Circus Report, May 26, 1980, Vol. 9, No. 21

Total Page:16

File Type:pdf, Size:1020Kb

Circus Report, May 26, 1980, Vol. 9, No. 21 JKDBITE. 9th Year May 26,1980 Number 21 f I • i Page 2 May 26, 1980 WORLD'S ONLY HI-DIVING NOW AVAILABLE AQUA MULES, OSTRICH Because of a misunderstanding I am no long- RACES, CLOWN ACTS, er with Kelly Bros. Circus and as a result am now available for Shrine Circuses, Parks and MOVIELAND ANIMALS, Fairs, with my smalt 1910 Tin Lizzie Model WILD WEST ACTS T Ford, radio controlled comedy car. JONNY RIVERS LLOYD THE CLOWN (Lloyd Loan) P. 0. Box 286 Mclntosh, Fla. 32664 18 Valentia St., Huntington. W.Va. 25705 Phone: 304 - 522 - 2549 Phone:904-591-2076 or 591-1053 Miscellaneous NOTICE .. NEW FILM IS PLANNED Due to a series of heavy bookings, coupled with exceptionally long jumps, plus a great deal of The creators and co-stars of the film "The Long work wrapping up plans for publication of his Riders", James and Stacy Keach, are planning a book, has temporarily forced Billy Barton to sequel to that movie. The new film will be about delay his regular weekly column. the James and Younger brothers. In the new show, Jesse James will be shown as he recovers from his wounds. Later he goes on the road with his own wild west show, where he will be featured in an act called "Crime Does JAMES (Jim Bow) DECKER, a Dallas clown was Not Pay." one of the first to be signed for this year's May 23-24 "Mayfest" to be held at the Dallas State GOOD COVERAGE Fair grounds. The show world gets good play in the hand- VESTA GRIMALUI' of the Grimaldis. was nam some new magazine "Museum". Robert Lund's ed Queen of the Zenobia Shrine Circus at Tole- American Museum of Magic, in Marshall, Mich, do, Ohio, on May 1-4, when she led the Circus the John Ringing properties in Sarasota, and Parade riding in a convertible, along with the the Buffalo Bill center in Cody. Wyom., are all Potentate. featured in the March-April premiere issue. AL PAPE, MARTIN REEVES, JOE VINEYARD, LODGE BUYING CALLIOPE EDDIE KAHAN, TROY WOERNER and ED The Moose Lodge at Yakima, Wash., is buying MONZINGO, clowns, worked the annual Cham- a calliope from the widow of former member ber of Commerce parade through downtown Jeff Webber. The calliope was played by Web- Dallas on May 10th. ber in numerous parades, concerts and special THE WINN BROS., high wire performers, are events, but since his death in 1977 it has re- busy working dates for Hubler, Garden and mained idle. Zacchini. They also have a great many parks After purchasing the calliope the Lodge will set for later in the year. turn it over to the Yakima Valley Museum, who AUSTIN MILES, the Show Business Chaplain, will then become its permanent owner. How- is presently having an elegent new ringmaster's ever, the lodge will be permitted to use it for suit specially tailored for him various special programs and events. THE CIRCUS REPORT i$ published each week by Don Marcks, 525 Oak St., El Cerrito, Calif. Joseph C. Reisinger 94530 • Phone: 415 - 525-3332. SUBSCRIPTION RATE: $15.00 for a year. The ATTORNEY AT LAW Overseas Rate via Surface Mail is $20.00 a year. Entertainment Law - Civil Trials - Immigration ADVERTISING RATES: (Per Issue on a first come basts): Minimum Ad $5.00; Quarter For Free Consultation or Appointment $10.00: Half Paqe $20.OO; Full Page $35.00 Call: 415-472-1050 Thp Circus Report Page 3 HELEN WILSON - Show Organist Beautiful Hand Raised (own Equipment) 704 - 786 - 4563 Baby Macaws and Cockatoos bending • bending keys with the power of the mind alone. Some