DOCSLIB.ORG

Sun Ra Arkestra Live at Myron's Ballroom Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sun Ra Arkestra Live at Myron's Ballroom Mp3, Flac, Wma Sun Ra Arkestra Live At Myron's Ballroom mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Live At Myron's Ballroom Country: US Released: 2006 Style: Space-Age MP3 version RAR size: 1656 mb FLAC version RAR size: 1853 mb WMA version RAR size: 1466 mb Rating: 4.6 Votes: 966 Other Formats: AAC APE WMA MPC DMF VOC FLAC Tracklist Hide Credits Main Set 52:42 Part One 1-1a Sometimes The Universe Speaks 1-1b Sunology / Lion Of The Heavens 1-1c Tapestry From An Asteroid 1-1d The Outer Bridge 1-1e (The World Is Waiting) For The Sunrise 1-1f Mystery, Mr. Ra 1-1g Discipline 27 Unidentified Blues 1-1h Soloist [Piano] – Sun Ra Main Set 22:17 Part Two Cocktails For Two 1-2a Written-By – Arthur Johnson*, Sam Coslow Happy As The Day Is Long 1-2b Written-By – Harold Arlen, Ted Koehler 'Round Midnight 1-2c Written-By – Bernie Hanighen, Cootie Williams, Thelonious Monk Big John's Special 1-2d Written-By – Horace Henderson Yeah Man! 1-2e Written-By – Fletcher Henderson, Noble Sissle 2-1 Fate In A Pleasant Mood 7:22 2-2 The Shadow World / Astro Black 10:44 2-3 Moonship Journey / Outerspaceways Incorporated 3:06 2-4 Space Is The Place / We Travel The Spaceways 7:49 We Travel The Spaceways (Continued) / Hit That Jive, Jack / I'll Wait For You 2-5 5:06 Written-By [Hit That Jive, Jack] – John Alston, Skeets Tolbert Watusi 2-6 22:49 Written-By – Andre Pitts, Terri Vanne Sherrill Enlightenment / Strange Mathematics, Rhythmic Equations 2-7 9:51 Written-By [Enlightenment] – Hobart Dotson, Sun Ra 3-1 They'll Come Back 5:33 3-2 Untitled Improvisation 3:35 Can You Take It? / Blue Lou 3-3 Written-By [Blue Lou] – Edgar SampsonWritten-By [Can You Take It?] – 6:09 Fletcher Henderson 3-4 Lights On A Satellite 6:21 Lady Bird / Half Nelson 3-5 6:05 Written-By [Half Nelson] – Miles DavisWritten-By [Lady Bird] – Tadd Dameron 3-6 Springtime Again 6:05 3-7 Discipline 27-II / Someday Soon / You're In The Space Age Now 5:26 Credits Alto Saxophone, Bass Clarinet, Clarinet [Contra-alto], Percussion – Eloe Omoe Alto Saxophone, Flute, Oboe, Kora, Percussion, Electronic Wind Instrument [Evi] – Marshall Allen Baritone Saxophone – Kenny Williams Baritone Saxophone, Flute, Electronic Wind Instrument [Evi], Percussion – Danny Ray Thompson Bass – Richard "Radu" Williams* Congas – Atakatune Drums – Samarai Celestial Drums, Percussion [Space Drum] – Craig Haynes French Horn – Vincent Chancey Liner Notes [Texts] – Le Sony'r Ra* Photography By – Aes-Nihil* Piano, Organ, Vocals, Written-By – Sun Ra Recorded By – Brad Wussow, Mr. Foon Tenor Saxophone, Electronic Wind Instrument [Evi], Clarinet, Timbales, Vocals – John Gilmore Trombone – Craig Harris Trumpet, Vocals – Michael Ray Vibraphone – Damon Choice Vocals – June Tyson Notes Sun Ra Arkestra Live at Myron's Ballroom Los Angeles, CA 4/2/81 Related Music albums to Live At Myron's Ballroom by Sun Ra Arkestra Thelonious Monk - Thelonious Monk Live in '66 Fletcher Henderson - Swing 1929 To 1937 Thelonious Monk with john coltrane - Duke Ellington And His Orchestra, Don Redman And His Orchestra, Fletcher Henderson And His Orchestra, Luis Russell And His Orchestra - Harlem Jazz 1930 Fletcher Henderson - Volume 2 1926-1936 (The Alternative Takes In Chronological Order) Sun Ra And His Astro Intergalactic Infinity Arkestra - Discipline 27-II Sun Ra And His Astro Infinity Arkestra - Strange Strings Clyde McCoy And His Orchestra / Fletcher Henderson - Mood Indigo / Tozo Various - Great Big Bands - Ellington, Henderson, Carter Gilles Peterson Presents Sun Ra And His Arkestra - To Those Of Earth... And Other Worlds.
