100Th Anniversary Issue
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Journal Part a 2020
The Episcopal Diocese of Maryland Convention Journal Part A – Information & Reports For the 236th Annual Convention September 12, 2020 (rescheduled due to COVID-19 pandemic) 1 236th Annual Convention of the Episcopal Diocese of Maryland Contents Schedule………………………………………………………………………………………………………………….3 Diocesan Staff………………………………………………………………………………………………………….4 Churches by Region…………………………………………………………………………………………………7 Indexes of Parishes, Congregations, and Missions……………………………………………………..8 Other Agencies, Institutions and Organizations……………………………………………………….13 Ecumenical Ministries……………………………………………………………………………………………14. Church Schools………………………………………………………………………………………………………14 Individuals in the Formation Process……………………………………………………………………...16 Reports Episcopal Acts…………………………………………………………………………………………..…17 Other Reports (alphabetical)………………………………………………………………………..22 Minutes from 2019 Convention……………………………………………..……………………………….33 Tables and Lists Canonical List of Clergy as of May 2019 convention……………………..……………….52 Clergy Who Have Died Since the Last Convention.………………………………………...60 Bishops of Maryland…………………………………………………………………………………....60 Lay Delegates and Alternates to 2019 Convention……………..………………………....62 Youth Delegates and Alternates to 2019 Convention…………………………………….65 Nominations—see Journal Part B Appointments Nominees Rules of Order Balloting Instructions Sample Ballot Sheet Resolutions—see Journal Part B Statistics—see website Convention page Allocations Financial Membership 2 236th Annual Convention of the Episcopal Diocese of Maryland Schedule -
Lutheran Summer Music 2000
Lutheran Summer Music 2000 Faculty Artist Recital Karen Becker cello Seth Beckman piano Joseph Bognar harpsichord James Hogg viola Timothy Schorr piano Kerry Walters soprano University Theater Valparaiso University Center for the Arts Valparaiso, Indiana Monday, July 3, 8:00 p.m. Program Sonata in A Major Luigi Boccherini I. Adagio (1743-1805) II. Allegro Karen Becker, cello Timothy Schorr, piano La convalescente Frangois Couperin (1668-1733) Sonata (1991) Edwin McLean Brisé Joseph Bognar, harpsichord Ellen Taaffe Zwilich (b. 1939) Seth Beckman, piano He’s Got the Whole World in His Hands Margaret Bonds (1913-1972) Steal Away to Heaven traditional arr. Mark Hayes (b. 1953) Ride On, King Jesus _ traditional arr. Hall Johnson (1888-1970) Kerry Walters, soprano Timothy Schorr, piano The Stars and Stripes Forever! John Philip Sousa (1854-1932) James Hogg, viola Seth Beckman, piano * eK KK KOK *K Karen Becker is an active soloist and chamber musician, having performed throughout the United States as well as in Europe and Puerto Rico. In September she will tour Mexico performing works of American composers. She received her Doctor of Musical Arts degree from the University of Texas at Austin and is currently Assistant Professor of Cello at the University of Nebraska-Lincoln. Seth Beckman has received numerous honors and awards, both as a soloist and chamber musician, and has appeared in recital throughout the United States and Europe. He-is Associate Professor of Piano and Chair of the Music Department at Bemidji State University. Joseph Bognar received his Bachelor of Music degree from Valparaiso University. He was awarded the Doctor of Musical Arts degree in piano accompanying and vocal coaching fromthe University of Illinois. -
Submitted to the Faculty of the Jacobs School of Music in Partial Fulfillment of the Requirements for the Degree, Doctor of Music, Indiana University December, 2015
A HANDBOOK FOR INTRODUCING UNDERGRADUATES TO THE ORGAN AND ITS LITERATURE BY PATRICK EUGENE POPE Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music, Indiana University December, 2015 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. ___________________________________ Katherine Strand, Research Director __________________________________ Christopher Young, Chairperson __________________________________ Mary Ann Hart __________________________________ Marilyn Keiser September 17, 2015 ii Copyright © 2015 Patrick E. Pope iii ACKNOWLEDGEMENTS The writer wishes to acknowledge his organ teachers and professors, whose instruction led to a discerned need for this handbook and its creation: Donnie Beddingfield (1994-1998); William Bates (1998-2002); Marilyn Keiser (2002-2004); Todd Wilson (2008- 2009); and Christopher Young (2009-present). Their love and passion for teaching, performing, and researching has kindled the writer’s interest in the organ, its music, and its literature. The writer is a better musician because of their wisdom and encouragement. The writer wishes to thank the Reverend Kevin Brown, rector, and the parish of Holy Comforter Episcopal Church, Charlotte, North Carolina for their encouragement during the final stages of the doctoral degree. The writer wishes to thank the members of his doctoral research committee and other faculty for their guidance and professional support: Katherine Strand, research director; Christopher Young, chairperson; Janette Fishell; Marilyn Keiser; Mary Ann Hart; and Bruce Neswick. In particular, the writer is grateful to Professor Young for his insightful and energizing classroom teaching in a four-semester organ literature survey at Indiana University, in which the writer was privileged to take part during master’s and doctoral coursework. -
Edition 3 | 2019-2020
A Message from the Chair of the Board of Trustees 4 2020 Musician Roster 5 JANUARY 10-12 9 Russian Winter Festival I: Natasha Returns JANUARY 24-25 17 Russian Winter Festival II: Masterpieces FEBRUARY 21-22 25 Saint-Saëns Organ Symphony With Cameron Carpenter FEBRUARY 28-29 33 Chihuly Festival: Bluebeard’s Castle Spotlight on Education 42 Board of Trustees/Staff 43 Friends of the Columbus Symphony 45 Columbus Symphony League 46 Future Inspired 47 Partners in Excellence 49 Corporate and Foundation Partners 49 Individual Partners 50 In Kind 53 Tribute Gifts 53 Legacy Society 56 Concert Hall & Ticket Information 58 ADVERTISING Onstage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com The Columbus Symphony program is published in association with Onstage Publications, 1612 Prosser Avenue, Dayton, Ohio 45409. The Columbus Symphony program may not be reproduced in whole or in part without written permission from the publisher. Onstage Publications is a division of Just Business!, Inc. Contents © 2020. All rights reserved. Printed in the U.S.A. A MESSAGE FROM THE CHAIR OF THE BOARD OF TRUSTEES Dear Columbus Symphony Supporter, As the wonderful performances of our 2019-20 season continue, we again thank you for your support of quality, live performances of orchestral music in our community! We start the new year by putting the star in Columbus with Russian Winter Festival I: Natasha Returns (January 10–12, Ohio Theatre). Natasha Paremski performs Rachmaninoff’s first piano concerto, and the concert concludes with the dramatic genius of Tchaikovsky in his powerful Manfred symphony. -
Radio 3 Listings for 12 – 18 June 2010 Page 1
Radio 3 Listings for 12 – 18 June 2010 Page 1 of 11 SATURDAY 12 JUNE 2010 Symphony No.22 in E flat, 'The Philosopher' Tom Service meets conductor Jonathan Nott, principal Amsterdam Bach Soloists conductor of the Bamberg Symphony Orchestra, and talks to SAT 01:00 Through the Night (b00smvg2) tenor Ian Bostridge and director David Alden about performing Jonathan Swain presents rarities, archive and concert recordings 4:35 AM Janacek. Robin Holloway talks about the appeal for from Europe's leading broadcasters Abel, Carl Friedrich (1723-1787) contemporary composers of Schumann's music, plus a report on Sonata No.6 in G major (Op.6 No.6) classical club nights. 1:01 AM Karl Kaiser (transverse flute), Susanne Kaiser (harpsichord) Wagner, Richard (1813-1883) Wie Lachend sie mir Lieder singen ( Tristan und Isolde, Act 1) 4:45 AM SAT 13:00 The Early Music Show (b00sq42f) Brigit Nilsson (Isolde), Irene Dalis (Brangäne), Metropolitan Rore, Cipriano de (c1515-1565) Ghostwriter: The Story of Henri Desmarest Opera Orchestra, Karl Böhm (conductor) Fera gentil The Consort of Musicke, Anthony Rooley (director) Henry Desmarest was obviously a talented musican and 1:10 AM composer, first boy page and then musician in Louis XIV's Wagner, Richard (1813-1883) 4:51 AM court, he began ghost-writing Grands Motets for one of the Amfortas! Die Wunde! (Parsifal, Act 1) Berlioz, Hector (1803-1869) chapel directors Nicholas Goupillet when he was in his early Jon Vickers (Parsifal), Christa Ludwig (Kundry), Metropolitan Le Carnaval romain - overture (Op.9) twenties. -
