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Page 1 of 19 Summer Preview: Museum Shows and Biennials Around the World | Artnews 6/14/2017
Summer Preview: Museum Shows and Biennials Around the World | ARTnews Page 1 of 19 PREVIEWS (HTTP://WWW.ARTNEWS.COM/CATEGORY/PREVIEWS/) SUMMER 2017 (HTTP://WWW.ARTNEWS.COM/ISSUE/SUMMER-2017/) Summer Preview: Museum Shows and Biennials Around the World BY The Editors of ARTnews (http://www.artnews.com/author/the_editors_of_artnews/) POSTED 05/10/17 1:15 PM 0 0 0 New Julio César Morales, Boy in Suitcase, 2013, HD animation video with sound. “Home—So Different, So Appealing” at LACMA. ©JULIO CÉSAR MORALES/COURTESY THE ARTIST AND GALLERY WENDI NORRIS, SAN FRANCISCO With summer just around the corner, it’s time to start looking forward to the season’s museum shows and biennials. Below is a guide to upcoming offerings, from Documenta 14 to Skulptur Projekte Münster, and from Bill Viola and Markus Lüpertz retrospectives to major new commissions by Martine Syms, Yan Xing, and more. National International May May June June July July August August NATIONAL http://www.artnews.com/2017/05/10/summer-preview-museum-shows-and-biennials-arou... 6/14/2017 Summer Preview: Museum Shows and Biennials Around the World | ARTnews Page 2 of 19 Markus Lüpertz, Arkadien – Der hohe Berg (Arcadia—The High Mountain), 2013, mixed media on canvas. PRIVATE COLLECTION May Markus Lüpertz Hirshhorn Museum and Sculpture Garden and the Phillips Collection, Washington, D.C. May 24–September 10; May 27–September 20 German Neo-Expressionist painter, sculptor, writer, teacher, and jazz pianist Markus Lüpertz is the subject of these two simultaneous exhibitions. The 75-year-old flamboyant, tattoo-emblazoned artist’s intense painterly output appears in the Hirshhorn show, curated by Evelyn Hankins, which concentrates on Lüpertz’s formative years, from 1962 to 1975, when he reflected the turmoil of postwar Germany with a series of semi-figurative military paintings. -
Baltic Triennial 13 – Give up the Ghost
BALTIC TRIENNIAL 13 – GIVE UP THE GHOST Contemporary Art Centre (CAC), Vilnius 11 May – 12 August, 2018 Private view 11 May, 6pm Artistic Director: Vincent Honoré BT13 – GIVE UP THE GHOST launches its fi rst chapter at Contemporary Art Centre (CAC), Vilnius on Friday, 11 May with an evening of performances followed by a public programme on Saturday, 12 May. BT13 in Vilnius includes works by Caroline Achaintre, Evgeny Antufi ev, Korakrit Arunanondchai, Darja Bajagić, Olga Balema, Nina Beier, Huma Bhabha, Dora Budor, Miriam Cahn, Jayne Cortez, Melvin Edwards, Daiga Grantina, Max Hooper Schneider, Anna Hulačová, Pierre Huyghe, E’wao Kagoshima, Sanya Kantarovsky, Ella Kruglyanskaya, Benoît Maire, Katja Novitskova, Pakui Hardware, Anu Põder, Laure Prouvost, Ieva Rojūtė, Rachel Rose, Augustas Serapinas and Michael E. Smith alongside a public programme of performances by Liv Wynter, Adam Christensen, Anton Lukoszevieze, Ieva Rojūtė and Žygimantas Kudirka celebrating the Triennial. The Baltic Triennial has historically taken place at the CAC Vilnius only. For its 13th edition, it will - for the fi rst time - be organised by and take place in Lithuania, Estonia (opening on June 29th) and Latvia (opening on September 21st), taking the form of three distinct chapters. Baltic Triennial 13 is informed by a shared concern: what does it mean to belong at a time of fractured iden- tities? BT13 – GIVE UP THE GHOST unfolds through and with this very question, careful not to off er a single or illustrative response. Instead, it opts for a collective vision of what is at stake: independence and depen- dency—and everything that lies in between—to territories, cultures, classes, histories, bodies and forms. -
ABSTRACT Sunshower a Symphonic Poem for Wind Ensemble Jordan R
ABSTRACT Sunshower A Symphonic Poem for Wind Ensemble Jordan R. Tucker, M.M. Mentor: Scott McAllister, D.M.A. Composed in the programmatic spirit of standard wind ensemble works such as H. Owen Reed’s La Fiesta Mexicana, Winds of Nagual by Michael Colgrass, and Alfred Reed’s Armenian Dances, Sunshower is an exploration in sonoristic composition and a tribute to the classic wind ensemble. Utilizing a large ensemble, this four-movement symphonic poem was begun in June of 2016 and was completed in February of 2017. With the intention of creating the aural and sensational atmosphere of a sun-shower, my ultimate goal was to share a work that is both programmatic in its connection to the listeners, and depicts a unique, modern, and human experience. By establishing an aural connection between the wind ensemble and this fascinating weather pattern, the music is able to unify audience members in an acoustic environment, allow them to embrace new sensations of expression, and demonstrate the textural possibilities within the world of wind ensemble composition. Sunshower by Jordan R. Tucker, B.M. A Thesis Approved by the School of Music Gary C. Mortenson, D.M.A., Dean Laurel E. Zeiss, Ph.D., Graduate Program Director Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Music Approved by the Thesis Committee Scott McAllister, D.M.A., Chairperson Jeffrey Powers, M.M. Horace J. Maxile, Jr., Ph.D. Accepted by the Graduate School May 2017 J. Larry Lyon, Ph.D., Dean Page bearing signatures is kept on file in the Graduate School. -
TAUS MAKHACHEVA Born in 1983 Lives in Makhachkala, Dagestan
TAUS MAKHACHEVA Born in 1983 Lives in Makhachkala, Dagestan Education 2011 - 2013 MA Fine Art, Royal College of Art, London 2008 - 2009 New Strategies in Contemporary Art, The Institute of Contemporary Art, Moscow 2003 - 2007 BA Fine Art, Goldsmiths College, University of London, London Selected Solo Exhibitions 2018 Storeroom, Van Abbe Museum, Eindhoven BaidÀ, narrative projects, London 2017 Cloud Caught on a Mountain, Moscow Museum of Modern Art, Moscow Taus Makhacheva: Second World, Third Attempt, Leo Xu Projects, Shanghai 2015 Vababai Vadadai! *, narrative projects, London (In)sidenotes, Uppsala Konstmuseum, Uppsala 2014 Dagestan. Not for Sale, artSumer Gallery, Istanbul A Walk, A Dance, A Ritual, GfZK Museum of Contemporary Art, Leipzig 2013 What? Whose? Why?, Raf projects, Tehran Story Demands to be Continued, Republic of Dagestan Union of Artists Exhibition Hall, Makhachkala On Historical Ideals of Labour in the Country that Conquered Space, The Mews Project, London The Process of Instance of Breaking Open, Kalmar Konstmuseum, Kalmar 2012 Let Me Be Part of a Narrative, Paperworks Gallery, Moscow Special Project: City States, Topography of Masculinity, 7th Liverpool Biennial of Contemporart Art, Liverpool 2011 Affirmative Action (mimesis), Laura Bulian Gallery, Milan 2010 Affirmative Actions, Panopticon Inutero, Moscow 2009 A Space of Celebration, Pervaya Gallery, Makhachkala Selected Group Exhibitions 2019 Picasso et l’exil, Les Abattoirs, Toulouse Future Generation Art Prize, PinchukArtCentre, Kiev The Keeper; To have and to hold, The Model, Sligo, Ireland 2018 Beautiful world, where are you?, 10th Liverpool Biennial of Contemporary Art, Liverpool The Sea is the Limit, York Art Gallery, York Manifesta 12, Palermo, Italy Mountain of Tongues, BACKLIT Gallery, Nottingham Starting from the Desert. -
View a PDF Programme
Speaker bios Bani Abidi is a visual artist working with video, photography, drawing and sound. She lives in Berlin and Karachi. Recent solo shows include: ‘Funland’, Sharjah Art Foundation, Sharjah; ‘Bani Abidi - They died laughing’, Gropius Bau, Berlin; ‘Bani Abidi - Exercise in Redirecting Lines’ Kunsthaus Hamburg, Hamburg and ‘Bani Abidi – Look at the city from here’, Gandhara Art Foundation, Karachi. Group shows include Karachi Biennial (2018), Busan Biennale (2018), Edinburgh Arts Festival Commissions (2016), 8th Berlin Biennial (2014) and DOCUMENTA 13 (2012). Her work is in the permanent collections of Tate Modern, Museum of Modern Art NY, Fukuoka Asian Art Museum, Guggenheim Museum and the British Museum. Iftikhar Dadi & Elizabeth Dadi have collaborated in their art practice for twenty years. Their work investigates memory, borders, and identity in contemporary