Load more

Recommended publications
  • Sun Ra and the Performance of Reckoning
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2015 "The planet is the way it is because of the scheme of words": Sun Ra and the Performance of Reckoning Maryam Ivette Parhizkar Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1086 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] "THE PLANET IS THE WAY IT IS BECAUSE OF THE SCHEME OF WORDS": SUN RA AND THE PERFORMANCE OF RECKONING BY MARYAM IVETTE PARHIZKAR A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York. 2015 i This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the requirement for the degree of Master of Arts. Thesis Adviser: ________________________________________ Ammiel Alcalay Date: ________________________________________ Executive Officer: _______________________________________ Matthew K. Gold Date: ________________________________________ THE CITY UNIVERSITY OF NEW YORK ii Abstract "The Planet is the Way it is Because of the Scheme of Words": Sun Ra and the Performance of Reckoning By Maryam Ivette Parhizkar Adviser: Ammiel Alcalay This constellatory essay is a study of the African American sound experimentalist, thinker and self-proclaimed extraterrestrial Sun Ra (1914-1993) through samplings of his wide, interdisciplinary archive: photographs, film excerpts, selected recordings, and various interviews and anecdotes.
    [Show full text]
  • The Avant-Garde in Jazz As Representative of Late 20Th Century American Art Music
    THE AVANT-GARDE IN JAZZ AS REPRESENTATIVE OF LATE 20TH CENTURY AMERICAN ART MUSIC By LONGINEU PARSONS A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2017 © 2017 Longineu Parsons To all of these great musicians who opened artistic doors for us to walk through, enjoy and spread peace to the planet. ACKNOWLEDGMENTS I would like to thank my professors at the University of Florida for their help and encouragement in this endeavor. An extra special thanks to my mentor through this process, Dr. Paul Richards, whose forward-thinking approach to music made this possible. Dr. James P. Sain introduced me to new ways to think about composition; Scott Wilson showed me other ways of understanding jazz pedagogy. I also thank my colleagues at Florida A&M University for their encouragement and support of this endeavor, especially Dr. Kawachi Clemons and Professor Lindsey Sarjeant. I am fortunate to be able to call you friends. I also acknowledge my friends, relatives and business partners who helped convince me that I wasn’t insane for going back to school at my age. Above all, I thank my wife Joanna for her unwavering support throughout this process. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................. 4 LIST OF EXAMPLES ...................................................................................................... 7 ABSTRACT
    [Show full text]
  • Encyclopedia of African American Music Advisory Board
    Encyclopedia of African American Music Advisory Board James Abbington, DMA Associate Professor of Church Music and Worship Candler School of Theology, Emory University William C. Banfield, DMA Professor of Africana Studies, Music, and Society Berklee College of Music Johann Buis, DA Associate Professor of Music History Wheaton College Eileen M. Hayes, PhD Associate Professor of Ethnomusicology College of Music, University of North Texas Cheryl L. Keyes, PhD Professor of Ethnomusicology University of California, Los Angeles Portia K. Maultsby, PhD Professor of Folklore and Ethnomusicology Director of the Archives of African American Music and Culture Indiana University, Bloomington Ingrid Monson, PhD Quincy Jones Professor of African American Music Harvard University Guthrie P. Ramsey, Jr., PhD Edmund J. and Louise W. Kahn Term Professor of Music University of Pennsylvania Encyclopedia of African American Music Volume 1: A–G Emmett G. Price III, Executive Editor Tammy L. Kernodle and Horace J. Maxile, Jr., Associate Editors Copyright 2011 by Emmett G. Price III, Tammy L. Kernodle, and Horace J. Maxile, Jr. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publisher. Library of Congress Cataloging-in-Publication Data Encyclopedia of African American music / Emmett G. Price III, executive editor ; Tammy L. Kernodle and Horace J. Maxile, Jr., associate editors. p. cm. Includes bibliographical references and index. ISBN 978-0-313-34199-1 (set hard copy : alk.