International Touring Organ - March 19
ABOUT THE ARTIST CAMERON CARPENTER AND THE INTERNATIONAL TOURING ORGAN - MARCH 19 piano works by Chopin, Godowsky, Grainger, Ives, Liszt, Medtner, Rachmaninoff, Schumann and others. Mr. Carpenter received a Master’s Degree from The Juilliard School in New York in 2006. The same year, he began his worldwide organ concert tours, giving numerous debuts at venues including Royal Albert Hall, the Leipzig Gewandhaus, Melbourne Town Hall, Tchaikovsky Hall in Moscow, Davies Hall in San Francisco and many others. His first album for Telarc®, the Grammy®-nominated CAMERON CARPENTER, ORGAN Revolutionary (2008), was followed in THE INTERNATIONAL TOURING ORGAN 2010 by the critically acclaimed full length AMERON CARPENTER is having DVD and CD Cameron Live! Edition Peters of years with a single instrument. Therefore a ball smashing the stereotypes became his publisher in 2010, beginning Marshall & Ogletree has sampled sounds of organists and organ music – all the ongoing release of his original works from many traditional pipe organs, C with Aria, Op. 1 (2010). His first major the while generating worldwide acclaim including many of Cameron’s favorite work for organ and orchestra, The Scandal, and controversy. His repertoire – from instruments – from the cathedral to the Op. 3, was commissioned by the Cologne the complete works of J. S. Bach to film Wurlitzer. These come together in an organ Philharmonie (KölnMusic GmbH) and scores, his original works and hundreds designed not for size, limitless variety or to premiered on New Year’s Day 2011 by the of transcriptions and arrangements – is model any particular pipe organ, but rather Deutsche Kammerphilharmonie under the probably the most diverse of any organist. -
View PDF Editionarrow Forward
T H E DIAPASON APRIL 2019 American Organ Institute University of Oklahoma Norman, Oklahoma Cover feature on pages 22–23 PHILLIP TRUCKENBROD CONCERT ARTISTS ANTHONY & BEARD ADAM J. BRAKEL THE CHENAULT DUO PETER RICHARD CONTE CONTE & ENNIS DUO LYNNE DAVIS ISABELLE DEMERS CLIVE DRISKILL-SMITH DUO MUSART BARCELONA JEREMY FILSELL MICHAEL HEY HEY & LIBERIS DUO CHRISTOPHER HOULIHAN DAVID HURD SIMON THOMAS JACOBS MARTIN JEAN HUW LEWIS RENÉE ANNE LOUPRETTE LOUPRETTE & GOFF DUO ROBERT MCCORMICK BRUCE NESWICK ORGANIZED RHYTHM RAéL PRIETO RAM°REZ JEAN-BAPTISTE ROBIN ROBIN & LELEU DUO BENJAMIN SHEEN HERNDON SPILLMAN CAROLE TERRY JOHANN VEXO BRADLEY HUNTER WELCH JOSHUA STAFFORD THOMAS GAYNOR 2016 2017 LONGWOOD GARDENS ST. ALBANS WINNER WINNER IT’S ALL ABOUT THE ART ǁǁǁ͘ĐŽŶĐĞƌƚĂƌƟƐƚƐ͘ĐŽŵ 860-560-7800 ŚĂƌůĞƐDŝůůĞƌ͕WƌĞƐŝĚĞŶƚͬWŚŝůůŝƉdƌƵĐŬĞŶďƌŽĚ͕&ŽƵŶĚĞƌ THE DIAPASON Editor’s Notebook Scranton Gillette Communications One Hundred Tenth Year: No. 4, 20 Under 30 Whole No. 1313 We thank all those who submitted nominations for our Class APRIL 2019 of 2019. We are impressed by the number of f ne nominations Established in 1909 for the brightest and most promising our young leaders in the Stephen Schnurr ISSN 0012-2378 f eld of the organ, church music, harpsichord, and carillon. 847/954-7989; [email protected] To see the 20 Under 30 Class of 2019, visit The Diapason www.TheDiapason.com An International Monthly Devoted to the Organ, website (www.thediapason.com, click on “20 Under 30”). Next the Harpsichord, Carillon, and Church Music month’s issue will include in-depth entries and photographs of In “Harpsichord Notes,” Larry Palmer reprises various front- each member of the class. -
History of the Cathedral Organ
