Cimam 2012 Annual Report
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Baltic Triennial 13 – Give up the Ghost
BALTIC TRIENNIAL 13 – GIVE UP THE GHOST Contemporary Art Centre (CAC), Vilnius 11 May – 12 August, 2018 Private view 11 May, 6pm Artistic Director: Vincent Honoré BT13 – GIVE UP THE GHOST launches its fi rst chapter at Contemporary Art Centre (CAC), Vilnius on Friday, 11 May with an evening of performances followed by a public programme on Saturday, 12 May. BT13 in Vilnius includes works by Caroline Achaintre, Evgeny Antufi ev, Korakrit Arunanondchai, Darja Bajagić, Olga Balema, Nina Beier, Huma Bhabha, Dora Budor, Miriam Cahn, Jayne Cortez, Melvin Edwards, Daiga Grantina, Max Hooper Schneider, Anna Hulačová, Pierre Huyghe, E’wao Kagoshima, Sanya Kantarovsky, Ella Kruglyanskaya, Benoît Maire, Katja Novitskova, Pakui Hardware, Anu Põder, Laure Prouvost, Ieva Rojūtė, Rachel Rose, Augustas Serapinas and Michael E. Smith alongside a public programme of performances by Liv Wynter, Adam Christensen, Anton Lukoszevieze, Ieva Rojūtė and Žygimantas Kudirka celebrating the Triennial. The Baltic Triennial has historically taken place at the CAC Vilnius only. For its 13th edition, it will - for the fi rst time - be organised by and take place in Lithuania, Estonia (opening on June 29th) and Latvia (opening on September 21st), taking the form of three distinct chapters. Baltic Triennial 13 is informed by a shared concern: what does it mean to belong at a time of fractured iden- tities? BT13 – GIVE UP THE GHOST unfolds through and with this very question, careful not to off er a single or illustrative response. Instead, it opts for a collective vision of what is at stake: independence and depen- dency—and everything that lies in between—to territories, cultures, classes, histories, bodies and forms. -
TAUS MAKHACHEVA Born in 1983 Lives in Makhachkala, Dagestan
TAUS MAKHACHEVA Born in 1983 Lives in Makhachkala, Dagestan Education 2011 - 2013 MA Fine Art, Royal College of Art, London 2008 - 2009 New Strategies in Contemporary Art, The Institute of Contemporary Art, Moscow 2003 - 2007 BA Fine Art, Goldsmiths College, University of London, London Selected Solo Exhibitions 2018 Storeroom, Van Abbe Museum, Eindhoven BaidÀ, narrative projects, London 2017 Cloud Caught on a Mountain, Moscow Museum of Modern Art, Moscow Taus Makhacheva: Second World, Third Attempt, Leo Xu Projects, Shanghai 2015 Vababai Vadadai! *, narrative projects, London (In)sidenotes, Uppsala Konstmuseum, Uppsala 2014 Dagestan. Not for Sale, artSumer Gallery, Istanbul A Walk, A Dance, A Ritual, GfZK Museum of Contemporary Art, Leipzig 2013 What? Whose? Why?, Raf projects, Tehran Story Demands to be Continued, Republic of Dagestan Union of Artists Exhibition Hall, Makhachkala On Historical Ideals of Labour in the Country that Conquered Space, The Mews Project, London The Process of Instance of Breaking Open, Kalmar Konstmuseum, Kalmar 2012 Let Me Be Part of a Narrative, Paperworks Gallery, Moscow Special Project: City States, Topography of Masculinity, 7th Liverpool Biennial of Contemporart Art, Liverpool 2011 Affirmative Action (mimesis), Laura Bulian Gallery, Milan 2010 Affirmative Actions, Panopticon Inutero, Moscow 2009 A Space of Celebration, Pervaya Gallery, Makhachkala Selected Group Exhibitions 2019 Picasso et l’exil, Les Abattoirs, Toulouse Future Generation Art Prize, PinchukArtCentre, Kiev The Keeper; To have and to hold, The Model, Sligo, Ireland 2018 Beautiful world, where are you?, 10th Liverpool Biennial of Contemporary Art, Liverpool The Sea is the Limit, York Art Gallery, York Manifesta 12, Palermo, Italy Mountain of Tongues, BACKLIT Gallery, Nottingham Starting from the Desert. -
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Speaker bios Bani Abidi is a visual artist working with video, photography, drawing and sound. She lives in Berlin and Karachi. Recent solo shows include: ‘Funland’, Sharjah Art Foundation, Sharjah; ‘Bani Abidi - They died laughing’, Gropius Bau, Berlin; ‘Bani Abidi - Exercise in Redirecting Lines’ Kunsthaus Hamburg, Hamburg and ‘Bani Abidi – Look at the city from here’, Gandhara Art Foundation, Karachi. Group shows include Karachi Biennial (2018), Busan Biennale (2018), Edinburgh Arts Festival Commissions (2016), 8th Berlin Biennial (2014) and DOCUMENTA 13 (2012). Her work is in the permanent collections of Tate Modern, Museum of Modern Art NY, Fukuoka Asian Art Museum, Guggenheim Museum and the British Museum. Iftikhar Dadi & Elizabeth Dadi have collaborated in their art practice for twenty years. Their work investigates memory, borders, and identity in contemporary globalization, the productive capacities of urban informalities in the Global South, and the mass culture of postindustrial societies. Exhibitions include the 24th Bienal de São Paulo, Brazil (1998); The Third Asia-Pacific Triennial, Brisbane, Australia (1999); Walker Art Center, Minneapolis (2000); Centre Georges Pompidou, Paris (2000); Liverpool Biennial, Tate Liverpool (2002); Moderna Museet-Stockholm (2005); Whitechapel Gallery, London (2010); Fukuoka Asian Art Museum, Japan (2012); Art Gallery of Windsor, Canada (2013); Dhaka Art Summit (2016); Office of Contemporary Art Norway, Oslo (2016); Lahore Biennale 01 (2018); and the Havana Biennial (2019). Iftikhar Dadi is an associate professor in Cornell’s Department of History of Art and Director of the South Asia Program, and a board member of the Institute for Comparative Modernities. He is the author of Modernism and the Art of Muslim South Asia (2010) and the edited monograph Anwar Jalal Shemza (2015). -
BIOLOGY of SEA TURTLES Volume II CRC Marine Biology SERIES Peter L
The BIOLOGY of SEA TURTLES Volume II CRC Marine Biology SERIES Peter L. Lutz, Editor PUBLISHED TITLES Biology of Marine Birds E.A. Schreiber and Joanna Burger Biology of the Spotted Seatrout Stephen A. Bortone The BIOLOGY of SEA TURTLES Volume II Edited by Peter L. Lutz John A. Musick Jeanette Wyneken CRC PRESS Boca Raton London New York Washington, D.C. 1123 Front Matter.fm Page iv Thursday, November 14, 2002 11:25 AM Library of Congress Cataloging-in-Publication Data The biology of sea turtles / edited by Peter L. Lutz and John A. Musick. p. cm.--(CRC marine science series) Includes bibliographical references (p. ) and index. ISBN 0-8493-1123-3 1. Sea turtles. I. Lutz, Peter L. II. Musick, John A. III. Series: Marine science series. QL666.C536B56 1996 597.92—dc20 96-36432 CIP This book contains information obtained from authentic and highly regarded sources. Reprinted material is quoted with permission, and sources are indicated. A wide variety of references are listed. Reasonable efforts have been made to publish reliable data and information, but the author and the publisher cannot assume responsibility for the validity of all materials or for the consequences of their use. Neither this book nor any part may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, microfilming, and recording, or by any information storage or retrieval system, without prior permission in writing from the publisher. All rights reserved. Authorization to photocopy items for internal or personal use, or the personal or internal use of specific clients, may be granted by CRC Press LLC, provided that $1.50 per page photocopied is paid directly to Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923 USA. -
Table of Contents
Image Credits, Indian Ocean in World History, March 28, 2010 TABLE OF CONTENTS PREHISTORIC ERA .......................................................................................................................................... 2 ANCIENT ........................................................................................................................................................ 5 CLASSICAL ERA ............................................................................................................................................ 10 MEDIEVAL ERA ............................................................................................................................................ 16 FIRST GLOBAL ERA ...................................................................................................................................... 