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Dari Language Project
THE DARI LANGUAGE PROJECT 2004 Fieldwork Endeavor Summary of Findings Authors: ANNAHITA FARUDI M. DOUSTDAR TOOSARVANDANI 127 CHEAT CANYON PARK DRIVE MORGANTOWN, WV 26508 [email protected] This Dari dialect is only used by the guebres amongst themselves, and all of them, so far as I know, speak Persian as well. When they speak their own dialect, even a Yezdi Musulman cannot understand what they are saying, or can only understand it very imperfectly. It is for this reason that the Zoroastrians cherish their Dari, and are somewhat unwilling to teach it to a stranger…To me they were as a rule ready enough to impart information about it; though when I tried to get old Jamshid the gardener to tell me more about it, he excused himself, saying that knowledge of it could be of no possible use to me. E . G. BROWNE (1893) Acknowledgements We are grateful to the patrons of the Dari Language Project’s 2004 Fieldwork Endeavor for their generous financial support: The Alavi Foundation, The Atlanta Zarathushti Anjuman, Mr. Sohrob Farudi, The Iran Heritage Foundation, Mr. Trita Parsi, PayaHost Web Solutions, The Roshan Cultural Heritage Institute, Mr. Parviz Zavareh, The Zoroastrian Association of Metropolitan Washington, and The Zoroastrian Society of Ontario. We would also like to thank: Lise Dobrin, Mahin, Hassan, Maryam, and Massy Azimian, Abbas Toosarvandani, Parvin Khosrovi, Katayoun Mazdapour, Jamshid Varza, Shahin Bekhradnia, Amir Salehzadeh, Mehri and Yadollah Jalali, Parvin Farkhoni of the Porouchista Foundation, and Golchehr Felfeli of the Vohuman School. I. ON THE ZOROASTRIANS AND DARI I have entertained [Zoroastrians] of standing and Mussulmans of standing together on public occasions; and I have no hesitation in saying that even the bigoted Mussulman recognizes the bond of common citizenship, although it is certain true that on most occasions he prefers the bond of religion. -
Study of Motifs in Zoroastrian Needlework Based on Anthropological Aspect of Art Roya Azizi*1, Zohreh Tabatabaei Jebeli2
Bagh-e Nazar, 17(85), 19-34 / July 2020 DOI: 10.22034/BAGH.2020.164417.3925 Persian translation of this paper entitled: مطالعۀ نقوش زرتشتی دوزی با رویکرد انسانشناسی هنر is also published in this issue of journal. Study of Motifs in Zoroastrian Needlework Based on Anthropological Aspect of Art Roya Azizi*1, Zohreh Tabatabaei Jebeli2 1. Lecturer, Islamic Art Department, Handicraft Faculty, Art University of Isfahan, Iran. 2. Assistant Professor, Islamic Art Department, Handicraft Faculty, Art University of Isfahan, Iran. Received: 28/12/2018 ; revised: 26/11/2019 ; accepted: 29/11/2019 ; available online: 21/06/2020 Abstract Problem statement: The art of “Zoroastrian needlework” is a sort of traditional needlework clothing design, belonged to Zoroastrian ladies, dating back to pre-Islamic Iran. Majority of the Zoroastrian needlework motives contain some meanings and roots from religious culture and aesthetics point of view which are not explained so far and identification of these motives can reveal their meanings which some believe they are just simple designs without any hidden meaning. Research objectives: This study attempts to assess and understand the ornamental motifs of the Zoroastrian needlework from cultural and social point of view of the artists. Research method: This anthropological study of art tries to answer the following question: what is the cultural iconography, aesthetic items and function of the motifs of the Zoroastrian Needlework? In order to answer this question based on anthropology of art views, the motifs of the Zoroastrian Needlework were studied using descriptive-analytical method by considering their iconography, aesthetic, and functions. Conclusion: The results show that based on iconography analysis, many of these motifs remind us of old archetype such as mother and trees, and using them on wedding dresses is a symbol of goddess of fertility. -
Irani Zarathushtri Wedding Prayer in Farsi: (Please Hear the Attached Mp3 File)
