96 HOURS in BELGRADE Belgrade Fortress
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Rivers and Lakes in Serbia
NATIONAL TOURISM ORGANISATION OF SERBIA Čika Ljubina 8, 11000 Belgrade Phone: +381 11 6557 100 Rivers and Lakes Fax: +381 11 2626 767 E-mail: [email protected] www.serbia.travel Tourist Information Centre and Souvenir Shop Tel : +381 11 6557 127 in Serbia E-mail: [email protected] NATIONAL TOURISM ORGANISATION OF SERBIA www.serbia.travel Rivers and Lakes in Serbia PALIĆ LAKE BELA CRKVA LAKES LAKE OF BOR SILVER LAKE GAZIVODE LAKE VLASINA LAKE LAKES OF THE UVAC RIVER LIM RIVER DRINA RIVER SAVA RIVER ADA CIGANLIJA LAKE BELGRADE DANUBE RIVER TIMOK RIVER NIŠAVA RIVER IBAR RIVER WESTERN MORAVA RIVER SOUTHERN MORAVA RIVER GREAT MORAVA RIVER TISA RIVER MORE RIVERS AND LAKES International Border Monastery Provincial Border UNESKO Cultural Site Settlement Signs Castle, Medieval Town Archeological Site Rivers and Lakes Roman Emperors Route Highway (pay toll, enterance) Spa, Air Spa One-lane Highway Rural tourism Regional Road Rafting International Border Crossing Fishing Area Airport Camp Tourist Port Bicycle trail “A river could be an ocean, if it doubled up – it has in itself so much enormous, eternal water ...” Miroslav Antić - serbian poet Photo-poetry on the rivers and lakes of Serbia There is a poetic image saying that the wide lowland of The famous Viennese waltz The Blue Danube by Johann Vojvodina in the north of Serbia reminds us of a sea during Baptist Strauss, Jr. is known to have been composed exactly the night, under the splendor of the stars. There really used to on his journey down the Danube, the river that connects 10 be the Pannonian Sea, but had flowed away a long time ago. -
Civil Gymnastics Associations and Sports in the Kingdom of Serbia
Физич. Култ. (Беогр.) 2016; 70 (1): 23-33 ФИЗИЧКА КУЛТУРА ОРИГИНАЛНИ НАУЧНИ ЧЛАНАК УДК: 061.237/497.1) : 796/799 doi:10.5937/zkul1601023V ГРАЂАНСКА ГИМНАСТИЧКА ДРУШТВА И СПОРТ У КРАЉЕВИНИ СРБИЈИ Владан Вукашиновић Универзитет у Београду, Факултет спорта и физичког васпитања, Београд Сажетак Циљ студије био је да се на основу прегледа одговарајућих монографских и серијских публикација омогући увид и систематизација података релевантних за појаву спорта у Краљевини Србији. Основна претпоставка заснивала се на очекивањима да ће се установити непосредна повезаност гимнастичког и соколског система вежбања са спортом који се рађао. У истраживању је примењен историјски метод. Резултати у раду указују на значајну улогу грађанских гимнастичких друштава – соколских („Соко“) и витешких („Душан Силни“) у појави, полуларизацији и развоју модерног спорта крајем 19. и почетком 20. века у Србији. Сва ова друштва, без обзира на име, у намери да одрже своје и привуку ново чланство, предвиђала су својим уредбама и статутима, поред гимнастике која је била окосница програма телесног вежбања, прихватање и увођење других спортских активности и оснивање клубова. Новооснована „гимнастичка“ – „спортска одељења“ у борењу, стрељаштву, клизању, јахању, пливању, веслању, велосипеду, лоптању, развијала су се и прерастала у спортске клубове. Њиховим издвајањем из матичних гимнастичких друштава омогућен је бржи развој појединачних спортских грана, које се сматрају првим модерним спортовима у Србији. Кључне речи: СПОРТ / ИСТОРИЈАТ / СПОРТСКИ КЛУБОВИ / ГРАЂАНСКА ГИМНАСТИЧКА ДРУШТВА / СОКОЛСКА И ВИТЕШКА ДРУШТВА / КРАЉЕВИНА СРБИЈА УВОД жања подударала се са тежњама народа да се, у духу вековима негованих традиционалних лика Увођење појединих нових олика вежања по- народних надметања, настави са очувањем наци- чело је и текло врло рзо после поеда у Првом оналне културе и идентитета, као и независности и Другом српском устанку над Турцима (1804. -
81 Million People in All Danube Countries Are Invited to ‘Get Active for the Rivers’ on 29 June As Part of the Celebrations for the 7Th Annual Danube Day
