Survival of the Fittest
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Dal Sanders President of the S.A.M
JULY 2013 DAL SANDERS PRESIDENT OF THE S.A.M. PAGE 36 MAGIC - UNITY - MIGHT Editor Michael Close Editor Emeritus David Goodsell Associate Editor W.S. Duncan Proofreader & Copy Editor Lindsay Smith Art Director Lisa Close Publisher Society of American Magicians, 6838 N. Alpine Dr. Parker, CO 80134 Copyright © 2012 Subscription is through membership in the Society and annual dues of $65, of which $40 is for 12 issues of M-U-M. All inquiries concerning membership, change of address, and missing or replacement issues should be addressed to: Manon Rodriguez, National Administrator P.O. Box 505, Parker, CO 80134 [email protected] Skype: manonadmin Phone: 303-362-0575 Fax: 303-362-0424 Send assembly reports to: [email protected] For advertising information, reservations, and placement contact: Lisa Close M-U-M Advertising Manager Email: [email protected] Telephone/fax: 317-456-7234 Editorial contributions and correspondence concerning all content and advertising should be addressed to the editor: Michael Close - Email: [email protected] Phone: 317-456-7234 Submissions for the magazine will only be accepted by email or fax. VISIT THE S.A.M. WEB SITE www.magicsam.com To access “Members Only” pages: Enter your Name and Membership number exactly as it appears on your membership card. 4 M-U-M Magazine - JULY 2013 M-U-M JULY 2013 MAGAZINE Volume 103 • Number 2 COVER STORY S.A.M. NEWS PAGE 36 68 6 From the Editor’s Desk 8 From the President’s Desk 10 Newsworthy 11 M-U-M Assembly News 27 Good Cheer List 26 Broken Wands 69 Photo Contest Winner -
Biblioteca Digital De Cartomagia, Ilusionismo Y Prestidigitación
Biblioteca-Videoteca digital, cartomagia, ilusionismo, prestidigitación, juego de azar, Antonio Valero Perea. BIBLIOTECA / VIDEOTECA INDICE DE OBRAS POR TEMAS Adivinanzas-puzzles -- Magia anatómica Arte referido a los naipes -- Magia callejera -- Música -- Magia científica -- Pintura -- Matemagia Biografías de magos, tahúres y jugadores -- Magia cómica Cartomagia -- Magia con animales -- Barajas ordenadas -- Magia de lo extraño -- Cartomagia clásica -- Magia general -- Cartomagia matemática -- Magia infantil -- Cartomagia moderna -- Magia con papel -- Efectos -- Magia de escenario -- Mezclas -- Magia con fuego -- Principios matemáticos de cartomagia -- Magia levitación -- Taller cartomagia -- Magia negra -- Varios cartomagia -- Magia en idioma ruso Casino -- Magia restaurante -- Mezclas casino -- Revistas de magia -- Revistas casinos -- Técnicas escénicas Cerillas -- Teoría mágica Charla y dibujo Malabarismo Criptografía Mentalismo Globoflexia -- Cold reading Juego de azar en general -- Hipnosis -- Catálogos juego de azar -- Mind reading -- Economía del juego de azar -- Pseudohipnosis -- Historia del juego y de los naipes Origami -- Legislación sobre juego de azar Patentes relativas al juego y a la magia -- Legislación Casinos Programación -- Leyes del estado sobre juego Prestidigitación -- Informes sobre juego CNJ -- Anillas -- Informes sobre juego de azar -- Billetes -- Policial -- Bolas -- Ludopatía -- Botellas -- Sistemas de juego -- Cigarrillos -- Sociología del juego de azar -- Cubiletes -- Teoria de juegos -- Cuerdas -- Probabilidad -
Haversat Ewing