Weekly Zoroastrian Scripture Extract # 207 – Sofreh Table and Prayers for an Irani Zarathushtri Wedding Hello all Tele Class friends: Some years ago, I was asked by my very good friends, one Parsi man and another Irani lady, to perform a joint fusion Parsi.Irani Ashirwad ceremony in Orlando. I requested my mentor in Irani questions the respected Dasturji Mobed Mehraban Firouzgary, Tehran, Iran to help me with the Irani Zoroastrian wedding prayers which he did. Based on his input, I created a fusion Parsi/Irani Ashirwad prayer for the couple which was very well received. Just last year, I was asked to perform another wedding of an Irani family’s son in Orlando. However, the Irani family wanted Irani Zoroastrian wedding ceremony prayers only and no Parsi ceremony. Once again I used Mobed Firouzgary’s prayers as well as I reached out to Mobed Fariborz Shahzadi for the same which he graciously provided to me. Based on these two inputs and also a bit of Parsi Ashirwad prayers, I created a Irani Zoroastrian wedding prayer which I performed last Friday, April 7th in Orlando. I want to thank both Irani Mobeds for their precious ready help to me. For an Irani wedding, they have a Sofreh table with many items and in the ceremony the symbolism of these items are explained. I cannot thank enough my dearest wife Jo Ann as well as my Irani friends Azita (Boca Raton) and Nahid (LA) Dashtaki, and Yasmine and Adi Irani (Orlando) for helping us to create the official Sofreh table with all the required items. -
Studies and Sources in Islamic Art and Architecture
STUDIES AND SOURCES IN ISLAMIC ART AND ARCHITECTURE SUPPLEMENTS TO MUQARNAS Sponsored by the Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. VOLUME IX PREFACING THE IMAGE THE WRITING OF ART HISTORY IN SIXTEENTH-CENTURY IRAN BY DAVID J. ROXBURGH BRILL LEIDEN • BOSTON • KÖLN 2001 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Roxburgh, David J. Prefacing the image : the writing of art history in sixteenth-century Iran / David J. Roxburgh. p. cm. — (Studies and sources in Islamic art and architecture. Supplements to Muqarnas, ISSN 0921 0326 ; v. 9) Includes bibliographical references and index. ISBN 9004113762 (alk. papier) 1. Art, Safavid—Historiography—Sources. 2. Art, Islamic—Iran– –Historiography—Sources. 3. Art criticism—Iran—History—Sources. I. Title. II. Series. N7283 .R69 2000 701’.18’095509024—dc21 00-062126 CIP Die Deutsche Bibliothek - CIP-Einheitsaufnahme Roxburgh, David J.: Prefacing the image : the writing of art history in sixteenth century Iran / by David J. Roxburgh. – Leiden; Boston; Köln : Brill, 2000 (Studies and sources in Islamic art and architectue; Vol 9) ISBN 90-04-11376-2 ISSN 0921-0326 ISBN 90 04 11376 2 © Copyright 2001 by Koninklijke Brill NV, Leiden, The Netherlands All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910 Danvers MA 01923, USA. -
Social and Religious Concerns of East African: a Wajibu Anthology
Cultural Heritage and Contemporary Change Series II, Africa, Volume 10 Social and Religious Concerns of East African: A Wajibu Anthology Edited by GERALD J. WANJOHI G. WAKURAYA WONJOHI The Council for Research in Values and Philosophy Copyright © 2005 by The Council for Research in Values and Philosophy Gibbons Hall B-20 620 Michigan Avenue, NE Washington, D.C. 20064 All rights reserved Printed in the United States of America Library of Congress Cataloging-in-Publication Social and religious concerns of East Africa : A Wajibu anthology / edited by Gerald J. Wanjohim, G. Wakuraya Wonjohi – 1st ed. p.cm – (Cultural heritage and contemporary change. Series II, Africa; vol. 10) Includes bibliographical references and index. 1. Africa—Civilization. 2. Kenya—Civilization. I. Wanjohi, G.J. II. Wanjohi, G. Wakuraya. III. Wajibu. IV. Series. DT14.A374243 2005 2005007044 967—dc21 CIP ISBN 1-56518-221-9 (pbk.) TABLE OF CONTENTS Acknowledgement vi Preface vii Foreword ix PART I. AFRICAN CULTURE Chapter 1. In Search for an African Identity Constantine M. Mwikamba 13 Chapter 2. African Traditional Religion and Inculturation Aylward Shorter 25 Chapter 3. Aspects of Sharing among Africans Karega Munene 35 Chapter 4. ‘That’s Our African Culture’: Thoughts on Selective Cultural Preservation Valerie Kibera 41 Chapter 5. African Marriage, Past and Present Gerald J. Wanjohi 47 Chapter 6. The African Family: Where Are the Fathers? Justus Mbae 53 Chapter 7. The Unmarried African Female: Does She Have Any Rights? Njeeri Kang’ethe 61 Chapter 8. Proverbs for Transformation: Working with Caregivers John Eybel 67 Chapter 9. ‘You Faked Me Out’: Sayings of East African Urban Youth J.G. -