23 INDUSTRIAL AND IMPERIAL ERA ................................................................................................................. 31 20TH CENTURY AND MODERN ERA .............................................................................................................. 39 1 Image Credits, Indian Ocean in World History, March 28, 2010 PREHISTORIC ERA Arabian or Persian Gulf 1-2. © NASA, Washington, DC Blombos Cave Artifacts 1-3. © Blombos Cave Project, Cape Town Bridge to Ice Age Sahul 1. © NASA, Washington, DC 2. Courtesy of Eco Lodges Indonesia, Satwa Sumatra Eco Elephant Lodges Description of the Indian Ocean 1. © Intute, University of Manchester Dr. Li Jin © National -
Dmitry Gutov
Dmitry Gutov 1960 Born in Moscow, Russia Lives and works in Moscow Education 1992 Graduated from the Repin Institute of Painting, Sculpture, and Architecture, of the Academy of Arts, St. Petersburg Selected Solo Exhibitions 2009 Relativism is Dialectics for Idiots , Scaramouche Gallery, Volta NY 2008 Used , M & J Guelman Gallery, Moscow 2006 Iteration, Return Canon, Slowdown, Stupor , State Tretyakov Gallery, Moscow For the Proper Movement of the Wrist , Guelman Gallery, Moscow Thaw-Disgelo , Nina Lumer Gallery, Milan 2005 The Deep Blue Color of his Skin Shows Just How Self-Absorbed He Is , Matthew Brown Gallery, London Everything I've Done Before the Age of 70 Doesn't Count , Guelman Gallery, Moscow Excess, Cinefantom Club, Fitil Movie Theatre , 10.8.2005 2004 Conversation About Unclear Pas of Brash (with K. Bokhorov) , Fine Art Gallery, Moscow 2003 I am Alien at this Fest of Life , Moscow Fine Art, Moscow 2002 Mam, Dad, & Campions League , Guelman Gallery, Moscow 2001 Blind , The Museum of Nonconformist Art, St. Petersburg Mam, Dad, & TV , Guelman Gallery, Moscow 1999 Exercises , Guelman Gallery, Moscow 1998 The Town Urupinsk 1997 , Photobiennale 1998, Moscow 1996 Dilettanism in Art , Guelman Gallery, Moscow 1995 Mihail Lifshitz – 90 Years , Contemporary Art Centre, Moscow 1994 Above Black Mud , Regina Gallery, Moscow 1993 Portraits , Action, Regina Gallery, Moscow Sixties, Once More About Love (with Ye.Andreeva) , Contemporary Art Centre 1992 As I've Become An Artist (with Yu. Albert) , Laboratory of Contemporary Art Centre, Moscow -
The Laura Bulian Gallery Is Pleased to Announce the Exhibition Life From
The Laura Bulian Gallery is pleased to announce the exhibition Life from My Window, curated by Andrey Misiano, that studies the contemporary experience of artists who were born in the Caucasus during the Soviet period yet that are rapidly losing touch with their socialist past. First and foremost, all the artists participating in the exhibition – Babi Badalov (Lerik, Azerbaidjan, 1959), Lusine Djanyan (Ganja, Azerbaijan, 1981), Aslan Gaisumov (Grozny, Russia, 1991), Musay Gaivoronskiy (Dagestan, Russia, 1987) , Taus Makhacheva (Moscow, Russia, 1983), Koka Ramishvili (Tblisi, Georgia, 1959) have in common a painful search for their place in the world in the conflictual conditions of the new world order. They depict people that have experienced the end of history in one way or another and are now living in a disjointed globalized world. At the same time, they retain recollections of Soviet life and the first post-Soviet decades that are currently seen in an extremely contradictory historical perspective. On the one hand, the practice of analyzing, reconsidering and debunking the Soviet project is rapidly spreading in the academic and artistic communities. On the other, at the political level, the regimes that have arisen on post-Soviet territories are selectively speculating on recollections of positive aspects of socialist life in order to patch holes in their profane ideological programs. To sum up, although it is difficult to say in what form the Soviet past is returning today, it is clear that the great expectations of the period continue to exist in the future conditional tense. The exhibition’s title stems from the well-known work of an artist participating in the project: Koka Ramishvili’s War from My Window. -
Brockman Resources Limited Rail Corridor Short Range Endemic Invertebrate Survey
OCTOBER 2011 BROCKMAN RESOURCES LIMITED RAIL CORRIDOR SHORT RANGE ENDEMIC INVERTEBRATE SURVEY This page has been left blank intentionally BROCKMAN RESOURCES LIMITED RAIL CORRIDOR SHORT RANGE ENDEMIC INVERTEBRATE SURVEY Brockman Resources Limited Rail Corridor SRE Survey Document Status Approved for Issue Rev Author Reviewer/s Date Name Distributed To Date A N. Dight L. Roque‐Albelo 15/12/10 L.Roque‐Albelo J. Greive 1 N. Dight M. Davis 20/11/11 L. Roque‐Albelo G. Firth 21/10/11 ecologia Environment (2011). Reproduction of this report in whole or in part by electronic, mechanical or chemical means including photocopying, recording or by any information storage and retrieval system, in any language, is strictly prohibited without the express approval of Brockman Resources Limited and/or ecologia Environment. Restrictions on Use This report has been prepared specifically for Brockman Resources Limited. Neither the report nor its contents may be referred to or quoted in any statement, study, report, application, prospectus, loan, or other agreement document, without the express approval of Brockman Resources and/or ecologia Environment. ecologia Environment 1025 Wellington Street WEST PERTH WA 6005 Phone: 08 9322 1944 Fax: 08 9322 1599 Email: [email protected] October 2011 iii Brockman Resources Limited Rail Corridor SRE Survey TABLE OF CONTENTS EXECUTIVE SUMMARY..................................................................................................................VIII 1 INTRODUCTION ............................................................................................................... -
Anatoly Shuravlev
Anatoly Shuravlev 1963 born in Moscow, Russia lives in Moscow, Russia and Berlin, Germany Selected Solo Exhibitions 2017 Future Revisited, Alex Mylona Museum - Macedonian Museum of Contemporary Art, Athens, Greece; Future Revisited, Macedonian Museum of Contemporary Art, Thessaloniki, Greece 2015 Wallwork #16: Panic, L40-Verein zur Förderung von Kunst und Kultur am Rosa-Luxemburg-Platz e.V, Berlin, Germany 2014 Reach Out – China, Galerie Urs Meile, Beijing, China 2011 PANIC!, projectroom AFTERGALLERY, Moscow, Russia Temporary Visual Wound, CentrePasquArt, Biel, Switzerland Black Holes, Galerie Urs Meile, Lucerne, Switzerland UNNAMED, gmg Gallery Marina Goncharenko, Moscow, Russia 2007 China Connection, Galerie Urs Meile, Beijing, China 2006 Anatoly Shuravlev, Gallery Charim, Vienna, Austria 2005 Infrathin, special project of the 1st Moscow Biennale, Foundation Contemporary City, Moscow, Russia Anatoly Shuravlev, Galerie Urs Meile, Lucerne, Switzerland Anatoly SHURAVLEV, Marina Gizith Gallery, St. Petersburg, Russia 2004 Retrospective, Moscow House of Photography, Moscow, Russia 2003 Anatolij Shuravlev, Aidan Gallery, Moscow, Russia 2002 Anatolij Shuravlev, Charim Gallery, Vienna, Austria Anatolij Shuravlev, Galerie Urs Meile, Lucerne, Switzerland Anatolij Shuravlev, Aidan Gallery, Moscow, Russia 2001 Templates, Gary Tatinsian Gallery, New York, USA Anatolij Shuravlev, Otto Schweins Gallery, Cologne, Germany 2000 Anatolij Shuravlev, Galerie Urs Meile, Lucerne, Switzerland 1999 Anatolij Shuravlev, Aidan Gallery, Moscow, Russia 1994 Anatolij -
Alexander Ponomarev
Alexander Ponomarev Born Dnepropetrovsk, Ukraine, 1957 Lives Moscow, Russia EDUCATION 2003 Artist in Residence, French Ministry of Culture, Atelier Calder, Sache, France 1979 Odessa Higher Engineering Marine School, Odessa, Ukraine 1973 School of Fine Art, Orel, Russia SOLO EXHIBITIONS 2015 Concordia, Antarctic Pavilion, 56th Venice Biennale of Art, Venice, Italy 2011 Shapes Leading Away, Krokin Gallery, Moscow One of Thousand Ways to Defeat Entropy, 54th Biennial of Contemporary Art, Venice, Italy 2010 Sea Stories, Calvert 22, London 2009 Subtiziano, collateral event at the 53rd International Art Exhibition Venice Biennale, Venice 2008 Surface Tension Cueto Project, New York Punto di vista Nina Lumer, Milan Faire Surface, Monaco National Musee Nouveau, Monaco 2007 Verticale parallèle Chapelle