DOCSLIB.ORG

'Come As You Are' -Nirvana Grade 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
'Come As You Are' -Nirvana Grade 1 Rockschool Grade Pieces ‘Come As You Are’ Nirvana ‘Come As You Are’ | Nirvana ‘Come as You Are’ was the second single to be released from Nirvana’s second studio album, Nevermind. Following the success of the album’s debut single, ‘Smells Like Teen Spirit’, there was some uncertainty as to which song should follow it, but with ‘Come as You Are’ making it to the UK’s top 10 it would seem the right decision was made. On its release songwriter and frontman Cobain had concerns over similarities between his composition and that of Killing Joke’s earlier release ‘Eighties’. On hearing both songs Nirvana’s producer, Butch Vig, felt con"dent that they should go ahead with the release of ‘Come as You Are’ as it was the most commercially appealing and so Cobain was convinced. Killing Joke guitarist Geordie Walker was reportedly angry about the release and felt a lawsuit should be taken against Cobain. However, no lawsuit ever materialised and so many now dispute the likeness between the two songs. ‘Come as You Are’ talks about how society expects people to act, with the lyrics o#en being contradictory and mimicking that of common opinions on how we should behave. Cobain was known for his struggle with acceptance, o#en feeling judged for his opinions and appearance, so this song tells the story of a world big enough for everyone. Looking back a#er Cobain’s passing, many of the lyrics seem much more sinister than they may have originally appeared and many believe his true mental state was evident in some of his writing. Nirvana were an American grunge band who formed in 1987, originally consisting of frontman Kurt Cobain and bassist Krist Novoselic. Having gone through several drummers and never quite settling, the duo "nally became a solid trio when drummer Dave Grohl joined them in 1990. A#er making themselves known in the popular Seattle Grunge scene of the late 1980s the band "nally found themselves being signed to a major label in 1991 and released their album Nevermind. $e album achieved huge global success and sold over 30 million copies worldwide, seeing Nirvana described as the “%agship band” of Generation X and Cobain being branded the “spokesman of a generation”. Nobody could have foreseen the success that Nirvana would achieve, but their use of a strong dynamic shi# between verse and chorus drew the listeners in. Many believe them responsible for bringing Grunge to the mass market. Sadly, the band disbanded in 1994 following Cobain’s untimely death. $eir music continues to in%uence musicians to this day and remains popular k u with many generations. o c . r a t With over 75 million record sales worldwide, Nirvana are hailed as one of the best-selling rock bands of all time. Prior i u g to their mainstream recognition, alternative music was o#en con"ned to speciality sections within record stores and s e t many believe the success of Nevermind changed this forever. e p @ e t Nirvana’s success has resulted in an impressive number of award nominations and wins, and with six Grammy e p / nominations and a win for ‘Best Alternative Music Performance’, they really did bring Grunge to the masses. $e band h t were inducted into the Rock and Roll Hall of Fame at their earliest eligibility in 2014. i m S e t e P / 1 / 7 Song Info 6 0 5 Song Title: Come as You Are 6 0 5 Album: Nevermind 6 5 Released: 1992 4 2 7 - Label: Ge!en Records L S Genre: Grunge R By: Kurt Cobain Produced by: Butch Vig UK Chart Peak: 9 Acoustic Guitar Grade 1 Grade Guitar Acoustic 7 Come As You Are Session Style Nirvana Arranged by Nat Martin c 118 Grunge Intro F#m E # # & # 4 . œ œ œ œ P œ œ #œ œ œ œ œ nœ œ œ œ œ œ #œ T A . B 0 0 2 2 0 0 1 . 