Young Frankenstein"
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February 7–9, 14–16, 2020 Loft Stage at East Ridge High School MERRILL ARTS CENTER
MERRILL ARTS CENTER present a WCT production of Directed By Tom Reed February 7–9, 14–16, 2020 Loft Stage at East Ridge High School MERRILL ARTS CENTER a WCT production of WCT Production Staff Director Tom Reed so let chuck eckberg Music Director Jessie Rolfe help you find your Production Manager Leah Madsen Stage Manager MJ Luna Sound Designer Evangeline Lee dream castle! Props Designer Sarah Herman Scenic Designer Craig Steineck Costume Designer Bailey Remmers Lighting Designer Jacob Berg Even if the house isn’t in Transylvania, Choreographer Megan Torbert Chuck will electrify your journey and make sure you find MAC Administrative Staff “the happiest town” for you! Executive Director Barbe Marshall Hansen Managing Director Kajsa Jones SOS Director Kristin Fox Administrator Hannah Amidon See what a 14-time Super Real Estate AgentTM Accountant Irina Yaritz can do for you! Graphic Designer Galen Higgins Group Sales Director Alicia Wiesneth 604 Bielenberg Drive, Woodbury, MN 55125 651-246-6639 • [email protected] Publicists JAMU Enterprises www.chuckeckberg.com Director of Development Lori Nelson Digital Strategist Cromie Creative Consultants Box Office Managers Erika James, Jeriann Jones Lisa Winston MERRILL ARTS CENTER WANTED The Mission of Merrill Arts Center EMPLOYEE ENDORSEMENTS! is to champion the arts. PROGRAMS Do you work for one of these companies? Wells Fargo • Andersen Corporation • Otto Bremer Trust • Bremer Bank WCT McKnight Foundation • 3M • General Mills • Best Buy • Ecolab If yes, please let us know! AFFILIATES These companies, and many like them, have grant programs available to arts organizations like Merrill but we need an employee endorsement to apply. -
Of Gods and Monsters: Signification in Franz Waxman's Film Score Bride of Frankenstein
This is a repository copy of Of Gods and Monsters: Signification in Franz Waxman’s film score Bride of Frankenstein. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/118268/ Version: Accepted Version Article: McClelland, C (Cover date: 2014) Of Gods and Monsters: Signification in Franz Waxman’s film score Bride of Frankenstein. Journal of Film Music, 7 (1). pp. 5-19. ISSN 1087-7142 https://doi.org/10.1558/jfm.27224 © Copyright the International Film Music Society, published by Equinox Publishing Ltd 2017, This is an author produced version of a paper published in the Journal of Film Music. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Paper for the Journal of Film Music Of Gods and Monsters: Signification in Franz Waxman’s film score Bride of Frankenstein Universal’s horror classic Bride of Frankenstein (1935) directed by James Whale is iconic not just because of its enduring images and acting, but also because of the high quality of its score by Franz Waxman. -
The Real "Monster" in Frankenstein
ISSN 2380-5064 | Arsenal is published by the Augusta University Libraries | http://guides.augusta.edu/arsenal Volume 1, Issue 1 (2016) The Real "Monster" in Frankenstein David O. Urizar Citation Urizar, D. O. (2016). The Real "Monster" in Frankenstein. Arsenal: The undergraduate research journal of Augusta University, 1(1), 20-27. http://doi.org/10.21633/issn.2380.5064/f.2016.01.20 © 2016 Urizar. This open access article is distributed under a Creative Commons Attribution-NonCommercial-NoDerivs 2.0 Generic License (https://creativecommons.org/licenses/by-nc-nd/2.0/) ISSN 2380-5064 10.21633/issn.2380.5064/f.2016.01.20 Real “Monster” in Frankenstein David O. Urizar Department of Biological Sciences College of Science and Mathematics Faculty Mentor: Todd Hoffman, Ph.D., Department of English and Foreign Languages The story of Frankenstein is typically seen as a battle between Victor Frankenstein and the “monster” of the story. However I argue that that the real “monster” of the story is in fact Victor Frankenstein who is suffering from paranoid schizophrenia and that the “monster” is really just a delusions that Victor uses to cope with the idea that he in fact is the killer of the story. This concept is evident in the fact that no one in the story has ever seen both Victor Frankenstein and the “monster” alive in the same place. The characteristics of the “monster’ also point towards the idea that the “monster” could not possibly exist. Even the way that Victor acts throughout the book point to the idea that he does not really care for the safety of his loved ones. -
Movie Trivia Questions Ii
