Politics, Power & Public Safety
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Merchant, Jimmy Merchant, Jimmy
Fordham University Masthead Logo DigitalResearch@Fordham Oral Histories Bronx African American History Project 4-7-2006 Merchant, Jimmy Merchant, Jimmy. Interview: Bronx African American History Project Fordham University Follow this and additional works at: https://fordham.bepress.com/baahp_oralhist Part of the African American Studies Commons Recommended Citation Merchant, Jimmy. 7 April 2006. Interview with the Bronx African American History Project. BAAHP Digital Archive at Fordham. This Interview is brought to you for free and open access by the Bronx African American History Project at DigitalResearch@Fordham. It has been accepted for inclusion in Oral Histories by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. Interviewee: Jimmy Merchant Interviewers: Alessandro Buffa, Loreta Dosorna, Dr. Brian Purnell, and Dr. Mark Naison Date: April 7, 2006 Transcriber: Samantha Alfrey Mark Naison (MN): This is the 154th interview of the Bronx African American History Project. We are here at Fordham University on April 7, 2006 with Jimmy Merchant, an original and founding member of Frankie Lymon and the Teenagers, who has also had a career as an artist. And with us today, doing the interviews, are Alessandro Buffa, Lorreta Dosorna, Brian Purnell, and Mark Naison. Jimmy, can you tell us a little about your family and where they came from originally? Jimmy Merchant (JM): My mom basically came from Philadelphia. My dad – his family is from the Bahamas. He – my dad – was shifted over to the south as a youngster. His mother was from the Bahamas and she moved into the South – South Carolina, something like that – and he grew up there. -
2:19 PM Open Or Not: Manhattan Supermarkets
2:19 P.M. Open or Not: Manhattan Supermarkets Food Emporium stores in were open for business unless power loss or storm damage made that impossible. Westside Market stores were open except for the West 14th Street branch, where power had been lost. - Winnie Hu 1:58 P.M. Total Death Toll at 38 As searches revealed grim scenes up and down the Eastern Seaboard, the overall death toll from the storm had climbed to 38, officials said. Here are the state-by-state totals, reported by The Associated Press on Tuesday afternoon, with two deaths not listed: New York: 17 Pennsylvania: 5 New Jersey: 4 Connecticut: 3 Maryland: 2 Virginia: 2 West Virginia: 1 North Carolina: 1 Off the coast of North Carolina: 1 - Andy Newman 1:57 P.M. Cultural Cancellations For those interested in finding out about cancellations of cultural events, the Arts Beat blog has an updated list. - The New York Times 1:48 P.M. Obama Signs Disaster Declaration President Obama signed major disaster declarations for New York and New Jersey on Tuesday, authorizing the distribution of direct federal assistance to victims of Hurricane Sandy from the Federal Emergency Management Agency. http://projects.nytimes.com/live-dashboard/mobile/hurricane-sandy[10/30/2012 2:42:52 PM] - The New York Times 1:36 P.M. Congressman's Home Burned Down in Storm Uli Seit for The New York Times Bob Turner at his home in Breezy Point, Queens, in September 2011. Representative Bob Turner’s home in Breezy Point, Queens, was one of dozens that burned down in the storm, a spokeswoman confirmed Tuesday. -
A Music Critic on His First Love, Which Was Reading
