Debating Humanity Towards a Philosophical Sociology
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Perceptive Intent in the Works of Guenter Grass: an Investigation and Assessment with Extensive Bibliography
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1971 Perceptive Intent in the Works of Guenter Grass: an Investigation and Assessment With Extensive Bibliography. George Alexander Everett rJ Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Everett, George Alexander Jr, "Perceptive Intent in the Works of Guenter Grass: an Investigation and Assessment With Extensive Bibliography." (1971). LSU Historical Dissertations and Theses. 1980. https://digitalcommons.lsu.edu/gradschool_disstheses/1980 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. 71-29,361 EVERETT, Jr., George Alexander, 1942- PRECEPTIVE INTENT IN THE WORKS OF GUNTER GRASS: AN INVESTIGATION AND ASSESSMENT WITH EXTENSIVE BIBLIOGRAPHY. The Louisiana State University and Agricultural and Mechanical College, Ph.D., 1971 Language and Literature, modern University Microfilms, A XEROX Company, Ann Arbor, Michigan THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. PRECEPTIVE INTENT IN THE WORKS OF GUNTER GRASS; AN INVESTIGATION AND ASSESSMENT WITH EXTENSIVE BIBIIOGRAPHY A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Foreign Languages by George Alexander Everett, Jr. B.A., University of Mississippi, 1964 M.A., Louisiana State University, 1966 May, 1971 Reproduced with permission of the copyright owner. -
The Passage of a Transdisciplinary Movement Through an All-Too-Brief Moment in Time. Review of the Cybernetics Moment: Or Why We
Available online at www.sciencedirect.com ScienceDirect Cognitive Systems Research 43 (2017) 119–124 www.elsevier.com/locate/cogsys Book review The Passage of a Transdisciplinary Movement through an All-Too-Brief Moment in Time. Review of The Cybernetics Moment: or Why We Call Our Age the Information Age, Ronald R. Kline. Johns Hopkins (2015). 336 pp. Action editor: Peter Erdi Peter Cariani Center for Hearing Research, Boston University, United States Received 30 December 2016; accepted 31 December 2016 Available online 27 February 2017 1. Review bemoan the thin index and lack of a separate bibliography. Here is where the text-searchable, electronic Kindle edition The Cybernetics Moment focuses on the history of could come in handy. The wealth of details that Kline has cybernetics and information theory in the US as mid-20th amassed will create many small surprises and revelations in century research programs during the period of roughly the minds of those already familiar with cybernetics and 1940–1975. Kline’s scholarly yet highly readable book pur- information theory. But because relatively little effort is sues three major intertwined threads: cybernetics, informa- devoted to introducing the essential ideas of these move- tion theory and the information age. The text mainly ments, readers less familiar with these fields may find the presents the interactions between major players in these going a bit tougher. fields in a roughly chronological order. For the most part, The book complements a relatively small but growing the book’s trails revolve around Norbert Wiener, Claude historical literature on cybernetics research that includes Shannon, and the Macy conferences on cybernetics Steve Heims’ John von Neuman and Norbert Wiener: From (1946–1953). -
Coming Close: What an Interview Can Reveal About Creativity in the Contemporary Art Music Composer
JOURNAL OF OF RESEARCH ONLINE MusicA JOURNAL OF THE MUSIC COUNCIL OF AUSTRALIA COMING CLOSE: WHAT AN INTERVIEW CAN REVEAL ABOUT CREATIVITY IN THE CONTEMPORARY ART MUSIC COMPOSER Introduction RICHARD WILLGOSS he term ‘creativity’, used linguisticly in a musical context, gains a first significance by being used to describe a value judgement on a composer’s output, both as a score and a performance. The relevance of an investigation ■ Sydney Conservatorium of Music Tinto why and how the term is used in this context then gains a second significance University of Sydney in that, buried within being creative, are notions as to why some music is selectively Sydney , New South Wales valued, rather than all of what is on offer. These two premises find weak support from Australia, 2000 parametric approaches to their substantiation. However, gathering and interpreting information in a rational, sensible way should always remain an important step to understanding the subject matter. The major difficulty in resolution that arises is with assumptions made about what might be found, and upon what epistemology it should be based. [email protected] Art music composers create compositions that mainly sit as innovations on or extensions to the western classical music tradition. The use of the term in this research is not meant to imply any elitism or intellectual, social or cultural bias. However, it is innovations on, and links that can be made to, the present classical tradition (or lack of them) that often give rise to calling art music creative. Composers who choose to compose in this manner often devote much of their compositional efforts to this www.jmro.org.au end. -
Critical Mass: Collectivity and Collaboration in the History Of
CRITICAL MASS: COLLECTIVITY AND COLLABORATION IN THE HISTORY OF MULTI-AGENT INTELLIGENT SYSTEMS By Rachel Bergmann Department of Art History and Communication Studies McGill University, Montreal November 2019 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts in Communication Studies © Rachel Bergmann 2019 Table of Contents List of Figures i Abstract/Résumé ii Acknowledgements iii Introduction 1 The Need for a Longer History 3 Notes on Terminology 13 Chapter Outline 15 Chapter 1: “The Vietnamese Don’t Live on the Quarter System”: Countercultural Politics at SRI and SAIL 18 Building a Lab’s Culture 21 “Zoe Pictures 1971” 26 The Other Lab: SRI and the Anti-War Movement 36 Conclusion 43 Chapter 2: Critical Mass: Protocol Feminism in AI Research 45 Forming the network 51 People and language itself: feminist AI research protocols 61 Conclusions and contradictions 65 Chapter 3: Whose SharedPlans? Scripts, Collaboration, and Feminist AI Research 68 Scripts, Plans, and SharedPlans 71 Going off-script: resonances in STS and feminist theory 81 Destabilizing the master-slave analogy in AI 85 Multi-Agent Systems and the limits of feminist AI research 89 Conclusion 93 Bibliography 108 Figures Figure 1. Home page of SAILDART.org. 20 Figure 2. Photo of the D.C. Power Building. 23 Figure 3. “Engineering School Seeks to Enrol More Women.” The Stanford Daily, 1973. 27 Figure 4. “Join the Women’s Liberation.” The Stanford Daily, 1969. 28 Figure 5. “Make $3,000 by Jply If You Are Female, Attractive, Uninhibited.” The Stanford Daily, 1971. 32 Figure 6. -
Virulence and Digital Culture
Virulence and Digital Culture Ryan E. Artrip Dissertation submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy In ASPECT: Alliance for Social, Political, Ethical, and Cultural Thought François Debrix, Chair Timothy W. Luke Brian Britt Patricia Nickel April 18, 2016 Blacksburg, VA Keywords: Technology; Digitality; Digital Culture; Production; Information; Representation; Referentiality; Virtuality; Viral Media; Virulence; Sexuality; Linguistic Theory; Baudrillard; Hyperreality; Virtual Reality; Implosion; Critical Theory; Political Theory; Cultural Theory; Critical Media Studies; Poststructuralism; Epistemology; Ontology; Metaphysics Copyright 2016 Virulence and Digital Culture Ryan E. Artrip ABSTRACT (academic) This dissertation is a theoretical study of the role of virality/virulence as a predominant technological term in the reproduction of social and cultural information in the digital age. I argue that viral media are not new phenomena, only the name is new. Media have always behaved as viruses; it is only when they become hyper-intensified in digital technology that their virulent function surfaces in language and culture. The project examines processes of self-replication and evolution undergone by various new media phenomena as they relate back to the global profusion of social networks, data centers, and cybernetic practices. Drawing from several contributions in media theory, political and social theory, and critical media studies, I argue that digital media have a hyper-intensifying effect on whatever objects, subjects, or realities they mediate or represent; thus networked societies are virulently swarmed by their own signs and images in information. Through an examination of three primary categories of digital proliferation—language, visuality, and sexuality—I situate digital culture in a framework of virulence, arguing that the digital may be best understood as an effect of cultural hyper-saturation and implosion. -
Depopulation: on the Logic of Heidegger's Volk
Research research in phenomenology 47 (2017) 297–330 in Phenomenology brill.com/rp Depopulation: On the Logic of Heidegger’s Volk Nicolai Krejberg Knudsen Aarhus University [email protected] Abstract This article provides a detailed analysis of the function of the notion of Volk in Martin Heidegger’s philosophy. At first glance, this term is an appeal to the revolutionary mass- es of the National Socialist revolution in a way that demarcates a distinction between the rootedness of the German People (capital “P”) and the rootlessness of the modern rabble (or people). But this distinction is not a sufficient explanation of Heidegger’s position, because Heidegger simultaneously seems to hold that even the Germans are characterized by a lack of identity. What is required is a further appropriation of the proper. My suggestion is that this logic of the Volk is not only useful for understanding Heidegger’s thought during the war, but also an indication of what happened after he lost faith in the National Socialist movement and thus had to make the lack of the People the basis of his thought. Keywords Heidegger – Nazism – Schwarze Hefte – Black Notebooks – Volk – people Introduction In § 74 of Sein und Zeit, Heidegger introduces the notorious term “the People” [das Volk]. For Heidegger, this term functions as the intersection between phi- losophy and politics and, consequently, it preoccupies him throughout the turbulent years from the National Socialist revolution in 1933 to the end of WWII in 1945. The shift from individual Dasein to the Dasein of the German People has often been noted as the very point at which Heidegger’s fundamen- tal ontology intersects with his disastrous political views. -
52 Philosophy in a Dark Time: Martin Heidegger and the Third Reich