Danube Day 2010: call for action and cross-border co-operation Vienna, 25 June – 81 million people in all Danube countries are invited to ‘Get Active for the Rivers’ on 29 June as part of the celebrations for the 7th annual Danube Day. The main goal of this year’s celebration is to engage people and to emphasize the connections between the countries and the water conservation interests of all inhabitants. Danube Day is coordinated by the International Commission for the Protection of the Danube River (ICPDR). “In order to sustain the Danube rivers today, and for the benefit of future generations, people in every sector of society must join a united effort,” says Philip Weller, Executive Secretary of the ICPDR, “After the devastating floods, which hit the region heavily some weeks ago, it is important to emphasize the connectivity between all countries and the need to for integrated water management.” Danube Day celebrations are organized by governmental and non-governmental institutions, companies and schools. A long-standing partner is also the ‘Green Danube Initiative’ composed of the Coca-Cola Hellenic Group, The Coca-Cola Company and the ICPDR. Doros Constantinou, Chief Executive Officer of Coca-Cola Hellenic explains, “We at Coca-Cola Hellenic are totally committed in helping to protect the environment. The vital significance of the Danube cannot be over stated. Older than the Rhine, it is the main source of water for millions of people; is a vital ecological hotspot in Europe as well as an important international waterway.” The emphatic call for action this year is part of a continuing, multinational effort to protect and preserve the iconic Danube River and its tributaries, as well as the areas through which they flow. -
Unfulfilled Dream of Belgrade Belgrade Fortress
PE”Belgrade Fortress“, Faculty of Architecture - University of Belgrade, Secretary of Culture of Belgrade and “Public Art & Public Space” program has the pleasure of inviting you to be our guest at the opening of EXHIBITIОN ОF STUDENTS’ WORKS - FACULTY OF ARCHITECTURE / UNIVERSITY OF BELGRADE UNFULFILLED DREAM OF BELGRADE PUBLIC ART INSTALLATION BELGRADE FORTRESS – INCOMPLETE DREAM OF TOWN’S CONTINUITY PROMOTION OF THE BOOK BELGRADE FORTRESS - DREAM BOOK OF WHITE TOWN’S CONTINUITY on Wednesday, July 15, 2009 at 7 p.m. Savsko šetalište (Sava Promenade), Park Kalemegdan Belgrade Fortress Belgrade The exhibition „Unfulfilled dream of Belgrade“ and Public Art installation „Belgrade Fortress – incomplete dream of Town’s continuity“ is part of the project „Revitalization of Belgrade Fortress“ within the frame of the Plan and program PE „Belgrade Fortress“ for 2009. The project is realized at the initiative of PE „Belgrade Fortress“, and in cooperation with University of Belgrade Faculty of Architecture and with the Public Art & Public Space program (University of Belgrade, Faculty of Architecture). The project is financed by the Municipality of Belgrade’s Secretary of Culture. WORD FROM THE EDITOR “Tradition is not preserving the ashes, tradition is keeping the flame.” Read somewhere, sometime, and kept in the memory… Whenever when I go with my daughters to the Belgrade Fortress and Kalemegdan, I tell them legends about the City (because there are still no legends about the park, thanks God). On one occasion, one of them, while explaining me where she had forgotten her gloves which we went there looking for, suddenly said: “… it’s there, by that Manor…”?! I was amazed the fact that with her inward eye she saw the City that was no longer there. -
Activities in Belgrade
Activities in Belgrade Sights to see 1. Belgrade Fortress (Kalemegdan Park) The number one must-see location in the city. Some 115 battles have been fought over impressive Kalemegdan. Over the centuries, the citadel has been destroyed more than 40 times. The building of the fortification began in Celtic times, which the Romans extended onto the flood plains during their settlement of 'Singidunum', Belgrade's Roman name. Much of what stands today is the product of 18th-century Austro-Hungarian and TurKish reconstructions. The fort's bloody history, discernible despite today's plethora of jolly cafes and funfairs, only maKes Kalemegdan all the more fascinating. Entering from Knez Mihailova, go through the 18th- century Karadjordje Gate to reach the Upper Town (Gornji grad) of the fortress. From the Stambol Gate (1750), you will reach the Military Museum and the 27.5 metre high ClocK Tower. Further along, you will see a small bricK octagon; this is the 1784 Ali Pasha's Turbeh (tomb), one of Belgrade's few well- preserved Islamic monuments. The Roman Well is nearby, a mysterious 60m deep hole (more a cistern than a well) of dubious origin and shrouded in horrifying legends; apparently the well even managed to creep out a visiting Alfred HitchcocK! Looming beside it is the Victor Monument, a symbol of Belgrade erected in 1928 to commemorate Serbia’s victories over the Ottoman and Austro-Hungarian Empires during the BalKan Wars and WWI. This 14 metre high monument is the city’s most recognisable landmarK and famous Belgrade attraction. The plateau around the monument is always crowded with tourists and Belgrade natives, partly because of the breath-taKing view over the confluence of the two rivers that flow through Belgrade, and the beauty of this landmarK as part of the historic Belgrade Fortress. -