them over, and get its mitts on record distribution in the bargain. Nor is it all about the Benjamins. If by popular music you mean domestic palliatives from “Home Sweet to Celine Dion, OK, that’s another realm. But most of what’s now played in concert halls and honored at the Kennedy Center has its roots in antisocial impulses—in a carpe diem hedonism that is a way of life for violent men with money to burn who know damn well they’re destined for prison or the morgue. Most music books assume or briefly acknowledge these inconvenient facts when they don’t ignore them altogether. But they’re central to two recent histories and two recent memoirs, all highly recommended. Memphis-based Preston Lauterbach’s The Chitlin’ Circuit and the Roots of Rock ’n’ Roll For anyone who cares about the history of pop—and also, in a better world, anyone relishes the criminal origins of a mostly southern black club scene from the early ’30s to who cares about the history of the avant-garde—Between Montmartre and the Mudd the late ’60s. Journalist-bizzer Dan Charnas’s history of the hip-hop industry, The Big has a big story to tell. Popular music is generally identified with the rise of Payback, steers clear of much small-timeClub thuggery and leaves brutal LA label boss Suge Knight to Ronin Ro’s Have Gun, Willsong Travel, publishing butROBERT plenty and of piano crime manufacture stories rise up inas theprofits mid-nineteenth century. But starting snowball. Ice-T’s Ice devotes twenty-fivein the 1880s, steely artists pages toand the other lucrative fringe-dwelling heisting operation weirdos have been active as pop the rapper-actor ran before he madeperformers, music his composers, job. -
Atlantic City Blew It Most Relevant Insight the Big Hustle & Expert Analysis by George Anastasia
SPECIAL INAUGURATION ISSUE PHOTO: AP/MEL EVANS we are sorry A new beginning MAYOR DON GUARDIAN TAKES OVER to see you go... january 2014 • www.BoardwalkJournal.com • ISSUE 57 MAY 2013 THE REGION'S HOW ATLANTIC CITY BLEW IT MOST RELEVANT INSIGHT THE BIG HUSTLE & EXPERT ANALYSIS BY GEORGE ANASTASIA September 2013 A Look Back At The Epic Battle For Atlantic City between Donald Trump & Steve Wynn A LOOK AHEAD AT THE FUTURE OF INTERNET GAMBLING WITH ‘WAR AT THE SHORE’ AUTHOR RICHARD “SKIP” BRONSON 2 | The Boardwalk Journal | January 2014 The Boardwalk Journal | January 2014 | 3 THE PEOPLE & STORIES YOU CARE ABOUT... 4 | The Boardwalk Journal | January 2014 The Boardwalk Journal | January 2014 | 5 JANUARY 2009 DOES ANYBODY WANT BADER FIELD? LARRY MULLIN LEAVES BORGATA LANGFORD VS. SMALL: A PREVIEW TAKING YOU INSIDE A SITDOWN WITH MR. TONY BENNETT ATLANTIC CITY OUT & ABOUT IN A.C. TRUMP TALKS: ‘THE DONALD’ ON ATLANTIC CITY, THE APPRENTICE SINCE 2009 AND THE NEXT GENERATION OF THE TRUMP EMPIRE 6 | The Boardwalk Journal | January 2014 The Boardwalk Journal | January 2014 | 7 table of contents VOL. 6 ISSUE 1 • January 2014 IN THIS ISSUE... 10 THE BIG PICTURE James J. Leonard Jr., Esq. 15 THE RAW FEED FOR A 16 THE BOARDWALK JOURNAL HOLIDAY PARTY 22 MAKE your New Year'S FREE reSolution about loVE, laughter, nutrition, EXerciSE DIGITAL Bernie Parent 23 EagleS' loSS hurtS, but SUBSCRIPTION paleS in compariSon Vince Papale 24 HISTORY ON THE BOARDWALK Chelsea Fairfield VISIT 27 DECISION 2014 BEGINS BoardwalkJournal.com Harry Hurley 30 LET IT SNOW Lloyd D. -
ABBEY ROAD and in the End… the Beatles Come Together for One Last Studio Hurrah
ABBEY ROAD And in the end… The Beatles come together for one last studio hurrah. Steve Harnell wipes a tear away from his eye 106 XXXXX Dr. Ronald Kunze Ronald Dr. Hallowed ground: the junction of Abbey Road and Grove End Road in St John’s Wood in 1969, with the zebra crossing and the studio in the background or the romantics among us, absence from the charts of a year or Recording sessions were a stop-start Abbey Road is The Beatles’ more, although almost unheard-of at affair. The backing track to its darkest swansong, a concerted effort the time, may have alleviated the moment, the biting blues of I Want You by the band to return to the tension which had built up. Perhaps a (She’s So Heavy), was laid down on 22 Fcamaraderie so evident in their solo album or four could have slipped February 1969, before a lengthy gap earlier work, but it’s arguable it also out; Harrison’s backlog of songs, in while Ringo filmed The Magic represents one of the great ‘what particular, was astonishing, and would Christian, a freewheeling black comedy ifs?’ of their career. indeed result in his 1971 double LP starring Peter Sellers, various Monty Thanks to Paul McCartney’s opus All Things Must Pass. Financial Python members and Raquel Welch. workaholic obsession with keeping the disagreements and management issues After a brief session where the band band going at all costs, the quartet which had plagued the band since worked on early ideas for You Never were reconvened for a fresh set of Brian Epstein’s death and the arrival of Give Me Your Money on 6 May, it was recording work just three weeks after Allen Klein could have been smoothed eight weeks before recording began in completing the fractious, debilitating out with less time pressures. -
Sprouse, Mario African & African American Studies Department
Fordham University Masthead Logo DigitalResearch@Fordham Oral Histories Bronx African American History Project 11-6-2015 Sprouse, Mario African & African American Studies Department. Mario Sprouse Fordham University Follow this and additional works at: https://fordham.bepress.com/baahp_oralhist Part of the African American Studies Commons Recommended Citation Sprouse, Mario. November 6, 2015. Interview with the Bronx African American History Project. BAAHP Digital Archive at Fordham University. This Interview is brought to you for free and open access by the Bronx African American History Project at DigitalResearch@Fordham. It has been accepted for inclusion in Oral Histories by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. Interviewee: Mario Sprouse Interviewer: Mark Naison Date of Interview: November 6, 2015 Transcribers: Andrea Benintendi and Morgan Mungerson Mark Naison (MN): Hello! Mario Sprouse (MS): Hello! MN: Today is November 6, 20015 and today we are interviewing Mario Sprouse for the Bronx African American History Project. Mr. Sprouse who grew up on Ritter Place is a great musician, arranger, composer, musical director and we’re very excited to have him here. With us—joining us are Bob Gumbs, community researcher for the Bronx African American History Project and a great music historian himself, Damien Strecker who is the graduate assistant for the project, and Morgan Mungerson who is one of our student assistants and on the camera Andrea Benintendi. So, Mr. Sprouse, could you please spell your name and give us your date of birth. MS: M-A-R-I-O. Middle name Esteban, E-S-T-E-B-A-N. -
Karaoke Song Book Karaoke Nights Frankfurt’S #1 Karaoke
KARAOKE SONG BOOK KARAOKE NIGHTS FRANKFURT’S #1 KARAOKE SONGS BY TITLE THERE’S NO PARTY LIKE AN WAXY’S PARTY! Want to sing? Simply find a song and give it to our DJ or host! If the song isn’t in the book, just ask we may have it! We do get busy, so we may only be able to take 1 song! Sing, dance and be merry, but please take care of your belongings! Are you celebrating something? Let us know! Enjoying the party? Fancy trying out hosting or KJ (karaoke jockey)? Then speak to a member of our karaoke team. Most importantly grab a drink, be yourself and have fun! Contact [email protected] for any other information... YYOUOU AARERE THETHE GINGIN TOTO MY MY TONICTONIC A I L C S E P - S F - I S S H B I & R C - H S I P D S A - L B IRISH PUB A U - S R G E R S o'reilly's Englische Titel / English Songs 10CC 30H!3 & Ke$ha A Perfect Circle Donna Blah Blah Blah A Stranger Dreadlock Holiday My First Kiss Pet I'm Mandy 311 The Noose I'm Not In Love Beyond The Gray Sky A Tribe Called Quest Rubber Bullets 3Oh!3 & Katy Perry Can I Kick It Things We Do For Love Starstrukk A1 Wall Street Shuffle 3OH!3 & Ke$ha Caught In Middle 1910 Fruitgum Factory My First Kiss Caught In The Middle Simon Says 3T Everytime 1975 Anything Like A Rose Girls 4 Non Blondes Make It Good Robbers What's Up No More Sex.... -