of the spectators in the audi- Some Older Birds too. ence who were not directly participating in the experiment found that keys were bent on their RODGERS key rings and in their key cases. TROPICAL FANTASY Felix continued the show with an example of Crystal Gazing, reading the thoughts of the spec P. 0. Box 822 tators. He did not use clip-boards or other appar Gibsonton. Fla. • 33534 atus, and although pieces of paper were passed Phone:813-677-1137 out to the audience, none wen? collected. Fantastic Felix ended the show, which had been directed at a young adult audience, by assuring them that everything they had seen was done FELIX SNIPES SHOW... by Jules DeMarros without the aide of supernatural power and war- ned them not to be taken in by those who claim (A review of two shows presented by Felix Sni- to possess such power. pes (Fantastic Felix) of Atlanta, Ga. at the Em- t As we all know, it was the faking of such power manuel Baptist Church in Lafayette, La., on that led nearly a thousand people to their March 7, 1980). deaths following Jim Jones to Guiana. I think Felix takes you on a journey into the 5th dimen- more mentalist should warn young people, and sion that travels beyond time and space into that people of any age, who are looking for a belter rarified, and as yet uncharted, relrn of the mind world, not to follow such false prophits. This is -the psychic dimension. a real community service. The act opens with an explanation of Extra Sen- The following morning, Felix presented an en- sory Perception and a short series of tests in tirely different type of entertainment for the which spectators, chosen at random, think of young children - A Magic Show! Filled with such things as a color, a flower, etc. After being fun and laughter and sparkling with color and satisfied that the sepctators did, indeed, have all those strange, mysterious boxes and things enough ability, more difficult experiments were we all remember as children ourselves. attempted. Quite successfully, I might add. Felix brought the children into a fantasy world Five E.S.P. cards of the type used by Or. Rhine of kings and queens and sorcerers with lots of in the Duke University experiments were exhib- audience participation. ited along with a folded piece of paper which was clamped in a bull dog paper clip and remain- During both shows, whether for young adults or. ed in view throughout the procedure. Four of children, Felix projects a positive, confident, the five cards were eliminated by members of happy, enthusiastic, and erudite image. His pac- the audience. The paper was removed from the ing, timing, and tempo hold attention and keep bull dog clip and shown to be a prediction that the audience interested in what is going on Felix had written earlier. It named the remain- every moment he is on stage. His animation ing E.S.P. card. and projection, through body language and speech techniques, establish an immediate and Other experiments followed including an excel- friendly rapport with the audience, whatever lent and memorable exhibition of phsyic key their aoes. Page 4 May 26, 1980 Hall & Christ Attractions Show Dates May 29-June 5 Memphis, Tenn. Beany-Cole Circus Roberts Bros. Circus 29-Juiy 6 Honolulu, Haw. May 26 Short Gap, W. Va. May 27-28 Lansdale. Pa. 27 Paw Paw Kaye Hollywood Elephants 29-30 Exton 28 Beckley Springs to June8 Bentley Bros. Cir. 31 June 1 Allentown 30 Mt. Holly, Pa. John Mac Kay - Clown Garden-Johnson Circus 31 Rutherford Heights May 30-June 1 Shreveport, La. May 26-27 Brantford, Ont. TNT& Royal