globalization, the productive capacities of urban informalities in the Global South, and the mass culture of postindustrial societies. Exhibitions include the 24th Bienal de São Paulo, Brazil (1998); The Third Asia-Pacific Triennial, Brisbane, Australia (1999); Walker Art Center, Minneapolis (2000); Centre Georges Pompidou, Paris (2000); Liverpool Biennial, Tate Liverpool (2002); Moderna Museet-Stockholm (2005); Whitechapel Gallery, London (2010); Fukuoka Asian Art Museum, Japan (2012); Art Gallery of Windsor, Canada (2013); Dhaka Art Summit (2016); Office of Contemporary Art Norway, Oslo (2016); Lahore Biennale 01 (2018); and the Havana Biennial (2019). Iftikhar Dadi is an associate professor in Cornell’s Department of History of Art and Director of the South Asia Program, and a board member of the Institute for Comparative Modernities. He is the author of Modernism and the Art of Muslim South Asia (2010) and the edited monograph Anwar Jalal Shemza (2015). -
San Diego Public Library New Additions September 2008
San Diego Public Library New Additions September 2008 Adult Materials 000 - Computer Science and Generalities California Room 100 - Philosophy & Psychology CD-ROMs 200 - Religion Compact Discs 300 - Social Sciences DVD Videos/Videocassettes 400 - Language eAudiobooks & eBooks 500 - Science Fiction 600 - Technology Foreign Languages 700 - Art Genealogy Room 800 - Literature Graphic Novels 900 - Geography & History Large Print Audiocassettes Newspaper Room Audiovisual Materials Biographies Fiction Call # Author Title FIC/ABE Abé, Shana. The dream thief FIC/ABRAHAMS Abrahams, Peter, 1947- Delusion [SCI-FI] FIC/ADAMS Adams, Douglas, 1952- Dirk Gently's holistic detective agency FIC/ADAMSON Adamson, Gil, 1961- The outlander : a novel FIC/ADLER Adler, Elizabeth (Elizabeth A.) Meet me in Venice FIC/AHERN Ahern, Cecelia, 1981- There's no place like here FIC/ALAM Alam, Saher, 1973- The groom to have been FIC/ALEXANDER Alexander, Robert, 1952- The Romanov bride FIC/ALI Ali, Tariq. Shadows of the pomegranate tree FIC/ALLEN Allen, Preston L., 1964- All or nothing [SCI-FI] FIC/ALLSTON Allston, Aaron. Star wars : legacy of the force : betrayal [SCI-FI] FIC/ANDERSON Anderson, Kevin J. Darksaber FIC/ARCHER Archer, Jeffrey, 1940- A prisoner of birth FIC/ARCHER Archer, Jeffrey, 1940- A prisoner of birth FIC/ARCHER Archer, Jeffrey, 1940- Cat o'nine tales and other stories FIC/ASARO Asaro, Catherine. The night bird FIC/AUSTEN Austen, Jane, 1775-1817. Emma FIC/AUSTEN Austen, Jane, 1775-1817. Mansfield Park FIC/AUSTEN Austen, Jane, 1775-1817. Minor works FIC/AUSTEN Austen, Jane, 1775-1817. Northanger Abbey and Persuasion FIC/AUSTEN Austen, Jane, 1775-1817. Sense and sensibility FIC/BAHAL Bahal, Aniruddha, 1967- Bunker 13 FIC/BALDACCI Baldacci, David. -
Jazz Quartess Songlist Pop, Motown & Blues
JAZZ QUARTESS SONGLIST POP, MOTOWN & BLUES One Hundred Years A Thousand Years Overjoyed Ain't No Mountain High Enough Runaround Ain’t That Peculiar Same Old Song Ain’t Too Proud To Beg Sexual Healing B.B. King Medley Signed, Sealed, Delivered Boogie On Reggae Woman Soul Man Build Me Up Buttercup Stop In The Name Of Love Chasing Cars Stormy Monday Clocks Summer In The City Could It Be I’m Fallin’ In Love? Superstition Cruisin’ Sweet Home Chicago Dancing In The Streets Tears Of A Clown Everlasting Love (This Will Be) Time After Time Get Ready Saturday in the Park Gimme One Reason Signed, Sealed, Delivered Green Onions The Scientist Groovin' Up On The Roof Heard It Through The Grapevine Under The Boardwalk Hey, Bartender The Way You Do The Things You Do Hold On, I'm Coming Viva La Vida How Sweet It Is Waste Hungry Like the Wolf What's Going On? Count on Me When Love Comes To Town Dancing in the Moonlight Workin’ My Way Back To You Every Breath You Take You’re All I Need . Every Little Thing She Does Is Magic You’ve Got a Friend Everything Fire and Rain CONTEMPORARY BALLADS Get Lucky A Simple Song Hey, Soul Sister After All How Sweet It Is All I Do Human Nature All My Life I Believe All In Love Is Fair I Can’t Help It All The Man I Need I Can't Help Myself Always & Forever I Feel Good Amazed I Was Made To Love Her And I Love Her I Saw Her Standing There Baby, Come To Me I Wish Back To One If I Ain’t Got You Beautiful In My Eyes If You Really Love Me Beauty And The Beast I’ll Be Around Because You Love Me I’ll Take You There Betcha By Golly -
Annex A: Bios of Creative Directors - Clara Yee and Randy Chan
Annex A: Bios of Creative Directors - Clara Yee and Randy Chan Clara Yee Creative Director Singapore: Inside Out Tokyo Clara Yee is the creative director of nomadic creative house, in the wild. After graduating from Central Saint Martins College of Art and Design London, Yee has been actively developing her creative practice, creating and collaborating across disciplines from fashion to spatial interventions. To date, Yee has worked with many prolific private and public clients, including Alexander McQueen, Barbican London and Warner Music. Her work has brought her on cross-country cultural adventures to Beijing, London, Mexico City, New York, Taiwan and Japan, where she collaborated with international talents. She has exhibited her works as part of London Design Festival, Taiwan Design Expo, Singapore Design Week and Archifest, showing at galleries in London, Singapore and USA such as Blackall Studios, Sculpture Square, Berkeley Foundation and Singapore Art Museum’s 8Q @ SAM. Yee is part of The Straits Times’ 30 rising stars of Singapore under 30 and is also a Forbes Asia’s inaugural 30 under 30 honouree. Randy Chan Creative Director Singapore: Inside Out Sydney One of Singapore's leading young architects, Randy's architectural and design experience includes work on projects as diverse as stage design, private housing, cluster housing and master-planning – all of which are guided by the simple philosophy that architecture and the aesthetics originate from the same impulse. Randy takes a multidisciplinary architectural approach to his projects and specializes in the convergence between Art and Architecture. His works have been published in numerous local architecture magazines and international publications, including Robert Powell’s Singapore Houses. -
Reynier Leyva Novo
GALLERIA CONTINUA Via del Castello 11, San Gimignano (SI), Italia tel. +390577943134 fax +390577940484 [email protected] www.galleriacontinua.com REYNIER LEYVA NOVO El peso de la muerte Opening: Saturday 13 February 2016, via del Castello 11 and via Arco dei Becci 1, 6pm–12 midnight Until 1 May 2016, Monday–Saturday, 10am–1pm / 2–7pm Galleria Continua is pleased to present the first solo exhibition by Reynier Leyva Novo in Italy. One of the latest generation of Cuban artists, Novo has already had occasion to show his work in important international events and venues such as the Havana Biennial, the Venice Biennale, MARTE Museo de Arte de El Salvador and the Liverpool Biennial. El peso de la muerte is a project specially conceived for Galleria Continua and brings together a series of new works in which investigation and procedure are key elements. Deeply poetic but also alive with questions, Novo’s work is situated in the context of the daily battles to get to the bottom of individual and collective identity. In his artistic practice he moves forward turning his back on the future, penetrating into the most hidden folds of history to offer us a fresh dialogue and a different point of observation. His works are often the result of joint efforts involving historians, cartographers, alchemists, botanists, musicians, designers, translators and military strategists, all engaged in the eternal struggle to gain freedom – individual and collective – , in the attempt to set into motion ideological mechanisms blocked by the rust and sediment that have accumulated over years of immobility and lethargy. -
SUPERFLEX Formed in 1993 by Bjørnstjerne Reuter Christiansen