    [Show full text]
  • Sun Ra and His Arkestra Thunder of the Gods Mp3, Flac, Wma
    Sun Ra And His Arkestra Thunder Of The Gods mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Thunder Of The Gods Country: US Released: 2017 Style: Avant-garde Jazz, Free Jazz MP3 version RAR size: 1736 mb FLAC version RAR size: 1328 mb WMA version RAR size: 1825 mb Rating: 4.2 Votes: 741 Other Formats: AC3 MP1 MIDI VQF AAC MP3 ASF Tracklist Hide Credits Calling Planet Earth - We'll Wait For You (Stereo) Baritone Saxophone, Flute – Danny Ray ThompsonBass Clarinet, Flute – Eloe OmoeCello – A1 23:30 Alzo WrightDrums – Lex HumphriesTrombone – Charles StephensTrumpet – Akh Tal Ebah, Kwame HadiVocals – June Tyson B1 Moonshots Across The Sky (mono) 5:41 B2 Thunder Of The Gods (mono) 13:23 Companies, etc. Phonographic Copyright (p) – Modern Harmonic Phonographic Copyright (p) – Sundazed Music, Inc. Copyright (c) – Modern Harmonic Copyright (c) – Sundazed Music, Inc. Licensed From – Sun Ra LLC Published By – Enterplanetary Koncepts Credits Alto Saxophone, Clarinet, Strings – Danny Davis Alto Saxophone, Oboe, Piccolo Flute, Strings – Marshall Allen Art Direction – Jon Hunt Artwork By – Chesley Bonestell Baritone Saxophone, Strings – Pat Patrick Bass, Viola, Dutar – Ronnie Boykins Coordinator – Stephanie Kennedy Curated By – Jay Millar Liner Notes – Christopher Eddy Mastered By – Bob Irwin Oboe, Flute, Drums, Strings – James Jacson Organ, Drum, Strings – Sun Ra Percussion – Clifford Jarvis Strings – Art Jenkins, Carl Nimrod, Robert Cummings Tenor Saxophone, Strings – John Gilmore Trombone, Strings – Ali Hassan Notes Clear vinyl with black smokey swirls. Also on CD. Side A is stereo, side B is mono. Side A is from the Universe In Blue sessions, side B from the Strange Strings sessions.
    [Show full text]
  • Sounds of Alter-Destiny and Ikonoklast Panzerist Fabulations
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2019 Sounds of Alter-destiny and Ikonoklast Panzerist Fabulations Mette Christiansen The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3401 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] SOUNDS OF ALTER-DESTINY AND IKONOKLAST PANZERIST FABULATIONS by METTE CHRISTIANSEN A master’s thesis submitted to the Graduate Faculty in Political Science in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2019 © 2019 METTE CHRISTIANSEN All Rights Reserved ii SOUNDS OF ALTER-DESTINY AND IKONOKLAST PANZERIST FABULATIONS by Mette Christiansen This manuscript has been read and accepted for the Graduate Faculty in Political Science in satisfaction of the thesis requirement for the degree of Master of Arts. Date Susan Buck-Morss Thesis Advisor Date Alyson Cole Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Sounds of Alter-destiny and Ikonoklast Panzerist Fabulations by Mette Christiansen Advisor: Susan Buck-Morss This study is a multifaceted attempt to complicate ideas about study, to think about the critical potential and social implications of certain kinds of stories, and how we might effectively disrupt and reinvent notions and techniques of critique and resistance in the names of hope and social transformation.