Olympic Circus Shanghai Acrobats Carson & Barnes Circus May 29-31 Mankato, Minn. to June 1 Los Angeles, Calif. June 1-2 E. St. Louis, III. Wenatchee Youth Circus Harry Thomas - Tigers Hubert Castfe Circus May 31 Leavenworth, Wash. May 30-June 1 Shreveport, La May 26 Drumheller. Albta - MAGIC 27-28 Red Deer White House in Miniature May 23-June 1 Cleveland, Oh. 29-31 Edmonton Bergen the Magician 1 Grand Prairie May 20 Ironton, Ohio Circus Arts Troupe David Ginn May 28-31 Hanover, Mass. May 27 Boston, Mass. Circus Vargas 28 Manchester, NH ^*tf ^% 1* 29 Nashua *-*«»-. May 27-29 Cupertino, Calif £•• t/> . 31-June 1 Concord 30 Rutland, Vt. Circus Variety Show Stu Miller's Magic Time USA June 1 Mission Viejo, Calif May 26 Aubum, NY 28 Dunkirk Hamid-Morton Circus 30 Homel May 27-31 Pittsburgh, Pa. 31 Alleganey Hoxie Bros. Circus Tom Ogden £'- May 26 Radford, Va. May 28 Pottstown, Pa. fl ^^1 27 Clifton Forge . ^** fc * June 1 Warrington ^ --- -f r. 28 Harrisonburg 29 Front Royal Felix Snipes- Magic/ESP May 30-31 Minneapolis, Minn *%. 30 Leesburg \VA " 31 McLean ----OTHERDATES-... June 1 Clear Springs, Md Babes in Toyland Pickle Family Circus May 27-June 1 Columbus, Oh May 28 Sonoma. Calif. Bryans Clowns, Inc. 31-June 1 Davis May 26 New Castle, Pa. Sam T. Polack Circus Burr's Fun-0-Rama May 30-June 1 Shreveport, La May 26-June 1 Pawtucket, Rl Police Circus James H. Drew Exposition May 26 Fairfield, Calif. May 26-31 Oceana, W. Va. Ringiing-Barnum - Blue Unit Grund Western Collection to June 1 New York, NY to June 15 Stockton, Calif. Ringiing-Barnum - Red Unit May 28-June 1 Glens Falls.NY THE ESOUEDA TROUPE APPEARI NG AT TIVOLI GARDENS Copenhagen, Denmark May 1 - May 31 MONTE CARLO TV SHOW Monte Carlo, Monaco J une 5 - 6 BILLY SMART TV SHOW London, England June 14 - 15 U. S. A. Address: Circus Circus Casino Las Ve^as, Nevada Page 6 May 26,1980 FOR SALE ROSIN BACK HORSE ZORAH TEMPLE SHRINE CIRCUS Gelding, 14 years. White, One Season ex- • • • by Kaye Scheiman perience in ring. 16:2 Hands. The 1980 edition of the Zorah Temple Shrine BARBARA MOORE Circus, at Terre Haute, Ind., was produced by Eddie Zacchim, with 6 shows presented on Apr.
Recommended publications
  • Dal Sanders President of the S.A.M
    JULY 2013 DAL SANDERS PRESIDENT OF THE S.A.M. PAGE 36 MAGIC - UNITY - MIGHT Editor Michael Close Editor Emeritus David Goodsell Associate Editor W.S. Duncan Proofreader & Copy Editor Lindsay Smith Art Director Lisa Close Publisher Society of American Magicians, 6838 N. Alpine Dr. Parker, CO 80134 Copyright © 2012 Subscription is through membership in the Society and annual dues of $65, of which $40 is for 12 issues of M-U-M. All inquiries concerning membership, change of address, and missing or replacement issues should be addressed to: Manon Rodriguez, National Administrator P.O. Box 505, Parker, CO 80134 [email protected] Skype: manonadmin Phone: 303-362-0575 Fax: 303-362-0424 Send assembly reports to: [email protected] For advertising information, reservations, and placement contact: Lisa Close M-U-M Advertising Manager Email: [email protected] Telephone/fax: 317-456-7234 Editorial contributions and correspondence concerning all content and advertising should be addressed to the editor: Michael Close - Email: [email protected] Phone: 317-456-7234 Submissions for the magazine will only be accepted by email or fax. VISIT THE S.A.M. WEB SITE www.magicsam.com To access “Members Only” pages: Enter your Name and Membership number exactly as it appears on your membership card. 4 M-U-M Magazine - JULY 2013 M-U-M JULY 2013 MAGAZINE Volume 103 • Number 2 COVER STORY S.A.M. NEWS PAGE 36 68 6 From the Editor’s Desk 8 From the President’s Desk 10 Newsworthy 11 M-U-M Assembly News 27 Good Cheer List 26 Broken Wands 69 Photo Contest Winner