1974 Timeline
1974 (Excerpted from Solo in the 70s by Robert Rodriguez © 2014) January Topping the US singles chart: “Time In A Bottle” by Jim Croce “The Joker” by Steve Miller “Show and Tell” by Al Wilson “You’re Sixteen” by Ringo Starr On the airwaves: “One Tin Soldier” by Coven “Sister Mary Elephant” by Cheech and Chong “Smokin’ In The Boys Room” by Brownsville Station Topping the US album chart: The Singles: 1969-1973 by The Carpenters Albums released this month include: Court and Spark by Joni Mitchell Sundown by Gordon Lightfoot Hotcakes by Carly Simon The Way We Were by Barbra Streisand January – Beginning this month and running through till February, Paul and Wings work on Mike McGear’s album at 10CC’s Strawberry Studios Tuesday 8 – The Early Beatles, Capitol’s abridgment of Please Please Me, is finally certified gold nearly eleven years after its issue Monday 28 – “Jet”/“Mamunia” (Apple 1871; peaks at #7) Thursday 31 – Paul and Linda appear on the cover of Rolling Stone Thursday 31 – Film producer Samuel Goldwyn dies at 94 February 1974 Topping the US singles chart: “The Way We Were” by Barbra Streisand “Love’s Theme” by Love Unlimited Orchestra On the airwaves: “Doo Doo Doo Doo Doo (Heartbreaker)” by the Rolling Stones “Americans” by Byron MacGregor “Let Me Be There” by Olivia Newton-John Topping the US album chart: You Don’t Mess Around With Jim by Jim Croce Albums released this month include: Radio City by Big Star Can’t Get Enough by Barry White Rock ‘n’ Roll Animal by Lou Reed What Were Once Vices Are Now Habits by the Doobie Brothers -
Tiffany Sues As LVMH Scraps $16.2 Billion
P2JW254000-5-A00100-17FFFF5178F ***** THURSDAY,SEPTEMBER 10,2020~VOL. CCLXXVI NO.60 WSJ.com HHHH $4.00 DJIA 27940.47 À 439.58 1.6% NASDAQ 11141.56 À 2.7% STOXX 600 369.65 À 1.6% 10-YR. TREAS. g 6/32 , yield 0.702% OIL $38.05 À $1.29 GOLD $1,944.70 À $11.70 EURO $1.1804 YEN 106.18 Midday, SaN Francisco: Wildfires Cast Eerie Hue Over West TikTok What’s News Parent Is In Talks Business&Finance To Avoid ikTok’sChinese parent, TByteDance, is discuss- ing with the U.S. government U.S. Sale possible arrangementsthat would allowthe video- sharing app to avoid afull ByteDance, Trump sale of itsU.S.operations. A1 administration discuss LVMH said it wasbacking options as deadline for out of its$16.2 billion take- over of Tiffany. TheU.S.jew- unloading assets looms eler said it filed alawsuit in Delaware ChanceryCourt to TikTok’sChinese parent, enforce the agreement. A1, A8 ByteDanceLtd., is discussing An EU privacyregulator with the U.S. government pos- sent Facebook apreliminary sible arrangementsthat would order to suspend datatrans- allow the popular video-shar- fers to the U.S. about itsEU S ing app to avoid a full sale of users in a potentially prec- PRES its U.S. operations, people fa- edent-setting challenge. A1 miliar with the matter said. TED U.S. stocks rebounded CIA SO By Miriam Gottfried, afterathree-session selloff AS in shares of big tech firms, G/ Georgia Wells with the Nasdaq,S&P 500 and Kate Davidson and Dowgaining 2.7%, 2% RISBER ERIC Discussions around such an and 1.6%, respectively. -
1967-1970 First Appearance in Trade Magazines: April 7, 1973
