fiction, science fiction[1] Set in England, Ireland, Italy, France, Scotland, Switzerland, Russia, Germany; late 18th century Published 1 January 1818 (Lackington, Hughes, Harding, Mavor & Jones) Pages 280 Dewey 823.7 Decimal LC Class PR5397 .F7 Text Frankenstein; or, The Modern Prometheus at Wikisource Frankenstein; or, The Modern Prometheus is a novel written by English author Mary Shelley (1797–1851) that tells the story of Victor Frankenstein, a young scientist who creates a hideous sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously in London on 1 January 1818, when she was 20.[2] Her name first appeared in the second edition published in Paris in 1821. Shelley travelled through Europe in 1815 along the river Rhine in Germany stopping in Gernsheim, 17 kilometres (11 mi) away from Frankenstein Castle, where two centuries before, an alchemist engaged in experiments.[3][4][5] She then journeyed to the region of Geneva, Switzerland, where much of the story takes place. The topic of galvanism and occult ideas were themes of conversation among her companions, particularly her lover and future husband Percy B. Shelley. Mary, Percy and Lord Byron had a competition to see who could write the best horror story. After thinking for days, Shelley dreamt about a scientist who created life and was horrified by what he had made, inspiring the novel.[6] Though Frankenstein is infused with elements of the Gothic novel and the Romantic movement, Brian Aldiss has argued that it should be considered the first true science fiction story.