    [Show full text]
  • Where Pathways Meet - Sun Ra En De Uitgavepraktijk
    Daan van den Brink s4369106 15-01-2017 Bachelorwerkstuk N.H.H. Veldhorst Where Pathways Meet - Sun Ra en de uitgavepraktijk. Omslag: Sun Ra Singles: The Definitive 45s Collection Vol 1: 1952-1961, Sun Ra. London: Strut / Art Yard. (STRUT148SB), 2016. 2 Inhoudsopgave. 1. Inleiding. 4 1.1 Sun Ra, muzikant en wetenschapper. 4 1.2 Methode. 6 2. Sun Ra en Impulse! – Bad & Beautiful. 9 2.1 Context. 9 2.2 Vormgeving. 11 2.3 Opname. 13 2.4 Verhouding met Impulse!. 14 3. Sun Ra en Philly Jazz – Lanquidity. 16 3.1 Context. 16 3.2 Vormgeving. 17 3.3 Opname. 19 4. Sun Ra en Saturn – A Fireside Chat With Lucifer. 21 4.1 Context. 21 4.2 Vormgeving. 24 4.3 Opname. 27 5. Conclusie. 28 5.1 Sun Ra en de uitgavepraktijk. 28 5.2 Methode en theorie. 30 Literatuurlijst. 33 Discografie. 35 3 1. Inleiding. 1.1 Sun Ra, muzikant en wetenschapper. J. P. Burkholder beschrijft in A History Of Western Music hoe avantgardistische componisten halverwege de twintigste eeuw de connectie verloren met het grotere publiek. Hierbij wordt Componist Milton Babbit aangehaald, die in navolging van deze ontwikkeling stelde dat de componist wetenschappelijk te werk moest gaan, waarbij het publieke aspect van de muziek van minder belang was. Het volgende citaat is afkomstig uit zijn essay Who Cares If You Listen? uit 1958: I dare suggest that the composer would do himself and his music an immediate and eventual service by total, resolute, and voluntary withdrawal from this public world to one of private performance and electronic media, with its very real possibility of complete
    [Show full text]
  • Reclaiming the Legends [Long]
    Alex Assaly (ama67) & David Grundy (dmg37) Reclaiming the Legends Myth & the Black Arts Movement 17 January - 17 February, 2017 English Faculty Building, First Floor Lobby ————— Dropping his history books, a young man, lined against the horizon like an exclamation point with nothing to assert, stumbles into the dance. - “Death as History” by Jay Wright RECLAIMING THE LEGENDS: MYTH & THE BLACK ARTS MOVEMENT finds inspiration in the anti-historical world described by Wright. Its mysterious dance is the “cabinet of curiosities”: the defiance of categorical boundaries, the assembling of varied objects, the powerfully mythic rather than the historical, the rhythmic rather than the calculated. The exhibition also “plead[s]” like Wright’s dance. It asks visitors to abandon traditional epistemologies and participate in the microcosm it has created. This exhibition-world is a miscellany of anthropological & egyptological studies, revisionist histories, spiritualist & esoteric writings, books of poetry, and music record. It intimates some organizational principle, but finds time operating synchronically. Traditional chronology, here, is corrupted: Amiri Baraka, Sonia Sanchez, Lorenzo Thomas, Bob Kaufman, Ishmael Reed, David Henderson, and Marvin X appear alongside Gerald Massey, George James, and Theodore P. Ford. Like Wright’s dance, its form is ritualized and its theme is mythical. ◦ ◦ RECLAIMING THE LEGENDS: MYTH & THE BLACK ARTS MOVEMENT follows the example of its subject: it rejects historical fixity for the elasticity of myth. Most profiles of the Black Arts Movement (BAM), on the other hand, highlight and organize themselves by an opposite force: the historical-political. BAM occurred over a ten year period (from 1965 to 1975/6); the context of the Movement was one of major socio-political disruption; BAM was the aesthetic wing of Black Power politics.
    [Show full text]
  • Space Is Still the Place - Philadelphia Weekly !