2 2 2 2 1 0 0 0 0 1 . Verse F#m E F#m E # # œ œ œ œ œ œ. œ œ œ & # œ Œ œ œ œ Œ œ œ œ Œ J J J œ Come as you are, as you were, as I want you to be, 2 # # & # « œ œ œ œ œ œ nœ œ œ œ œ œ œ œ #œ 0 0 2 2 2 2 2 2 1 0 0 0 0 1 [3] k u . o c . r a t F m E F m E i # # u g s # œ œ e # œ œ œ œ . œ œ œ t # œ Œ œ œ œ Œ œ œ œ Œ J J œ e & J p as a friend, as a friend, as an old mem - o - ry. @ e t e p / 2 j h t # # œ œ œ i # œ œ œ ‰ m & « œ œ œ S œ œ œ e œ œ œ œ t œ œ œ œ œ œ nœ e œ œ œ œ œ P / 0 0 1 0 0 / 1 1 2 2 7 6 0 0 2 2 2 0 2 2 2 2 1 0 0 0 0 5 6 [7] 0 5 6 5 4 Chorus 2 7 5 5 5 5 - F A F A L # # S # # œ œ R & # œ œ œ œ Œ œ œ œ œ œ œ Œ œ œ Mem - o - ry. Mem - o - ry. 2 ### & œ œ œ œ œ œ œ œ œ œ œ œ « œ œ œ œ œ œ œ œ œ œ œ œ 2 2 2 2 2 4 4 4 4 4 0 0 0 0 0 Acoustic Guitar Grade 1 Grade Guitar Acoustic 2 2 2 2 2 [11] Words and Music by Kurt Cobain 8 Copyright © 1991 $e End Of Music and Primary Wave Tunes All Rights Administered by BMG Rights Management (US) LLC All Rights Reserved Used by Permission 2 5 5 5 5 F# A F# A # # œ & # œ œ œ œ Œ œ œ œ œ œ œ Œ Ó Mem - o - ry. 2 2 # # & # « « [15] Bridge B5 D5 B5 D5 # j ## Ó œ œ. œ. œ œ œ. œ œ Ó œ œ œ & J J J œ œ œ œ J Well,J I swear that I don’t have a gun. No,J I don’t 2 # # & # œ œ œ œ œ œ œ œ œ œ œ « œ œ œ œ œ œ œ œ œ œ œ œ f 2 2 2 2 2 4 4 4 4 4 0 0 0 0 0 2 2 2 2 2 [19] k u . o c . 5 5 5 5 r B D B D a t i u # g # j j s # œ. Ó œ œ œ œ. e & œ œ œ œ t œ œ J œ œ e have a gun. No,J I don’t have a gun. p @ e t e p 2 / # # h t & # « œ œ œ ‰ j i œ œ œ œ œ œ m œ œ œ S œ œ œ œ œ œ e œ œ #œ t e P / 1 2 2 2 / 4 4 4 4 4 0 0 0 2 2 2 2 2 7 0 0 1 6 0 [23] 5 6 0 5 6 5 4 1. 2. 3. 4. 2 7 - F m E E F sus4 L # # S # # R & # . . # # & # . œ œ œ œ œ œ P œ œ œ œ nœ œ œ œ œ œ #œ Rall.œ œ œ œ œ #œ w . 0 0 2 2 2 2 . 2 2 2 2 1 0 0 0 0 1 . 0 0 0 0 1 2 1 Grade Guitar Acoustic [27] 9 10 Acoustic Guitar Grade 1 chromatic parts of the main riff. You should then be well on your way to a strong performance inthe exam. performance astrong to way your then be on well should riff. the You main parts of chromatic the through smoothly also move to sure Make clear. Echord open inthe larger 10,tryDuring bar found all keep to notes avery feel. develops solid rhythmic song the entire bass, and locksthe drums inwith really the guitar When the score. at looking just from be anticipated may than groove stronger much a has it inthat this song, of the primary of features one through critical is track the inbringing backing to Synchronisation natural. and confident more sound these the performance both will with of grips to help Really getting example). 4for (bar rhythm note-based eighth the constant up ties, which break use of the regular through ‘1’),and the standard opposed to as ‘3&’, beat starts on the song that 1(meaning inbar (pickup) both the anacrusis through demonstrated is control Rhythmic performance: your elevate significantly to help should hints the following but technical execution, of the importance understate to not is This this song. when performing master to vital elements two are synchronisation and control Rhythmic will be paramount. attack pick of evenness where will inthe This choruses, be apriority changes. dynamic frequent and subtle challenging, more containing grades pieces with later for practicing worth well is askill is that dynamics over Control apredominantly has arrangement This Guidance |Technical Are You Come As mezzo piano mezzo ( P ) approach with the bridge becoming briefly louder briefly louder becoming the bridge with ) approach forte forte ( f ). RSL-724565065067 / 1 / Pete Smith / [email protected].