History of the Cathedral Organ The first worship service was held at the Cathedral of the Incarnation on Trinity Sunday, 1911. At this time, only the undercroft was completed, and the building was designated the “pro-cathedral”, meaning the building was designated to someday be the Cathedral. No records can be found of what instrument was used between 1911 and 1931, when the upper church was finally completed. Neither can any record be found of the instrument used in our sanctuary between 1931 and 1941. In 1941, the original Cathedral organ was purchased from the Möller Organ Company of Hagerstown. The instrument at the time had a total of fourteen ranks of pipes and chimes. The purchase price was $5,825, for Möller Opus 7042 (about $91,000 in 2014 dollars). Completion of the organ, envisioned to be 43 ranks, was planned as soon as funds were available. In 1960, the Cathedral received a bequest by Ella Jarrett and Mary Helen Ziegler for additions to the organ. A contract was given to the Aeolian-Skinner Organ Company of Boston for the additions (Opus 1386). Six additional ranks were added to the swell organ and seven ranks were added to the choir organ. The cost of this work was $15,200 (about $119,000 in 2014 dollars). A proposal to add an additional 11 ranks to the great organ and five ranks to the pedal organ was rejected by the Chapter as too costly. The cost of these additions at the time was $17,550. By 1971, the organ was in need of an overhaul. -
JANUARY, 2009 First Congregational Church Sioux Falls, South Dakota
THE DIAPASON JANUARY, 2009 First Congregational Church Sioux Falls, South Dakota Cover feature on pages 28–29 Jan 08 Cover_original.indd 1 12/10/08 12:30:56 PM available from the Iceland Music Infor- also features themes for the mass. The mation Centre (www.mis.is/eng). Moto Preghiera has also been recorded at THE DIAPASON di Gioia by Leslie Howard is available the Cathedral Church of St. John, Al- A Scranton Gillette Publication directly from the composer (www.les buquerque by Raven CD [OAR 880] One Hundredth Year: No. 1, Whole No. 1190 JANUARY, 2009 liehowardpianist.com). Since the time (www.ravencd.com). of its composition as a Postludium to Iain Quinn Established in 1909 ISSN 0012-2378 his Missa Sancti Petri (written for St. Director of cathedral music and organist An International Monthly Devoted to the Organ, Peter’s Eaton Square), Mr. Howard has Cathedral Church of St. John the Harpsichord, Carillon, and Church Music also written a Prelude, Preghiera, which Albuquerque, New Mexico CONTENTS Editor & Publisher JEROME BUTERA [email protected] FEATURES 847/391-1045 Here & There 2008 Albert Schweitzer Organ Festival September 5–7, 2008 Associate Editor JOYCE ROBINSON The Cathedral of the Incarnation, Laird; April 15, Elena Gascho, harpsi- by Frederick Hohman 21 [email protected] Garden City, New York, continues its chord; May 20, Paul Skevington. For in- 847/391-1044 music series: January 11, Choral Even- formation: <www.musicinmclean.org>. William Dowd (February 28, 1922– November 25, 2008) song for Epiphany (Larry Tremsky, di- An Appreciation Contributing Editors LARRY PALMER rector; Alistair Nelson, organist); Febru- The Cathedral Church of St. -
The Episcopal Diocese of Maryland Convention Journal
The Episcopal Diocese of Maryland Convention Journal Part A – Information & Reports For the 235th Annual Convention May 10-11, 2019 1 235th Annual Convention of the Episcopal Diocese of Maryland Contents Schedule………………………………………………………………………………………………………………….3 Map—Turf Valley Resort………………………………………………………………………………………….6 Diocesan Staff………………………………………………………………………………………………………….7 Churches by Region………………………………………………………………………………………………..10 Indexes of Parishes, Congregations, and Missions…………………………………………………….11 Other Agencies, Institutions and Organizations………………………………………………………..16 Ecumenical Ministries…………………………………………………………………………………………….17 Church Schools………………………………………………………………………………………………………17 Individuals in the Formation Process………………………………………………………………………19 Reports Episcopal Acts…………………………………………………………………………………………….20 Other Reports (alphabetical)……………………………………………………………………….24 Confirm Constitutional Amendments of General Convention 2018………………..42 Minutes from 2018 Convention………………………………………………………………..