MOVIE TRIVIA QUESTIONS II ( www.TriviaChamp.com ) 1> In what movie would you hear the line "I said across her nose, not up it!"? 2> Who directed the movie Blazing Saddles? 3> In what movie does John Cusack play a hit man who attends his high school reunion? 4> In the movie Hot Fuzz, where was Detective Angel transferred? 5> In the movie Oceans 12, who did Julia Roberts pretend to be as part of the scam? 6> In the movie Inception, who did Cobb previously perform Inception on? 7> In what movie based on a Stephen King work does Tom Hanks play a prison guard? 8> Who plays Juno in the movie Juno? 9> In the movie Swingers, what actor does Vince Vaughn say is money? 10> What was the first movie Jon Favreau and Vince Vaughn appeared together in? 11> What year was "One Flew Over the Cuckoo's Nest" released? 12> What was the name of Will Smith in Men in Black? 13> What actress appeared in the movies "Transformers" and "Jennifer's body"? 14> Name the Sylvester Stallone movie centered around arm wrestling? 15> What 80's movie featured a paperboy chasing John Cusack for 2 dollars? Answers: 1> Spaceballs - Spaceballs was directed by Mel Brooks. 2> Mel Brooks - Starring Cleavon Little and Gene Wilder. 3> Grosse Point Blank - Joan Cusack also starred in the movie as his secretary. 4> Sandford - He was transferred for making other cops in London look bad. 5> Julia Roberts - Bruce Willis made a cameo in the movie. 6> His wife - Inception was a science fiction film written, co-produced, and directed by Christopher Nolan. -
Discussion Questions for Frankenstein Written by Hailey Toporcer, Hiram College Class of 2019 Edited by Prof
Discussion Questions for Frankenstein Written by Hailey Toporcer, Hiram College Class of 2019 Edited by Prof. Kirsten Parkinson As you read Mary Shelley’s Frankenstein, either on your own or with a group, we invite you to use these questions to add layers to your discussion or thinking about the novel. The first section includes questions for each chapter of the novel; you will find questions reflecting on the book as a whole at the end. We have not included specific pages numbers as various editions have different page numbers, but the quotations are based on the 1831 edition of the novel. Discussion Questions for Each Chapter Letters I through IV 1. Frankenstein begins and ends with letters written by Robert Walton. Why do you think that Mary Shelley chose to have him frame the novel? How would your opinions of Victor Frankenstein and his creation differ if their story was told directly by Victor Frankenstein himself? What if the story was told solely by the creation? 2. Walton yearns for a friend, much like Victor Frankenstein’s creature does. What does this tell you about human nature? Is it in our nature to want companionship, someone to confide in, and someone to care for? 3. In Letter IV, Walton writes, “Yesterday the stranger said to me, “You may easily perceive, Captain Walton, that I have suffered great and unparalleled misfortunes. I had determined at one time that the memory of these evils should die with me, but you have won me to alter my determination. You seek for knowledge and wisdom, as I once did; and I ardently hope that the gratification of your wishes may not be a serpent to sting you, as mine has been. -
Frankenstein: Or the Modern Prometheus Pdf, Epub, Ebook
FRANKENSTEIN: OR THE MODERN PROMETHEUS PDF, EPUB, EBOOK Mary Wollstonecraft Shelley | 240 pages | 29 Jun 2011 | Vintage Publishing | 9780099512042 | English | London, United Kingdom Frankenstein: Or the Modern Prometheus PDF Book Retrieved 30 July Florescu, Radu Milner, Andrew. Archived from the original on 8 November During the two years that had elapsed previous to their marriage my father had gradually relinquished all his public functions; and immediately after their union they sought the pleasant climate of Italy, and the change of scene and interest attendant on a tour through that land of wonders, as a restorative for her weakened frame. Other motives were mingled with these, as the work proceeded. The Quarterly Review. Important Quotations Explained. In Shelley's original work, Victor Frankenstein discovers a previously unknown but elemental principle of life, and that insight allows him to develop a method to imbue vitality into inanimate matter, though the exact nature of the process is left largely ambiguous. SUNY Press. Day supports Florescu's position that Mary Shelley knew of, and visited Frankenstein Castle before writing her debut novel. Retrieved 19 September Retrieved 13 April Archived from the original on 13 February To watch the show, RSVP at www. She was not her child, but the daughter of a Milanese nobleman. These visions faded when I perused, for the first time, those poets whose effusions entranced my soul, and lifted it to heaven. American Film Institute. Mary Shelley in Her Times. He is an Englishman, and in the midst of national and professional prejudices, unsoftened by cultivation, retains some of the noblest endowments of humanity. -
Pearson English Active Reading Level 3: Frankenstein 9781292121512
CHAPTER 1 Young Frankenstein I was interested in the secrets of the sky and the earth, of the natural world. y name is Victor Frankenstein. I come from Geneva, in Switzerland, and M my family is one of the most important in that country. When I was very young, my parents travelled a lot. I was their only child, and they took me with them. My parents were kind and they loved me very much. My earliest memories are happy ones. When I was about five years old, we stayed for a week at Lake Como in Italy. My mother was a kind woman and visited a poor family on a farm. They had five children. Four had dark hair like the man and his wife, but the other child, a girl, had fair hair and looked quite different. The farmer’s wife told my mother the child’s history. The girl’s name was Elizabeth Lavenza, and she was the daughter of a rich man from Milan. Her mother died when she was born. Elizabeth’s father died too, trying to free his country from a bad government. He lost everything – his house and his money. It was all taken away. Hispages child was left with this family. My mother wanted to have another child very much. And she wanted a daughter. When she saw Elizabeth, she loved her immediately. She wanted to bring Elizabeth up as her own child. She talked to the farmer and his wife about her idea. The farmer and his wife loved the girl, but they agreed. -
Monster Squad
The Monster Squad by Alek J. Talevich (Based on the 1987 original film) Working Draft Daschwah LABS Bellingham, WA (626) 590-4765 FADE IN EXT. SEATONVILLE HARBOR - NIGHT The brackish waters of a modest commercial marina, with rows of contract fishing and cargo trawlers hugging the concrete strip of the waterfront and warehouse blocks. Fog hangs low over the water. All's quiet on the night watch, save for the dinging of buoys and slow churn of the tides. INT. HARBORMASTER'S OFFICE The cluttered office of the Harbormaster, manned by a single operator: a night watchman in his late fifties. Hokey nautical memorabilia hugs the walls, a coffee pot brews, and the watchman reads from a dog-eared paperback while seated before several security monitors. NIGHT WATCHMAN (singsong) My father's a poor missionary… he saves pretty women from sin… The silhouette of a man moves across the monitors, unnoticed by the sentry; pacing from one screen to the next, along the perimeter fence. NIGHT WATCHMAN (still singing) … he'll save you a blonde for five dollars… Lord, how the money rolls in. The sentry flips a page, not noticing as the intruder nonchalantly LEAPS over the twelve-foot high fence without missing a step, vanishing from the security cameras' view. CUT TO: 2. EXT. SEATONVILLE HARBOR Leather dress shoes touch down on the corrugated steel roof of a warehouse, as the intruder is revealed: CHARLES RUEGER, somewhere in his forties, bespectacled, his expression haunted. Dressed in a threadbare overcoat and the dirty, ripped trappings of what was once a three-piece suit underneath. -
Josh Blue Opens up About Cerebral Palsy, 'Last Comic Standing'
Cue THURSDAY, OCTOBER 15, 2015 SECTION C Audra McDonald Saturday, October 17th, 8:00 pm TICKETS START AT $40 309.671.1096 peoriasymphony.org PE-4493521_V2 Josh Blue opens up about cerebral palsy, ‘Last Comic Standing’ BY THOMAS BRUCH OF THE JOURNAL STAR PEORIA — One of the best stand-up comedians in the business, Josh Blue, will be performing at the Jukebox Comedy Club this weekend. Blue, 36, won Season Four of “Last Comic Standing” in 2006 and has since been a staple on the stand-up comedy circuit. Though he has earned many plaudits and has been featured frequently in stand-up specials, he might be best known for having cerebral palsy — something he pokes fun at in a self-deprecating manner in his performances. Yet he also talks about it to highlight what you can accomplish while living with the disorder. Blue will appear at the Jukebox at 8 p.m. Thursday, and at 8 p.m. and 10:30 p.m. Friday and Saturday. Tickets cost $20 except for the Thursday show and the late Friday show, which are $15. Tickets can be purchased at the comedy club or online at www.jukeboxcomedy.com. The Journal Star talked to Blue recently about his career, “Last Comic Standing” and another one of his successful endeavors. Q: In retrospect, what’s your opinion on “Last Comic Standing” for younger comedians or comedi- ans who haven’t gotten a shot yet? A: I have mixed feelings about it. Obviously it really helped me blow into the scene. But it’s still a dumb reality show. -
Frankenstein in Mary Shelley’S Novel “Frankenstein”