    [Show full text]
  • Biblioteca Digital De Cartomagia, Ilusionismo Y Prestidigitación
    Biblioteca-Videoteca digital, cartomagia, ilusionismo, prestidigitación, juego de azar, Antonio Valero Perea. BIBLIOTECA / VIDEOTECA INDICE DE OBRAS POR TEMAS Adivinanzas-puzzles -- Magia anatómica Arte referido a los naipes -- Magia callejera -- Música -- Magia científica -- Pintura -- Matemagia Biografías de magos, tahúres y jugadores -- Magia cómica Cartomagia -- Magia con animales -- Barajas ordenadas -- Magia de lo extraño -- Cartomagia clásica -- Magia general -- Cartomagia matemática -- Magia infantil -- Cartomagia moderna -- Magia con papel -- Efectos -- Magia de escenario -- Mezclas -- Magia con fuego -- Principios matemáticos de cartomagia -- Magia levitación -- Taller cartomagia -- Magia negra -- Varios cartomagia -- Magia en idioma ruso Casino -- Magia restaurante -- Mezclas casino -- Revistas de magia -- Revistas casinos -- Técnicas escénicas Cerillas -- Teoría mágica Charla y dibujo Malabarismo Criptografía Mentalismo Globoflexia -- Cold reading Juego de azar en general -- Hipnosis -- Catálogos juego de azar -- Mind reading -- Economía del juego de azar -- Pseudohipnosis -- Historia del juego y de los naipes Origami -- Legislación sobre juego de azar Patentes relativas al juego y a la magia -- Legislación Casinos Programación -- Leyes del estado sobre juego Prestidigitación -- Informes sobre juego CNJ -- Anillas -- Informes sobre juego de azar -- Billetes -- Policial -- Bolas -- Ludopatía -- Botellas -- Sistemas de juego -- Cigarrillos -- Sociología del juego de azar -- Cubiletes -- Teoria de juegos -- Cuerdas -- Probabilidad
    [Show full text]
  • Haversat Ewing
    haversat &Ewing Galleries, LLC. 2014 Magic Collectibles Auction November 15, 2014 Haversat & Ewing Galleries, LLC. Magic Collectibles Auction AUCTION Active bidding on Saturday,all lots begin November at 11:00 15, AM 2014 EST- -11:00 Sat. November AM 15, 2014 SignFirst-up lot to bidcloses at: www.haversatewing.comat 3:00 PM EST. Sign-up to bid at: www.haversatewing.com HAVERSAT & EWING GALLERIES, LLC PO BOX 1078 - YARDLEY, PA 19067-3434 WWW.HAVERSATEWING.COM ~1~ ~2~ ~3~ ~4~ Books, Catalogs & Periodicals 1. Abbott, David. Behind the Scenes with the Mediums. Omaha: The Open Court Publishing Co., 1908 Second edition. Mint condition. $75-125 ~5~ 2. The Art of Conjuring Made Easy; or, Instructions For Performing The Most 4. Brewster, David. Letters on Natural Magic. Astonishing Sleight-of-Hand Feats, With London: John Murry, 1834. Lovely rebinding of Directions for Making Fireworks. 12 pages. this classic text with leather spine and corners and Small 12mo. Woodcut pictorial wrappers, with old buckram covers. New end papers. Fine condition. tape on spine. Circa 1840's. $200-250 $75-$100 3. Black Art!, Or Magic Made Easy. All Kinds 5. Conjurers’ Monthly Magazine. Harry of Sleight-of Hand Tricks. Conjuring by Cards and Houdini. V1 N1 (Sept. 1906) - V2 N12 (Aug. 1908). Coins. 64 pages. 16mo. Copyright 1869, Frederic Complete file. Bound in blue cloth with lettered Brady. First Edition. $200-$250 cloth spines, as issued by Houdini. Overall in fair condition. $450-$700 November 2014 - Haversat & Ewing Galleries • 3 ~7~ ~9~ ~8~ 8. Encyclopedia of Self Working Card Tricks & Second Encyclopedia of Card Tricks.