    Space is still the place - Philadelphia Weekly https://philadelphiaweekly.com/space-is-still-the-place/ ! SECTIONS LATEST POPULAR CALENDAR MUSIC / PEOPLE SPACE IS STILL THE PLACE The Sun Ra Arkestra drops new music since, well...forever A.D. Amorosi November 5th, 2020 " # $ % Legendary Philadelphia funk and soul group The Sun Ra Arkestra recently released its first new music since 1999. | Image 1 of 15 11/16/20, 11:26 AM Space is stillcourtesy: the place STRUT/Sun - Philadelphia Ra Arkestra Weekly archives https://philadelphiaweekly.com/space-is-still-the-place/ There are many things that many audiences miss about the loss of live staged musical events during this ever-lengthening pandemic. Few regularly scheduled concert showcases currently lost to COVID-19 are as beloved and missed as the Sun Ra Arkestra’s deep dive into Halloween night at Johnny Brenda’s. The Hallowed eve party is not a long, lived-in tradition (yet), but a sturdy one, one that, since 2015, finds the Germantown-encamped, cosmically avant-garde, big band – led by 96-year-old saxophonist and composer Marshall Allen, an Arkestra member since 1957 who took over bandleader duties when Ra moved onto a higher celestial plane in 1993 – enveloping J-Brenda’s small stage like a spider’s web. Not just because of its legion (12 to 16 members strong), and its friendly array of complex brass, reed and percussive instrumentation, but also the ensemble’s choice of long, wide, colorfully flowing robes in all their Saturn-al splendor, and its choice of toweringly floppy, Venusian headgear. If Space is the Place, as goes Ra’s longtime motto, they’re going to need all the universal room they can afford just to comfortably keep the Arkestra in check, and playing.
    [Show full text]
  • Sun Ra Sundays Selections from the Nuvoid Blog
    Sun Ra Sundays Selections from the NuVoid Blog by Rodger Coleman 1 Selections from Rodger Coleman's blog NuVoid (http://nuvoid.blogspot.com/), from 2008 to 2015, with selected comments. Minor edits and formatting by Sam Byrd, 2016. Entries have been rearranged chronologically, to match the order given in Chris Trent's discography included in the 2nd edition of Omniverse Sun Ra (since it is more up-to-date than RLC/Trent). © Rodger Coleman 2 TABLE OF CONTENTS Spaceship Lullaby.................................................. 7 Music from Tomorrow's World.......................... 8 Bad and Beautiful.................................................. 10 Art Forms of Dimensions Tomorrow............... 11 Out There a Minute.............................................. 13 Secrets of the Sun.................................................. 16 What's New............................................................ 18 The Invisible Shield...............................................19 The Earthly Recordings of Sun Ra, 2nd ed...... 21 When Sun Comes Out......................................... 23 Space Probe [1]...................................................... 24 Continuation [1]..................................................... 26 Continuation [2]..................................................... 28 Space Probe [2]...................................................... 30 A Blue One/Orbitration in Blue........................ 33 Janus........................................................................ 35 Cosmic Tones for Mental
    [Show full text]
  • Space Is the Place: the Lives and Times of Sun Ra Free
    FREE SPACE IS THE PLACE: THE LIVES AND TIMES OF SUN RA PDF John F. Szwed | 496 pages | 21 Aug 1998 | The Perseus Books Group | 9780306808555 | English | Cambridge, MA, United States Duke University Press - Space Is the Place Sun Ra: Stranger from Outer Space. In tomorrow's world, men will not need artificial instruments such as jets and space ships. In the world of Space is the Place: The Lives and Times of Sun Ra, the new man will 'think' the place he wants to go, then Space is the Place: The Lives and Times of Sun Ra mind will take him there. Nothing about Sun Ra's six-decade musical career could be called normal. He recorded somewhere around albums, although no one knows for sure. He toured the world, was revered in Europe, and staged at least three piece concerts, one at the pyramids in Egypt. He Space is the Place: The Lives and Times of Sun Ra the subject of several films, pioneered the use of electronic keyboards like Moog synthesizers, created his own independent record label, and influenced countless jazz and rock musicians. His pronouncements were drenched in his unique cosmic mysticism, and his band members claimed he had telepathic powers. Most importantly, he made music, as he wrote, "rushing forth like a fiery law. If you were lucky enough to catch Sun Ra's live show before he died inyou probably believed him. Ra came from the tradition of vaudeville, swing, and Chicago show clubs. He was also deeply spiritual, and his live shows encompassed all of these elements.
