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Development of the Global Film Industry The global film industry has witnessed significant transformations in the past few years. Regions outside the USA have begun to prosper while non-traditional produc- tion companies such as Netflix have assumed a larger market share and online movies adapted from literature have continued to gain in popularity. How have these trends shaped the global film industry? This book answers this question by analyzing an increasingly globalized business through a global lens. Development of the Global Film Industry examines the recent history and current state of the business in all parts of the world. While many existing studies focus on the internal workings of the industry, such as production, distribution and screening, this study takes a “big picture” view, encompassing the transnational integration of the cultural and entertainment industry as a whole, and pays more attention to the coordinated develop- ment of the film industry in the light of influence from literature, television, animation, games and other sectors. This volume is a critical reference for students, scholars and the public to help them understand the major trends facing the global film industry in today’s world. Qiao Li is Associate Professor at Taylor’s University, Selangor, Malaysia, and Visiting Professor at the Université Paris 1 Panthéon- Sorbonne. He has a PhD in Film Studies from the University of Gloucestershire, UK, with expertise in Chinese- language cinema. He is a PhD supervisor, a film festival jury member, and an enthusiast of digital filmmaking with award- winning short films. He is the editor ofMigration and Memory: Arts and Cinemas of the Chinese Diaspora (Maison des Sciences et de l’Homme du Pacifique, 2019). -
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Advances in Social Science, Education and Humanities Research, volume 142 4th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2017) The Narrative Construction of Chinese Animation from the Perspective of Adolescent Audience Hongya Zhou School of Art and Design Xihua University Chengdu, China 610039 Abstract—Since the new century, the new generation of earth-shaking changes. When the original animation creation "post 2000" audience cultivated by the Chinese animation are under planned economic system entered the market economy, gradually entering adolescence, so continuing to grasp the it began to appear big shrinking since it was unable to adapt viewing preferences of this group and adapting to the market to the viewing needs of audience under the changes of the demand of a higher level is an important means for Chinese times. Both quality and quantity cannot be compared with animation to achieve the continuation of influence and sound the previous achievements. Coupled with the large-scale and comprehensive development. Based on the theme narrative "invasion" of animation culture from the United States, theory, this paper takes contemporary adolescent as object and Japan and other countries, Chinese animation have no place tries to find the way out and direction of sustainable to stand, which completely lost the competitiveness, as well development of Chinese animation in the fierce market as the audience base of the two generations of "post 1980" competition through the study of the narrative theme, role shaping, narrative carrier and the cultural inheritance. and "post 1990". Basically, putting aside the external cause of weak means of market operation, the conservative, single Keywords—Chinese Animation; adolescent; narrative animation narrative means with the form bigger than the content is an important factor that causes Chinese animation text to lose its vitality. -
Television Viewing Habits of Children in Chongqing (China) Tian Qu
ADVERTIMENT. Lʼaccés als continguts dʼaquesta tesi queda condicionat a lʼacceptació de les condicions dʼús establertes per la següent llicència Creative Commons: http://cat.creativecommons.org/?page_id=184 ADVERTENCIA. El acceso a los contenidos de esta tesis queda condicionado a la aceptación de las condiciones de uso establecidas por la siguiente licencia Creative Commons: http://es.creativecommons.org/blog/licencias/ WARNING. The access to the contents of this doctoral thesis it is limited to the acceptance of the use conditions set by the following Creative Commons license: https://creativecommons.org/licenses/?lang=en 0 Television Viewing Habits of Children in Chongqing (China) Doctoral Dissertation Tian Qu Director: Núria García-Muñoz Departament de Comunicació Audiovisual i Publicitat Facultat de Ciències de la Comunicació Universitat Autònoma de Barcelona Bellaterra, December 2017 1 Contents Abstract .................................................................................................................................. 5 Acknowledgements ............................................................................................................. 7 List of Tables ......................................................................................................................... 8 List of Figures ........................................................................................................................ 9 Chapter 1 Introduction ................................................................................................ -
Beauty of Humanity in Global Animations
American Journal of Humanities and Social Science (AJHSS) Volume 6, 2020 Beauty of Humanity in Global Animations CHEN Qianxi[a]; LI Lu[b]; HUO Yijing[c] [a]Undergraduate Student, School of Foreign Languages, North China Electric Power University, Beijing, China. [b]Undergraduate Student, School of Foreign Languages, North China Electric Power University, Beijing, China. [c]Undergraduate Student, School of Foreign Languages, North China Electric Power University, Beijing, China. Abstract With the continuous advancement of globalization, cultural integration is becoming increasingly intense. Cultural soft power is of great significance to the realization of national rejuvenation. As an important carrier of culture, film not only embodies national culture, but also plays an important role in guiding culture. With the increasingly fierce competition in the world film market, the future development direction and outlet of Chinese film has always been an important issue for filmmakers. For a successful animated film, its spiritual core is indispensable. Looking at the excellent animation works around the globe, “carrying forward the beauty of humanity” is an eternal topic and the soul of the works. This paper discusses the beauty of humanity embodied in Chinese and foreign animation images, analyzes the advantages and disadvantages of Chinese and foreign excellent animation works, hoping to find the direction for the future development of Chinese animation films. Keywords: Animation; Beauty of humanity; Culture differences; Self-identity Introduction Since modern times, animation entered China as an “imported product” and developed in the process of adaptation and breakthrough. Although there are many excellent animation works in China, with the increasingly intense market competition, the creation of Chinese animation film also needs to seek its own way out. -