……………..47 Tables and Lists Canonical List of Clergy as of May 2018 convention……………………..……………….69 Clergy Who Have Died Since the Last Convention.………………………………………...77 Bishops of Maryland…………………………………………………………………………………....77 Lay Delegates and Alternates to 2018 Convention……………..………………………....79 Youth Delegates and Alternates to 2018 Convention…………………………………….82 Nominations—see Journal Part B Appointments Nominees Rules of Order Balloting Instructions Sample Ballot Sheet Resolutions—see Journal Part B Statistics—see website Convention page Allocations Financial -
Journal of the American Theatre Organ Society
ATOS SepOct 51-5 K 8/17/09 3:44 PM Page 1 JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY SEPTEMBER | OCTOBER 2009 ATOS SepOct 51-5 K 8/17/09 3:44 PM Page 2 IntroducingInntroducing thethe 7KHDWUH3LSH2UJDQµ'XHW¶7KHDWUH3LSH22UJDQµ''XHW¶ AtAt last . there’stherre’’ss a complete,complete, ready-to-play,readyy-to-playy,, MIDI Theatre PipePipe OrganOrgan unit which can tratransformansform yyourour instrument into a 24 rank three manual ttheatre oorgan.rgan. ‘Duet’‘Duet’ also providprovidesdes an efeffectivefffective way too add 24 ranks of ‘ensemble’ too existingexisting virtual andd commercial TOs,TTOOs, Keyboards andand MIDI ppreparedrepared PiPipepe OrOrgans!gans! 6SHFL¿FDWLRQV6SHFL¿FDWLRQV E 24 ranksranks,, 32’32’ throughthrough 1’1’ . plusplus an alternatealternate second VoxVox HHumanaumana ranrankk anandd an aalternatelternate thithirdrd TibiaTibiia rankrank One registersreegisters and saves the organ’sorgan’s 2082 voices, couplerscouplers and E 1111 TunedTuned PercussionPercusssion voicesvoices (Chryso.,(Chryso., Xylophone,Xylopphone, VibesVibes etc)etc) trems to pistons through unique divisional/selectdivisiional/select system.system. E 1111 TrapsTraps (Kick(Kick Drum,Drrum, RepeatingRepeating Snare,Snare, CymbalsCymmbals etc)etc) E 8 ToysTTooys (Bells, Whistles,Whistles, Birds,Birds, AoogaAooga etc.etc. onon rightright pistons)pistons) MIDI Con, E 10 memory bbanksankss ooff 10 generagenerall regregisterableisterablee memory pistonspistons :YBOARD Des1gnuf & b111lr111 U with LED indicators.indicators. (Comes(Comes programmedprogrammed -
Baroque and Classical Style in Selected Organ Works of The
BAROQUE AND CLASSICAL STYLE IN SELECTED ORGAN WORKS OF THE BACHSCHULE by DEAN B. McINTYRE, B.A., M.M. A DISSERTATION IN FINE ARTS Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Chairperson of the Committee Accepted Dearri of the Graduate jSchool December, 1998 © Copyright 1998 Dean B. Mclntyre ACKNOWLEDGMENTS I am grateful for the general guidance and specific suggestions offered by members of my dissertation advisory committee: Dr. Paul Cutter and Dr. Thomas Hughes (Music), Dr. John Stinespring (Art), and Dr. Daniel Nathan (Philosophy). Each offered assistance and insight from his own specific area as well as the general field of Fine Arts. I offer special thanks and appreciation to my committee chairperson Dr. Wayne Hobbs (Music), whose oversight and direction were invaluable. I must also acknowledge those individuals and publishers who have granted permission to include copyrighted musical materials in whole or in part: Concordia Publishing House, Lorenz Corporation, C. F. Peters Corporation, Oliver Ditson/Theodore Presser Company, Oxford University Press, Breitkopf & Hartel, and Dr. David Mulbury of the University of Cincinnati. A final offering of thanks goes to my wife, Karen, and our daughter, Noelle. Their unfailing patience and understanding were equalled by their continual spirit of encouragement. 11 TABLE OF CONTENTS ACKNOWLEDGMENTS ii ABSTRACT ix LIST OF TABLES xi LIST OF FIGURES xii LIST OF MUSICAL EXAMPLES xiii LIST OF ABBREVIATIONS xvi CHAPTER I. INTRODUCTION 1 11. BAROQUE STYLE 12 Greneral Style Characteristics of the Late Baroque 13 Melody 15 Harmony 15 Rhythm 16 Form 17 Texture 18 Dynamics 19 J.