Load more

Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
    Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack.
    [Show full text]
  • October 2019 New Releases
    October 2019 New Releases what’s inside featured exclusives PAGE 3 RUSH Releases Vinyl Available Immediately! 82 Vinyl Audio 3 CD Audio 17 FEATURED RELEASES Music Video DVD & Blu-ray 52 SPYRO GYRA - WOODSTOCK: DINOSAUR JR. - VINYL TAP 3 DAYS THAT CHANGED WHERE YOU BEEN: Non-Music Video EVERYTHING 2CD DELUXE EXPANDED DVD & Blu-ray 57 EDITION Order Form 90 Deletions and Price Changes 93 800.888.0486 RINGU COLLECTION MY SAMURAI JIRGA 203 Windsor Rd., Pottstown, PA 19464 (COLLECTOR’S EDITION) FRED SCHNEIDER & THE SPYRO GYRA - WEDDING PRESENT - www.MVDb2b.com SUPERIONS - VINYL TAP TOMMY 30 BAT BABY MVD: RAISING HELL THIS FALL! We celebrate October with a gallery of great horror films, lifting the lid off HELLRAISER and HELLBOUND: HELLRAISER II with newly restored Blurays. The original and equally terrifying sequel are restored to their crimson glory by Arrow Video! HELLRAISER and its successor overflow with new film transfers and myriad extras that will excite any Pinhead! The Ugly American comes alive in the horror dark comedy AN AMERICAN WEREWOLF IN LONDON. Another fine reboot from Arrow Video, this deluxe pack will have you howling! Arrow also hits the RINGU with a release of this iconic Japanese-Horror film that spawned The Ring film franchise. Creepy and disturbing, RINGU concerns a cursed videotape, that once watched, will kill you in seven days! Watching this Bluray will have no such effect, but please, don’t answer the phone! TWO EVIL EYES from Blue Underground is a “double dose of terror” from two renowned directors, George A. Romero and Dario Argento.
    [Show full text]
  • Kauffman Center for the Performing Arts Announces Rock Show Double-Header to Kick Off Kauffman Center Presents 2017-2018 Season
    NEWS RELEASE Contact: FOR IMMEDIATE RELEASE Bess Wallerstein Huff, Director of Marketing Monday, February, 13, 2017 Kauffman Center for the Performing Arts (816) 994-7229 | [email protected] KAUFFMAN CENTER FOR THE PERFORMING ARTS ANNOUNCES ROCK SHOW DOUBLE-HEADER TO KICK OFF KAUFFMAN CENTER PRESENTS 2017-2018 SEASON Blondie & Garbage: The Rage and Rapture Tour to stop at Muriel Kauffman Theatre on July 18 Kansas City, MO – The first announced show of its 2017-18 Kauffman Center Presents season will feature two quintessential rock ‘n’ roll acts. Blondie & Garbage: The Rage and Rapture Tour will perform for one night in Muriel Kauffman Theatre on Tuesday, July 18. Tickets for the show range from $79 to $149, and go on sale to the public at 10 a.m. Friday, February 24. Tickets will be available through the Kauffman Center Box Office at (816) 994-7222, via the Kauffman Center mobile app, or online at www.kauffmancenter.org. ABOUT BLONDIE Singer-songwriter Debbie Harry, guitarist and co-writer Chris Stein, powerhouse drummer Clem Burke and their band- mates in the punk/new wave band Blondie are undeniable pop icons, their sound and sensibility as fresh as when they first topped the charts in the late 1970s. Since their groundbreaking 1978 album Parallel Lines, the members of Blondie have always been a forward-thinking – and forward-moving – group. Their brand of cross-genre rock has spawned hits including “Call Me,” “Rapture,” and “Heart of Glass,” bringing underground sounds into the mainstream. Blondie’s 11th studio album, Po11inator, is out in May. ABOUT GARBAGE Hailing from Madison, WI, Garbage is guitarist Duke Erikson, drummer Butch Vig, guitarist Steve Marker and lead singer Shirley Manson.