Dragan Kapicic Myths of the Kafana Life Secrets of the Underground
investments s e i t r e p o offices r p y r u x u l houses apartments short renting Dragan Kapicic Myths of the Kafana Life Secrets of the Underground Belgrade Impressions of the foreigners who arrive to Serbia Beach in the Centre of the City 2 Editorial Contents ife in Belgrade is the real challenge for those who have decided to spend part of their THEY SAID ABOUT SERBIA 04 lives in the Serbian capital. Impressions of the foreigners who arrive LReferring to this, one of our collocutors to Serbia through economic and in this magazine issue was the most emotional - Dragan Kapicic, one-time diplomatic channels basketball ace and the actual President of the Basketball Federation of Serbia. ADA CIGANLIJA Belgrade is also the city of secrets since 06 it has become a settlement a couple Beach in the Centre of the City of thousands years ago. Mysteries are being revealed almost every day. INTERVIEW The remains of the Celtic, Roman, 10 Byzantine, and Turkish architectures DRAGAN KAPICIC, are entwined with the modern ones The Basketball Legend that have been shaping Belgrade since the end of the 19th century. Secretive is also the strange world SPIRIT OF THE OLD BELGRADE 12 of underground tunnels, caves and Myths of the Kafana Life shelters that we open to our readers. Many kilometres of such hidden places lie under the central city streets and APARTMENTS 18 parks. They became accessible for visitors only during the recent couple short RENTING of years. 27 Also, Belgrade has characteristic bohemian past that is being preserved HOUSES 28 in the traditions of restaurants and cafes. -
Works by MIRJANA BOBA STOJADINOVIĆ Spatial Interventions, Installations, Projects CONTENTS
Works by MIRJANA BOBA STOJADINOVIĆ spatial interventions, installations, projects CONTENTS ••• Artist statement ••• Biography SECTION 1 - storyplace 1. MIDWINTER DREAM OR REFRACTING THE WORLD, 2016 2. STORYPLACE, ˝2012 3. LIBRARY, object, 2012 4. URBAN METAMORPHOSES and INCISION, two exhibitions, 2011-2012 5. GUIDE THROUGH EXHIBITIONS AND CITIES, audio intervention in space, 2010 6. APARTMENT, month-long event, 2009 SECTION 2 - HEMA/HEMA 7. A HoLE IN THE WHOLE, installation, 2008 8. FROM FROM TO TO, object, 2012 9. FLAG, photograph-object-text, 2008-2011 SECTION 3 - earlier work 10. GALLERY and ENTRANCE, two exhibitions, 2005-2006 SECTION 4 - projects 11. ACTOPOLIS˝, 2015-2017 12. ARTIST AS AUDIENCE, forum and book, 2010-ongoing ••• CV ARTIST STATEMENT Shaped in a distabilized society, my works do not function within a pre-given or self-understood backdrop, but they propell questions on a miriad of relations. Through work I am interested in negotiating space and the ways it interacts with and enables BIOGRAPHY creative, social and political frequencies of everyday life; I use space as means of expression and intervention, often operating with non-gallery environments. I search for context Mirjana Boba Stojadinović (Belgrade, 1977) specificity, idiosincractic human experience of graduated and postgraduated at the Faculty of immediate surroundings and ways of shaping Visual Arts in Belgrade (2006). She also holds and sharing all aforementioned. a MFA Piet Zwart Institute, Rotterdam (NL) in At a cross-section of different mediums, key collaboration with the University Plymouth (UK) agencies in my work incorporate photography, (2008). text, sound, voice and light and their sculptural qualities resourcing situations in space. -
Kafana Singers: Popular Music, Gender and Subjectivity in the Cultural Space of Socialist Yugoslavia