    [Show full text]
  • Stage Illusionists: a Historical Study Using Illusionists As a Reflection of Mass Entertainment, Popular Culture, and Change During the Late Nineteenth Century
    STAGE ILLUSIONISTS: A HISTORICAL STUDY USING ILLUSIONISTS AS A REFLECTION OF MASS ENTERTAINMENT, POPULAR CULTURE, AND CHANGE DURING THE LATE NINETEENTH CENTURY by CLAYTON PHILLIPS B.S. Education/ History University of Central Florida, 1996 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Fall Term 2015 © Clayton Phillips 2015 ii ABSTRACT By the late nineteenth and early twenty century both the United States and Europe were experiencing massive shifts in social organization, social attitudes, and global influence due to the effects of the industrial revolution and imperialistic expansion. This birth of a public sphere and the mass entertainment industry was related to a blurring of the lines between traditional social classes. Mass entertainment’s growth was directly related to the need to attract large audiences with entertainment that appealed in some way to a broad spectrum of the populace. At the same time, stage illusionists or magicians were one of the most recognizable stars of mass entertainment. In fact, they were in the midst of what has been termed the “Golden Age” of magic. By recognizing the popularity of their performances in the United States and Europe, this thesis will use them as a reflection of historical trends and popular attitudes in areas such as romanticism, secular/technical superiority, race, and gender. Historians, like Lawrence Levine, have produced a number of historical studies in regards to performance art, mass entertainment, and the historical implications represented in entertainment.
    [Show full text]
  • Donothave.Pdf
    MT006.100 - ALEXANDER, CLAUDE MT002.000 - ABBOTT'S MAGIC CO (Claude Alexander Conlin) LOCATION: Unk. DATE:1946 LOCATION: France. DATE:1915 OBV: Tambourine ring with wand and handkerchiefs, in center, OBV: "*LUCK IS YOURS * / ALEXANDER", around high relief bust of field plain. Alexander in turban. REV: Same. REV: Blank. COMPOSITION: GS, R9. 39-S COMPOSITION: Copper, R10. 20-S May be of European origin. more information to come. (Image from the David Copperfield Collection) MT006.001 - AGOSTA-MEYNIER MT008.000 - ALLEN, KEN PRODUCTS LOCATION: France. DATE:1926 LOCATION: New Jersey. DATE:1962 OBV: "Département de la Seine / Association syndicale des OBV: 4 Chinese symbols as pictured , square hole in center and artistes prestidigitateurs / Prix de la ville de Paris / Agosta smooth background. Meynier / Président / 1926". REV: Same. REV: Woman facing left, "Ville de Paris / Fluctuat nec mergitur ". COMPOSITION: C or GS, 30mm, R3; C, 37.5mm, R4. S COMPOSITION: BZ, R10. 50-S NOTE: Some have REV of U.S. 50 cent or 1 Dollar coin. I have Edge : Bronze ( cornucopia mark ) Kennedy/Franklin Half dollar and Morgan/Peace Dollar coins in this configuration as well as Morgan/Peace shells with milled edge dollar coins to fit the shell for the “China Dollar” routine Copper/Silver, All stated coins and sizes are also found with blank reverses. 35/38-R. MT008.001 - ALLEN, KEN LOCATION: New Jersey. DATE:Unk OBV: Obverse of 1944 half dollar REV: Reverse of US half dollar COMPOSITION: Clear Plastic Coin St. 29-R NOTE: Also produced as a Morgan Dollar type. 38-R MT006.050 - ALADDIN, JOHNNY LOCATION: USA.