haversat &Ewing Galleries, LLC. 2014 Magic Collectibles Auction November 15, 2014 Haversat & Ewing Galleries, LLC. Magic Collectibles Auction AUCTION Active bidding on Saturday,all lots begin November at 11:00 15, AM 2014 EST- -11:00 Sat. November AM 15, 2014 SignFirst-up lot to bidcloses at: www.haversatewing.comat 3:00 PM EST. Sign-up to bid at: www.haversatewing.com HAVERSAT & EWING GALLERIES, LLC PO BOX 1078 - YARDLEY, PA 19067-3434 WWW.HAVERSATEWING.COM ~1~ ~2~ ~3~ ~4~ Books, Catalogs & Periodicals 1. Abbott, David. Behind the Scenes with the Mediums. Omaha: The Open Court Publishing Co., 1908 Second edition. Mint condition. $75-125 ~5~ 2. The Art of Conjuring Made Easy; or, Instructions For Performing The Most 4. Brewster, David. Letters on Natural Magic. Astonishing Sleight-of-Hand Feats, With London: John Murry, 1834. Lovely rebinding of Directions for Making Fireworks. 12 pages. this classic text with leather spine and corners and Small 12mo. Woodcut pictorial wrappers, with old buckram covers. New end papers. Fine condition. tape on spine. Circa 1840's. $200-250 $75-$100 3. Black Art!, Or Magic Made Easy. All Kinds 5. Conjurers’ Monthly Magazine. Harry of Sleight-of Hand Tricks. Conjuring by Cards and Houdini. V1 N1 (Sept. 1906) - V2 N12 (Aug. 1908). Coins. 64 pages. 16mo. Copyright 1869, Frederic Complete file. Bound in blue cloth with lettered Brady. First Edition. $200-$250 cloth spines, as issued by Houdini. Overall in fair condition. $450-$700 November 2014 - Haversat & Ewing Galleries • 3 ~7~ ~9~ ~8~ 8. Encyclopedia of Self Working Card Tricks & Second Encyclopedia of Card Tricks. -
Stage Illusionists: a Historical Study Using Illusionists As a Reflection of Mass Entertainment, Popular Culture, and Change During the Late Nineteenth Century
STAGE ILLUSIONISTS: A HISTORICAL STUDY USING ILLUSIONISTS AS A REFLECTION OF MASS ENTERTAINMENT, POPULAR CULTURE, AND CHANGE DURING THE LATE NINETEENTH CENTURY by CLAYTON PHILLIPS B.S. Education/ History University of Central Florida, 1996 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Fall Term 2015 © Clayton Phillips 2015 ii ABSTRACT By the late nineteenth and early twenty century both the United States and Europe were experiencing massive shifts in social organization, social attitudes, and global influence due to the effects of the industrial revolution and imperialistic expansion. This birth of a public sphere and the mass entertainment industry was related to a blurring of the lines between traditional social classes. Mass entertainment’s growth was directly related to the need to attract large audiences with entertainment that appealed in some way to a broad spectrum of the populace. At the same time, stage illusionists or magicians were one of the most recognizable stars of mass entertainment. In fact, they were in the midst of what has been termed the “Golden Age” of magic. By recognizing the popularity of their performances in the United States and Europe, this thesis will use them as a reflection of historical trends and popular attitudes in areas such as romanticism, secular/technical superiority, race, and gender. Historians, like Lawrence Levine, have produced a number of historical studies in regards to performance art, mass entertainment, and the historical implications represented in entertainment. -
Donothave.Pdf
MT006.100 - ALEXANDER, CLAUDE MT002.000 - ABBOTT'S MAGIC CO (Claude Alexander Conlin) LOCATION: Unk. DATE:1946 LOCATION: France. DATE:1915 OBV: Tambourine ring with wand and handkerchiefs, in center, OBV: "*LUCK IS YOURS * / ALEXANDER", around high relief bust of field plain. Alexander in turban. REV: Same. REV: Blank. COMPOSITION: GS, R9. 39-S COMPOSITION: Copper, R10. 20-S May be of European origin. more information to come. (Image from the David Copperfield Collection) MT006.001 - AGOSTA-MEYNIER MT008.000 - ALLEN, KEN PRODUCTS LOCATION: France. DATE:1926 LOCATION: New Jersey. DATE:1962 OBV: "Département de la Seine / Association syndicale des OBV: 4 Chinese symbols as pictured , square hole in center and artistes prestidigitateurs / Prix de la ville de Paris / Agosta smooth background. Meynier / Président / 1926". REV: Same. REV: Woman facing left, "Ville de Paris / Fluctuat nec mergitur ". COMPOSITION: C or GS, 30mm, R3; C, 37.5mm, R4. S COMPOSITION: BZ, R10. 