1967-1970 First appearance in trade magazines: April 7, 1973 Label af1 Stereo SKBO-3404 Apple label with blue background and “MFD. BY APPLE” on the full side. Factories: Los Angeles; Jacksonville; Winchester The Scranton plant was about to be shut down in August and sold to North American Music Industries later in the year, but they made some metal parts for this album. The copies that I have appear to have parts from Scranton that were used by the Jacksonville plant. Some of the labels appear more lavender than blue. Cover: The cover has a cardboard cover with paper slicks pasted onto it. The inner cover is glued on top of the (wrapped-around) outer cover. The front cover sports a photograph from the Angus McBean session that produced the cover design to the (unreleased) Get Back/Let it Be album, but it is a different photograph than the one that had been chosen for the cover. Likewise, the back cover sports a photograph from the Angus McBean session that produced the cover to their first British LP, but it is a different photograph than the one that was used for the album. The inner cover slick was one of many photographs taken on the band’s “mad day out” photo session on July 28, 1968. The Beatles, Tony Bramwell, Mal Evans and his son (Gary), Yoko Ono, Francie Schwartz, and three others with cameras traveled around to seven locations in London and took pictures. This shot was taken at the fifth location, St. Pancras Old Church and Gardens. -
Mr. Kapp: This Interview Is Being Conducted on Behalf of the Oral
Mr. Kapp: This interview is being conducted on behalf of the Oral History Project of the Districtof Columbia Circuit Court. The interviewee is E. Barrett Prettyman, Jr. The intervieweris Robert H. Kapp. The interviewtook place at the officesof Hogan & Hartson L.L.P. on the 3rd day of October, 1996, shortly afternoon. Mr. Kapp: I am aware of the fact that sometime in the very early 60's you leftHogan & Hartson and entered the Kennedy Administration. I wonder if you can tell us how it happened that you joined the Kennedy Administration? Mr. Prettyman: I'd be happy to do that, although I probably ought to mention two cases that I had just beforeI went in, if that's okay with you. Mr. Kapp: Yes, go ahead. Mr. Prettyman: Simply because they were each impmtant to me for differentreasons. In 1962 I was appointed by the District Cowt to represent a gentleman namedWilliam Fulwood, who was a Black Muslim at the Dist:Iictof Columbia Jail, and this was now in the very early stages of the Muslim movement among African-Americans. He had recently become a Muslim, and he was attemptingto have possession of the Koran and to wear Muslim medals and so forth, and the prison authorities denied him that 1ight. We had extensive hearings before Judge Burnita Matthews, who was a femalejudge from Mississippi, and she held, I believe forthe first time in this country, that indeed Muslims have the right to practice their religion, to carry their medals, to have the Koran and so forth, in -133- prison, and she entered an order to the prison authorities to that effect. -
Going Anywhere: Stories
UNLV Theses, Dissertations, Professional Papers, and Capstones 8-1-2014 Going Anywhere: Stories David Armstrong University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the American Literature Commons, and the Fiction Commons Repository Citation Armstrong, David, "Going Anywhere: Stories" (2014). UNLV Theses, Dissertations, Professional Papers, and Capstones. 2164. http://dx.doi.org/10.34917/6456394 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. GOING ANYWHERE: STORIES By David Armstrong Bachelor of Arts in English Ohio University 2002 Bachelor of Fine Arts in Film Ohio University 2002 Master of Arts in English Ohio University 2009 A dissertation submitted in partial fulfillment of the requirement for the Doctor of Philosophy -- English Department of English College of Liberal Arts