    [Show full text]
  • Survival of the Fittest
    Grand Valley State University ScholarWorks@GVSU Volume 47, July 2, 2012 - June 3, 2013 Lanthorn, 1968-2001 1-17-2013 Lanthorn, vol. 47, no. 36, January 17, 2013 Grand Valley State University Follow this and additional works at: https://scholarworks.gvsu.edu/lanthorn_vol47 Part of the Archival Science Commons, Education Commons, and the History Commons Recommended Citation Grand Valley State University, "Lanthorn, vol. 47, no. 36, January 17, 2013" (2013). Volume 47, July 2, 2012 - June 3, 2013. 34. https://scholarworks.gvsu.edu/lanthorn_vol47/34 This Issue is brought to you for free and open access by the Lanthorn, 1968-2001 at ScholarWorks@GVSU. It has been accepted for inclusion in Volume 47, July 2, 2012 - June 3, 2013 by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. 4 GAINING EXPERIENCE Br symphony gives STUDENTS THEIR CHANCE SATURDAY NIGHT'S ALRIGHT FOR PIZZA SPORTS B2 GRAND VALLEY STUDENT-RUN PUBLICATIONS LANTHORN.COM PRINT • ONLINE • MOBILE Snyder outlines 2013 Ml “road map ” BYELLIE PHILLIPS GVL STAFF WRITER “This is our opportuni­ ty,” said Gov. Rick Snyder to a chorus of thunderous applause, during his State of the State address last night. “This is our chance to say, ‘were doing the HOW AM I right thing today, so lets work together.” Calling for both the TEACHING? democratic and repub ­ lican parties to join to­ gether, Snyder outlined his “road map” for 2013, which included Febru ­ ary’s 2013 budget release, an economic development summit in March, the cre­ ation of a ‘land strategy’ report concerning Michi­ gan’s four million acres of land in May, and Decem­ ber legislation designed ROBERT MATHEWS | GVL PHOTO ILLUSTRATION to implement proactive strategies to reduce ener­ gy consumption and find Professor evals aid university in trend spotting ‘green’ energy sources.
    [Show full text]
  • The Magic Behind Success: What Can Business Leaders Learn
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DigitalCommons@Bryant University The Magic Behind Success: What Can Business Leaders Learn from Magicians Regarding Creativity and Communication? The Honors Program Senior Capstone Project Student’s Name: John Duke Logan Faculty Sponsor: Michael Roberto April 2016 The Magic Behind Success Senior Capstone Project for John Duke Logan Table of Contents Abstract…………………………..……………………..…………………………..…6 Introduction ...……………………………………………….…………………...…..7 The Importance of This Research …………………………………................10 Credentials……………………………………….……...…………………….11 Disclaimer About the Following Research. ………………........………….....13 Method for Collecting Data ...…………. …………………….………….,………. 14 The Importance of Innovation ...…………..………………………………………17 Innovation Within the Magic Industry ...…………………….……...………...….19 Background: The History and Taxonomy of Magic………………….............19 Principles of Magic…………………….........……………………......20 Trick Classifications…..…………………..........……………….…….21 The Importance of Innovation within the Magic Industry................................30 How Psychology Helps with Magic Innovation…………………....... 31 Notable Creative Magicians Throughout History………….……....... 32 Creative Television Tactics to Enhance Transparency with Non-Magicians...38 The Importance of Communication ...………………………….………...……… 43 Verbal v. Non-Verbal Communication....…………...…………...…….......... 43 Non-Verbal Communication: How You Speak ………………............ 44 2 The Magic Behind
    [Show full text]
  • Richard Hatch Richard Hatch
    March 2007 Richard Hatch Richard Hatch PHOTO: JEFF GRASS 50 MUM March 2007 “The more a magician reads about magic, the more he realizes how much more there is to learn and how many more magic books there are to read.” Robert Lund (1925-1995), Founder The American Museum of Magic The Accidental Magic Bookman By Bill Palmer Born in California, raised in Germany, and edu- Germany where his father worked for a clandes- cated at Yale University, how did Richard Hatch tine branch of the U.S. Government for two wind up in oxymoronic Humble, Texas? And how years before completing a year of post-doctoral did this same fellow go from having a Master of research at Heidelberg University. Attending Philosophy in Physics to being a respected magic German kindergarten, Richard began to learn the historian, German translator, and successful pub- language at this early age, but it would not pay lisher and book dealer in just a few years? “My off until years later. wife and parents would also like to know what When Hatch was six years old, the family happened,” Richard says with a smile. moved back to the United States and to Ames, Richard Clawson Hatch was born May 24, Iowa, when his father was offered a tenured posi- 1955 in Pasadena, California where his father, tion with the Physics Department of Iowa State Eastman Nibley Hatch, was completing his doc- University. In 1964, Richard received his intro- toral studies in nuclear physics at the renowned duction into magic when he was given a copy California Institute of Technology.