52 Philosophy in a Dark Time: Martin Heidegger and the Third Reich TIMOTHY O’HAGAN Like Oscar Wilde I can resist everything except temptation. So when I re- ceived Anne Meylan’s tempting invitation to contribute to this Festschrift for Pascal Engel I accepted without hesitation, before I had time to think whether I had anything for the occasion. Finally I suggested to Anne the text of a pub- lic lecture which I delivered in 2008 and which I had shown to Pascal, who responded to it with his customary enthusiasm and barrage of papers of his own on similar topics. But when I re-read it, I realized that it had been written for the general public rather than the professional philosophers who would be likely to read this collection of essays. So what was I to do with it? I’ve decided to present it in two parts. In Part One I reproduce the original lecture, unchanged except for a few minor corrections. In Part Two I engage with a tiny fraction of the vast secondary literature which has built up over the years and which shows no sign of abating. 1. Part One: The 2008 Lecture Curtain-Raiser Let us start with two dates, 1927 and 1933. In 1927 Adolf Hitler’s Mein Kampf (volume II) was published. So too was Martin Heidegger’s magnum opus Being and Time. In 1933 two appointments were made: Hitler as Chancellor of the German Reich and Heidegger as Rector of Freiburg University. In 1927 it was a case of sheer coincidence; in 1933 the two events were closely linked. -
Situating Martin Heidegger's Claim to a “Productive Dialogue” with Marxism
South African Journal of Philosophy ISSN: 0258-0136 (Print) 2073-4867 (Online) Journal homepage: http://www.tandfonline.com/loi/rsph20 Situating Martin Heidegger's claim to a “productive dialogue” with Marxism Dominic Griffiths To cite this article: Dominic Griffiths (2017) Situating Martin Heidegger's claim to a “productive dialogue” with Marxism, South African Journal of Philosophy, 36:4, 483-494, DOI: 10.1080/02580136.2017.1342464 To link to this article: https://doi.org/10.1080/02580136.2017.1342464 Published online: 26 Nov 2017. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsph20 Download by: [169.0.16.25] Date: 26 November 2017, At: 22:35 South African Journal of Philosophy 2017, 36(4): 483–494 Copyright © South African Journal of Philosophy Printed in South Africa — All rights reserved SOUTH AFRICAN JOURNAL OF PHILOSOPHY ISSN 0258-0136 EISSN 2073-4867 http://dx.doi.org/10.1080/02580136.2017.1342464 Situating Martin Heidegger’s claim to a “productive dialogue” with Marxism Dominic Griffiths Department of Philosophy, University of Johannesburg, South Africa Division of Studies in Education, University of the Witwatersrand, South Africa [email protected] This critical review aims to more fully situate the claim Martin Heidegger makes in “Letter on Humanism” that a “productive dialogue” between his work and that of Karl Marx is possible. The prompt for this is Paul Laurence Hemming’s recently published Heidegger and Marx: A Productive Dialogue over the Language of Humanism which omits to fully account for the historical situation which motivated Heidegger’s seemingly positive endorsement of Marxism. -
Understanding the Process of Creation: a New Approach DOI: 10.7595/Management.Fon.2017.0021
Management: Journal of Sustainable Business and Management Solutions in Emerging Economies 2017/22(3) Gennady Shkliarevsky1 Bard College, USA Understanding the Process of Creation: a New Approach DOI: 10.7595/management.fon.2017.0021 Abstract: Our contemporary civilization increasingly relies on creative approaches and solutions. This grow- ing dependence makes issues of control, regulation and management of the process of creation ever more important.This article finds two major current theoretical perspectives on creativity and the process of creation to be vulnerable in one important respect: their explanation of the production of disequilibrium, which plays a singularly important role in the process of creation, does not pass the test of rational justification. This arti- cle suggests that the production of disequilibrium is intimately related to equilibration — the essential opera- tion of rational thought processes. The emphasis on the role equilibration makes a rational justification of the production of disequilibrium possible. The new theoretical perspective opens the path toward a comprehen- sive and objective understanding of the process of creation, which is the main condition for regulating, con- trolling, and managing this process. Key words: Creativity, the process of creation, equilibration, the production of disequilibrium, Margaret Boden, computation. JEL classification: B59,O31 1. Introduction Every age has its defining characterization. If one had to choose a characterization for our age, the most likely candidate would be “the era of creativity” (Kirstetter et al., 2013). Creativity is at the center of public atten- tion. It is the subject of discussions by politicians, scientists, business people, media and public figures, and by ordinary people. -
An Antihumanist Reinterpretation of the Philosophy of Singularity 2016/27 245