Rhyming Dictionary
Merriam-Webster's Rhyming Dictionary Merriam-Webster, Incorporated Springfield, Massachusetts A GENUINE MERRIAM-WEBSTER The name Webster alone is no guarantee of excellence. It is used by a number of publishers and may serve mainly to mislead an unwary buyer. Merriam-Webster™ is the name you should look for when you consider the purchase of dictionaries or other fine reference books. It carries the reputation of a company that has been publishing since 1831 and is your assurance of quality and authority. Copyright © 2002 by Merriam-Webster, Incorporated Library of Congress Cataloging-in-Publication Data Merriam-Webster's rhyming dictionary, p. cm. ISBN 0-87779-632-7 1. English language-Rhyme-Dictionaries. I. Title: Rhyming dictionary. II. Merriam-Webster, Inc. PE1519 .M47 2002 423'.l-dc21 2001052192 All rights reserved. No part of this book covered by the copyrights hereon may be reproduced or copied in any form or by any means—graphic, electronic, or mechanical, including photocopying, taping, or information storage and retrieval systems—without written permission of the publisher. Printed and bound in the United States of America 234RRD/H05040302 Explanatory Notes MERRIAM-WEBSTER's RHYMING DICTIONARY is a listing of words grouped according to the way they rhyme. The words are drawn from Merriam- Webster's Collegiate Dictionary. Though many uncommon words can be found here, many highly technical or obscure words have been omitted, as have words whose only meanings are vulgar or offensive. Rhyming sound Words in this book are gathered into entries on the basis of their rhyming sound. The rhyming sound is the last part of the word, from the vowel sound in the last stressed syllable to the end of the word. -
Religions Manual Development of New Inter-Religious Tools
This Publication is part of the project Development of new Inter-religious tools. HOLY MEMO Development of new Inter-religious tools Religions Manual Development of new Inter-religious tools HOLY MEMO This Manual is part of the game HOLY MEMO which is created during project Development of new Inter-religious tools Development of new Inter-religious tools is a project financed under Key Action 2, Capacity building in the field of youth under Western Balkans Window by European Commission, within Erasmus + Youth in Action Program. Project partners: NGO Iuventa (Serbia); Associazione TDM 2000 (Italy); Beyond Barriers - Pertej Barrierave (Albania); BEES (Austria); Intercultura Dinan (France); United Societies of Balkans (Greece); Batman Fen Lisesi Mezunları Derneği (Turkey); Föreningen Framtidståget (Sweden); Better Life In Kosova (Kosovo); Crveni Križ NOVO SARAJEVO (Bosnia and Herzegovina); Nvo Prima (Montenegro) "The European Commission support for the production of this publication does not constitute an endorsement of the contents which reflects the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein." 1 2 TABLE OF CONTENTS AYYAVAZHI ............................................................................................................................................. 4 BAHA'I FAITH .......................................................................................................................................... 5 BUDDHISM ............................................................................................................................................... -
YASMIN PAVRI Interviewers
Houston Asian American Archive Chao Center for Asian Studies, Rice University Interviewee: YASMIN PAVRI Interviewers: RACHEL WONG (Senior); LINDA HEEYOUNG PARK (Junior) Date/Time of Interview: July 14, 2014, at 10:00 AM Transcribed By: RACHEL WONG; LINDA HEEYOUNG PARK Edited By: XINGYI LI (05/31/2017) Audio Track Time: (00:59:23) Background: Ms. Pavri was born and raised in Bombay, India. The second eldest of four children, she attended Bombay University, receiving her Bachelor’s degree in Mathematics, before immigrating to the United States to pursue her Master’s in Statistics at Purdue University. Married shortly afterwards, Mr. and Mrs. Pavri spent their first few years living in the Northeast, before moving to Houston. Ms. Pavri was a grade-school mathematics teacher for over 20 years and a subsequently pursued a career in Actuarial Science, working for an additional 19 years before retiring. She and Mr. Pavri have one son and a granddaughter who currently reside in Philadelphia. Setting: The interview mainly focused on her opinions on Zoroastrian community in Houston, her immigrant experience, and her career. The interview took place at her apartment on a scheduled time. Because she had previous experiences with interviewing people, she spoke coherently and slowly the entire time. There was no interruption or distraction during the interview. After the interview, Ms. Pavri and the interviewers had a brief conversation about how she feels about Washington D.C. Interviewers: Linda Heeyoung Park is an international student from Korea, majoring in Sociology and minoring in Poverty, Justice, and Human Capabilities at Rice University. She is spending her Sophomore summer interning for HAAA to compare Asian Americans and immigrants in the U.S. -
I Cristiani Religioni
O P E R A O M N I A VOLUME I JULIEN RIES I CRISTIANI E LE RELIGIONI di fronte e attraverso Jaca Book EDITORIALE Ogni volta che abbiamo deciso Un’Opera Omnia in questi quarant’an- ni di storia della Jaca, è stata sempre una grande emozione. L’emozione piena per vero la si ha non nel decidere la riedizione di un classico antico o scomparso da alcuni decenni, ma nel caso in cui si propone a un autore di organizzare lui stesso la sua Opera Omnia. Così fu con de Lubac e Balthasar, che risposero alla proposta prepa- rando lo schema di ciò che volevano mantenere e conservare della loro opera. A dire il vero de Lubac prima aprì un armadio e disse: «È qui», poi disse che si sarebbe messo a lavorare. Con Julien Ries l’idea è nata in modo del tutto naturale dopo anni di lavoro e collaborazione, sino a sbocciare quasi come un evento inevitabile. L’antropologia del sacro, la storia delle religioni, il dialogo interreligioso e la teologia delle religioni sono una delle ragioni d’essere del lavoro edito- riale di Jaca Book, che Ries ha accompagnato per anni. Ma Ries non è stato solo autore negli ambiti sopra citati; è stato anche un grande editore e organizzatore di seminari e colloqui con rispettive pub- blicazioni. Le edizioni di «Homo Religiosus», create da Ries a Louvain-la- Neuve e proseguite fino ad oggi con pubblicazioni presso Jaca Book e Brepols, restano un pilastro per gli studi di storia delle religioni e di antro- pologia del sacro. -
Houston Asian American Archive Chao Center for Asian Studies, Rice University
Houston Asian American Archive Chao Center for Asian Studies, Rice University Interviewee: FEROZE (FRED) PESHOTAN BHANDARA Interviewers: GABRIEL WANG (rising junior); RACHEL WONG (senior) Date/Time of Interview: June 30, 2014, at 10:00AM Transcribed by: GABRIEL WANG, RACHEL WONG Audio Track Time: 1:14:42 Edited by: Taylor Ginter (4/3/2017) Approved by: Tyler Smith (4/5/2017) Background: Feroze Bhandara was born in Lahore, Pakistan in 1953. He attended boarding school for two years in Pakistan, and then Aitchison College before immigrating to the U.S. where he received an undergraduate education at Oklahoma State University. After two years at OSU, he transferred to University of Wisconsin—Madison. He then went on to the Netherlands for an engineering internship, and obtained his MBA. Afterwards, Bhandara worked in Chicago and New York, before going to work for in California for the Ford Motor Company, working on the Mustang assembly line, and in satellite technology. Over time, Bhandara has cultivated a career in real estate, beginning with just 10 homes in the San Francisco Bay Area. After visiting his sister the Houston area in the 1980s, he noted the Bayou City was a viable candidate for a real estate investment. Mr. Bhandara began commuting between California and Houston in the early days of his new venture, later to become know as the Ardenwood Group. In 1992, the Bhandara family permanently moved to the Houston area, and today, Mr. Bhandara contributes much of his time serving on District Management Boards and other outreach within Houston’s Zoroastrian community. In addition to his involvement with local community organizations, Mr. -