Nar. umjet. 47/1, 2010, pp. 141161, A. Hofman, Kafana Singers: Popular Music, Gender Original scienti c paper Received: Dec. 31, 2009 Accepted: March 5, 2010 UDK 78.036 POP:316](497.1)"195/196"(091) 78.036 POP:39](497.1)"195/196"(091) ANA HOFMAN Department for Interdisciplinary Research in Humanities, SRC SASA, Ljubljana KAFANA SINGERS: POPULAR MUSIC, GENDER AND SUBJECTIVITY IN THE CULTURAL SPACE OF SOCIALIST YUGOSLAVIA This article explores the phenomenon of kafana singers in the light of the of cial socialist discourses on popular music and gender during the late 1950s and 1960s in the former Yugoslavia. It seeks to understand how/did the process of estradization along with the socialist gender policy in uence the shift in (self)representation of the female performers in the public realm. By focusing on the dynamic of controversial discourses on folk female singers, the article aims to show how the changes in the of cial discourse helped their profession to become an important resource of their subject actualizations, implicated in the creation of a new sense of social agency. As controversial musical personas, kafana singers personal and professional lives show nuanced interplay between socialist culture policy and its representational strategies. Key words: kafana singers, popular music, socialist culture policy, estradization, gender politics Petar Lukoviþ, a journalist, writes about the folk singer Lepa Lukiþ in his book Bolja prolost: prizori iz muziĀkog ivota Jugoslavije 19401989 [A Better Past: Scenes from Yugoslav Music Life 19401989], making the following observation: In the future feminist debates, Lepa Lukiþ will occupy a special place: before her, women in estrada were more or less objecti ed, primarily treated like disreputable persons. -
ADA HUJA” – ECO - GEOLOGICAL PROBLEM Branislav Sretenović1, Filip Arnaut1, Ivana Vasiljević1, Vesna Cvetkov1
UNDERGROUND MINING ENGINEERING 34 (2019) 59-76 UDK 62 UNIVERSITY OF BELGRADE - FACULTY OF MINING AND GEOLOGY ISSN 03542904 Original scientific paper 2D GEOELECTRICAL RESISTIVITY TOMOGRAPHY APPLICATION AT THE FORMER CITY WASTE DUMP “ADA HUJA” – ECO - GEOLOGICAL PROBLEM Branislav Sretenović1, Filip Arnaut1, Ivana Vasiljević1, Vesna Cvetkov1 Received: April 18, 2019 Accepted: June 3, 2019 Abstract: Rapid yearly technology development has enabled the possibility of renewing already acquisitioned data using new and improved software capabilities. The potential to gather 3D inversion results from 2D acquisitioned data is one of many new software options that were not available twenty years ago. Data obtained by ground penetrating radar (GPR) using 500 MHz and 300 MHz frequencies were used to confirm information attained by electrical resistivity tomography, hence the GPR survey was only conducted on a small portion of one profile line. Suitable location of the former communal waste site “Ada Huja” and the degree of possible environmental pollution are one of many reasons why it was crucial to reinterpret the 2D inversion data. Two decades after the initial scanning the data was used to solve the eco-geological problem which is a side effect of the decade long disposal and non-aiding of the communal waste dump. Keywords: 2D inversion; geoelectrical method; Wenner array; ecology; Ada Huja 1 INTRODUCTION The location of the former city waste dump “Ada Huja” was labeled as IBA (Important Bird Area), where refuge was found by some endangered species of birds like the black- headed seagull, big and small cormorant and the white-tailed eagle. Ada Huja, which is located only 4 km from the city center of Belgrade, was under the supervision from the former Federal executive council of SFRY and declared a communal waste dump in the year 1960. -
Belgrade and Istanbul in the Global Competition
UDC 711.4 (497.11) 711.4 (560.118) CHASING THE LIMELIGHT: BELGRADE AND ISTANBUL IN THE GLOBAL COMPETITION Aleksandra Stupar, Cenk Hamamcioglu The purpose of this paper is to analyze and compare main changes of contemporary Belgrade and Istanbul - two urban nodes at the crossroads of different and multileveled flows. Following the same pattern of global activation, inevitable competition and networking, these cities are trying to synchronize their multidimensional background, establish new patterns of global behavior and adjust them to the dynamism of modern life. Consequently, their historical role has been modified, urban tissue has been developed, recreated and regenerated, and the output of this process