A DESCRIPTION OF THE MAIN CHARACTER OF FRANKENSTEIN IN MARY SHELLEY’S NOVEL “FRANKENSTEIN” A PAPER WRITTEN BY RAHMA KESUMA ANJANI REG. NO: 152202056 DIPLOMA III ENGLISH STUDY PROGRAM FACULTY OF CULTURE STUDY UNIVERSITY OF NORTH SUMATERA MEDAN 2018 UNIVERSITAS SUMATERA UTARA It has been Approved by Supervisor, Dra. Diah Rahayu Pratama. M.Pd NIP. 195612141986012001 Submitted to Faculty of Culture Study. University of North Sumatera in partial fulfillment of the requirements for Diploma III in English Study Program. Approved by Head of Diploma III English Study Program, Dra. Swesana Mardia Lubis. M.Hum NIP. 19571002 198601 2 003 Approved by the Diploma III of English Study Program Faculty of Culture Study, University of North Sumatera. UNIVERSITAS SUMATERA UTARA As a Paper for the Diploma III Examination Accepted by the Board of Examiners in partial of the requirements for the D-III Examination of the Diploma III English Study Program, Faculty of Culture Study, University of North Sumatera. The examination is held 10th January 2018 Faculty of Culture Study University of North Sumatera Board of Examination : 1. Dra. Swesana Mardia Lubis. M.Hum 2. Dra. Diah Rahayu Pratama. M.Pd 3. Riko Andika Rahmat Pohan. S.S. M.Hum UNIVERSITAS SUMATERA UTARA AUTHOR’S DECLARATION I am, RAHMA KESUMA ANJANI, declare that I am the sole author of this paper. Except where reference is made in the text of this paper, this paper contains no material published elsewhere or extracted in whole or in part from a paper by which I have qualified for or awarded another degree. No other person‟s work has been used without due acknowledgement in the main text of this paper. -
Screams on Screens: Paradigms of Horror
Screams on Screens: Paradigms of Horror Barry Keith Grant Brock University [email protected] Abstract This paper offers a broad historical overview of the ideology and cultural roots of horror films. The genre of horror has been an important part of film history from the beginning and has never fallen from public popularity. It has also been a staple category of multiple national cinemas, and benefits from a most extensive network of extra-cinematic institutions. Horror movies aim to rudely move us out of our complacency in the quotidian world, by way of negative emotions such as horror, fear, suspense, terror, and disgust. To do so, horror addresses fears that are both universally taboo and that also respond to historically and culturally specific anxieties. The ideology of horror has shifted historically according to contemporaneous cultural anxieties, including the fear of repressed animal desires, sexual difference, nuclear warfare and mass annihilation, lurking madness and violence hiding underneath the quotidian, and bodily decay. But whatever the particular fears exploited by particular horror films, they provide viewers with vicarious but controlled thrills, and thus offer a release, a catharsis, of our collective and individual fears. Author Keywords Genre; taboo; ideology; mythology. Introduction Insofar as both film and videogames are visual forms that unfold in time, there is no question that the latter take their primary inspiration from the former. In what follows, I will focus on horror films rather than games, with the aim of introducing video game scholars and gamers to the rich history of the genre in the cinema. I will touch on several issues central to horror and, I hope, will suggest some connections to videogames as well as hints for further reflection on some of their points of convergence. -
FRANKENWEENIE Screenplay by John August (This Version Is Conformed As Per the Animatic on 18Th Jan 2012 V2) WHIRS and HUMS
FRANKENWEENIE screenplay by John August (This version is conformed as per the animatic on 18th Jan 2012_v2) WHIRS and HUMS. The screen flickers. Splices pop through the gate. And then, today's feature film: MONSTERS FROM BEYOND! The title card is made from cut cardboard, and very blurry. MOM (O.S.) Victor, I don't know that it's... VICTOR (O.S.) Mom, you have to wear the glasses. MOM (O.S.) Oh! Yes of course. Thick frames slide past. Now we're looking at the title card in real 3D. It's very homemade, but charmingly done. The next card: STARRING SPARKY DAD In 3D honey. Reveal that we are... INT. LIVING ROOM - DAY Victor's MOM and DAD share the couch with SPARKY THE DOG, 30-odd pounds of canine goodness. They're watching the homemade movie through vintage 3D glasses. Behind them run two projectors, manned by the filmmaker himself, VICTOR. He's more mad scientist than film auteur -- he built this twin projector system himself. MOM So that’s where my candlestick went. DAD Oh, isn’t that your grandmother’s table cloth. MOM That looks great! January 2012 Final Shooting Script_2012_01_18_v2 2 BACK TO THE SCREEN The pterodactyl swoops across town. People run in fear and panic. The monster attacks! DAD Oh that is so...Woah! I just felt I was attacked. MOM Oh. That’s scary. Troops and tanks spring into action. DAD Send in the marines! ARMY FIGURE Over here men. This way. To no avail. MOM Oh! Watch out! DAD Whoah! ENTER SPARKYSAURUS MOM Sparky! DAD Sparky that’s you! Sparky barks as he sees himself in the movie.