    [Show full text]
  • The American Museum of Magic/Lund Memorial Library and Other Resources on Magic and Conjuring
    Theatre Survey 49:2 (November 2008). ISSN: 0040-5574 doi:10.1017/S0040557408000161 http://journals.cambridge.org http://journals.cambridge.org/action/displayJournal?jid=TSY http://journals.cambridge.org/action/displayAbstract?aid=2473020 © 2008 American Society for Theatre Research The American Museum of Magic/Lund Memorial Library and Other Resources on Magic and Conjuring Beth A. Kattelman That is the gift the magician brings us. He reawakens a sense of wonder in us when we are no longer children. —Robert Lund,1 founder of the American Museum of Magic How did he do that? This question has been on the lips of audience members since magicians first began delighting and amazing viewers with skills of dexterity and legerdemain. The first-known recorded, secular magic performance2 dates back to 2500 B.C. when the conjuror Dedi presented a series of tricks for the Egyptian king Cheops at the royal palace. The event was recorded in the Westcar papyrus, a document that was composed around 1700 B.C. but is thought by Egyptologists to have been copied from earlier sources.3 Yes, magic and conjuring have long been an integral part of popular entertainment, and from these very early beginnings, secular magicians have continued to provide entertainment for audiences of all ages right up through the present day. Magic shows are still some of the hottest tickets of the Las Vegas strip, and touring artists such as David Copperfield can still fill theatres. Magic is also popular on television once again thanks to the work of David Blaine and Criss Angel. Organizations such as the International Brotherhood of Magicians (IBM) and the Society of American Magicians (SAM) also boast a strong membership.
    [Show full text]
  • The Magic Behind Success: What Can Business Leaders Learn from Magicians Regarding Creativity and Communication?
    The Magic Behind Success: What Can Business Leaders Learn from Magicians Regarding Creativity and Communication? BY John Duke Logan ADVISOR • Michael Roberto _________________________________________________________________________________________ Submitted in partial fulfillment of the requirements for graduation with honors in the Bryant University Honors Program APRIL 2016 The Magic Behind Success Senior Capstone Project for John Duke Logan Table of Contents Abstract…………………………..……………………..…………………………..…6 Introduction ...……………………………………………….…………………...…..7 The Importance of This Research …………………………………................10 Credentials……………………………………….……...…………………….11 Disclaimer About the Following Research. ………………........………….....13 Method for Collecting Data ...…………. …………………….………….,………. 14 The Importance of Innovation ...…………..………………………………………17 Innovation Within the Magic Industry ...…………………….……...………...….19 Background: The History and Taxonomy of Magic………………….............19 Principles of Magic…………………….........……………………......20 Trick Classifications…..…………………..........……………….…….21 The Importance of Innovation within the Magic Industry................................30 How Psychology Helps with Magic Innovation…………………....... 31 Notable Creative Magicians Throughout History………….……....... 32 Creative Television Tactics to Enhance Transparency with Non-Magicians...38 The Importance of Communication ...………………………….………...……… 43 Verbal v. Non-Verbal Communication....…………...…………...…….......... 43 Non-Verbal Communication: How You Speak ………………...........