    [Show full text]
  • Sun Ra Arkestra Mayan Temples Mp3, Flac, Wma
    Sun Ra Arkestra Mayan Temples mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Mayan Temples Country: Italy Released: 1990 Style: Free Jazz, Swing MP3 version RAR size: 1518 mb FLAC version RAR size: 1107 mb WMA version RAR size: 1903 mb Rating: 4.9 Votes: 294 Other Formats: ADX DMF RA AAC AUD AHX AC3 Tracklist 1 Dance Of The Language Barrier 3:58 2 Bygone 5:15 3 Discipline No. 1 4:57 4 Alone Together 7:02 5 Prelude To Stargazers 5:17 6 Mayan Temples 7:40 7 I'll Never Be The Same 4:57 8 Stardust From Tomorrow 3:38 9 El Is The Sound Of Joy 5:26 10 Time After Time 4:21 11 Opus In Springtime 6:41 12 Theme On The Stargazers 14:09 13 Sunset On The Night On The River Nile 5:42 Companies, etc. Phonographic Copyright (p) – Black Saint Copyright (c) – Black Saint Recorded At – Mondial Sound Mastered At – PhonoComp Credits Alto Saxophone – Noel Scott Alto Saxophone, Flute – Marshall Allen Artwork [Cover Art] – Xerios Bass, Electric Bass – Jothan Callins Bassoon, Drums [African] – James Jackson* Congas, Percussion – Ron McBee Drums – Clifford Barbaro, Earl "Buster" Smith Engineer [Mastering] – Gennaro Carone Engineer [Recording] – Sandro Radici* Liner Notes – Francis Davis Percussion – Jorge Silva Photography By [Cover] – Paola Bensi Piano, Synthesizer – Sun Ra Producer – Giovanni Bonandrini Surdo, Percussion – Elson Nascimento Tenor Saxophone, Timbales – John Gilmore Trombone – Tyrone Hill Trumpet, Vocals – Ahmed Abdullah, Michael Ray Vocals – June Tyson Notes Recorded July 24 and 25, 1990 at Mondial Sound, Milano. Mastered at PhonoComp, Tribiano - Milano.
    [Show full text]
  • Pathways to Unknown Worlds : Sun-Ra, El Saturn and Chicago's
    Digitized by the Internet Archive in 2012 with funding from The Archive of Contemporary Music http://archive.org/details/pathwaystounknowOOcorb s -*—-^52""° 1954-68 ro-Futurist Underground a Chicagorhiraao'sshiAf i u El Saturn and TerriKapsalis Anthony Elms and cmated by John Corbett, This book accompanies the exhibition Pathways to Unknown Worlds: Sun Ra, El Saturn and Chicago's Afro-Futurist Underground 1954-68 presented October 1, 2006 through January 14, 2007 at the Hyde Park Art Center (ISBN-10: 0-945323-10-7) (ISBN-13: 978-0-945323-10-5) Published by WhiteWalls, Inc., a not-for-profit corporation, P.O. Box 8204, Chicago, Illinois 60680 ©2006 WhiteWalls, Inc. and the authors WhiteWalls books are distributed by University of Chicago Press WhiteWalls Editor Anthony Elms Design Department of Graphic Sciences Whitewalls Board: Gary Cannone, Steve Harp, Karen Lebergott, Adelheid Mers, Joel Score and Sarah Peters For 2006-2007, WhiteWalls publications are dedicated to Michael Piazza and his tireless enthusiasm. Contributions and gifts to WhiteWalls, Inc., are tax-deductible to the extent allowed by law. This publication is supported in part by grants from the Illinois Arts Council, a state agency; by a CityArts grant from the City of Chicago Department of Cultural Affairs; and by our friends and subscribers. WhiteWalls, Inc., is a member of the Illinois Arts Alliance and the National Association of Artists Organizations. Special thanks to Irena Knezevic for the digital scans and Tom Van Eynde for object photography. John Corbett and Terri Kapsalis would like to thank Jim Dempsey, Victor B. & Heather, George Lewis, Hamza Walker, Rachel Weiss, Mats Gustafsson, Ken Vandermark, Kevin Whitehead, Lloyd Sachs, John McCortney, Hal Rammel, Lou Mallozzi, Creative Audio Archive, Tim Shaw, Kurt Kellison, Bill Dougherty, Ricky Murray, Robert Barry, Hattie Randolph, Allison Peters and the staff at Hyde Park Art Center.
    [Show full text]