represents an attractive testimony of their global initiation. Revealing the ambiguous nature of strong economic forces as well as a new fusion of urban cultures, Belgrade and Istanbul are structuring the globalized image with the new key-elements. However, their true potential and the real efficiency of this process should be re-evaluated - the changed physiognomy of the city could improve its position in the global hierarchy and facilitate its integration into the global community, but, sometimes, local limitations are too complex and too strong to be ignored. INTRODUCTION Belgrade and Istanbul, two interesting exam- for the Austrians and the Turks, and both ples interlinked by specific historical circum- conquerors 'molded' the city according to their Although the process of globalization repre- stances, have decided to apply this -
University of Arts in Belgrade
UNIVERSITY OF ARTS IN BELGRADE UNIVERSITÉ LYON 2 Interdisciplinary Postgraduate Studies UNESCO chair for Cultural Management and Cultural Policy in the Balkans Master thesis: IDENTIFYING AND CREATING THE IDENTITY OF BELGRADE By: Bojana Bursać Supervisor: Prof. Divna Vuksanović, PhD Belgrade, July 2006 Acknowledgement Without help, support, and encouragement from several persons, I would never have been able to finish this work. It is a pleasure that I have now the opportunity to express my gratitude for those that helped me. Foremost, I would like to express my deep and sincere gratitude to my supervisor Professor Divna Vuksanović, Ph.D. for her help, support and constant encouragement during planning and accomplishment of the research and the thesis writing. I wish to express my thanks to Professor Milena Dragićević- Šešić, Ph.D. and Professor Vesna Đukić-Dojčinović who gave me valuable help during my work. In addition, special thanks to the French Cultural Centre for giving me the opportunity to experience the manifestation European capital of culture- Lille 2004, during my internship in Conseil régional Nord-Pas-de-Calais, where I have developed my initial idea for the thesis. I am very grateful to all my interviewees and interviewers who have devoted their time and effort for this research. Last, but not least, I thank my family, boyfriend and friends for their never ending understanding, patience and support. 2 Abstract The present time, popularly known as the “century of city”, demands a detailed definition of a city’s identity and promotion of its brand in order to provide differentiation from other similarly defined places, as well as to defend its own identity from the possible negative effects of branding. -
Text of the Competition
CITY OF BELGRADE CITY ADMINISTRATION – SECRETARIAT FOR CULTURE PROGRAM OF COMPETITION for public contest and calling for international two-stage open competition for finding a conceptual solution for Stefan Nemanja Memorial at Savski Square in Belgrade September 2017 PROGRAM OF COMPETITION for public contest and calling for international two-stage open competition for finding a conceptual solution for Stefan Nemanja Memorial at Savski Square in Belgrade Competition Caller/Orderer City of Belgrade, City Administration – Secretariat for Culture www.beograd.rs 2 Content INTRODUCTION 1. THE GOAL AND THE OBJECTIVE OF THE COMPETITION 2. LOCATION DATA 2.1 The existing state 2.1.1 General characteristics of location 2.1.2 The existing state 2.1.3 The planned state 2.2 Natural characteristics - climate and green areas 2.3 History of location, architectural and cultural heritage 3. TASK OF THE COMPETITION 3.1 General guidelines 3.2 Position of the Memorial, spatial and dimensional limitations 3.3 Recommendations for attitude towards architectural and cultural heritage 3.4 Guidelines for the first and second stage of the competition 4. CRITERIA FOR WORK EVALUATION 5. RULES OF THE COMPETITION 5.1 Requirements for participation in the competition 5.2 Requirements for the implementation of the competition 5.3 Content of the competition work 5.4 Method of technical-design processing of the competition work 5.5 Content of competitors statement 5.6 Competition deadlines 5.7 Type and value of prizes 5.8 Jury 5.9 Legal and financial consequences for the type and amount of the prize and the conditions for the protection of copyrights as well as the transfer of property rights from the author to the investor.