50-S NOTE: Some have REV of U.S. 50 cent or 1 Dollar coin. I have Edge : Bronze ( cornucopia mark ) Kennedy/Franklin Half dollar and Morgan/Peace Dollar coins in this configuration as well as Morgan/Peace shells with milled edge dollar coins to fit the shell for the “China Dollar” routine Copper/Silver, All stated coins and sizes are also found with blank reverses. 35/38-R. MT008.001 - ALLEN, KEN LOCATION: New Jersey. DATE:Unk OBV: Obverse of 1944 half dollar REV: Reverse of US half dollar COMPOSITION: Clear Plastic Coin St. 29-R NOTE: Also produced as a Morgan Dollar type. 38-R MT006.050 - ALADDIN, JOHNNY LOCATION: USA. -
The Magic Behind Success: What Can Business Leaders Learn
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DigitalCommons@Bryant University The Magic Behind Success: What Can Business Leaders Learn from Magicians Regarding Creativity and Communication? The Honors Program Senior Capstone Project Student’s Name: John Duke Logan Faculty Sponsor: Michael Roberto April 2016 The Magic Behind Success Senior Capstone Project for John Duke Logan Table of Contents Abstract…………………………..……………………..…………………………..…6 Introduction ...……………………………………………….…………………...…..7 The Importance of This Research …………………………………................10 Credentials……………………………………….……...…………………….11 Disclaimer About the Following Research. ………………........………….....13 Method for Collecting Data ...…………. …………………….………….,………. 14 The Importance of Innovation ...…………..………………………………………17 Innovation Within the Magic Industry ...…………………….……...………...….19 Background: The History and Taxonomy of Magic………………….............19 Principles of Magic…………………….........……………………......20 Trick Classifications…..…………………..........……………….…….21 The Importance of Innovation within the Magic Industry................................30 How Psychology Helps with Magic Innovation…………………....... 31 Notable Creative Magicians Throughout History………….……....... 32 Creative Television Tactics to Enhance Transparency with Non-Magicians...38 The Importance of Communication ...………………………….………...……… 43 Verbal v. Non-Verbal Communication....…………...…………...…….......... 43 Non-Verbal Communication: How You Speak ………………............ 44 2 The Magic Behind -
Richard Hatch Richard Hatch
March 2007 Richard Hatch Richard Hatch PHOTO: JEFF GRASS 50 MUM March 2007 “The more a magician reads about magic, the more he realizes how much more there is to learn and how many more magic books there are to read.” Robert Lund (1925-1995), Founder The American Museum of Magic The Accidental Magic Bookman By Bill Palmer Born in California, raised in Germany, and edu- Germany where his father worked for a clandes- cated at Yale University, how did Richard Hatch tine branch of the U.S. Government for two wind up in oxymoronic Humble, Texas? And how years before completing a year of post-doctoral did this same fellow go from having a Master of research at Heidelberg University. Attending Philosophy in Physics to being a respected magic German kindergarten, Richard began to learn the historian, German translator, and successful pub- language at this early age, but it would not pay lisher and book dealer in just a few years? “My off until years later. wife and parents would also like to know what When Hatch was six years old, the family happened,” Richard says with a smile. moved back to the United States and to Ames, Richard Clawson Hatch was born May 24, Iowa, when his father was offered a tenured posi- 1955 in Pasadena, California where his father, tion with the Physics Department of Iowa State Eastman Nibley Hatch, was completing his doc- University. In 1964, Richard received his intro- toral studies in nuclear physics at the renowned duction into magic when he was given a copy California Institute of Technology. -