Saint-Louis de la Salpêtrière. National Center of Contemporary Art, Festival d'Automne, Paris 52nd International Art Exhibition Venice Biennale, Venice Secret Fairway, 2nd Moscow Biennale of Contemporary Art, Moscow In the Garden of Wolf Packs, Tuilleries Fountain, Louvre, Paris Narcissus Backwards, Granite Center for Contemporary Art, Belfort, France, Centre of Contemporary Art, Festival d’Automne, Paris, France 2006 In the Garden of Wolf Packs, Tuileries Fountain, Louvre, Paris Narcissus Backwards, Grande Centre for Contemporary Art, Belfort, France 2005 Le Vent en Rose Rabouan, Moussion Galerie, Paris Topology of Absolute Zero, Multimedia complex of Actual Arts, 1st Moscow Biennale, Moscow Nemo-Verne, Monument to Jules Verne in the Somme Harbor, -
Art History: International Art Exhibitions
FRICK FINE ARTS LIBRARY ART HISTORY: INTERNATIONAL ART EXHIBITIONS Library Guide Series, No. 42 “Qui scit ubi scientis sit, ille est proximus habenti.” -- Brunetiere* What Is an International Art Exhibition? International art exhibitions have a long history that has its roots in the 19th century. Salon exhibitions took place in Paris from 1667 onwards under the auspices of the French Royal Academy of Painting and Sculpture and were held on a biennial basis from 1855 onwards. That same year the Salons were held in the Palais de ‘l’Industrie constructed for the World’s Fair that year. A number of rival salons were established and in 1881 the government withdrew official support from the main Salon and handed over its direction to artists. Afterward, the Salon began to lose its prestige and influence in the face of competition from various independent exhibitions such as the Salon des Independents (1884), the Societe Nationale des Beaux-Arts (1890) and the Salon d’Automne (1903). The end of the 19th century was a time marked by an internationalist spirit that celebrated technological advancement and the accumulation of wealth through global colonial structures. The institution of world’s fairs was one feature of that spirit, the first one being held in London during 1851. Many of the fairs that followed throughout the 19th and 20th centuries included art buildings to display works by the current artists of the day. At times it is difficult to distinguish biennial and triennial art exhibitions from international art festivals, art fairs or trade shows. The first art fair one in the twentieth century was the 1913 Armory Show in New York which was open to progressive painters usually neglected. -
Marinella SENATORE B. 1977, Cava Dei Tirreni, Italy Lives and Works in Rome and Paris
Marinella SENATORE b. 1977, Cava dei Tirreni, Italy Lives and works in Rome and Paris EDUCATION 2012-2019 PhD Candidate, University of Castilla-La Mancha, Spain 2006 Degree Faculty of Fine Arts, University of Castilla-La Mancha, Spain 1999-2001 National Film School, Rome, Italy 1998 BA (Hons) Fine Art, Accademia di Belle Arti, Naples, Italy 1997 Master’s degree in Violin, Conservatory of Music, Avellino, Italy UPCOMING SOLO EXHIBITIONS 2022 The school of Narrative Dance, Tel Aviv, CCA, Tel Aviv 2021 To climb to the stars, Museo del Novecento Pistoia The School of Narrative Dance, Amsterdam, Taak, Amsterdam Appunti X una Rivoluzione, Fondazione Stelline, Milan Marinella Senatore, Blitz, Malta UPCOMING GROUP EXHIBITIONS 2021 Faz escuro mas eu canto, 34th Bienal de São Paulo, Fundação Bienal de São Paulo, Brasil Biennial of Sonsbeek, Netherlands Momentum Biennial, Moss, Norway I Say I, Galleria Nazionale d’Arte Moderna e Contemporanea, Rome Bodies in alliance, Horst, Vilvoorde SELECTED SOLO EXHIBITIONS 2020 We rise by lifting others, Palazzo Strozzi, Florence Un corpo unico/Un cuerpo unico, IIC Madrid, Spain I’m going to make everything beautiful around me, Galeria Pedro Cera, Lisbon 2019 The School of Narrative Dance, Johannesburg, The Centre for the Less Good Idea, Johannesburg, South Africa The School of Narrative Dance, Napoli, Palazzo Sessa, Napoli, Italy 2018 ZIGZAGZEGZUG, Laveronica arte contemporanea, Modica, Italy The School of Narrative Dance, The National Theater Mannheim and Kunsthalle