SUPERFLEX Formed in 1993 by Bjørnstjerne Reuter Christiansen, Jakob Fenger, Rasmus Nielsen. The Danish artist group SUPERFLEX has been working since 1993 on a series of projects to do with economic forces, democratic production conditions and self-organisation. With a diverse and complex practice that engages art, design, commerce and economic structures of dependency, the Copenhagenbased artists collective Superflex challenges the role of artists in contemporary society and explore the nature of globalization through ongoing collaborative projects. Bjørnstjerne Reuter Christiansen born 1969 Jakob Fenger born 1968 Rasmus Nielsen born 1969 Work and live in Copenhagen, Denmark & Sweden Education The Royal Academy of Fine Art in Copenhagen Solo exhibitions (selected) 2014 The Corrupt Show and The Speculative Machine, The Jumex Foundation, Mexico City, MX Superflex, Kunsthal Charlottenborg, Copenhagen 2013 Mærsk – The Opera, Horsens Art Museum, Horsens, DK 2012 7th Liverpool Biennial, Liverpool, GB Kuh, Thyssen-Bornemisza Art Contemporary, Vienna, AT Reprototypes, Triangulations and Road Tests – w. Simon Starling, Thyssen-Bornemisza Art Contemporary, Vienna, AT Prouvé in Africa / Bent, Pressed, Compressed, Welded, and then Copied, Musée d’Art Moderne, St-Etienne, FR Bankrupt Banks, Peter Blum, New York, US Modern Times Forever, 1301PE Gallery, Los Angeles, US Flooded McDonald’s, The Cube, Taipei, Taiwan 2011 COPY LIGHT – MODERN TIMES FOREVER, Galerie Jeusse Entreprise, Paris, FR Flooded McDonalds, Museum der Westkünste, Alkersum/Föhr, D Foreigners, -
Unpacking My Collection
University of Wollongong Research Online University of Wollongong Thesis Collection 2017+ University of Wollongong Thesis Collections 2019 Unpacking My Collection Newell Marcel Harry University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses1 University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Harry, Newell Marcel, Unpacking My Collection, Doctor of Creative Arts thesis, School of the Arts, English & Media, University of Wollongong, 2019. https://ro.uow.edu.au/theses1/794 Research Online is the open access institutional repository for the University of Wollongong. -
The Art of Regeneration: the Establishment and Development of the Foundation for Art and Creative Technology, 1985–2010
The Art of Regeneration: the establishment and development of the Foundation for Art and Creative Technology, 1985–2010 Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor of Philosophy by Jane Clayton School of Architecture, University of Liverpool August 2012 iii Abstract The Art of Regeneration: the establishment and development of the Foundation for Art and Creative Technology, 1985-2010 Jane Clayton This thesis is about change. It is about the way that art organisations have increasingly been used in the regeneration of the physical environment and the rejuvenation of local communities, and the impact that this has had on contemporary society. This historical analysis of the development of a young art organisation, the Foundation for Art and Creative Technology (FACT), which has previously not been studied in depth, provides an original contribution to knowledge with regard to art and culture, and more specifically the development of media and community art practices, in Britain. The nature of FACT’s development is assessed in the context of the political, socio- economic and cultural environment of its host city, Liverpool, and the organisation is placed within broader discourses on art practice, cultural policy, and regeneration. The questions that are addressed – of local responsibility, government funding and institutionalisation – are essential to an understanding of the role that publicly funded organisations play within the institutional framework of society, without which the analysis of the influence of the state on our cultural identity cannot be achieved. The research was conducted through the triangulation of qualitative research methods including participant observation, in-depth interviews and original archival research, and the findings have been used to build upon the foundations of the historical analysis and critical examination of existing literature in the fields of regeneration and culture, art and media, and museum theory and practice.