Circus Report, May 26, 1980, Vol. 9, No. 21
JKDBITE. 9th Year May 26,1980 Number 21 f I • i Page 2 May 26, 1980 WORLD'S ONLY HI-DIVING NOW AVAILABLE AQUA MULES, OSTRICH Because of a misunderstanding I am no long- RACES, CLOWN ACTS, er with Kelly Bros. Circus and as a result am now available for Shrine Circuses, Parks and MOVIELAND ANIMALS, Fairs, with my smalt 1910 Tin Lizzie Model WILD WEST ACTS T Ford, radio controlled comedy car. JONNY RIVERS LLOYD THE CLOWN (Lloyd Loan) P. 0. Box 286 Mclntosh, Fla. 32664 18 Valentia St., Huntington. W.Va. 25705 Phone: 304 - 522 - 2549 Phone:904-591-2076 or 591-1053 Miscellaneous NOTICE .. NEW FILM IS PLANNED Due to a series of heavy bookings, coupled with exceptionally long jumps, plus a great deal of The creators and co-stars of the film "The Long work wrapping up plans for publication of his Riders", James and Stacy Keach, are planning a book, has temporarily forced Billy Barton to sequel to that movie. The new film will be about delay his regular weekly column. the James and Younger brothers. In the new show, Jesse James will be shown as he recovers from his wounds. Later he goes on the road with his own wild west show, where he will be featured in an act called "Crime Does JAMES (Jim Bow) DECKER, a Dallas clown was Not Pay." one of the first to be signed for this year's May 23-24 "Mayfest" to be held at the Dallas State GOOD COVERAGE Fair grounds. The show world gets good play in the hand- VESTA GRIMALUI' of the Grimaldis. -
The American Museum of Magic/Lund Memorial Library and Other Resources on Magic and Conjuring
Theatre Survey 49:2 (November 2008). ISSN: 0040-5574 doi:10.1017/S0040557408000161 http://journals.cambridge.org http://journals.cambridge.org/action/displayJournal?jid=TSY http://journals.cambridge.org/action/displayAbstract?aid=2473020 © 2008 American Society for Theatre Research The American Museum of Magic/Lund Memorial Library and Other Resources on Magic and Conjuring Beth A. Kattelman That is the gift the magician brings us. He reawakens a sense of wonder in us when we are no longer children. —Robert Lund,1 founder of the American Museum of Magic How did he do that? This question has been on the lips of audience members since magicians first began delighting and amazing viewers with skills of dexterity and legerdemain. The first-known recorded, secular magic performance2 dates back to 2500 B.C. when the conjuror Dedi presented a series of tricks for the Egyptian king Cheops at the royal palace. The event was recorded in the Westcar papyrus, a document that was composed around 1700 B.C. but is thought by Egyptologists to have been copied from earlier sources.3 Yes, magic and conjuring have long been an integral part of popular entertainment, and from these very early beginnings, secular magicians have continued to provide entertainment for audiences of all ages right up through the present day. Magic shows are still some of the hottest tickets of the Las Vegas strip, and touring artists such as David Copperfield can still fill theatres. Magic is also popular on television once again thanks to the work of David Blaine and Criss Angel. Organizations such as the International Brotherhood of Magicians (IBM) and the Society of American Magicians (SAM) also boast a strong membership. -
The Magic Behind Success: What Can Business Leaders Learn from Magicians Regarding Creativity and Communication?