    [Show full text]
  • Anglophone Music As Poetry
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Croatian Digital Thesis Repository University of Rijeka Faculty of Humanities and Social Sciences in Rijeka Department of English Matea Lacmanović: Anglophone Music as Poetry Mentor: Lovorka Gruić Grmuša, PhD Rijeka, July 2015 1 Abstract Literature as a whole is usually divided into poetry, prose and drama (Solar 2006: 154) with fairly clear boundaries between them. When it comes to their subdivision and definition of specific literature and art type, the boundaries become unclear and many questions arise. One of the most difficult questions to answer is what poetry is and which criteria must be met in order for some work to be classified as poetry. It is known that authors such as Shakespeare, Byron, Cummings or Angelou are poets and their work is interpreted as poetry. However, can the circle of poetry and art be expanded to similar forms such as contemporary music? That is the topic of this thesis – analysis, explanation and specific examples of modern song lyrics which can be viewed as poetry and something more valuable in the art context than it actually is due to the commercialization of music. With songs performed by Tupac, Garbage, Leonard Cohen, Bill Withers and various artists who belong to different music genres and eras, poetry is broadened and upgraded to the 21st century level. Key words: Anglophone music, music, poetry, lyrics, analysis, literature, art, contemporary, modern, intermediation, authorship 2 Table of Contents Abstract
    [Show full text]
  • THE 1F ALBU CHART COMMENTARY Fronted By
    THE 1F ALBU ALBUM FACTFILE Fronted by Scotswoman Shirley ThusStupid far, Cirl, the and only peahed single atlifted number from su CHART sceneManson, in Garbage1995, and exploded bave sold onto nearly the debuted/peakedVersion 2.0 is Push at It,number which mne a 500,000 copies1 theof their UK self-titled COMMENTARY début album in the UK ^oJoniyte date. Thei a Garbàgesfortnight ago. all-American Aside from line-up Manson, is secona aioum,, Versionwciaiv/.. 2.0, sold only a GarbagSteve Marker, Doug 'Duke'iDuke, EriksonEr.((son little(31,500 over to 5%be ofprécisé) that total but thatlast was and Butch Vig, of whom the latter is énôûih'for it to début at number one. the best-known., ■..a;na snnic Vigjiroduced Youth, the several hitGarbage singles, houses including a fôrnîîaable Queer and array of Smashing Pumfik and N recent Cendedatatonia's its own International 14 week wattVelvet and album its ATMARKET A GLANCE WEEKLY REPORT MARKET SHARES -strong The Best97 place Of Frank rise Sith label's 14 year wait for a number one TOP 10 COMPANIES TOP CORPORATE GROUPS 133-36 after selling over 3,500 copies o thislast week,week bybut Garbage, is instantly though overwbelmed the margin announcementFriday and Saturday, of Frank following Sinatra the s death. of2.0 Garbage's selling 31,500 victory copies is slim, while with Version Whileamount. that don't may forget not sound this islike stock a huge that toInternational carry the latterVelvet album's sold 29,000 overail - tallyenough wasalbum already peaked sitting at number in the shops.13 when The overGarbage 200,000.
    [Show full text]
  • Behind the Music
    Q&A BEHIND THE MUSIC It’s crazy to think that this year marks the 20th Anniversary of Kurt Cobain’s passing – a true game-changer in our industry, and a man who, in many ways, revolutionised music, inadvertently spawning a whole new scene. Nevermind is a seminal record, and its success was the catalyst for record labels’ mission impossible, the search for ‘the next Nirvana’. Although he might not have known it at the time, those 16 days recording Nevermind would change Butch Vig’s career forever. It paved the way for a remarkable musical journey, the production of a string of hit records for supergroups such as The Smashing Pumpkins, The Foo Fighters, and many more... Not to mention Garbage, Vig’s own band, which has enjoyed more than 17 million record sales over the last two decades. This legend of the game reveals some of his trade secrets, and shares some fond, unforgettable memories... Your career speaks for itself, but first up, how did it all begin for you? Well, I played in bands in high school in a small town in Wisconsin, and then I went to University in Madison. I started getting into the local music scene, and joined a band, which was sort of a power pop, new wave band called Spooner; and Duke [Erikson] from Garbage was the guitarist and lead singer at the time. I also got a degree in film, and ended up doing a lot of music for film; a lot of synth, and abstract music, and that’s where I kind of got the recording bug.