A Boundless Text for a Boundless Author the Representation of the Chinese World in Sadīd Al-Dīn Muḥammad ʿawfī’S Jawāmiʿ Al-Ḥikāyāt Wa Lawāmi Al-Riwāyāt
In limine Esplorazioni attorno all’idea di confine a cura di Francesco Calzolaio, Erika Petrocchi, Marco Valisano, Alessia Zubani A Boundless Text for a Boundless Author The Representation of the Chinese World in Sadīd al-Dīn Muḥammad ʿAwfī’s Jawāmiʿ al-Ḥikāyāt wa Lawāmi al-Riwāyāt Francesco Calzolaio (Université de Limoges, EHIC, France; Università Ca’ Foscari Venezia, Italia) Abstract The inclusivity of New Persian literary canon, in which images of non-Muslim, non-Persian spaces and peoples play a central role, is well-known. Less explored, however, are the hows and whys of such inclusivity, which stem from a process of observation and translation into literary language of historic realia pertaining to the wide Eurasian horizon. An analysis of the textual space occupied by the Chinese world in ʿAwfī’s Jawāmiʿ al-Ḥikāyāt, a monumental thirteenth century literary ency- clopaedia, may help us shed some light on the matter, providing an example of translation of several cultural items pertaining to the Chinese world into Persian literary language. Summary 1 ʿAwfī’s Jawāmiʿ al-Ḥikāyāt wa Lawāmiʿ al-Riwāyāt in the Twelfth Century Central Asian Context. – 2 More than Turkestan, Less than China: Political and Geo-Ethnographic Aspects of ʿAwfī’s China. – 2.1 Reading the Past Through the Present: ʿAwfī’s ‘Chinese’ Hephthalites. – 2.2 The Contemporary Landscape: Uyghurs and Khitans as ‘Chinese’. – 2.3 The Qara Khitai: Pisar-i Sāvijī, a Literary Yelü Dashi? – 3 Kufr-i chīn. Religious and Cultural Aspects of ʿAwfī’s China. – 3.1 The Predication of Mani: China as the Realm of Aesthetics. – 3.2 The Predication of Āfarīd e Muqannaʿ: Eastern Asian Religious Motives in Pre-Mongol Khorasan? – 4 Conclusion: ʿAwfī’s China, a Familiar Stranger. -
Musical Structures in Zoroastrian Prayer Performance
The House Of Song Musical Structures In Zoroastrian Prayer Performance Raiomond Mirza Ph.D. Thesis, Ethnomusicology School Of Oriental And African Studies, University Of London 2004 2 Abstract This thesis uncovers the presence of musical structures within Zoroastrian prayer performance and articulates the details of these structures and also the way in which they are manifested and are passed down through generations. Initial research included an amalgamation and examination of the few references to music in Zoroastrian prayer that there are to be found in existing literature. The bulk of the research involved travelling to different countries to make contemporary sound recordings of prayers and to conduct extensive interviews with priests. Archival recordings were also gathered as data for examination. The evolution of the status and role of priests within the Zoroastrian community from antiquity to the present day as well as the training they receive is presented in order to understand the social as well as religious context within which Zoroastrian prayer is performed and taught. A substantial body of evidence is provided in the form of musical notations of the prayers of over thirty men and boys as well as more than an hour of accompanying sound recordings. Interview data is also provided to illuminate the perspectives of the performers on their own material. The musical analysis of the notations uncovers musical structures in Zoroastrian prayer, and an examination of interview data first reveals the mechanism by which these structures are manifested and transmitted and then synthesises the conclusions into a model for music making which operates to shape the sound of Zoroastrian prayer.