The Magic Behind Success: What Can Business Leaders Learn from Magicians Regarding Creativity and Communication? BY John Duke Logan ADVISOR • Michael Roberto _________________________________________________________________________________________ Submitted in partial fulfillment of the requirements for graduation with honors in the Bryant University Honors Program APRIL 2016 The Magic Behind Success Senior Capstone Project for John Duke Logan Table of Contents Abstract…………………………..……………………..…………………………..…6 Introduction ...……………………………………………….…………………...…..7 The Importance of This Research …………………………………................10 Credentials……………………………………….……...…………………….11 Disclaimer About the Following Research. ………………........………….....13 Method for Collecting Data ...…………. …………………….………….,………. 14 The Importance of Innovation ...…………..………………………………………17 Innovation Within the Magic Industry ...…………………….……...………...….19 Background: The History and Taxonomy of Magic………………….............19 Principles of Magic…………………….........……………………......20 Trick Classifications…..…………………..........……………….…….21 The Importance of Innovation within the Magic Industry................................30 How Psychology Helps with Magic Innovation…………………....... 31 Notable Creative Magicians Throughout History………….……....... 32 Creative Television Tactics to Enhance Transparency with Non-Magicians...38 The Importance of Communication ...………………………….………...……… 43 Verbal v. Non-Verbal Communication....…………...…………...…….......... 43 Non-Verbal Communication: How You Speak ………………........... -
Twentieth Century Hall of Fame 5 (Pdf) Download
T4i(The panorama broadens. Michael AamuMmmar Alex Elmsley Doug Henning Servais Le Roy Jim Steinmeyer Eleven more are added to the Theodore Annemann S.W. Erdnase John Northern Hilliard Ed Marlo Harlan Tarbell 100 people who have significant Al Baker Dariel Fitzkee Professor Hoffmann Jay Marshall Howard Thurston ly affected the art in America Harry Blackstone Sr. Uri Geller Harry Houdini Channing Pollock Eddie Tullock during the 20th century. Those Harry Blackstone Jr. Walter B. Gibson Ricky Jay Richiardi, Jr. Don Wayne ance urton A.C. ilbert illiam W. arsen r ark ilson who have appeared since the L B G W L S . Marvyn Roy M W Ben Chavez Horace Goldin Bill Larsen Jr. P.T. Selbit series began in January are listed T. Nelson Downs U.F. Grant Milt Larsen Siegfried & Roy here. Joseph Dunninger Robert Harbin Rene Lavand Slydini Many proclaimed Fred Kaps the finest all-around magical entertainer in modern times. Whether he was on the stage or at the close-up table, the Dutch master’s sleight of hand was impeccable. Beginning with his 1950 World Championship, Kaps’ deftly routined acts of manipulation led to the status of being the only three-time Grand Prix winner in FISM history. The United States first witnessed Kaps’ virtuoso style on a 1954 Ed Sullivan Show. His act was a study in magical showmanship. Although he included exhibitions of proficiency in the form of fancy flourishes, he never revealed his expertise while producing miraculous effects. On another American television appearance, in 1964, when he shared Sullivan’s studio N IO T stage with The Beatles, Fred was given C E a talking spot, showcasing his innate LL CO sense of comedic timing. -
Mystery, Magic, & Mayhem
Woodson Art Museum in your classroom Illusions and Illustrations Mystery, Magic, & Mayhem Winter 2014 Top: The Invention of Hugo Cabret, 2007, digital reproduction, © 2001 and 2007 by Brian Selznick; Bottom: Harry Bouton, Blackstone Oriental Nights, ca. 1930, hand-drawn, four-color lithograph Introduction Wondrous and whimsical artwork transports Woodson visitors to a Parisian train station, the White House, Victorian England, and great American theaters through two exciting new exhibitions: From Houdini to Hugo: The Art of Brian Selznick and Mystery, Magic, and Mayhem: Wonders from the American Museum of Magic on view January 25 – April 6, 2014. Captivating stories and eye-catching graphics spark curiosity and invite imagination by way of dynamic illustrations and theatrical posters featuring famous American magicians. Complementing the Selznick and Magic exhibitions will be a ten-foot snow sculpture of a rabbit springing from a top hat at the entrance of the Museum’s Twelfth Street parking lot, to be completed Saturday, February 1 – see this magical monument before it melts! Finally, don’t miss the opportunity for a magical residency visit with your class during magician Lou Lepore’s early March residency; for details see the concluding page of these materials. From Houdini to Hugo: The Art of Brian Selznick Acclaimed children’s book author and illustrator Brian Selznick made a name for himself through his innovative artistic style and keen ability to acquaint young audiences with historic figures in a fresh and thoughtful manner. From Houdini to Hugo features ninety-eight drawings and paintings, spanning Selznick’s career as an illustrator for others and his later work writing and illustrating his own books.