    [Show full text]
  • Garbage & the Temper Trap Join for Next Winery Series!
    Media Release – Thursday July 28 GARBAGE & THE TEMPER TRAP JOIN FOR NEXT WINERY SERIES! With the Preatures, Tash Sultana and Adalita a day on the green has assembled an epic line-up for its next series of winery concerts. Alt-rock pioneers Garbage and Australia’s own multi-platinum chart toppers The Temper Trap will come together as part of their respective national tours for five outdoor events through November/December. The concerts will feature a stellar under-card with special guests The Preatures, Tash Sultana and Adalita. The five band bill kicks off at Victoria’s Rochford Wines on Saturday November 26. These will be the Garbage’s first Australian shows since 2013 and celebrate their acclaimed sixth studio album Strange Little Birds (out now via Liberator Music). To create Strange Little Birds, their first album in four years, Garbage (Shirley Manson, Steve Marker, Duke Erikson and Butch Vig) drew on a variety of influences including the albums they loved growing up. Upon its June release, the album debuted at #9 on the ARIA Album Chart and picked up widespread acclaim: ‘20-plus years after forming, each band member is still fired up to mine new sounds and approaches for inspiration. That willingness to be uncomfortable and look beneath the surface makes Strange Little Birds a rousing success.’ – The A.V. Club ‘The electronic rockers return with a sixth studio album as cool and caustic as their 1995 debut’ – NME ‘Garbage haven’t released an album this immediate, melodically strong and thematically interesting since their self-titled 1995 debut.’ – Mojo In support of the album’s release, Garbage performed a powerful two-song performance on Jimmy Kimmel Live! – watch ‘Empty’ here and ‘Push It’ here.
    [Show full text]
  • Smells Like Teen Spirit Appears in Rock & Pop 2018
    ACCESS ALL AREAS... SMELLS LIKE TEEN SPIRIT APPEARS IN ROCK & POP 2018 Released: 1991 Album: Nevermind Label: DGC Records ABOUT THE SONG Nirvana’s Kurt Cobain was attempting to write the ‘ultimate pop song’ when he came up with the guitar riff that would become ‘Smells Like Teen Spirit’. He WITH THE LIGHTS OUT, wanted to write a song in the style of The Pixies, telling Rolling Stone in 1994: ‘I was basically trying to rip off The Pixies. I have to admit it.’ The title came IT’S LESS DANGEROUS after Kathleen Hanna, lead singer of Bikini Kill, spray- painted ‘Kurt smells like Teen Spirit’ on his bedroom “ wall. Teen Spirit was actually a brand of deodorant. HERE WE ARE NOW, The first single from Nirvana’s second album Nevermind, ‘Smells Like Teen Spirit’ was a surprise hit. The label had anticipated that ‘Come As You Are’, the follow-up single, would be the song to cross over to a mainstream audience. ‘Smells Like Teen Spirit’ ENTERTAIN US was first played on college radio before rock stations and MTV picked it up. It is widely praised as one of I FEEL STUPID AND CONTAGIOUS the greatest songs in the history of rock music. RECORDING AND PRODUCTION Cobain began writing ‘Smells Like Teen Spirit’ a few weeks before Nirvana were due in the studio to record Nevermind. After presenting the main riff and melody of the chorus to the rest of the band, they jammed around the riff for an hour and a half. Bassist Krist Novoselic slowed the verse down and drummer Dave Grohl created a drum beat and as a result, ‘Smells Like Teen Spirit’ is the only song on Nevermind to give songwriting credits to all three band members.