An Antihumanist Reinterpretation of the Philosophy of Singularity 2016/27 245 Kaygı Uludağ Üniversitesi Fen-Edebiyat Fakültesi Felsefe Dergisi Uludağ University Faculty of Arts and Sciences Journal of Philosophy Sayı 27 / Issue 27│Güz 2016 / Fall 2016 ISSN: 1303-4251 Research Article Araştırma Makalesi Dilara BİLGİSEL İstanbul Bilgi Üniversitesi, Sosyal ve Beşeri Bilimler Fakültesi, İstanbul-Türkiye Istanbul Bilgi University, Faculty of Social Sciences, Philosophy and Social Thought, Istanbul-Turkey [email protected] An Antihumanist Reinterpretation of the Philosophy of Singularity Abstract This article takes a close look at the discussion of singularity in Jean-Luc Nancy’s The Inoperative Community and Being Singular Plural as an attempt to negate the subject/object dichotomy and create a new context for a re-evaluation of resistance. With its aim of refuting individualistic subjectivity, the philosophy of singularity puts forward that the humanist point of view unnecessarily polarizes individuality and community. By placing a challenging scenario of antihumanism against the humanist sense of responsibility, the philosophy of singularity questions whether it is possible to do philosophy without saying ‘I’. This antihumanist stance, which replaces the ‘I’/‘other’ differentiation with Nancy’s ‘the other of another,’ chooses to strengthen the link between ontology and resistance in the notion of coexistence, beyond traditional hypotheses on immanence or transcendence. In order to discover the manifestation of coexistence within the frame of an antihumanist philosophy of singularity, this article begins with digging deep under the notion of individualistic subjectivity to show that it embodies a hollow and plastic category. Following this, Nancy’s stress on the term ‘ecstasy’ will be grounded upon the Freudian theory of drives and the concept of coexistence will be situated in a dark realm that the humanist worldview would expect in the least. -
Adopting a Posthumanist Ethics to Inform Value Sensitive Design
philosophies Article The Ecological Turn in Design: Adopting a Posthumanist Ethics to Inform Value Sensitive Design Steven Umbrello Institute of Ethics and Emerging Technologies (IEET), University of Turin, 10124 Turin, Italy; [email protected] Abstract: Design for Values (DfV) philosophies are a series of design approaches that aim to incorpo- rate human values into the early phases of technological design to direct innovation into beneficial outcomes. The difficulty and necessity of directing advantageous futures for transformative technolo- gies through the application and adoption of value-based design approaches are apparent. However, questions of whose values to design are of critical importance. DfV philosophies typically aim to enrol the stakeholders who may be affected by the emergence of such a technology. However, regardless of which design approach is adopted, all enrolled stakeholders are human ones who propose human values. Contemporary scholarship on metahumanisms, particularly those on posthumanism, have decentred the human from its traditionally privileged position among other forms of life. Arguments that the humanist position is not (and has never been) tenable are persuasive. As such, scholarship has begun to provide a more encompassing ontology for the investigation of nonhuman values. Given the potentially transformative nature of future technologies as relates to the earth and its many assemblages, it is clear that the value investigations of these design approaches fail to account for all relevant stakeholders (i.e., nonhuman animals). This paper has two primary objectives: (1) to argue for the cogency of a posthuman ethics in the design of technologies; and (2) to describe how existing DfV approaches can begin to envision principled and methodological ways of incorporating Citation: Umbrello, S. -
Ralf Dahrendorf and the European Union 2030
Ralf Dahrendorf and the European Union 2030: Looking Back, Looking Forward Edited by Helmut K. Anheier and Iain Begg A JOINT INITIATIVE BY FUNDED BY PUBLISHED BY Lord Ralf Dahrendorf 1929-2009 photo courtesy of the Library of the London School of Economics and Political Science The Dahrendorf Forum is a joint initiative by the Hertie School in Berlin and the London School of Economics and Political Science, funded by Stiftung Mercator. Since its creation in 2010, the Dahrendorf project has grown into a major research and policy engagement network. It has held three successful Dahrendorf Symposia in Berlin in 2011, 2013, and 2016. Over its four research cycles, the project has gained valuable experience of injecting academic ideas into policy debates. It has also become a recognised example of successful transnational co- operation. The project has helped to strengthen the institutional links between the two academic partners, becoming the centrepiece of intellectual collaboration between the Hertie School and the London School of Economics (LSE). Initially a British-German collaboration, the Dahrendorf initiative has grown into a broader European project, drawing together a wide network from many different countries, and now with even greater relevance in the emerging post-Brexit environment. The Dahrendorf Team generates and disseminates social science research that is both policy relevant and of the highest standard. The researchers concentrate on generating impact with high-level policymakers and practitioners close to the centres of political action and decision-making in Berlin, London, and Brussels. Ralf Dahrendorf and the European Union 2030: Looking Back, Looking Forward Edited by Helmut K.