    [Show full text]
  • Twentieth Century Hall of Fame 5 (Pdf) Download
    T4i(The panorama broadens. Michael AamuMmmar Alex Elmsley Doug Henning Servais Le Roy Jim Steinmeyer Eleven more are added to the Theodore Annemann S.W. Erdnase John Northern Hilliard Ed Marlo Harlan Tarbell 100 people who have significant­ Al Baker Dariel Fitzkee Professor Hoffmann Jay Marshall Howard Thurston ly affected the art in America Harry Blackstone Sr. Uri Geller Harry Houdini Channing Pollock Eddie Tullock during the 20th century. Those Harry Blackstone Jr. Walter B. Gibson Ricky Jay Richiardi, Jr. Don Wayne ance urton A.C. ilbert illiam W. arsen r ark ilson who have appeared since the L B G W L S . Marvyn Roy M W Ben Chavez Horace Goldin Bill Larsen Jr. P.T. Selbit series began in January are listed T. Nelson Downs U.F. Grant Milt Larsen Siegfried & Roy here. Joseph Dunninger Robert Harbin Rene Lavand Slydini Many proclaimed Fred Kaps the finest all-around magical entertainer in modern times. Whether he was on the stage or at the close-up table, the Dutch master’s sleight of hand was impeccable. Beginning with his 1950 World Championship, Kaps’ deftly routined acts of manipulation led to the status of being the only three-time Grand Prix winner in FISM history. The United States first witnessed Kaps’ virtuoso style on a 1954 Ed Sullivan Show. His act was a study in magical showmanship. Although he included exhibitions of proficiency in the form of fancy flourishes, he never revealed his expertise while producing miraculous effects. On another American television appearance, in 1964, when he shared Sullivan’s studio N IO T stage with The Beatles, Fred was given C E a talking spot, showcasing his innate LL CO sense of comedic timing.
    [Show full text]
  • Mystery, Magic, & Mayhem
    Woodson Art Museum in your classroom Illusions and Illustrations Mystery, Magic, & Mayhem Winter 2014 Top: The Invention of Hugo Cabret, 2007, digital reproduction, © 2001 and 2007 by Brian Selznick; Bottom: Harry Bouton, Blackstone Oriental Nights, ca. 1930, hand-drawn, four-color lithograph Introduction Wondrous and whimsical artwork transports Woodson visitors to a Parisian train station, the White House, Victorian England, and great American theaters through two exciting new exhibitions: From Houdini to Hugo: The Art of Brian Selznick and Mystery, Magic, and Mayhem: Wonders from the American Museum of Magic on view January 25 – April 6, 2014. Captivating stories and eye-catching graphics spark curiosity and invite imagination by way of dynamic illustrations and theatrical posters featuring famous American magicians. Complementing the Selznick and Magic exhibitions will be a ten-foot snow sculpture of a rabbit springing from a top hat at the entrance of the Museum’s Twelfth Street parking lot, to be completed Saturday, February 1 – see this magical monument before it melts! Finally, don’t miss the opportunity for a magical residency visit with your class during magician Lou Lepore’s early March residency; for details see the concluding page of these materials. From Houdini to Hugo: The Art of Brian Selznick Acclaimed children’s book author and illustrator Brian Selznick made a name for himself through his innovative artistic style and keen ability to acquaint young audiences with historic figures in a fresh and thoughtful manner. From Houdini to Hugo features ninety-eight drawings and paintings, spanning Selznick’s career as an illustrator for others and his later work writing and illustrating his own books.
    [Show full text]