    [Show full text]
  • PF21-0466F.Pdf
    TACOMA VENUES & EVENTS REQUEST FOR PROPOSAL MANAGEMENT OF PERFORMING ARTS VENUES SPECIFICATION NO. PF21-0466F PF21-0466F Page 1 of 101 PF21-0466F Page 2 of 101 City of Tacoma Tacoma Venues and Events REQUEST FOR PROPOSALS PF21-0466F Management of Performing Arts Venues Submittal Deadline: 11:00 a.m., Pacific Time, Tuesday, May 11, 2021 Submittal Delivery: Sealed submittals will be received as follows: By Email: [email protected] Maximum file size: 35 MB. Multiple emails may be sent for each submittal. Bid Opening: Held virtually each Tuesday at 11AM. Attend via this link or call 1 (253) 215 8782. Submittals in response to a RFP will be recorded as received. As soon as possible, after 1:00 PM, on the day of submittal deadline, preliminary results will be posted to www.TacomaPurchasing.org. Solicitation Documents: An electronic copy of the complete solicitation documents may be viewed and obtained by accessing the City of Tacoma Purchasing website at www.TacomaPurchasing.org. • Register for the Bid Holders List to receive notices of addenda, questions and answers and related updates. • Click here to see a list of vendors registered for this solicitation. Pre-Proposal Meeting: A pre-proposal meeting will be held at 9 am on April 16, 2021. See Section 7.2 of the specification for a link to RSVP for this meeting. Project Scope: The City of Tacoma is seeking proposals for the management and operations of its Performing Arts Venues. Paid Sick Leave: The City of Tacoma requires all employers to provide paid sick leave as set forth in Title 18 of the Tacoma Municipal Code.
    [Show full text]
  • INITIALS C.C. Liner Notes
    Chris Connelly : INITIALS C.C. Out-takes, Rarities and Personal Favourites 1982-2002 vol.1 01. Detestimony – Fini Tribe: This was the “A” side of an EP called “Let the Tribe Grow,” written and recorded when the Fini Tribe was going through great musical changes. We had acquired an Ensoniq ‘Mirage’ sampling keyboard, and as was the same for a lot of bands at the time, it changed everything, opened up a lot of doors, and led us into some very uncharted waters. The actual piece was whittled down from a fifteen-minute opus we had written. I remember being in Philip Pinsky’s bedroom one night with John Vick. Philip’s then-roommate, Lindsay, gave us an old quarter-inch reel of tape he had. On it was a beautiful recording of the church bells you hear on the song; we sampled them and came up with the melody. The EP actually did better than any of us had anticipated and became a sort of hit in the Ibiza clubs at the very advent of the acid house/rave phenomenon. We actually went ahead and re-wrote/re- structured the song for the WaxTrax! Records release (“Make it Internal/Detestimony Revisited”) a couple of years later. 02. Mania – Murder Inc.: Certainly what I feel is the most compelling song on the one and only album released by Murder Inc. The band was basically Killing Joke, minus Jaz Coleman (Killing Joke’s singer), plus me, as well as the original drummer, Paul Fergusson, and newer drummer, Martin Atkins. The sessions took place at Pachyderm Studios in rural Minnesota during September of 1991.
    [Show full text]
  • Crinew Music Re Uoft
    CRINew Music Re u oft SEPTEMBER 11, 2000 ISSUE 682 VOL. 63 NO. 12 WWW.CMJ.COM MUST HEAR Universal/NIP3.com Trial Begins With its lawsuit against MP3.com set to go inent on the case. to trial on August 28, Universal Music Group, On August 22, MP3.com settled with Sony the only major label that has not reached aset- Music Entertainment. This left the Seagram- tlement with MP3.com, appears to be dragging owned UMG as the last holdout of the major its feet in trying to reach a settlement, accord- labels to settle with the online company, which ing to MP3.com's lead attorney. currently has on hold its My.MP3.com service "Universal has adifferent agenda. They fig- — the source for all the litigation. ure that since they are the last to settle, they can Like earlier settlements with Warner Music squeeze us," said Michael Rhodes of the firm Group, BMG and EMI, the Sony settlement cov- Cooley Godward LLP, the lead attorney for ers copyright infringements, as well as alicens- MP3.com. Universal officials declined to corn- ing agreement allowing (Continued on page 10) SHELLAC Soundbreak.com, RIAA Agree Jurassic-5, Dilated LOS AMIGOS INVIWITI3LES- On Webcasting Royalty Peoples Go By Soundbreak.com made a fast break, leaving the pack behind and making an agreement with the Recording Word Of Mouth Industry Association of America (RIAA) on aroyalty rate for After hitting the number one a [digital compulsory Webcast license]. No details of the spot on the CMJ Radio 200 and actual rate were released.
    [Show full text]