C Ntent 1-14 May 2017 L
C NTENT 1-14 May 2017 www.contentasia.tv l www.contentasiasummit.com ContentAsia @ Top takeouts from APOS 2017 BCM in Korea Who said/thinks what & why in Bali this year... Follow us around this year’s Busan Contents Market (BCM) from 10-12 May. News, views, who’s there and what they’re up to... Asia to top NBCUni non-linear biz in 2 years 10 SVOD destinations in Asia by end 2017 NBCUniversal will have signed 10 on- demand branded VOD destinations in Asia by the end of this year, doubling its profile in Asia’s emerging non-linear en- vironment. And that’s just the beginning. This year’s APOS (Asia Pacific Video Op- together. We have to work together and erators Summit) by Media Partners Asia educate people on online streaming. We You’ll find the whole story on page 5 (MPA) wrapped last Thursday with some believe the market will turn…. MG [for messages that were louder than others content] is not the right model”. and a clear sense that long-held truths Indonesian telco Telkomsel’s director/ are no longer true and that new rules are chief marketing officer, Alistair Johnston, being made up day by day... These are echoed the sentiment. Malaysia’s our top nine. “The traditional model of subscription Media Prima hits packages for content with a big MG, I MGs are Dead. Long Live really think this has to be revised,” John- the road Rev-share ston said, outlining the possibility of co- OTT platform tonton mingling products to allow subscribers ventures into Singapore in Talk of minimum guaran- to cherry-pick the content they want no tees for content is a total matter where it comes from, and at the first regional deal passion killer for telcos, same time managing data. -
An Oral History of the Special Olympics in China Volume 2 the Movement Economy and Social Inclusion
Economy and Social Inclusion Creating a Society for All William P. Alford Mei Liao Fengming Cui Editors An Oral History of the Special Olympics in China Volume 2 The Movement Economy and Social Inclusion Creating a Society for All Series Editor Akihiko Matsui, Tokyo, Japan This series provides a forum for theoretical, empirical, historical, and experimental analysis of issues related to economy and social inclusion and exclusion. Included are the interconnected problems of alienation, deprivation, discrimination, economic inequality, polarization, and prejudices caused by or related to abusive behavior, aging, depopulation, disability, the educational gap, the gender gap, natural disaster, poverty, rare diseases, war, and various other economic and social factors. The common theme of the series is to examine how we can create an inclusive society that accommodates as many people as possible and promotes their welfare. We believe this should be the main goal of economics as a discipline. Society need not passively observe its inequality, social exclusion, and decline. Policy, institutions, and our actions matter. The series aims to enrich academic discourse, influence economic and social policy, and enlighten a global readership. Methodologies adopted in this series are mainly economic theory, game theory, econometrics, statistical analysis, economic experiments, and disability studies. Psychology, sociology, legal studies, and medical sciences, among other disci- plines, are also considered important related fields of study. The interdisciplinary research taken up in the series utilizes these existing methodologies for the common goal of creating a society for all. Furthermore, progress in such interdisciplinary studies will contribute new insights to the development of economic studies. -
Promoting Profit Model Innovation in Animation Project in Northeast Asia
sustainability Article Promoting Profit Model Innovation in Animation Project in Northeast Asia: Case Study on Chinese Cultural and Creative Industry Hao Jiao 1, Yupei Wang 1, Hongjun Xiao 2,*, Jianghua Zhou 1 and Wensi Zeng 1 1 Business School, Beijing Normal University, Beijing 100875, China; [email protected] (H.J.); [email protected] (Y.W.); [email protected] (J.Z.); [email protected] (W.Z.) 2 Institute of Industrial Economics, Chinese Academy of Social Science, Beijing 100444, China * Correspondence: [email protected]; Tel.: +86-10-6804-7524 Received: 20 September 2017; Accepted: 7 December 2017; Published: 18 December 2017 Abstract: Building on a case study of three animation companies in the Chinese cultural and creative industry, this study aims to understand how profit model innovation is promoted. Due to the rapidly changing environments and resource scarcity, cultural and creative companies need to select the appropriate profit model according to their own key resources. The study uncovers two critical factors that promote profit model innovation in animation projects: the quantity of consumers and their consumption intention. According to these two dimensions, the authors’ analysis shows profit model innovation in animation projects can be divided into Fans mode, Popular mode, Placement mode, and Failure mode, respectively. This study provides an empirical basis for advocating profit model innovation and discusses the resource requirements of Fan mode, Popular model, and Placement mode in China’s cultural and creative industry. The authors’ research also has managerial implications that might help firms promote profit model innovation. Finally, learning and promoting the profit model of China’s animation industry in the Northeast Asia area will be conducive to Northeast Asia’s cooperation and sustainable development. -
Regional Cooperation for the Sustainable Development and Management in Northeast Asia
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Choi, Yongrok (Ed.) Book — Published Version Regional cooperation for the sustainable development and management in Northeast Asia Provided in Cooperation with: MDPI – Multidisciplinary Digital Publishing Institute, Basel Suggested Citation: Choi, Yongrok (Ed.) (2018) : Regional cooperation for the sustainable development and management in Northeast Asia, ISBN 978-3-03897-056-9, MDPI, Basel, http://dx.doi.org/10.3390/books978-3-03897-056-9 This Version is available at: http://hdl.handle.net/10419/193982 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially